SKIP — the TLS Skill Improvement Program
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Program Outline 434- Jewellery and Metalwork NUNAVUT INUIT LANGUAGES AND CULTURES Jewelry and Metalwork (and all fine arts) PROGRAM REPORT 434 Jewellery and Metalwork Start Term: No Specified End Date End Term: No Specified End Date Program Status: Approved Action Type: N/A Change Type: N/A Discontinued: No Latest Version: Yes Printed: 03/30/2015 1 Program Outline 434- Jewellery and Metalwork Program Details 434 - Jewellery and Metalwork Start Term: No Specified End Date End Term: No Specified End Date Program Details Code 434 Title Jewellery and Metalwork Start Term No Specified End Date End Term No Specified End Date Total Credits Institution Nunavut Faculty Inuit Languages and Cultures Department Jewelry and Metalwork (and all fine arts) General Information Eligible for RPL No Description The Program in Jewellery and Metalwork will enable students to develop their knowledge and skills of jewellery and metalwork production in a professional studio atmosphere. To this end the program stresses high standards of craftship and creativity, all the time encouraging and exposing students to a wide range of materials, techniques and concepts. This program is designed to allow the individual student to specialize in an area of study of particular interest. There is an emphasis on creative thinking and problem-solving throughout the program.The first year of the program provides an environment for the students to acquire the necessary skills that will enable them to translate their ideas into two and three dimensional jewellery and metalwork. This first year includes courses in: Drawing and Design, Inuit Art and Jewellery History, Lapidary and also Business and Communications. -
Lapidary Journal Jewelry Artist March 2012
INDEX TO VOLUME 65 Lapidary Journal Jewelry Artist April 2011-March 2012 INDEX BY FEATURE/ Signature Techniques Part 1 Resin Earrings and Pendant, PROJECT/DEPARTMENT of 2, 20, 09/10-11 30, 08-11 Signature Techniques Part 2 Sagenite Intarsia Pendant, 50, With title, page number, of 2, 18, 11-11 04-11 month, and year published Special Event Sales, 22, 08-11 Silver Clay and Wire Ring, 58, When to Saw Your Rough, 74, 03-12 FEATURE ARTICLES Smokin’*, 43, 09/10-11 01/02-12 Argentium® Tips, 50, 03-12 Spinwheel, 20, 08-11 Arizona Opal, 22, 01/02-12 PROJECTS/DEMOS/FACET Stacking Ring Trio, 74, Basic Files, 36, 11-11 05/06-11 DESIGNS Brachiopod Agate, 26, 04-11 Sterling Safety Pin, 22, 12-11 Alabaster Bowls, 54, 07-11 Create Your Best Workspace, Swirl Step Cut Revisited, 72, Amethyst Crystal Cross, 34, 28, 11-11 01/02-12 Cut Together, 66, 01/02-12 12-11 Tabbed Fossil Coral Pendant, Deciphering Chinese Writing Copper and Silver Clay 50, 01/02-12 Linked Bracelet, 48, 07-11 12, 07-11 Stone, 78, 01/02-12 Torch Fired Enamel Medallion Site of Your Own, A, 12, 03-12 Easier Torchwork, 43, 11-11 Copper Wire Cuff with Silver Necklace, 33, 09/10-11 Elizabeth Taylor’s Legendary Wire “Inlay,” 28, 07-11 Trillion Diamonds Barion, 44, SMOKIN’ STONES Jewels, 58, 12-11 Coquina Pendant, 44, 05/06-11 Alabaster, 52, 07-11 Ethiopian Opal, 28, 01/02-12 01/02-12 Turquoise and Pierced Silver Ametrine, 44, 09/10-11 Find the Right Findings, 46, Corrugated Copper Pendant, Bead Bracelet – Plus!, 44, Coquina, 42, 01/02-12 09/10-11 24, 05/06-11 04-11 Fossilized Ivory, 24, 04-11 -
Neycraft Centrifugal Casting Machine to Be Free from Defects in Material and Workmanship for a Period of Two Years from the Date of Sale
