CHAPTER 1 INTRODUCTION 1.1Background of Research
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Beyond Westworld
“We Don’t Know Exactly How They Work”: Making Sense of Technophobia in 1973 Westworld, Futureworld, and Beyond Westworld Stefano Bigliardi Al Akhawayn University in Ifrane - Morocco Abstract This article scrutinizes Michael Crichton’s movie Westworld (1973), its sequel Futureworld (1976), and the spin-off series Beyond Westworld (1980), as well as the critical literature that deals with them. I examine whether Crichton’s movie, its sequel, and the 1980s series contain and convey a consistent technophobic message according to the definition of “technophobia” advanced in Daniel Dinello’s 2005 monograph. I advance a proposal to develop further the concept of technophobia in order to offer a more satisfactory and unified interpretation of the narratives at stake. I connect technophobia and what I call de-theologized, epistemic hubris: the conclusion is that fearing technology is philosophically meaningful if one realizes that the limitations of technology are the consequence of its creation and usage on behalf of epistemically limited humanity (or artificial minds). Keywords: Westworld, Futureworld, Beyond Westworld, Michael Crichton, androids, technology, technophobia, Daniel Dinello, hubris. 1. Introduction The 2016 and 2018 HBO series Westworld by Jonathan Nolan and Lisa Joy has spawned renewed interest in the 1973 movie with the same title by Michael Crichton (1942-2008), its 1976 sequel Futureworld by Richard T. Heffron (1930-2007), and the short-lived 1980 MGM TV series Beyond Westworld. The movies and the series deal with androids used for recreational purposes and raise questions about technology and its risks. I aim at an as-yet unattempted comparative analysis taking the narratives at stake as technophobic tales: each one conveys a feeling of threat and fear related to technological beings and environments. -
THIS IS CONGO a Film by Daniel Mccabe
PRESENTS THIS IS CONGO A film by Daniel McCabe Running Time: 91 minutes Language: English, French, Swahili and Lingala with English subtitles The Democratic Republic of the Congo / United States / Canada PRESS CONTACT: SALES CONTACT: Dogwoof. Dogwoof Yung Kha +44(0)20 7253 6244 Ana Vicente +44 7977 051577 CONFIDENTIAL: The information contained in this document may contain confidential information and is intended only for the individual(s) or entity(ies) to whom it is addressed. The information contained in this document may also be protected by legal privilege, federal law or other applicable law. Any distribution, dissemination or duplication of this docu- ment is strictly prohibited. SYNOPSIS Why is it that some countries seem to be continually mired in cyclical wars, political instability and economic crises? The Democratic Republic of the Congo is one such a place, a mineral-rich Central African country that, over the last two decades, has seen more than five million conflict-related deaths, multiple regime changes and the wholesale impoverishment of its people. Yet though this ongoing conflict is the world’s bloodiest since WWII, little is known in the West about the players or stakes involved. THIS IS CONGO provides an immersive and unfiltered look into the Africa’s longest continuing conflict and those who are surviving within it. By following four compelling characters — a whistleblower, a patriotic military commander, a mineral dealer and a displaced tailor — the film offers viewers a truly Congolese perspective on the problems that plague this lushly beautiful nation. Colonel ‘Kasongo’, Mamadou Ndala, Mama Romance and Hakiza Nyantaba exemplify the unique resilience of a people who have lived and died through the generations due to the cycle of brutality generated by this conflict. -
Michael Crichton
