Minnesota Women’s Press, March 2017 1
Changing the Universe through Women’s Stories
Women in history issue Women’s March reflections
ERA — unfinished business
Femicide Report
Brenda Child, Ojibwe historian
CARMEN MCCULLOUGH CARMEN Motherlines
MARCH 2017 Volume 33, Issue 3 www.womenspress.com 2 Minnesota Women’s Press, March 2017 Minnesota Women’s Press, March 2017 3 20 Changing the Universe through Women’s Stories
History Women in history issue CONTACTUS 651-646-3968 email: [email protected] www.womenspress.com 8 Send a letter to the editor [email protected] Subscribe [email protected] 26 Advertise [email protected] Suggest a story idea [email protected] Enter your online calendar listing at http://tinyurl.com/MWP-Calendar Join book activities [email protected]
MWPSTAFF 19 GOSEEDO Publishers/Editors COVERARTIST ...... 20 Kathy Magnuson, Norma Smith Olson FEATURES Carmen McCullough: Vintage views Contributors SEE /CALENDAR ...... 22 Jean Boler, Alondra Cano, Natalie Duncan, THINKABOUTIT ...... 6 GO DO Betty Folliard, Duchess Harris, Jennifer Diverse liberty, who’s smart ... and more Women’s History Month ... and more Hyvonen, Safi a Khan, Gail Kulick, Mikki PROFILE ...... 8 READERSWRITE Morrissette, Taylor Rose Payer, Brenda Child: Ojibwe historian YOUSAID ...... 5 Cover Artist Carmen McCullough PROFILE ...... 10 Letters from MWP readers Design Norma Smith Olson Laurie Flanigan Hegge: History on stage Advertising Sales BOOKSHELF ...... 12 Michele Holzwarth, Kathy Magnuson, HISTORYFEATURE ...... 26 Duchess Harris: Hidden grandmother Sarah Whiting ERA — unfi nished business Accounting Fariba Sanikhatam ONYOURMIND ...... 15 Operations Kari Larson COLUMNISTS Question your grandparents Founding Publishers THISISSUE ...... 4 ONYOURMIND ...... 18 Mollie Hoben, Glenda Martin Marching on Jean Boler: Eveleth Mines revisited Our mission is to tell women’s stories in SHESAID ...... 13 YOURTHOUGHTS ...... 28 ways that create community and encourage Alondra Cano: Motherlines Readers interview women in history change. The Minnesota Women’s Press is LEADERVOICE ...... 19 distributed free at 500 locations. To fi nd one YOURSTORY...... 33 near you, visit www.womenspress.com and Safi a Khan: Femicide Report Natalie Duncan: Upside down leadership click on “get a copy” or call 651-646-3968. ACTNOW ...... 38 YOURTHOUGHTS ...... 39 Subscriptions are available by fi rst-class Where are the coaches and coverage? Readers refl ect on the Women’s March mail: $52 for one-year Fan Community membership (includes email updates, ADVERTISINGSECTIONS invitation to community gathering, free copy of BookWomen magazine); $28 for a basic ELDERGUIDE ...... 14 one-year subscription, $53 for two years. GOSEEDOGUIDE ...... 22 ©2017 by Minnesota Women’s Press, Inc. CAMPS&ACTIVITIESGUIDE ...... 29 All rights reserved. ISSN #1085-2603. CLASSIFIEDADS...... 36 MINNESOTA WOMEN’S PRESS, INC. 970 RAYMOND AVE., STE. 201, ST. PAUL, MN 55114 WWW.WOMENSPRESS.COM 4 Minnesota Women’s Press, March 2017 THISISSUE NORMASMITHOLSON Marching on KATHYMAGNUSON We are all history makers — like it or not, claim it or not. History is being made and we are a part of it, whether we have jumped right in or are on the sidelines. The future of our country, state and communities depends on what we do or don’t do as individuals this week and this month and the next. Kathy had made plans to attend the history-making inau- dom or national parks guration of the fi rst woman U.S. president with her daugh- preservation, water and ters and oldest granddaughter in January. They were going pipeline issues, climate to attend a gala ball and celebrate. change or education. Instead, as women often do, they improvised. They aban- 3. You can’t fi x it all, doned the hopeful ball gowns for raincoats and fl eece mit- but don’t let that be an tens and joined the Women’s March at our state capitol with excuse for doing noth- a huge crowd of determined, thoughtful women and allies ing. What amount of time can you commit? Decide if you to make a statement about values on human rights, free- will spend 15 minutes a day, two evenings a week, every dom and truth. They showed up and took a stand. Saturday morning, or whatever is right for you. But make a And now what? commitment. Do something. In this issue, with a theme of women’s history, we 4. Find like-minded people to support your personal look back — and forward. We look at how women work, then share ideas and take collective actions. Or build have been and are represented in science, sports, the your own circle of allies, starting with friends or neighbors. History arts and the legal arena. You can read the facts of the 5. Then, fi nd people who are not like-minded. Talk to history of domestic violence in Minnesota. As we them. We need to hear each other’s stories. Where are the look at where women have come from, we also look ahead. commonalities? Most women want equal pay. Moms gen- How do we get to the future we want without becoming erally want good schools for kids. We all want to be safe in overwhelmed, sad or immobilized in the process? our neighborhoods. What does that mean to each of us and Here are ten ideas for action: how do we take action together? 1. Focus on a positive vision of the future you want. Don’t 6. Actions can take different forms. If you have a yard or get caught up in simply trying to create a less negative sit- a window, put up a sign. Even this simple act can express uation, but hold a proactive vision. Be informed with facts support and solidarity. — and don’t wallow in negativity. 7. Buy lots of postcards. Mail them on a regular basis to 2. Ask what work is yours to do. Identify one or two those in public offi ce, thanking them for support of an issue causes that are dearest to you. Maybe it’s reproductive free- or expressing your disappointment for the lack of support. Tell them why you want a certain vote and that you are their constituent. 8. Ditto on phone calling. Use this tool from the League of Women Voters to fi nd out who represents you and get their contact information: https://tinyurl.com/LWVconnect Enter their contact information in your phone under P for Politician to quickly pull them up. Maybe you are reluctant to make phone calls. Get over it! Do you want to tell the next generation that you did not resist injustice because you were afraid of the phone? 9. Give gifts of subscriptions to local, fact-based, inde- pendent media, including this one. Write checks to causes you support. 10. Find someone running for offi ce in 2018 who shares your values and ask to volunteer on their campaign. When one of Kathy’s granddaughters who is “strong willed” acts up, someone often points out that she comes from a long line of strong women. Let’s all be strong willed. Let’s remember the strong women who came before us. Let’s recognize we have power to step up and Kathy Magnuson and her make a better future. daughters and granddaughters and at the St. Paul Women’s March. Co-Publishers Minnesota Women’s Press, March 2017 5
