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L'arte Del Violino in Italia C. 1650-1700

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L'arte Del Violino in Italia C. 1650-1700 GCD 921206 L’Arte del Violino in Italia New release information October 2011 c. 1650-1700 NOTES (ENG) NOTES (FRA) At the start of the 1990s the Perugian violinist Au début des années 90, le violoniste pérugin Enrico Enrico Gatti made a number of important recordings Gatti réalisa des disques importants où il suivait chronicling the development of the Italian violin pas à pas l’essor des écoles de violon italiennes au schools across the later 17th century, as composer- cours de la deuxième moitiè du XVIIe siècle, quand violinists (such as Pandolfi Mealli, Cazzati, Uccellini, les violonistes compositeurs (Pandolfi Mealli, Cazzati, Vitali and Torelli and many more) developed new Uccellini, Vitali, Torelli, entre autres) développèrent musical forms and techniques designed to show des formes musicales nouvelles et des techniques off the instrument and its capabilities. Glossa is conçues pour faire montre des possibilités de very happy to be bringing back into circulation l’instrument. C’est avec bonheur que Glossa remet now two of those releases focusing on a golden en circulation deux de ces volumes dédiés à l’un age for Italian instrumental music, signed by the des âges d’or de la musique instrumentale italienne, production team of Sigrid Lee and Roberto Meo, signés par l’équipe de producteurs Sigrid Lee & and led by Gatti demonstrating his special qualities Roberto Meo. On y retrouve les grandes qualités as a musician: a deep understanding of the musicales de Gatti : une profonde compréhension repertory and the transformational capacities of du répertoire et des capacités caméléonesques de L’Arte del Violino in Italia the Baroque in music allied to an expressive, subtle transformation musicale de l’idée baroque, allié à c. 1650-1700 yet virtuosic style of playing. Gatti’s refined approach un jeu expressif, subtile et (néanmoins !) virtuose. to the interpretation of violin music remains a Gatti a une approche raffinée de l’interprétation refreshing antidote to other more “high velocity” qui est un rafraîchissant antidote contre les styles Ensemble Aurora styles; this pair of recordings, entitled L’Arte del « speedés » ; et ce diptyque intitulé L’Arte del Enrico Gatti Violino in Italia, provides a rich anticipation for Violino in Italia est une riche anticipation des sonates Gatti’s later recordings for Glossa of sonatas by de Vivaldi enregistrées plus tard par Gatti chez CD I: Antonio Vivaldi. Glossa. Enrico Gatti, violin Hendrike ter Brugge, cello Taking part in this captivating exploration are Dans cette passionnante exploration, Gatti est Mara Galassi, triple harp members of Gatti’s long-standing Ensemble Aurora, escorté par ses « vieux » amis de l’Ensemble Guido Morini, harpsichord & organ which here include marvellous players such as Aurora, entre autres, les merveilleux Guido Morini harpsichordist Guido Morini and harpist Mara au clavecin et Mara Galassi à la harpe. Deux essais CD II: Galassi. With this new release, which continues to remarquables de Marc Vanscheeuwijck et de Gatti Enrico Gatti, violin breathe fresh life into 17th century repertoire for accompagnent cette nouvelle édition, qui continue Odile Edouard, violin the violin, come two notable complementing essays d’insuffler un air frais dans le répertoire du violon on the subject written by Marc Vanscheeuwijck au XVIIe siècle. Alain Gervreau, cello and Gatti himself. Guido Morini, harpsichord & organ 2 CDs - digipak PROGRAMME NOTAS (ESP) NOTIZEN (DEU) CD I [76:24] Al inicio de los 90, el violinista perusino Enrico Zu Beginn der 1990er Jahre machte der aus