Database Music a History, Technology, and Aesthetics of the Database in Music Composition
Database Music A History, Technology, and Aesthetics of the Database in Music Composition by Federico Nicolás Cámara Halac A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music New York University May, 2019 Jaime Oliver La Rosa c Federico Nicolás Cámara Halac All Rights Reserved, 2019 Dedication For my mother and father, who have always taught me to never give up with my research, even during the most difficult times. Also to my advisor, Jaime Oliver La Rosa, without his help and continuous guidance, this would have never been possible. For Elizabeth Hoffman and Judy Klein, who always believed in me, and whose words and music I bring everywhere. Finally to Aye, whose love I cannot even begin to describe. iv Acknowledgements I would like to thank my advisor, Jaime Oliver La Rosa, for his role in inspiring this project, as well as his commitment to research, clarity, and academic rigor. I am also indebted to committee members Martin Daughtry and Elizabeth Hoffman, for their ongoing guidance and support even at the very early stages of this project, and William Brent and Robert Rowe, whose insightful, thought-provoking input made this dissertation come to fruition. I am also everlastingly grateful to Judy Klein, for always being available to listen and share her listening. As well as to Aye, for her endless support and her helping me maintain hope in developing this project. I would also like to thank my parents, Ana and Hector, who inspired and nurtured my interest in music from a young age, and my sister Flor and my brother Joaquin who were always with me, next to every word.
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