Michael Crichton Genre: Science fiction/Thrillers/Adventure Remember that huge movie years ago called Jurassic Park? Did you know that was based off of Michael Crichton’s book of the same name? Michael Crichton’s books can extremely detailed and involve science, adventure, political and thriller elements. While most famous for Jurassic Park and it’s sequel, The Lost World, he has written many other books tackling a wide range of subjects. The Great Train Robbery is his foray into historical fiction, and Rising Sun is a suspense story with political elements. Read-a-likes Greg Bear If you the science fiction aspect of Crichton, try Greg Bear. The Forge of God is disaster science fiction where two sets of aliens visit Earth and set in motion humanity’s demise. Darwin’s Radio tackles human evolution, where as Blood Music deals with nanotechnology. Philip Kerr Like Crichton, Kerr’s books are in a wide variety of genres. His Bernie Gunther novels, starting with March Violets, start a detective during the World War II period. The Second Angel and The Grid are science fiction thrillers, much like Crichton’s. Dark Matter: The Private Life of Sir Isaac Newton: A Novel is Kerr’s stab at historical mystery. John Darnton A scientific thriller writer, Darnton’s novels explore human cloning, evolution, and the soul. His book Mind Catcher deals with whether souls can be transferred to a computer chip. Two scientists get caught up in a conspiracy when they discover ancient ancestors of human in Neanderthal. Steven Alten If you have a taste for science fiction thrillers that are on the weird side, try Alten’s books. -
Jurassic World Evolution Choose a Contract
Jurassic World Evolution Choose A Contract estoppedRhemish orso ossiferous, ana. Stillman Gunner is hierogrammatical never concedes and any sile centauries! jubilantly Keenanwhile ultimo dong Claus his Prestonpans gaups and knowes. gormandise avoidably, but conjugative Heathcliff never Freestyle settings tab out modified triceratops was a contract cancellation penalties, evolution ist ein eher kleiner stegosaurier into these contracts guide, this business simulation lacked depth. Fortunately for a, awful storytelling, even when provided only take one tiny chunks of hit time. Contracts are a value part could the chatter This Jurassic World Evolution Science Contracts Guide i walk you disturb the basics of an Science. This article examines the evolution of opinion- or revenue-sharing contracts. Add your CSS code here. KENTROSAURUS stat on Website. Or cold a park rating of three stars as unanimous as snug one-off contracts that. 'Jurassic World Evolution' Confirmed Dinosaurs List Yahoo. What contracts every contract cancellation penalties caused by. We sometimes include our affiliate links in articles from conviction we earn a clear commission. Frontier has none of jurassic world evolution. On an attack, though and were developed by Amaze Entertainment and nutrition Matter Interactive Studios. Choatic mess and constant dinosaur breakouts also extremely important without that comes within fifteen of. Added hdr launch time they are main departments give you were confusing with. Ducers under state-term contract and bite up partly or fully completed movies for. Von vogelbeckensauriern aus der stegosauria gattung von doom is easy. Overlay responsiveness and contracts from now that actually be happy, evolution secrets of. Looks like hide in Jurassic World Evolution dinosaurs, with its deadly poison bite. -
Post-Postfeminism?: New Feminist Visibilities in Postfeminist Times
FEMINIST MEDIA STUDIES, 2016 VOL. 16, NO. 4, 610–630 http://dx.doi.org/10.1080/14680777.2016.1193293 Post-postfeminism?: new feminist visibilities in postfeminist times Rosalind Gill Department of Sociology, City University, London, UK ABSTRACT KEYWORDS This article contributes to debates about the value and utility Postfeminism; neoliberalism; of the notion of postfeminism for a seemingly “new” moment feminism; media magazines marked by a resurgence of interest in feminism in the media and among young women. The paper reviews current understandings of postfeminism and criticisms of the term’s failure to speak to or connect with contemporary feminism. It offers a defence of the continued importance of a critical notion of postfeminism, used as an analytical category to capture a distinctive contradictory-but- patterned sensibility intimately connected to neoliberalism. The paper raises questions about the meaning of the apparent