Coming up: YOUSAID April’s theme is Global Women. Letters from Minnesota Women’s Press readers. What’s your global story? Suicide Survivors Club Diverse voices Tell us about it. Thank you for having an article about cop- I love the diversity of highlighted arti- Send up to 150 words to ing with suicide in your January magazine. cles by Nausheema, Nekima, Suzanne and [email protected] [YourStory, Rebecca Anderson and Laurie Tami in the “Thinking Women” e-newsletter. Deadline: March 10 Phillips, MWP] I sent the article to my friend The essays are all great, quick-reads and all April Advertising Sections: whose husband committed suicide. She is empowering. Thank you! • Celebrations Guide going to order the books for herself and her Kathy McKay, St. Louis Park • Home Guide family. I think it was helpful for her to see Editor’s note: Do you get the Minnesota • Spirituality Guide someone who is a few years out able to artic- Women’s Press e-newsletter? Sign up online • GoSeeDo/Calendar Guide ulate some of the feelings that she and her at womenspress.com Deadline: March 10 family went through. Thanks again for telling us about import- The view from here May’s theme is Generations. How ant women’s issues. Tami Mohamed Brown’s column is a very would you like your generation of Megan Gangl, Shoreview powerful statement. [MWP, SheSaid, Feb. women to be remembered? 2017] It is so true in these times to be aware, Listening as an act of rebellion Tell us about it. Send up to 150 present and not be afraid to jump in and get words to [email protected] As a member of Women Against Military involved. Thank you for sharing. Deadline: April 10 Madness (WAMM) I have had occasions to Molly Stern, Minneapolis work with Suzanne Al-Kayali. [LeaderVoice, Watch for the results of MWP’s MWP, Feb. 2017] annual What Women Want readers’ Her essay about listening reflect this char- GOTANOPINION? survey in the May issue! acteristic of hers, which not only makes her Like something in MWP? May Advertising Sections: a most valued director of this organization, Or disagree? • Grrrls Go Green Guide but a most dependable individual in all her We want to hear from you. Write to editor@ • Just for Kids Guide dealings. WAMM is lucky to have her as womenspress.com. Include your name, address • GoSeeDo/Calendar Guide their executive director. and phone number for verification. Deadline: April 10 Polly Mann, Minneapolis 6 Minnesota Women’s Press, March 2017 THINKABOUTIT The fi erce Oregon governor from Roseville Oregon’s Kate Brown, who grew up in Roseville, Minn., is not only the fi rst “The way to right elected bisexual governor in the U.S., but a radical voice for activism. During wrongs is to turn the the Women’s March she declared, “In light of truth upon my Oregon, and under my leadership, women are in charge of their own bodies. them.” — Ida B. Wells In my Oregon, immigrants and refugees are welcome with open arms.” Voice from history She said progressives must be ready Women have long been now to reform voting rights, replace the Kate Brown fi ghting as activists, jour- Electoral College, and undo Citizens nalists and advocates to United. “Amending the Constitution is hard work, so we better get combat social injustice and started, right?” Brown believes under Obama there was a level of defend freedoms. One of “complacency in this country that it was going to be O.K. Now we them, featured in an online compilation by Upworthy. know that this is not going to be easy. It may feel like you’re hitting your com, was journalist/suffragist Ida B. Wells (1862-1931) head against a wall. But, in the end, that only makes you stronger.” who led an anti-lynching crusade in the 1890s. Source: New Yorker
Women standing out Swedish Deputy Prime Minister and Climate Minister Isabella Lövin contrasted the Trump administration with a photo of herself surrounded by women as she signs a climate law. Source: TheHill.com
Prohibitive child care Putting two kids in a child care center costs families more than what they typically spend on food and, in much of the country, on housing. In 28 states and Washington, D.C., sending an infant to day care costs more than sending an 18-year-old to public college. The child care cost for families rose 70 percent between 1985 and 2012. Source: Elle
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Wells In my Oregon, immigrants and refugees 651-690-1692 651-690-1692 651-690-1692 651-690-1692 are welcome with open arms.” 612-338-6313 Voice from history She said progressives must be ready January 2017, 33-1 February 2017, 33-2 March 2017, 33-3 April 2017, 33-4 32-3 Women have long been now to reform voting rights, replace the Kate Brown Diverse liberty fi ghting as activists, jour- Electoral College, and undo Citizens In honor of its 225th anniversary, the U.S. Mint and nalists and advocates to United. “Amending the Constitution is hard work, so we better get Treasury unveiled a new $100 coin made of solid gold combat social injustice and started, right?” Brown believes under Obama there was a level of Mastel’s Mastel’s Mastel’s Mastel’s that features Lady Liberty as a black woman. Others to Repairing and restoring E YOU CAN T defend freedoms. One of “complacency in this country that it was going to be O.K. 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Entire Order Entire Order Entire LLCOrder Entire Order LLC Source: TheHill.com Learning who is smart (Special offers and (Special offers and (Special offers and (Special offers and Classical Homeopathy and Wellness Consultation • Mounds View A study recently published in Science journalany found sale items any sale items any sale items Classical Homeopathyany sale items and Wellness Consultation • Mounds View not included) not included) not included) not included) that six-year-old girls are less likely than boys to believe Prohibitive child care One coupon per customer One coupon per customer One coupon per customer One coupon per customer members of their gender are “really, really smart,” and 32-5 current ad 32-5 current ad with website color update Putting two kids in a child care more likely to avoid activities for smartExpires children. 