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Local Option Sales Tax Refunding Revenue Bonds, (Stadium Project), Series 2015
NOTICE OF SALE $64,765,000* Tampa Sports Authority Local Option Sales Tax Refunding Revenue Bonds, (Stadium Project), Series 2015 ELECTRONIC BIDS, via BiDCOMP/PARITY Competitive Bidding System (BiDCOMP/Parity) only, will be received by the Tampa Sports Authority (the "Issuer") for the purchase of all, but not less than all, of the Issuer’s $64,765,000* Local Option Sales Tax Payments Refunding Revenue Bonds (“Bonds”), until 10:45 a.m., local Tampa, Florida time, on Tuesday, December 16, 2014. The Bonds Authorization and Security The Bonds are being issued under and pursuant to the authority of and in full compliance with the Constitution and laws of the State of Florida, including particularly Chapter 96-520, Laws of Florida, Acts of 1996, as amended, Section 212.055(2), Florida Statutes, as amended and other applicable provisions of law (collectively, the "Act"), Resolution No. 05- 14-01 adopted by the Issuer on November 20, 2014, as amended and supplemented from time to time (the "Resolution") and the Second Amended and Restated Trust Indenture dated as of January 6, 2015 by and between the Issuer and U.S. Bank National Association, as trustee (the "Indenture"). The Bonds are subject to all the terms and conditions of the Indenture. The Bonds are being issued to refund all of the Tampa Sports Authority Local Option Sales Tax Refunding Revenue Bonds (Stadium Project), Series 2005, finance certain capital improvements to a community stadium and to pay certain costs and expenses relating to the issuance of the Bonds. The Bonds and the -
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 Application of Comcast Corporation, General Electric Company
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 Application of Comcast Corporation, ) General Electric Company and NBC ) Universal, Inc., for Consent to Assign ) MB Docket No. 10-56 Licenses or Transfer Control of ) Licenses ) COMMENTS AND MERGER CONDITIONS PROPOSED BY ALLIANCE FOR COMMUNICATIONS DEMOCRACY James N. Horwood Gloria Tristani Spiegel & McDiarmid LLP 1333 New Hampshire Avenue, N.W. Washington, D.C. 20036 (202) 879-4000 June 21, 2010 TABLE OF CONTENTS 1. PEG PROGRAMMING IS ESSENTIAL TO PRESERVING LOCALISM AND DIVERSITY ON BEHALF OF THE COMMUNITY, IS VALUED BY VIEWERS, AND MERITS PROTECTION IN COMMISSION ACTION ON THE COMCAST-NBCU TRANSACTION .2 II. COMCAST CONCEDES THE RELEVANCE OF AND NEED FOR IMPOSING PEG-RELATED CONDITIONS ON THE TRANSFER, BUT THE PEG COMMITMENTS COMCAST PROPOSES ARE INADEQUATE 5 A. PEG Merger Condition No.1: As a condition ofthe Comcast NBCU merger, Comcast should be required to make all PEG channels on all ofits cable systems universally available on the basic service tier, in the same format as local broadcast channels, unless the local government specifically agrees otherwise 8 B. PEG Merger Condition No.2: As a merger condition, the Commission should protect PEG channel positions .,.,.,.. ., 10 C. PEG Merger Condition No.3: As a merger condition, the Commission should prohibit discrimination against PEG channels, and ensure that PEG channels will have the same features and functionality, and the same signal quality, as that provided to local broadcast channels .,., ., ..,.,.,.,..,., ., ., .. .,11 D. PEG Merger Condition No.4: As a merger condition, the Commission should require that PEG-related conditions apply to public access, and that all PEG programming is easily accessed on menus and easily and non-discriminatorily accessible on all Comcast platforms ., 12 CONCLUSION 13 EXHIBIT 1 Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. -
Protecting Our Wate R USF Researchers Find Solutions for Healthy Water Around the World First Look
THE OFFICIAL MAGAZINE of the USF ALUMNI ASSOCIATION SPRING 2017 UNIVERSITY of SOUTH FLORIDA System Protecting our Wate r USF researchers find solutions for healthy water around the world First Look 2 UNIVERSITY of SOUTH FLORIDA Photos: KATY HENNIG MA ’16 Photos: KATY FOSSIL RECORD TO PRESERVE THE HEALTH OF OUR WATERWAYS for the future, we must understand their past, says Professor Emeritus Albert Hine, PhD. To unravel the geologic history of Florida and Tampa Bay, Hine dug back over 700 million years. His surprising results have been documented in his book, The Geological History of Florida – the Major Events that Formed the Sunshine State, and an award-winning multi-media project, Tampa Bay Water Story, produced by Katy Hennig, MA ’16. “In one of our projects, we discovered buried freshwater lake