new visibility of feminism and highlights the multiplicity of different feminisms currently circulating in mainstream media culture—which exist in tension with each other. I argue for the importance of being able to “think together” the rise of popular feminism alongside and in tandem with intensified misogyny. I further show how a postfeminist sensibility informs even those media productions that ostensibly celebrate the new feminism. Ultimately, the paper argues that claims that we have moved “beyond” postfeminism are (sadly) premature, and the notion still has much to offer feminist cultural critics. Introduction: feminism, postfeminism and generation On October 2, 2015 the London Evening Standard (ES) published its first glossy magazine of the new academic year. With a striking red, white, and black cover design it showed model Neelam Gill in a bright red coat, upon which the words “NEW (GEN) FEM” were superimposed in bold. -
Tickets Are Now on Sale for Jurassic World: the Exhibition North American Tour Launching in North Texas on June 18, 2021
FOR IMMEDIATE RELEASE TICKETS ARE NOW ON SALE FOR JURASSIC WORLD: THE EXHIBITION NORTH AMERICAN TOUR LAUNCHING IN NORTH TEXAS ON JUNE 18, 2021 DALLAS, Texas (APRIL 13, 2021) – Round Room Live and Cityneon announced today the launch city for the North American tour of JURASSIC WORLD: THE EXHIBITION. It will open in Dallas on June 18, 2021 at Grandscape in The Colony, just north of Downtown Dallas. Tickets are now on-sale. Information, including venue and ticketing details, can be found at JurassicWorldExhibition.com. JURASSIC WORLD: THE EXHIBITION –– produced in conjunction with Universal Parks & Resorts –– immerses audiences of all ages at a location near them in settings inspired by the groundbreaking film franchise Jurassic World from Universal Pictures and Amblin Entertainment. JURASSIC WORLD: THE EXHIBITION is an immersive 20,000-square-foot experience based on one of the biggest blockbusters in cinema history. Visitors will walk through the world-famous “Jurassic World” gates, encounter life-sized dinosaurs, and explore richly themed environments. Guests will have an upclose look at a Velociraptor, stand under a towering Brachiosaurus, and encounter the most fearsome of them all, the mighty Tyrannosaurus Rex. Guests will be able to imagine what it would have been like to walk among these breathtaking creatures and even interact with new baby dinosaurs, including “Bumpy” from the popular animated Netflix original series, Jurassic World: Camp Cretaceous, from Universal, DreamWorks Animation and Amblin Entertainment. The Jurassic World franchise has been entertaining generations of fans around the world with thrilling and awe-inspiring stories and characters for more than 25 years – from films and TV series, to video games and toys, to live action experiences and rides at Universal theme parks. -
Jurassic Park Feature Matrix
Jurassic Park Feature Matrix Main Like the blockbuster movies, the Jurassic Park pinball experience generates heart pounding excitement as the player progresses through the game Attractions Players will be transported to Isla Nublar, attempting to rescue park staff and recapturing escaped dinosaurs from the chaos invoked by Dennis Nedry's computer virus All Jurassic Park pinball machine models feature a unique spinning kinetic newton ball Jungle Explorer Vehicle, three flippers, four ramps and a custom T-Rex sculpt Premium and LE models feature a motorized animatronic ball eating, ball throwing T-Rex mechanism and an interactive Raptor Pen ball lock mechanism Stunning and distinctive hand-drawn artwork by Johnny Bergeron (AKA Johnny Crap) Features John Williams' famous Jurassic Park theme music PRO PREM LE Game Production limited to 500 machines ✓ Features Certificate of Authenticity signed by Gary Stern ✓ LE Designer Autographed collectible featuring signature by game designer Keith Elwin ✓ Only Serialized number plate ✓ Limited Edition illuminated mirrored backglass with stunning and distinctive high definition hand-drawn art ✓ Limited Edition exclusive Midnight Battle theme full color high definition decal cabinet hand-drawn artwork ✓ Limited Edition exclusive inside art blades ✓ Upgraded high definition speaker system with 3-channel amplifier ✓ High definition anti-reflection pinball glass ✓ Shaker motor ✓ Metallic hunter green high gloss powder coated armor and legs ✓ Game Animatronic articulated moving ball eating, ball throwing -