9/30/17 Expires 10/31/17 Expires 11/30/17 Expires 12/31/17 center costs families more than what 1526 St. Clair Ave., St. Paul 1526 St. Clair Ave., St. Paul 1526 St. Clair Ave., St. Paul 1526 St. Clair Ave., St. Paul Solutions to combat this tendency, experts say, include they typically spend on food and, (2 blocks E. of Snelling) (2 blocks E. of Snelling) (2 blocks E. of Snelling) (2 blocks E. of Snelling) being more deliberate about discussing smart women in much of the country, on housing. 651-690-1692 651-690-1692 651-690-1692 651-690-1692 role models, and the impact of hard work and effort. In 28 states and Washington, D.C., Psychologists have shown thatSept many 2017, poor 33-9 students Oct 2017, 33-10 Nov 2017, 33-11 Dec 2017, 33-12 sending an infant to day care costs and people of color disproportionately believe that more than sending an 18-year-old intelligence is innate and fixed. to public college. The child care cost for families rose 70 percent between Source: The Atlantic 1985 and 2012. Source: Elle Compiled by Mikki Morrissette PERRIN LAW OFFICE 651 336 5668 Source: NARAL Perrin Law Office 651 336 5668 Family Law and Criminal Law • perrinlawoffice.com 33-2 33-3 8 Minnesota Women’s Press, March 2017 PROFILE History
Ojibwe women Brenda Child, scholar of Native history, speaks to her family’s stories
by Taylor Rose Payer As a teenager, Brenda Child held her grandfather’s cedar knocking sticks for the fi rst time. It was these knocking sticks, a tool used by Ojibwe people to harvest wild rice, that would later inspire her interest in the history of Ojibwe labor and the writing of a book inspired by the family heirloom. Now, the current chair of American Studies at the University of Minne- sota, Professor Brenda Child is a historian, curator of public history exhibitions and one of the tribal members rewriting the constitution of the Red Lake Nation. “In some sense, I have always been a historian. History books were the fi rst I checked out from the library. History has always fascinated me,” Child says. Her passion for history, particularly American Indian history, stems from what she describes as a debt to her grandparents and other ancestors. “I am the benefi ciary of their survival, and that is why I wish to tell our family’s story.” Her most recent book is a family history entitled “My Grandfather’s Knocking Sticks: Ojibwe Family Life and Labor on the Reservation.” LISA MILLER/UNIVERSITY OF MINNESOTA MILLER/UNIVERSITY LISA On the power of Ojibwe women While writing “Knocking Sticks,” Child got to spend her time thinking critically about Ojibwe women and the importance of gender as a tool of analysis. As Child puts it, “I never understood how Ojibwe society worked in the past until I learned how Ojibwe women controlled the entire economy.” Originally, Child associated her grand- father’s cedar knocking sticks with tradi- tion but later learned that her grandfather was in the fi rst generation of men to har- vest wild rice. Prior to 1940, wild ricing was traditionally done by Ojibwe women. For generations, the women ran the wild rice economy and established mature legal systems to dictate who riced where. She wants people to study that history: “As Ojibwe people, as Native people, we have to take a very long view of history in order to see gender and women’s place in society.” Why study history? Child wants to ensure that people not only know the history in their family stories, but also study formal his- tory. “American Indian people, young and old, seem to have a strong sense of history, because it’s so much a part Minnesota Women’s Press, March 2017 9
I never understood how Ojibwe society worked in“ the past until I learned how Ojibwe women controlled the entire economy. — Brenda Child of howHILDA we live,” MICKELSON, she says. “But I encourage” ENROLLED people AGENT to dig HILDA MICKELSON, ENROLLED AGENT deeperPATRICK into the M. formalMIKEL, history. EA • TIMOTHYBecause when J. WHEELER, you deal with EA PATRICK M. MIKEL, EA the big, complicated history, that’s when you get answers.” TIMOTHY J. WHEELER, EA While 420working ROBERT on a podcast ST. S., forST. the PAUL, Minnesota MN 55107 Historical SocietyPHONE about a pair 651-224-4245 of knocking sticks • FAX from 651-224-6058 their collection, 420 Robert St. S., St. Paul, MN 55107 Child noticed [email protected] they were much smaller than most knock- phone 651-224-4245 • fax 651-224-6058 ing sticks weMICKELSONSTAXSERVICE.COM see today. She quickly realized and informed [email protected] • mickelsonstaxservice.com MHS that the 1920’s era knocking sticks had to have belonged to32-1 women due to their small size. As a practice, Professor 32-1 Child often takes her graduate students into the stored col- lections because of their important historical value. “That’s Offering high-quality our stuff, it’s our culture. We have to study the collections, and not just the objects that make it into exhibitions.” medical, surgical & Working for a broad audience dental care for your pets. Motivated by her family and tribal community, Child Teresa Nolte, DVM has exhibited her work in museums and galleries. Recent Pete Kelley, DVM exhibitions include a cultural and arts show about the Red Lake Band of Ojibwe, which saw the most attended 651-644-2100
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m ofWant Indigenous ! o Education W temporary tribal gambling, the a St. Paul Minnesot 100th anniversary of the jingle (with Brian Klopotek, IRELAND The Emerald Isle dress, and a permanent exhibit SAR Press, 2014). 11 Days | May 21 - 31, 2017 on the Red Lake constitution 27-9Holding Our World Together: With Northern Ireland *2nd Departure Oct 1 - 11, 2017 — all taking place within the Ojibwe Women and the next year and around reser- Survival of Community vation-based cultural institu- (Penguin, 2012) THE PACIFIC COAST tions. “When you work for a 7 Days | June 7 - 13, 2017 Away From Home: Boarding broader audience, you get peo- Portland to San Francisco School Experience (Heard ple to actually read and engage Museum, 2000, co-author) with your work,” she says. Learn More at a TRAVEL SHOW! The ultimate marker of suc- Boarding School Seasons: Tue, March 7th at 10:00am Wed, March 8th at 10:00am cess for Child? “My uncle sees American Indian Families, Hilton - Mall of America Residence Inn Plymouth my work. My Red Lake tribal 3800 American Blvd E. 2750 Annapolis Circle 1900-1940 (University of Bloomington, MN 55425 Plymouth, MN 55441 college teaches and uses my Nebraska, 1998), won the books. That’s what motivates North American Indian See ALL Trips & Show Schedule Online! me as a historian.” Prose Award. www.gowithlandmark.com 10 Minnesota Women’s Press, March 2017 PROFILE History Women’s history on center stage Playwright Laurie Flanigan Hegge creates theater from local stories.