sediments in Tampa Bay,” Hine says. “From about 20,000 years ago to about 10,000 years ago, Tampa Bay was partly a freshwater lake. The best record of early humans in Florida, what they ate and how they lived, is right there slightly beneath the seafloor of the bay.” Hine, who specializes in geological oceanography, collects and uses fossils to help tell the story of Florida’s land and water. “Our appreciation for beauty helps remind us of the importance of protecting our natural environment,” he says. PHOTOS: Albert Hine holds a fossilized tooth from a Megalodon, or giant shark, found in the center of the Florida peninsula. A fossilized Ammonite shell, an ancient geologic relative to the contemporary nautilus mollusc, reveals the beauty and patterns of the mathematical Fibonacci Sequence. -
Robert Morris, Minimalism, and the 1960S
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 The Politics of Experience: Robert Morris, Minimalism, and the 1960s Maurice Berger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1646 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
Tamarind Homage to Lithography Preface by William S
Tamarind homage to lithography Preface by William S. Lieberman. Introduction by Virginia Allen Author Museum of Modern Art (New York, N.Y.) Date 1969 Publisher Distributed by New York Graphic Society, Greenwich, Conn. Exhibition URL www.moma.org/calendar/exhibitions/1869 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art Tamarind:Homage to Lithography Tamarind: Homage to Lithography Preface by William S. Lieberman Introduction by Virginia Allen 4- The Tamarind Lithography Workshop has almost single- handedly revived the difficult medium of lithography in the past decade. It has provided not only the materials but also the environment that fosters the delicate collaboration be tween artist and printer. Such an environment and indeed even the materials were almost nonexistent in the United States before June Wayne and the Ford Foundation agreed on the importance of providing them. Since Tama rind opened its doors in 1960 it has provided fellowships for numerous artists and printers, most of whom have con tinued their exploration of lithography after leaving Tama rind. The author describes this unique Workshop and also gives a brief history of lithography in Europe and in the United States. Included is a list which catalogs part of the promised gift to The Museum of Modern Art of the Kleiner, Bell and Company Collection of Tamarind Impressions. The author, Virginia Allen, former curator of Tamarind, is now Assistant to William S. -
A Different Frame of Mind
The USF Contemporary Art Museum is accepting proposals from artists for an experimental project: A Different Frame of Mind As part of ongoing efforts to find new methods for sharing resources and creative capital with the community, USFCAM is inviting artists to create works specifically designed for used (but still fully functional) fine art frames. In addition to the recycled frames, USFCAM will offer selected artists studio space in public galleries to use while creating the new works. Artists may propose projects that incorporate at least one recycled frame, whether used as a traditional frame or as raw material for more expansive projects. There are 100 available frames ranging in sizes from 18”x14” up to 52”x72”. There are a limited number frames with the same dimensions available for artists that wish to propose a suite of works. The call for proposals is open to regional artists over 18 working in any media including painting, photography, drawing, sculpture, video/film, audio, digital/graphic art, performance-based, and social practice. Artists working together as collaborators or collectives are also welcome to apply. From March 20 to April 17, artists planning to submit a proposal are welcome to set an appointment to come to USFCAM to see the frames that are available. Please email the curator of the exhibition, Vincent Kral, at [email protected] to set up a meeting. From June 9 to June 17, the USFCAM West Gallery will be transformed into studio space available for the selected artists to work, with the public invited to witness the creation of these new works. -
WILLIAM PACHNER Chronologymuseum of American Art and Featured in American Craft Magazine