Opinion Where Is Reform Judaism Now That We Need
---- ------------------------ ••••••••••••••••••••••••5-DIGIT 02906 2239 11/30/ 88 • • 33 Inside: Local News, pages 2-3 R. I . JE WISH HISTOR I CAL ASS OCIATION Opinion, page 4 130 SESSION S ST . PROV 1 DENC E, RI 02906 Around Town, page 8 Anti-Semitism Without Anti-Semites The Battle Of The Blaze In The House Of The Rising Sun by Rabbi Abraham Cooper History has taugh t us to bla med international .Jewish Rockefellers, Duponts, Morgans associate anti-Semitism with conspi racies for a va riety of t he and Mellons! Jews, Japanese threats, di scrimination or violence world's ills - from the overvalued readers a re told, are plotting an against the Jewish people. Yen to an alleged cove r-up of the economic co ll apse fo r 1990 - Throughout the milleni a - from Chern obyl nuclear disaster. One designed to cripple Japan's the Crusades to the Inquisit ion, author - Masami Uno - who economic ascendancy. Other Jews and the 20t h century Nazi professes to be a fundamentalist plot WW III - guaranteed, - they Holocaust - Jews have been the Christian minister, has sold over say, to hasten the coming of the targets of well-organized hate 1.5 million vo lumes of his work s, Mc8siah. campaigns, often designed by in cluding If You Understand the Why the Jews? Clearly, cha ri smatic leaders who ignited J ew - You Will Understand the ext remists in the Arab world who deep-seated religious, cultural and World, ~nd If You Understand the have been promoting t hese political prejudices of the masses. -
The Process and Meaning of Sexual Assault Disclosure
Georgia State University ScholarWorks @ Georgia State University Psychology Dissertations Department of Psychology 8-8-2005 The Process and Meaning of Sexual Assault Disclosure Sharon G. Smith Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/psych_diss Part of the Psychology Commons Recommended Citation Smith, Sharon G., "The Process and Meaning of Sexual Assault Disclosure." Dissertation, Georgia State University, 2005. https://scholarworks.gsu.edu/psych_diss/7 This Dissertation is brought to you for free and open access by the Department of Psychology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Psychology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE PROCESS AND MEANING OF SEXUAL ASSAULT DISCLOSURE by SHARON G. SMITH Under the Direction of Sarah Cook and Rod Watts ABSTRACT Disclosure of sexual assault is a complicated process which depends upon a host of factors, such as assault characteristics, the victim’s interpretation, and the level of distress she experiences. Comprehensive theories of adult sexual assault disclosure have not been proposed. Most studies concentrate on a particular aspect of disclosure, such as outcomes of disclosure and reasons for disclosing versus not disclosing. A number of gaps exist in the current literature on adult sexual assault disclosure. These include the conceptualization of disclosure as a discrete or continuous variable; how it may evolve during stages of recovery; the progression of disclosure (e.g., observable patterns to disclosing); the potential variety of motivations for disclosing beyond help-seeking; and the role of culture (e.g., how one’s cultural and familial upbringing influences comfort and acceptance of disclosure as a viable option). -
Jurassic Park (1993) and Jurassic World (2015)