by Jennifer Hyvonen HISTORY THEATRE HISTORY
Laurie Flanigan Hegge struck gold when she was inter- “Hormel Girls” staged at the History Theatre, 2007 viewing many women who worked in the Lake Michigan shipyards of Sturgeon Bay, Wisconsin, during World War II. She learned about a woman whose brother was fi ghting over- seas. “She felt he needed a home cooked meal,” the Minnesota
COURTESY PHOTO COURTESY playwright says. With much love, the sister roasted a chicken, packaged it up and mailed it to him. “Here he opens the box to this rotten chicken.” Switch brother to boyfriend, and Flanigan Hegge had the love-inter- est plot point for her fi rst play “Loose Lips Sink Ships,” a fi ctional dance musical based on the real lives of women who worked in shipyards when America’s men were called off to war. The idea for the play came about when Flanigan Hegge was a perform- ing member of the Northern Sky Theater, formerly known as American Folklore Theatre, in 1998. She noticed a void of plays with a female per- spective and she nudged the company’s primary playwright, saying, “You should do a women’s story.” The playwright nudged back, “Why don’t you do it?” The idea took root when she was playing cards with future collaborators on the project, lyricist Jacinda Duffi n and music composer James Kaplan. “We leapt in, as if we knew what we were doing,” Flanigan Hegge remem- I realized there was nothing bers. that women can take for granted. Word got out about the play’s development, and soon their phones were “ ringing off the hook with leads for women to interview. “My mom, my We owe our ability to be who we aunt, that kind of stuff,” says Flanigan Hegge. “All the women said their want to be to the women before us lives were not very interesting, but they talked for hours.” Common themes of empowerment and transformation emerged. who could not be what they wanted “The women would all say, ‘It was the last job I ever had, but I raised my daughter differently, to work.’” to be. — Laurie Flanigan Hegge Flanigan Hegge had gone into the research seeing the stories as elderly ” women who held different expectations, hopes and desires. She emerged 10 Minnesota Women’s Press, March 2017 Minnesota Women’s Press, March 2017 11
seeing stories full of emotional complexity that directly related PROFILE to her everyday life. History “I realized there was nothing that women can take for granted. We owe our ability to be who we want to be to the women before us who could not be what they wanted to be,” she says. Adele Della Torre, DDS Alice M. Ottavi, DDS Women’s Staging women’s history Lesley C. Knox, DDS “See Jane Vote,” written by Flanigan Hegge, premiered at the Angela M. Hastings, DMD American Folklore Theater in 2006. Her move from Chicago to (612) 377-6108 history on the Twin Cities gave rise to two History Theater productions — “Hormel Girls” in 2007 and “Twenty Days to Find A Wife” in 2232 Hennepin Avenue South 2009. “Hormel Girls” is a fictional story of the real-life touring Minneapolis, Minnesota 55405 center stage swing band comprised of G.I. Janes home from World War II. Prevention through Art, www.adtdental.com The band was sponsored by the Minnesota company Hormel Science & Compassion www.facebook.com/adtdental Playwright Laurie and its brand products, including SPAM. For “Hormel Girls,” created with collaborator Perrin Post, Flanigan Hegge Flanigan Hegge’s research and development methods remained 31-11 creates theater much the same. “For six characters, I interviewed 20 women and got 50 stories.” Themes emerged and characters were created from local stories. out of the various perspectives. “Women’s perspectives are not represented on stage enough. by Jennifer Hyvonen It’s the same way that we need to hear voices of color and voices
HISTORY THEATRE HISTORY that represent a variety of human perspectives,” Flanigan Hegge says. She believes that audiences are eager for stories telling the whole human experience, and that theater with its immersive, multi-sensory experience is a powerful conduit to examine our Laurie Flanigan Hegge struck gold when she was inter- subconscious biases and roles in humanity. “Hormel Girls” staged at the History Theatre, 2007 “Music and humor are great mechanisms to create empathy viewing many women who worked in the Lake Michigan for your characters. When audiences care about vulnerable shipyards of Sturgeon Bay, Wisconsin, during World War II. and accessible characters, their hearts open and there is space She learned about a woman whose brother was fi ghting over- to listen.” seas. “She felt he needed a home cooked meal,” the Minnesota Who’s in the spotlight? The Dramatist Guild of America, along with The Lilly Awards,
COURTESY PHOTO COURTESY playwright says. With much love, the sister roasted a chicken, studied three years of data from production in regional theaters packaged it up and mailed it to him. “Here he opens the box across America. The 2015 results showed that 63 percent of the- to this rotten chicken.” ater productions are written by American white males. American Switch brother to boyfriend, and Flanigan Hegge had the love-inter- white women wrote 14 percent, with 9 percent by Americans of color, and less than 1 percent by foreign men and women of est plot point for her fi rst play “Loose Lips Sink Ships,” a fi ctional dance 2300 Central Avenue NE musical based on the real lives of women who worked in shipyards when color. “It has been said that the reason for the disparity is that America’s men were called off to war. there are not enough female playwrights in the pipeline, but that Minneapolis, MN 55418 The idea for the play came about when Flanigan Hegge was a perform- is not true. We are here,” Flanigan Hegge says. Flanigan Hegge’s next production is a collaboration with ing member of the Northern Sky Theater, formerly known as American We teach adults: Folklore Theatre, in 1998. She noticed a void of plays with a female per- writer and director Post and composer Dina Maccabee. Adapted spective and she nudged the company’s primary playwright, saying, “You from the movie of the same name, “Sweet Land, the musical” , om l , C nese should do a women’s story.” The playwright nudged back, “Why don’t opens at the end of WWI with Inge Altenberg immigrating to you do it?” America to marry Olaf, a Norwegian farmer. However, the n p n s (including medical and legal) discovery of Inge’s German nationality evokes community The idea took root when she was playing cards with future collaborators le le cl ss sc e ul n on the project, lyricist Jacinda Duffi n and music composer James Kaplan. scorn. Forbidden to marry and unable to leave, Inge engages in “We leapt in, as if we knew what we were doing,” Flanigan Hegge remem- a life-or-death struggle for independence, love and acceptance in www.l n u ecen r l.us 12.31 .20 I realized there was nothing bers. a small Minnesota town. With partial help from the Minnesota State Arts Board, “Sweet that women can take for granted. Word got out about the play’s development, and soon their phones were ringing off the hook with leads for women to interview. “My mom, my Land, the musical” went through five developmental workshops “ to refine scripts and songs. “Our big challenge was how to use We owe our ability to be who we aunt, that kind of stuff,” says Flanigan Hegge. “All the women said their music and movement to capture the scope of the land that is so want to be to the women before us lives were not very interesting, but they talked for hours.” Common themes of empowerment and transformation emerged. prominent in the movie,” says Flanigan Hegge. The musical pre- who could not be what they wanted “The women would all say, ‘It was the last job I ever had, but I raised my mieres April 29, 2017, at the History Theater. daughter differently, to work.’” Flanigan Hegge looks forward to opening night. “It’s pure joy to be. — Laurie Flanigan Hegge Flanigan Hegge had gone into the research seeing the stories as elderly to watch the audience and see how they engage with the story.” ” women who held different expectations, hopes and desires. She emerged FFI: historytheatre.com 33- 12 Minnesota Women’s Press, March 2017 BOOKSHELF History DUCHESS HARRIS When your grandmother is hidden In 2011, my mother Miriam Mann Harris was approached by the National Aeronau- tics and