CRUCIBLE SLIDE LEVER COUNTER BALANCE WEIGHT SILICA CRUCIBLE WINDING & LOCKING WARRANTY INVESTMENT FLASK KNOB FLASK RECEIVER WARRANTY: Except with respect to those components parts and uses which are described herein, ASSEMBLY DENTSPLY Neytech warrants the Neycraft Centrifugal Casting Machine to be free from defects in material and workmanship for a period of two years from the date of sale. DENTSPLY Neytech’s liability under this warranty is limited solely to repairing or, at DENTSPLY Neytech’s option, replacing those products included within the warranty which are returned to DENTSPLY Neytech within the applicable warranty period (with shipping charges prepaid), and which are determined by DENTSPLY Neytech to be defective. This warranty shall not apply to any product which has been subject to misuse; negligence; or accident; or misapplied; or modified; or repaired by unauthorized persons; or improperly installed. INSPECTION: Buyer shall inspect the product upon receipt. The buyer shall notify DENTSPLY Neytech in writing of any claims of defects in material and workmanship within thirty days after the buyer discovers or should have discovered the facts upon which such a claim is based. Failure of the SAFETY SHELL buyer to give written notice of such a claim within this time period shall be deemed to be a waiver of such claim. MOUNTING BASE DISCLAIMER: The provisions stated herein represent DENTSPLY Neytech’s sole obligation and exclude all other remedies or warranties, expressed or implied, including those related to MERCHANTABILITY and FITNESS FOR A PARTICULAR PURPOSE. LIMITATION OF LIABILITY: Under no circumstances shall DENTSPLY Neytech be liable to the buyer for any incidental, consequential or special damages, losses or expenses. -
By Sharon Francis Maxwell a Thesis Submitted in Partial
Essence [slide] by Sharon Francis Maxwell A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts Montana State University © Copyright by Sharon Francis Maxwell (1993) Abstract: no abstract found in this volume ESSENCE by Sharon Francis Maxwell A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts MONTANA STATE UNIVERSITY Bozeman, Montana April 1993 a / ^ (A 4 4 ° 1 ii APPROVAL of a thesis submitted by Sharon Francis Maxwell This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format citations, bibliographic style, and consistency, and is ready for submission to the College of Graduate Studies. Approved for the Major Department , I icpartmerv Approved for the College of Graduate Studies Date Graduate Dean iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it available to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with "fair use" as prescribed in the US. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Signatur Date I ARTIST’S STATEMENT Flowers have inspired mankind for thousands of years, providing a lasting and endless variety of motifs. -
METAL ENAMELING Leader Guide Pub
Arts & Communication METAL ENAMELING Leader Guide Pub. No. CIR009 WISCONSIN 4-H PUBLICATION HEAD HEART HANDS HEALTH Contents Before Each Meeting: Checklist ..............................1 Adhesive Agents or Binders ....................................6 Facilities Tools, Materials and Equipment Safety Precautions..................................................6 Resource Materials Kiln Firing and Table-Top Units Expenses Metal Cutting and Cleaning Planning Application of Enamel Colors Youth Leaders Other Cautions Project Meeting: Checklist ......................................3 Metal Art and Jewery Terms ...................................7 Purposes of 4-H Arts and Crafts ...........................................8 Components of Good Metal Enameling Futher Leader Training Sources of Supplies How to Start Working Prepare a Project Plan Bibiography ............................................................8 Evaluation of Projects Kiln Prearation and Maintenance ...........................6 WISCONSIN 4-H Pub. No. CIR009, Pg. Welcome! Be sure all youth are familiar with 4H158, Metal Enameling As a leader in the 4-H Metal Enameling Project, you only Member Guide. The guide suggests some tools (soldering need an interest in young people and metal enameling to be irons and propane torches), materials and methods which are successful. more appropriate for older youth and more suitable for larger facilities (school art room or spacious county center), rather To get started, contact your county University of Wisconsin- than your kitchen or basement. Rearrange these recommen- Extension office for the 4-H leadership booklets 4H350, dations to best suit the ages and abilities of your group’s Getting Started in 4-H Leadership, and 4H500, I’m a 4-H membership and your own comfort level as helper. Project Leader. Now What Do I Do? (also available on the Wisconsin 4-H Web Site at http://www.uwex.edu/ces/4h/ As in any art project, a generous supply of tools and pubs/index.html). -