Perugia Pieces by Angelo Berardi, Pietro Degli Antoni, Gatti realizó unas interesantísimas grabaciones en stammende Geiger Enrico Gatti eine ganze Reihe Agostino Guerrieri, Carlo Mannelli, Nicola Matteis, las que seguía paso a paso el despliegue y evolución bedeutender Aufnahmen, die die Entwicklung der Tarquinio Merula, Giovanni Antonio Pandolfi de las escuelas italianas de violín durante la segunda italienischen Violinschule im Verlauf der zweiten Mealli, Marco Uccellini, Giovanni Buonaventura mitad del siglo XVII, cuando los compositores Hälfte des 17. Jahrhunderts zusammenfassend Viviani violinistas (Pandolfi Mealli, Cazzati, Uccellini, Vitali, darstellen. Zu dieser Zeit erfanden Geiger- Torelli y un largo etc.) desarrollaron formas Komponisten (wie etwa Pandolfi Mealli, Cazzati, CD II [60:35] musicales nuevas y técnicas concebidas para hacer Uccellini, Vitali, Torelli und viele weitere) neue Pieces by Giovanni Maria Bononcini, Mauritio gala de las posibilidades del instrumento. Glossa musikalische Formen und Techniken, mit denen Cazzatti, Giuseppe Colombi, Domenico Gabrielli, se alegra de poder reeditar ahora dos de estos sie das Instrument und seine Möglichkeiten Giuseppe Jacchini, Giuseppe Torelli, Marco volúmenes dedicados a una de las edades de oro vorführten. Bei Glossa ist man sehr glücklich Uccellini, Giovanni Battista Vitali de la música italiana, y que muestran las grandes darüber, zwei dieser Aufnahmen wieder in Umlauf cualidades de Gatti: una profunda comprensión zu bringen, die das Augenmerk auf das »Goldene del repertorio y de las capacidades camaleónicas Zeitalter« der italienischen Instrumentalmusik de transformación musical del concepto barroco, lenken. Der Geiger Enrico Gatti demonstriert seine PRODUCTION DETAILS junto con un arte interpretativo expresivo, sutil y herausragenden Fähigkeiten als Musiker: ein tiefes sin embargo (!) virtuoso. El acercamiento refinado Verständnis für das Repertoire und die Recorded in Eremo di Bonzano, Bologna (Italy), de Gatti a la interpretación es un refrescante Wandlungsfähigkeit der Barockmusik, gepaart mit in June 1990 and May 1992 antídoto contra los estilos «de alta velocidad», y einer expressiven, subtilen und doch (!) virtuosen Engineered by Roberto Meo este díptico titulado L’Arte del Violino in Italia es Spielweise. Gattis feinfühlige Annäherung an die Produced by Sigrid Lee una rica anticipación de las sonatas de Antonio Interpretation dieser Violinmusik ist ein erfrischender Design: Valentín Iglesias Vivaldi grabadas más tarde por Gatti para Glossa. Gegenpol zu anderen Interpretationsweisen, die Booklet texts:Enrico Gatti, Marc Vanscheeuwijck eher auf Geschwindigkeitsrekorde aus sind. So English Français Deutsch Italiano En esta apasionante exploración de las distintas bildet diese Doppel-CD mit dem Titel L’Arte del escuelas en Italia, a Gatti lo acompañan sus «viejos» Violino in Italia eine Vorwegnahme der späteren amigos del Ensemble Aurora, entre otros los Einspielungen mit Sonaten Antonio Vivaldis, die maravillosos Guido Morini (clavecín) y Mara Galassi Gatti für Glossa aufgenommen hat. (arpa). Dos ensayos notables, de Marc Vanscheeuwijck y del propio Gatti, completan esta Bei dieser spannenden Entdeckung sind auch nueva edición, que sigue insuflando aire fresco en Mitglieder aus Gattis langjährigem Ensemble Aurora el repertorio del violín del siglo XVII. mit von der Partie, zum Beispiel so wunderbare Musiker wie der Cembalist Guido Morini und die Harfenistin Mara Galassi. Diese Neuerscheinung, die immer noch frischen Wind in das Violinrepertoire des 17. Jahrhunderts bringt, wird durch zwei informative Booklettexte von Marc Vanscheeuwijck und Enrico Gatti selbst ergänzt. www.glossamusic.com.
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