Space Administration (NASA) to provide an oral history of her mother, Miriam Daniel Mann, who was in the fi rst cohort of Black women to work at NASA in 1943. My grandmother was born in which allowed us kids to get tours of BOOKSHELF: Covington, Georgia, on July 25, 1907. the wind tunnels and see some of the For more books written Her father was a barber and her actual planes that they did the math or edited by Duchess mother was a schoolteacher. She grew for. When NACA became NASA, my Harris check out: up in Macon, Georgia, and graduated Mom worked on John Glenn’s fl ight Black Feminist from Talladega College in Alabama ship and was present when he came to Politics from with a major in chemistry and a minor show his appreciation for their work. Kennedy to Clinton in mathematics. After teaching school After becoming a widow she contin- (Contemporary Black a few years, she married William S. ued to work. My mother retired from History) Mann, Jr. and had three children while NASA in late 1966 because of ill health My mother’s they lived in Savannah, Georgia. In and passed in May 1967.” Racially Writing the early memories 1942 the family moved to Virginia I was born two years after my grand- Republic: Racists, are of her where Bill Mann became a professor at mother passed, in 1969, which was the Race Rebels, and Hampton Institute (now University). year that the United States landed on Transformations of mother talking In 1943, my grandmother heard the moon. I was inspired by my moth- American Identity about doing math about NACA (The National Advisory er’s 2011 Oral History. In 2013 I was Black Lives Matter problems all day. Committee for Aeronautics, which granted sabbatical and decided that (Special Reports) preceded NASA) looking to hire my project would be to write about the Back then a lot of women to do calculations by hand. Black women of NASA. To learn more about My mother’s early memories are of In 2014, Margot Lee Shetterly the math was the lesson plans her mother talking about doing math and I won a grant from the Virginia done with a #2 within Hidden Human problems all day. Back then a lot of the Foundation for the Humanities and Computers: The Black pencil and the aid math was done with a #2 pencil and travelled to the NASA Archive. Women of NASA, of a slide rule. the aid of a slide rule. Margot decided to write “Hidden see online: “Human My mother wrote, “I remember Figures.” I decided to write “Hidden Computers at NASA” the talk of plotting graphs, logs, Human Computers: The Black Women http://omeka. doing equations and all sorts of of NASA.” My book is aimed at 6-12 macalester.edu/ foreign-sounding terms. She would graders and has the only lesson plan humancomputer relate stories about the ’colored’ sign for this narrative in the country. project/about on a table in the back of the cafeteria. Duchess Harris is professor and chair She brought the fi rst one home, but of American Studies at Macalester there was a replacement the next day. College. Her legal name is Miriam. New signs went up on the bathroom She carries the tradition of three door, ’colored girls.’ generations of Black women in her As my mother continued: “Once the family who have either made history war was over, security wasn’t as rigid, or written it. Minnesota Women’s Press, March 2017 13 SHESAID History
Motherlines ALONDRA CANO She was fabulous and unavailable. Worked full time, attended night school, went dancing, devoured books. Early evening jogs around the park, with a lot of thinking about the future and how to make that future better. When Sheila E sang “the girl’s got a lot on her mind,” she must’ve been singing about my mother. She was beautiful and ugly. So fi ercely beautiful About not being afraid to do things others weren’t when she would get into shouting matches with doing. About being a do-it-yourself and some- my step-father after he would come home with times not-do-it-yourself lady in a man’s world. the stank of another woman’s perfume or when About standing up for myself. About false expec- he wouldn’t come home at all. She was standing tations based on gender. “Gracias abuelita,” I said. up for herself, for us, for them. That was my cue I took the remote, learning from the woman who to be helpful. I would take my little brother and had birthed my mother and eight other children. sister to the bed, change their diapers, dress them I was elated. I was six. up, play with them — until her thunder and rain As a womyn who was born into the struggle, had cleansed what had been wronged. I always strive for freedom — whether it is She was the ugliest when she would cave in and through my policy-making efforts for and with She was a woman believe she wasn’t good enough. It wasn’t often, our communities, in relationships, or while rais- of the world, a but when the autoimmune attacks on her self- ing three young boys. Often I am called to watch leader, brave and esteem took place, they ran deep and crooked. them sleep. Under the thickness of the moon She was smartly attractive, throwing her head I am in awe of their huge smallness and I am full. Through sheer back as she laughed and letting the brightness of complete knowing their bloodline, like mine, car- will power and her generous smile fi ll the room. She asked great ries a strong commitment to justice. The round- independence, she questions and shaped me to think in new ways. ness of their soft slumber fi lls the square room. I loved her. I still do. I longed to be the center of But when I think I’m ready to walk away, my feet would make her her attention. But she was a woman of the world, take a stand. And my motherlines speak, saying own way with a leader, brave and full. Through sheer will power — “I hope every mother has the chance to do and independence, she would make her own way this. Our mothers didn’t get a chance to do this, babies in tow all with babies in tow all the way from Chihuahua, between this job and that one, between this bill the way from Mexico, to Litchfi eld, Minnesota. and the other one.” Chihuahua, Mexico, 2014-As20 in15 many of our families, Grandma helped I am reminded once again how important it 28 ONE-TIME SCHOLARSHIPS ($1000 TO $6,000) FOR WtoOMEN raise me and taught me about the rituals of is — for all the mothers, daughters, aunties and to Litchfi eld, CRITERIA womanhood, how to deploy the power of lipstick, cousins — to build a powerful voice that lets the Minnesota. • 28 years of age or older; • and about the proper rules of house visits over roundness keep fi lling all the square rooms. • Returning from a five-year degree-granting program at or longer break in any University ocaféf Minneso con tlechea with las comadres. Alondra Cano immigrated to this country at the college/post-secondary campus; One day Grandma gave me a present. I grew age of 10. She is the fi rst Latina to serve on the education; • Demonstrated financial need. whiney when I saw it was a remote-control car. Minneapolis City Council as the Ninth Ward APPLICATIONS AVAILABLE NOW! DEADLINE JUNE 6, 2014! for women women for “But these are for boys!” I pouted. “Nonsense,” representative. she said. As Grandma played with the remote, Women’s Center she talked to me about being able to do anything. 612.625.9837 • [email protected] scholarships scholarships t a • t 15 am a r edu 20
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33-3 33-3 Elder Guide Version March 2017
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Minnesota Women’s Press, June 2016 1 in low-wage and traditionally male jobs expe-
s ’s Storie omen erse through W hanging the Univ Upstanders C issue
Dr. Edwige Mubonzi: Repairing rape
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www.womenspress.com If you don’t fi nd a site near you, send your suggestions to [email protected] Volume 32, Issue 6 JUNE 2016 Minnesota Women’s Press, March 2017 19 LEADERVOICE History The impact of domestic violence SAFIAKHAN Almost 1,000 Minnesotans have lost their lives to domestic violence in Minnesota in the last 27 years. The Minnesota Coalition for Battered Women (MCBW) released its annual Femicide Report in January, which documents homicides resulting from intimate partner violence in Minnesota. MCBW has been releasing this report every year since 1989, making it the oldest publication of its kind in the country.