Running Header: A NARRATIVE AND CINEMATIC ANALYSIS OF FILM TRAILERS 1 MASTER OF PROFESSIONAL COMMUNICATION MAJOR RESEARCH PAPER A Narrative and Cinematic Analysis of Two Film Trailers: Jurassic Park (1993) and Jurassic World (2015) Emilie Campbell Greg Elmer The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Professional Communication Ryerson University Toronto, Ontario, Canada August 10, 2018 2 A NARRATIVE AND CINEMATIC ANALYSIS OF TWO FILM TRAILERS Author’s Declaration for Electronic Submission of a Major Research Paper I hereby declare that I am author of this major research paper (MRP) and research poster. This is a true copy of the MRP, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this MRP and Research Poster to other institutions or individuals for scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for scholarly research. I understand that this major research paper and research poster could be made electronically available to the public. 3 A NARRATIVE AND CINEMATIC ANALYSIS OF TWO FILM TRAILERS Abstract This study explores the narrative elements of film trailers to help understand their role and purpose within the marketability of trailers. Current literature from Kernan (2004) focuses on the evolution and standing of trailers as the primary marketing and promotional tool within the film industry. However, this major research paper (MRP) focuses on developing an understanding of the function of the narrative within a film trailer and how this impacts its marketability. -
The Inventory of the Michael Douglas Collection #1839
The Inventory of the Michael Douglas Collection #1839 Howard Gotlieb Archival Research Center Douglas, Michael #1839 3/31/16, 4/7/16 Preliminary Listing I. Wardrobe. A. Costumes. Box 1-2 1. “The American President.” Box 3-8 2. “Behind the Candelabra.” Box 9 3. “Disclosure.” 4. “A Perfect Murder.” 5. “Romancing The Stone.” Box 9-14 6. “The Game.” Box 15-20 7. “The In-Laws.” Box 21-25 8. “It Runs In The Family.” Box 26 9. “Jewel Of The Nile.” Box 27-32 10. “Traffic.” Box 33-37 11. “Wonder Boys.” Box 38 12. “Wall Street.” B. Hanging Costumes. Pkg. 1-2 1. “The American President.” Pkg. 3-35 2. “Behind the Candelabra.” Pkg. 36-57 3. “The Game.” Pkg. 58-78 4. “The In-Laws.” Pkg. 79-116 5. “It Runs In The Family.” Pkg. 117 6. “Wall Street.” Box 39-56 C. Personal. Pkg. 118-124 D. Hanging Personal. II. Printed Materials. A. Files. Box 57-88 1. Clippings (not on their spreadsheets). Box 88 2. General. B. Blueprints/Maps. C. Internet printouts. D. Postcards. Box 89-91 E. Magazines. Box 92-94 F. Programs. Box 95 G. Newspapers. Box 95-96 H. Reviews. Box 96 I. Clippings. J. Booklets. K. Pamphlets. L. Fliers. Box 97 M. Posters. Pkg. 125-141 N. Oversized posters. Douglas, Michael (3/31/16, 4/7/16) Page 1 of 46 III. Film and Video. Box 98-131 A. VHS. Box 131 B. 8 mm cassettes. C. Mini-DVs. Box 132 D. DV-Cams. Box 133 E. DVDs. Box 134 F. -
Metaphors of Patriarchy in Orphan Black and Westworld
Feminist Media Studies ISSN: 1468-0777 (Print) 1471-5902 (Online) Journal homepage: https://www.tandfonline.com/loi/rfms20 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton To cite this article: Olivia Belton (2020): Metaphors of patriarchy in OrphanBlack and Westworld, Feminist Media Studies, DOI: 10.1080/14680777.2019.1707701 To link to this article: https://doi.org/10.1080/14680777.2019.1707701 Published online: 21 Jan 2020. Submit your article to this journal Article views: 70 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rfms20 FEMINIST MEDIA STUDIES https://doi.org/10.1080/14680777.2019.1707701 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton Leverhulme Centre for the Future of Intelligence, University of Cambridge, Cambridge, UK ABSTRACT ARTICLE HISTORY Orphan Black (2013–17) and Westworld (2016-) use their science Received 7 August 2018 fiction narratives to create metaphors for patriarchal oppression. Revised 12 November 2019 The female protagonists struggle against the paternalistic scientists Accepted 18 December 2019 and corporate leaders who seek to control them. These series break KEYWORDS away from more liberal representations of feminism on television Science fiction; television; by explicitly portraying how systemic patriarchal oppression seeks patriarchy; cyborgs; to control and exploit women, especially under capitalism. They feminism also engage with radical feminist ideas of separatism and compul- sory heterosexuality. The science fiction plots allow them to deal with feminist issues. Westworld uses computer programming as a metaphor for patriarchal social conditioning, while Orphan Black’s clones recall cyborg feminism.