CLASSROOM ASSIGNMENTS Wednesday, August 15, 2018
CLASSROOM ASSIGNMENTS Wednesday, August 15, 2018 Workshop Teacher Room Assignment Starting at 8:30 AM Arabesque Necklace Leslie Venturoso 22 Bangalore Phyllis Flora & Scott Mason 3 & 4 Beachcomber's BonanzaHelen Driggs 18 Caging and Brazing + Wire TechniquesSusan Lenart Kazmer 16 Chroniker – Intro to MetalworkingKieu Pham Gray 7 Earth & Sea Kumihimo Graduating NecklaceCindy Grayson 29 Faux Marcasite Bracelet Diane Dennis 27 Fold Formed Reinforced Rivet & Hinged CuffAnne Mitchell 1 & 2 Inspiration Bracelets Pamela Hawkins 24 Introducing Niobium Marti Brown 5 Lavalicious Bracelet with Leather StrapNancy Sacco 19 Rings to Rings with BlingEva Sherman 11 Sterling Padlock (2 Days)Richard Salley 14 Treescape Jean Van Brederode 8 Twist Bracelet Kaska Firor 31 Vessel of Flowers Sara Lukkonen 10 Vintage Elegance with Silver ClaySulie Girardi 9 Wave Bangle Set Robyn Cornelius 6 Written In Stone Pendant / NecklaceKristi Evenson 17 Starting at 12:30 PM Filigree 101 - Pendant Kieu Pham Gray 7 Starting at 1:00 PM Beach Baby Earring Patina WorkshopPamela Hawkins 24 Stone Set Finger BanglesPhyllis Flora & Scott Mason 3 & 4 Textural Wrap Bracelet Kristi Evenson 17 CLASSROOM ASSIGNMENTS Thursday, August 16, 2018 Class Teacher Room Assignment Starting at 8:30 AM Art Nouveau Designs in Metal ClayLisel Crowley 32 Big Bling Ring Nancy Sacco 19 Chandelier Earrings Kaska Firor 31 Cold Connection Boot Camp: Rivets and Cold Joins for Jewelry Helen Driggs 18 and Mixed Media Discover Torch Enameling: Wild About WireSteven James 17 Eye of the Beholder Jean Van Brederode -
Studio Member Magazine of the PMC Guild PMC
Studio Member Magazine of the PMC Guild PMC Summer 2005 · Volume 8, Number 2 Studio Summer 2005 · Volume 8, Number 2 Member Magazine of the PMC Guild PMC On the Cover: Gang blade from PMC Tool and Supply/Darway features Design Studio, leaf cutters and rolling tool from Celie Fago, and tool kit from New Mexico Clay. Background image is Elaine Luther working on her butterfly pendant... see page 7 4 Word Art Studio PMC This beginner's project by Debbie Fehrenbach using rubber stamps is PMC Guild ideal for teaching the technique. P.O. Box 265, Mansfield, MA 02048 www.PMCguild.com 6 Butterfly Inlay Pendant Volume 8, Number 2 • Summer 2005 Editor—Suzanne Wade Elaine Luther demonstrates the use of some of her favorite tools Technical Editor—Tim McCreight in this pendant project. Art Director—Jonah Spivak Advertising Manager—Bill Spilman Studio PMC is published by the PMC Guild Inc. 10 The Tool Trade • How to SUBMIT WORK to Studio PMC… For some PMC artists, developing and selling tools has become We welcome your PMC photos, articles and ideas. You may submit by mail or electronically. Please include your name, address, e-mail, a welcome addition to their PMC careers. phone, plus a full description of your PMC piece and a brief bio. Slides are preferred, but color prints and digital images are OK. By Mail: Mail articles and photos to: Studio PMC, 11 Tools, Tools, Tools P.O. Box 265, Mansfield, MA 02048. Electronically: E-mail articles in the body of the e-mail, or as Studio PMC's First Tool Buyers' Guide! A treasure trove of tools attachments. -
JMD How to Enamel Jewelry