This is what we know from our reports: due to lack of resources. They do not tell us about • Every year between 20 to 40 people, mostly the many women who end up homeless or incar- women, have been killed due to domestic cerated due to the abuse they have faced. These violence in Minnesota; statistics simply refl ect the disturbing and stark • Almost half of these deaths were murder- reality of domestic violence in our communities. suicides; After several years of collecting and analyzing • Half of the victims were killed with fi rearms; data for this report and tracking these cases, I can In over 75 percent • Most of the victims were murdered while say one thing for certain: none of us is safe from of women’s homi- attempting to leave the abusive relationship; domestic violence until all of us are safe from cides in Minnesota • And in 1 in 3 cases, children were either domestic violence. present at the time of their mothers’ homicides The victims of domestic violence do not live in the last decade, or discovered the body. their lives in silos, and they deserve a response the perpetrator that is multifaceted and that recognizes their We also know that in over 75 percent of wom- was a current or en’s homicides in Minnesota in the last decade, lived reality. Domestic violence is not simply a the perpetrator was a current or former intimate private issue between two people. It is a public former intimate partner. In the same time period, between 30 to safety issue; we need accountability and effective partner ... Between interventions for perpetrators. It is a public health 40 percent of all homicides in Minnesota were 30 to 40 percent domestic violence-related. issue; abuse and trauma can severely impact There are no stereotypes when it comes to survivors’ physical, emotional, and mental of all homicides in domestic violence homicides. The victims in our well-being. It is an economic justice issue; leaving Minnesota were an abusive relationship will not result in safety if reports represent all races and all socioeconomic domestic backgrounds. These homicides have happened in a survivor faces homelessness and poverty. the richest urban neighborhoods to the poorest And most importantly, domestic violence is violence-related. rural communities across Minnesota. a community issue. All of us — in our roles as While these statistics are horrifying and should family members, friends, neighbors, educators, shock us to our core, they only give us a glimpse and employers — must believe and support sur- into the impact of domestic violence in our com- vivors of domestic violence. Services can only go munities. They do not tell us that in 2016 alone, so far. It takes a community to keep victims safe. over 65,000 survivors and their children sought Safi a Khan is a program manager for Criminal services from domestic violence programs in Justice System Advocacy at the MN Coalition for Minnesota — many of whom had unmet needs Battered Women. www.mcbw.org/femicide-report
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23-1 Minnesota Women’s Press, March 2017 History Vintage views Carmen McCullough is a mixed media storyteller
by Norma Smith Olson The two young cousins on the cover of this issue are posed in their Sunday best clothes, out in the backyard on a farmstead in tter Tail Township, in northwestern Minnesota. It’s 1955. h good- ness, these two girls, aren’t they awesome says Carmen McCullough, of her mother, Mary Ann, on the left and her mom’s cousin, Bernice. erhaps it’s a confi rmation day or some special event. I just loved this photo. My mom is dressed up. They weren’t fancy people, so this was a special occasion. And there was something about Bernice the glasses, that hat. I thought, oh my word, these girls are up to something,’ she says. The image was found in a collection of vintage photographs that came to McCullough in an old blue suitcase that had been her grandmother’s. McCullough is a mi ed media artist who cre- ates story collages from old photos and other fi nds. “They were too smart” In the background of her artwork, They were too smart, is a page from McCullough’s childhood diary and also a page from a ancy Drew book. I loved ancy Drew. I read all of her books from the library when I was young. Sepia tones nowing that McCullough fi nds inspiration working with Even months vintage photos, many have been given to her by friends and relatives. Certain photos speak to me, she says, even though later, I’ll see some- she sometimes does not know who the people are in the images. “ I sometimes see a photo and think that needs to be in a thing in a fi nished collage.’ She fi nds other creative elements from anti ue shops, piece that I didn’t such as old letters or envelopes, maps and diaries. She uses a fl uid, sepia-toned acrylic paint — an Dyke brown plan on. There’s a — as a wash over her fi nished creations to give them a warm, historic look. She often adds wry words or witty phrases to serendipity to it her artwork to give a contemporary feel — often capturing an sometimes. intention or tender moment, such as the journey is the prize or simply, empty nest. — Carmen McCullough I often try to think of clever things to go with the photos. ” I’ve created a few collages where I think nobody is going to get this, because it’s so personal to me. But I have found over time that those are the pieces that people identify with. Those sell uickly, McCullough says. A gallery in erham, Minn., features her artwork. Weekend artist Although McCullough was an artsy kid, she chose a prac- tical path when making career choices. She has a degree in communications and has worked in corporate marketing over Minnesota Women’s Press, March 2017 21 many years in west central Minnesota. For the past five years she has worked with Perham’s Chamber of Commerce. “I save my art [time] for the weekends,” McCullough says, who began to work with mixed media about 12 years ago, when her two sons were young and she desired a creative outlet for herself. “I never did get that fine arts degree, so I am definitely a self-taught artist. But we’re very fortunate, because there are so many art tutorials and technique videos posted on the Internet. You can learn to do almost anything if you really want to.” McCullough has authored two books, using her collage work and her wry sense of humor, “When She Turned 40-Ish” and it’s sequel, “When She Turned 50-Ish.” She’s currently working on a third book. Grandmother muse In addition to vintage photographs, inspiration for McCullough’s collages comes from her Dutch family heritage and heirlooms, music and travel. “Seeing the world out there, my creativity goes crazy.” One of the images that is often used is of her grandmother, Marie, who came to the United States with her family from Carmen McCullough made a rubber stamp of a photo of her Holland around 1910. “I remember her as my grandmother, mother’s mother, Marie, who she calls her “muse.” old and a bit tired, having lived on a farm all her life. And, then I found this picture of her, as a young classy lady. I thought … ‘Wow!’” She loved the image so much she had FFI: You can see McCullough’s original artwork at it made into a rubber stamp that often finds its way into Bridgette’s Main Frames Art Gallery in Perham, Minn., her collages. “Marie is my muse,” McCullough says. and online at www.StrangeFarmGirl.com. Her art continues to surprise her. “Even months later, I’ll see something in a finished piece that I didn’t plan on. There’s a
serendipity to it sometimes.”