Linda Nguyen Lopez (b. 1981 California) received a BFA from é California State University of Chico and MFA from the University of Colorado at Boulder. She has exhibited her work in New Zealand, Italy, and throughout United States including Robischon Gallery, Denver; Jane Hartsook Gallery at Greenwich House Pottery, New York; Center for Emerging Visual Artist, Philadelphia and the Long Beach Museum of Art, Long Beach. In 2015, Lopez was included in the State of the Art Exhibition at Crystal Bridges WILLIAM PACHNER CHRONOLOGYMuseum of American Art and featured in American Craft Magazine. CHRONOLOGY Leaves Esquire to enlist in the Army, but is rejected three times. Is determined to participate in the war effort, 1915 so makes anti-fascist illustrations for magazines such as Birth of Vilem (William) Pachner, son of Anna and Josef Collier’s, Cosmopolitan, and Redbook. Pachner, in Brtnice, then Austro-Hungarian Empire, Czecho- slovakia from 1919 until 1992, which on January 1, 1993, 1944 peacefully split into the Czech Republic and Slovakia. Receives citation for Meritorious Service from the National War Fund. 1920 Has first solo exhibition at the Barry Stephens Gallery in New Rides in the cabin of a locomotive, a ride arranged by his York. grandfather, Leopold. Injures left eye while sharpening a pencil. 1945 Receives confirmation that his entire family has been exter- 1920s minated by the Nazis. Moves to Woodstock, New York and Doesn’t excel in academic subjects, but some of his teachers buys a house from Juliana Force, Director of the Whitney allow him to pass because of his drawings. -
Greater Tampa- Hillsborough Region
2018-19 GUIDE TO A project of the Arts Council of Hillsborough County GREATER TAMPA- HILLSBOROUGH REGION A Guide to Arts & Culture for the Greater Tampa-Hillsborough Region Culture Creates a Community 2018-2019 Our nonprofit arts and culture is a $433 million A project of the Arts Council of Hillsborough County industry and supports 14,962 fulltime jobs.* Table of Contents Arts Council Leadership ...................................................................................... 2 Letters from the Arts Council’s Executive Director and Board Chair ............. 3 About the Arts Council ........................................................................................ 4 2018-2019 Festival Schedule ............................................................................... 5 Selected Performing and Exhibition Schedules................................................ 6 Festival Spotlights ................................................................................................. 10 Museum & Theatre Spotlights ............................................................................. 14 Cultural Center Spotlights ................................................................................... 21 College & University Spotlights ........................................................................... 22 Hillsborough County Arts & Culture Map........................................................... 26 Nonprofit Arts & Cultural Organization Directory ............................................. 30 Libraries & Parks -
Full Arts and Economic Prosperity III Study
Arts & Economic The Economic Impact of Nonprofit Arts .rMI Culture Organizations and Their Audience From the iconic images of the Florida Highwaymen to the museums that preserve and collect our history, arts and culture define us. They improve quality of life for Floridians and visitors to our state. The arts and culture inspire creativity and lifelong learning, build strong communities, and build a strong network for leadership that encourages a stronger Florida. The findings of The Arts and Economic Prosperity III reveal that, in addition to these innumerable benefits, arts and culture bring economic vitality to our state. This study reveals that the cultural industry is important to economic prosperity. In Florida, arts and culture mean business. With more than $3 billion in total direct expenditures into the Florida economy in 2008, arts and culture are sound investments in Florida’s future. In the pages to follow, you will read about the many ways that arts and culture are good news for those looking to strengthen Florida’s economy. Leaders in Florida are supportive of arts and culture because they have helped to bring new businesses and ventures to our state. In today’s competitive global marketplace, arts and culture can play an important role in attracting high-wage jobs and a creative workforce. The Arts and Economic Prosperity III expands that notion. Not only can the cultural industry play its important part in attracting business critical to economic recovery, this industry contributes directly to economic activity, supports jobs, and returns revenue to local and state government. The return on investment number speaks for itself. -
Elisabeth Condon