PRESENTS How to Enamel Jewelry: Expert Enameling Tips, Tools, and Techniques Jewelry Making Daily presents How to Enamel Jewelry: Expert Enameling Tips, Tools, and Techniques 7 3 21 ENAMELING TIPS BY HELEN I. DRIGGS 12 10 TORCH FIRED ENAMEL ENAMELING MEDALLION NECKLACE BY HELEN I. DRIGGS BY HELEN I. DRIGGS ENAMELED FILIGREE BEADS BY PAM EAST I LOVE COLOR! In jewelry making, enamel is one of the most In “Enameled Filigree Beads,” Pam East walks you through a versatile sources of pure, luscious color – powdered glass you simple technique of torch firing enamel onto a premade bead can apply with great precision onto silver, gold, copper, and using a handheld butane torch instead of an enameling kiln. other jewelry metals. With enamels, you can paint with a broad The enamel adds color to the bead, while the silver filigree brush or add minute and elaborate detail to pendants, brace- creates the look of delicate cells like those in cloisonné enamel lets, earrings, and more. You can work in rich, saturated tones work. And in “Torch Fired Enamel Medallion Necklace,” Helen or in the subtlest of pastels. You can create a world of sharp Driggs shows you how to create your own torch fired enamel contrast in black and white or one entirely of shades of gray. “cabochons,” how to tab set those cabs, and how to stamp You can even mimic the colors of the finest gemstones, but you and patinate the surrounding metalwork, which you can put can also produce hues and patterns you’d never find among the together using the chain of your choice. -
Gems'll Quick
c -/9 ARIZONA DEPARTMENT OF MINERAL RESOURCES MINERAL BUILDING, FAIRGROUNDS Phoenix, Arizona 85007 September 6, 1977 BOOK LIST 11 For the beginner, ~ For general information, d/ For the student 11 Advanced text, ~ Technical specialized text Books for the Mineral Collector Author Publisher *Field Guide to Rocks and Minerals d/ Pough Houghton Miffin Mineral Recognition J/ Vanders & Kerr John Wiley Prospecting for Gemstones and Minerals d/ Sinkankas Von Nostrand *A Textbook of Mineralogy 11 Dana John Wiley *The Mineral Kingdom ~ Desautels Grosset & Dunlap *Minerals and Man ~ Hurlbut Random House *Glossary of Mineral Species 11 Michael Fleischer Mineralogical Record, Inc. *Rocks and Minerals 11 Joel Arem Ridge Press, Inc . *Encyclopedia of Minerals ~ Roberts, Rapp Von Nostrand and Weber *Mineralogy of Arizona J/ Anthony-Williams University of, Bideaux Arizona Press Books on Geology Stories Read from Rocks 11 Parker Row Peterson The Earth's Changing Surface 11 Parker Row Peterson Rocks, Rivers & the Changing Earth ~ Schneider W. R. Scott Anatomy of the Earth ~ Cailleux McGraw-Hill Structural Geology 11 De Sitter McGraw-Hill Physical Geology 11 Longwell, et al John Wiley Elements of Geology 11 Zumberge John Wiley *Minerals and Rocks 11 Kirkaldy Hippocrene Books Books on Gems and Gem Cutting Practical Gemmology J/ Webster Wehman Brothers The Story of the Gems 'll Whitlock Emerson The Book of Agates and Other Quartz Gems'll Quick Chi lton Gemstones of North America 11 Si nkankas Von Nostrand Von Nostrand's Standard Catalog of Gems 11 Sinkankas -
The Cultural Significance of Precious Stones in Early Modern England
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 6-2011 The Cultural Significance of Precious Stones in Early Modern England Cassandra Auble University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the Cultural History Commons, European History Commons, and the History of Gender Commons Auble, Cassandra, "The Cultural Significance of Precious Stones in Early Modern England" (2011). Dissertations, Theses, & Student Research, Department of History. 39. https://digitalcommons.unl.edu/historydiss/39 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND by Cassandra J. Auble A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor Carole Levin Lincoln, Nebraska June, 2011 THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND Cassandra J. Auble, M.A. University of Nebraska, 2011 Adviser: Carole Levin Sixteenth and seventeenth century sources reveal that precious stones served a number of important functions in Elizabethan and early Stuart society. The beauty and rarity of certain precious stones made them ideal additions to fashion and dress of the day. These stones also served political purposes when flaunted as examples of a country‘s wealth, bestowed as favors, or even worn as a show of royal support. -