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GoSeeDo Guide ONGOING THROUGH APRIL 50 Minnesota women A newly released collection from the late photographer Ann Marsden, in partner- ship with the Ann Bancroft Foundation, features 50 DreamMaker portraits — champions of women’s and girls’ causes. Free. Mon.-Fri., ANN MARSDEN 10:30 a.m.-5:30 p.m. Marsden/ Gustafson Gallery, 550 Vandalia St., Suite 120, St. Paul. FFI: ifpmn.org Upper left: Tracina Coward, DreamMaker 2009 Upper Right: Amy Klobuchar, DreamMaker 2004 Lower left: Mee Moua, DreamMaker 2003 Lower right: Mary LaGarde, DreamMaker 2008
3/4-5 SATURDAY/SUNDAY A world without color The youth ballet company La Danse Fatale will perform “A Clock of Curious Times,” about a world heading into darkness. The story revolves around a young girl who is the only remaining human able to distinguish between color and dullness, racing against time to bring back the light. $13-17. Sat., March 4, 7 p.m.; Sun. March 5, 2 p.m. Eden Prairie Performing Arts Center, 17185 Valley View Rd. FFI: 612-562-6305 or ladansefatale.org
3/7 TUESDAY Healing from trauma Trauma is often considered an event, but new studies reveal that trauma flows, carrying suffering and vulnerability across generations. What does healing from trauma mean? Dr. Shelly Rambo, theology professor at Boston University, will offer a keynote address in the two-day Mahle Symposium, titled “Resurrection in the Afterlife of Trauma: Making Sense of the Wounds That Mark Us.” Free, registration requested. 7 p.m. Sundin Music Hall, Hamline University, 1531 Hewitt Ave., St. Paul. FFI: 651-523-2878 or hamline.edu/mahle Minnesota Women’s Press, March 2017 23 womenspress.com GoSeeDo Guide WOMEN’S HISTORY MONTH/ INTERNATIONAL WOMEN’S DAY “Be Bold for Change” is this year’s theme. Sunday, March 5 — The 3rd annual Women United International Women’s Day celebration. Free. 3-6 p.m. Prive, 315 N. First Ave., Mpls. FFI: [email protected] Wednesday, March 8 — The theme is gratitude at the International Women’s Day celebration by Isuroon, which supports Somali woman. Free. Grandview Restaurant, 312 W. Lake St., Mpls., 6-8:30pm. RSVP: https://tinyurl.com/IWD2017-tickets Wednesday, March 8 — National Geographic photographer Annie Griffiths presentation. Free. 4:30-6 p.m. St. Catherine University, “Primordiale” by 2004 Randolph Ave., St. Paul. FFI: http://tinyurl.com/IWD-Griffiths Mary Francis Judge Thursday, March 9 — Viewing and discussion of the documentary “Equal Means Equal,” about how the struggle for women’s equality MARCH 4-31 continues. Free. 6:30-8:30 p.m. Roseville Library, 2180 Hamline Ave. N. Women of Schmidt at Cty. Rd. B. FFI: 651-772-3311, DoGoodRoseville.com. The 28 women artists of the Schmidt Artist Lofts in Thursday, March 9 — Daylong programming at KFAI radio by, for St. Paul will exhibit over 50 artworks at three galleries — and about women. 6 a.m.-midnight; concert in evening; around the Landmark Gallery, Tunnel Gallery and Pig’s Eye Gallery, “Be Bold for Change” theme. FFI: kfai.org in the Schmidt Artist Lofts, 900 W. 7th St., St. Paul, Saturday, March 11 — Pulitzer Prize-winning Sheryl WuDunn will use entrance door #1, the Brew House. Galleries open deliver a keynote address as part of a focus on women’s economic to public on weekends Sat.-Sun., noon-5 p.m.; empowerment. Free. 8:30 a.m. to 1 p.m. Hamline University, Mon.-Fri., noon-5 p.m. by appointment. Anderson Center, 774 Snelling Ave N., St. Paul. Register: FFI: [email protected] http://bit.ly/2fER14O
24 Minnesota Women’s Press, March 2017 GoSeeDo Guide: 3/16 FRIDAY Baptized in the blues Annie Mack has been described as baptized in the blues, with roots tinged in gospel tunes and retro Motown soul, who shuffles easily into a classic country beat with the lonesome drone of a
TRIPLERPHOTOGRAPHY pedal steel. $10. 7:30 p.m. Crooners Lounge, 6161 Highway 65 NE, Mpls. FFI: 763-571-9020 or croonersloungemn.com
Annie Mack
3/17 SATURDAY Providing for family Author Jung Yun, in con- junction with Riveter mag- azine, reads from her debut novel “Shelter.” Free. “Chacaltaya” 7 p.m. Magers & Quinn, by Betsy Ruth Byers 3038 Hennepin Ave. S., Mpls. ONGOING THROUGH 4/15 FFI: magersandquinn.com Jung Yun Slow movement over time 3/25 SATURDAY Inspired by the Icelandic term jokulhlaup (a glacial flood), as well as historical studies of glacial change and the philosophy Challenging Islamaphobia of how our senses create our reality, Betsy Ruth Byers exhibits The local chapter of the Council on American-Islamic “Sensitive Indicators.” Free. Artist reception March 25, 7-9 p.m. Relations is hosting an event to kick-off a campaign to Gallery hours: Sat., Noon-4 p.m.; Thurs., March 2 and April 6, activate 10,000 Minnesotans in the fight against bigotry. 5-9 p.m. Kolman & Pryor Gallery, Studio 395, Northrup King The event will feature noted Muslim scholar Dalia Mogahed, Building, 1500 Jackson St. NE, Mpls. FFI: 612-208-7812 or Rep. Ilhan Omar, and civil rights leader Nekima Levy- kolmanpryorgallery.com Pounds. $0-10. 4-8 p.m. O’Shaughnessy Auditorium, 2004 Randolph Ave., St. Paul. FFI: cairmn.com Compiled by Mikki Morrissette Minnesota Quilters Inc.