CV: Elisabeth Condon b. 1959 Los Angeles, CA Lives and works in New York, NY and Tampa, Florida SELECTED SOLO & TWO-PERSON EXHIBITIONS 2019 Effulgence, Emerson Dorsch, Miami, FL (also 2017, 2012) Mitsui/Fudosan at 527 Madison, New York, NY, curator Jay Grimm 2018 Miami International Airport Galleries, curator Tyler Emerson Dorsch 2017 Audience Choice, Saunders Foundation Gallery, Tampa Museum of Art, FL Herbert H. and Barbara C. Dow Center for Visual Arts, Interlochen Center for the Arts Interlochen, MI AIRIE Nest, Everglades, FL 2015 Pulse New York, Emerson Dorsch, Miami, New York, NY (Prize Recipient) CONTACT VISIT [email protected] Emerson Dorsch Gallery emersondorsch.com 5900 NW 2nd Avenue +1 305 576 1278 Gallery Miami, FL 33127 +1 305 310 9607 Mobile United States CV: Elisabeth Condon 2013 University Gallery, Betty Foy Sanders Department of Art, Georgia Southern University, Statesboro, GA 2012 Art & Cultural Center of Hollywood, Hollywood, FL Maison de la Culture Maisonneuve, Montreal (duo) 2011 Bob Rauschenberg Gallery, Edison State College, Fort Myers, FL 2010 Dorsch Gallery, Miami, FL (also 2008, 2006) 2009 Albany Museum of Art, Albany, GA Da Feng Gallery, Beijing, China 2008 Lenore Gray Gallery, Providence, RI (duo) CONTACT VISIT [email protected] Emerson Dorsch Gallery emersondorsch.com 5900 NW 2nd Avenue +1 305 576 1278 Gallery Miami, FL 33127 +1 305 310 9607 Mobile United States CV: Elisabeth Condon ADA Gallery, Richmond VA (duo) 2007 With Bruce Willhelm, ADA Gallery, Richmond, VA 2004 Beaker Gallery, Tampa, FL -
To Download Applied Creativity 2017-2018
A directory of Arts & Cultural Experiences for Pre-K – 12 Students Applied Creativity Florida Standards About NIE Attending the field trips, critically analyzing the performances and com- pleting the Newspaper in Education activities incorporate the following The Tampa Bay Times Newspaper in Education Florida Standards for elementary, middle and high school students. program (NIE) is a cooperative effort between Activities should be modified to be grade-level appropriate. schools and the Times Publishing Co. to encourage Dance: DA.1.C.1.1; DA.1.C.3.1; DA.2.C.1.1; DA.2.C.1.3; DA.2.C.3.1; the use of newspapers in print and electronic form DA.3.C.1.1; DA.3.C.1.3; DA.3.C.2.1; DA.3.C.2.2; DA.3.C.3.1; DA.4.C.1.3; as educational resources – a “living textbook.” Our DA.4.C.2.1; DA.4.C.3.1; DA.5.C.1.1; DA.5.C.2.2; DA.5.C.3.1; DA.68.C.1.1; educational resources fall into the category of infor- DA.68.C.1.3; DA.68.C.3.1; DA.912.C.1.1; DA.912.C.1.3; DA.912.C.1.4 mational text, a type of nonfiction text. The primary DA.912.C.2.1 Language Arts: LAFS.K12.L.1.1; LAFS.K12.L.1.2; LAFS. purpose of informational text is to convey informa- K12.L.2.3; LAFS.K12.L.3.4; LAFS.K12.L.3.5; LAFS.K12.L.3.6; LAFS.K12.R.1.1; tion about the natural or social world. -
The Crow's Nest
University of South Florida Scholar Commons Crow's Nest University History: Campus Publications 4-15-2019 Crow's Nest : 2019 : 04 : 15 University of South Florida St. Petersburg Follow this and additional works at: https://scholarcommons.usf.edu/crows_nest Recommended Citation University of South Florida St. Petersburg, "Crow's Nest : 2019 : 04 : 15" (2019). Crow's Nest. 794. https://scholarcommons.usf.edu/crows_nest/794 This News Article is brought to you for free and open access by the University History: Campus Publications at Scholar Commons. It has been accepted for inclusion in Crow's Nest by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. NEWS, page 3 FEATURES, page 5 OPINIONS, page 7 MUSEUM MOVING FORWARD GETTING PERSONAL SENATOR SPEAKS OUT Student Government senator Naya Payne The Salvador Dalí Museum made its first This year’s TEDx at USF St. Petersburg step in securing funding to expand. See has one message for his colleagues: Cut the covered everything from mental health drama, and let’s get to work. Read about his what’s next for the beloved downtown St. to workplace harassment — all with Petersburg staple. observations about SG, and how he proposes strong, candid emotions on display. to address them. Here’s what you missed. THE CROW’S NEST THE CAMPUS NEWSPAPER AT UNIVERSITY OF SOUTH FLORIDA ST. PETERSBURG Volume 52, Issue 12 - April 15, 2019 | Online at crowsneststpete.com @CrowsNestStPete @USFCrowsNest @USFCrowsNest @USFSPCrowsNest Former SG leader gets expulsion lifted By The Crow’s Nest Staff with what the university documents that he did media, Goetz is now rights of due process calls “an ongoing not want to return to the apparently attending were denied by both the former Student restriction from access to university.