JD: Jewelry Design
JD: Jewelry Design JD 101 — Introduction to Jewelry JD 115 — Metal Forming Techniques: Fabrication Chasing and Repousse 2 credits; 1 lecture and 2 lab hours 1.5 credits; 3 lab hours Basic processes used in the design and Introduces students to jewelry-forming creation of jewelry. Students fabricate their techniques by making their own dapping own designs in the studio. and chasing tools by means of forging, JD 102 — Enameling Techniques for annealing, and tempering. Using these Precious Metals/Fine Jewelry/Objects tools, objects are created by repousse and D'Art other methods. 2 credits; 1 lecture and 2 lab hours Prerequisite(s): all first-semester Jewelry Vitreous enameling on precious metals. Design courses or approval of chairperson Studies include an emphasis on the "Co-requisite(s): JD 116, JD 122, JD metallurgical properties of gold, silver, and 134, JD 171, and JD 173 or approval of platinum and their chemical compatibility chairperson. with enamels. Surface treatments, ancient JD 117 — Enameling for Contemporary and modern, that intensify the jewel- Jewelry like qualities of vitreous enamel on 2 credits; 1 lecture and 2 lab hours precious metal will be explored. along with Vitreous enamel has been used for construction techniques that help students centuries as a means of adding color transform glass into beautiful, functional and richness to precious objects and jewelry and objects of art. jewelry. This course examines historical Prerequisite(s): JD 101. and contemporary uses of enamel, and JD 103 — Jewelry and Accessories explores the various methods of its Fabrication (Interdisciplinary) application, including cloisonne, limoges 2 credits; 1 lecture and 2 lab hours and champleve, the use of silver and gold This is an interdisciplinary course cross- foils, oxidation, surface finishing and setting listed with LD 103. -
Sapphire from Australia
SAPPHIRES FROM AUSTRALIA By Terrence Coldham During the last 20 years, Australia has ew people realize that Australia is one of the major assumed a major role in the production of F producers of sapphire on the world market today. Yet a blue sapphire. Most of the gem material fine blue Australian sapphire (figure 1)competes favorably comes from alluvial deposits in the Anal<ie with blue sapphire from noted localities such as Sri Lanka, (central Queensland) and New England (northern New South Wales) fields. Mining and virtually all other hues associated with sapphire can be techniques range from hand sieving to found in the Australian fields (figure 2). In fact, in the highly mechanized operations. The rough is author's experience it is probable that 50% by weight of usually sorted at the mine offices and sold the sapphire sold through Thailand, usually represented directly to Thai buyers in the fields. The as originating in Southeast Asia, were actually mined in iron-rich Australian sapphires are predom- Australia. inantly blue (90%),with some yellow, some In spite of the role that Australian sapphire plays in the green, and a very few parti-colored stones. world gem market, surprisingly little has been written The rough stones are commonly heat about this indigenous gem. This article seeks both to de- treated in Thailand to remove the silk. scribe the Australian material and its geologic origins and Whileproduction has been down duringthe to introduce the reader to the techniques used to mine the last two years because of depressed prices combined with higher costs, prospects for material, to heat treat it prior to distribution, and to the future are good.