Minnesota Quilters Inc. 34th Annual Quilt Show 33rd Annual Quilt Show & Conference and Conference Mayo Civic Center June 16-18, 2011 Rochester Minnesota (Classes begin June 15) June 14-16, 2012 Saint Paul RiverCentre www.mnquilt.org See our website 612-910-7127 www.mnquilt.org/mq2011 27-5 original cra 27-5 remade w/new info 28-5 cra bordered
Minnesota Women’s Press, March 2017 25 womenspress.com MinnesotaGoSeeDo Guide Minnesota Minnesota ONGOINGQuilters Quilters Quilters, THROUGHInc. 4/23 Inc. Inc. Pickets and peonies 35th Annual Quilt Show 36th Annual Quilt Show 39th Annual Quilt Show Mixed-media artist and Conference and Conference and Conference Amy Rice uses inspiration DECC River’s Edge At the DECC from growing up on a Duluth St. Cloud Duluth Midwestern farm as well as June 13-15,her current 2013 urban commu- June 12-14, 2014 June 8-10, 2017 www.mnquilt.org www.mnquilt.orgnity for art that draws on www.mnquilt.org 612-910-7127“collective endeavors that 612-910-7127 612-910-7127 challenge hierarchy, acts of 29-5 compassion and downright30-5 silliness.” Free. Mon.-Fri., 33-3 8 a.m.-10 p.m., Sat., 9 a.m.- “Rollerskates and Hollyhocks” 5 p.m., Sun. 1-10 p.m. by Amy Rice Atrium Gallery, 1800 W. Old Shakopee Rd., Bloomington. FFI: 952-563-8575 or artistrymn.org
See more calendar listings online at womenspress.com Look for the MWP at these events in March: • Wine Women and Wolves, March 3-5 • 3rd Annual Women United Int’l Women’s Day Celebration, March 5 • FEW: Kristen Brown, The Happy Hour Effect, March 8 • 2017 Women’s Art Institute Sale for Scholarships, March 9 • Int’l Women’s Day Celebration at Hamline University, March 11 • Pro-Choice Resources Bowl-A-Thon, March 23 • Brains, Bodies and Voices: The General Practitioner’s Guide by MN Women in Psychology, March 30 • Art of Counseling workshops • Association of Black Women in Higher Education—MN events • CanCan Wonderland events • Irene Greene, MSED: Growth & Training workshops & events • League of Women Voters—South Tonka events • MN Peacebuilding Leadership Institute film series • MN Women in Marketing & Communications (MWMC) workshops & events • NAWBO—MN events • PACER Center workshops & events • Second Saturday Divorce Workshop for Women • Theatre Unbound performances • U of MN Women’s Center events • Women Entrepreneurs of MN events • Women Leading in Technology events • Women’s Environmental Institute (WEI) events • Women’s Initiative for Self Empowerment (WISE) events
Day and evening workshops All level of artists are welcome April 26 - May 1 Crowne Plaza Aire Mall of America Hotel 26 Minnesota Women’s Press, March 2017 HISTORYFEATURE History Equal rights – unfi nished business Don’t women already have equal rights under the law? No.
by Gail Kulick & Betty Folliard The Equal Rights Amendment (ERA) is a proposed amendment to the United States Constitution that would prohibit discrimination on the basis of sex. It was originally written by Alice Paul and Crystal Eastman, and in 1923 it was introduced in Congress for the fi rst time. Americans now The text of the ERA is simple and straightfor- fundamental rights named in the Constitution, have an increased ward: “Equality of rights under the law shall not such as the prohibition of discrimination on the be denied or abridged by the United States or by basis of religion, race, country of origin and free- appreciation of the any State on account of sex.” dom of speech. However, gender discrimination importance of Didn’t that pass in the 1970s? No. The ERA is not defi ned or prohibited in our Constitution. Constitutional did not get included in the U.S. Constitution. When courts are dealing with gender discrimina- While it passed both houses of Congress in 1972, it tion laws, they apply a lower standard of review, rights. In fact, needed to be ratifi ed by 38 states, and it achieved known as intermediate scrutiny. 96 percent of ratifi cation in only 35 states (Minnesota being Why now? All of the negative arguments that Americans agree one) before an arbitrary deadline was imposed the fear-mongers of the 1970s predicted the ERA that we should all upon it, causing the ERA to expire in 1982. There would bring — that an equal rights amendment have been many amendments to the constitution would cause women in the military, unisex bath- have equal rights. over our 240-year history, and very few received rooms, same-sex marriage — have already come Yet 72 percent of a fi xed deadline for ratifi cation. Somehow, when to pass without an ERA. Americans now have citizens think that it came to women’s rights, Congress found it an increased appreciation of the importance necessary to impose a 10-year timeframe. of Constitutional rights. In fact, 96 percent of the ERA passed The only guaranteed right for women in the Americans agree that we should all have equal sometime last Constitution is the right to vote, and even that rights. Yet 72 percent of citizens think that the century. came 132 years after the Constitution was fully ERA passed sometime last century. ratifi ed, and only after decades of struggle. The Younger generations have a heightened sense good news, though, is that Congress had the of equality. We as a society need to acknowl- power to impose a deadline and they also have edge that our piecemeal approach to gender the power to remove that deadline — by a simple fairness laws hasn’t corrected the problems majority vote. we face. Women still make 78 cents for every Do women have equal rights under the law? dollar men make doing the same job, with much No. What we have are piecemeal laws addressing greater inequities for women of color: 64 cents inequality. Courts apply the highest standard of for African American women and 56 cents for review, called strict scrutiny, to laws that affect Hispanic women. Sexual violence is still a norm Minnesota Women’s Press, March 2017 27
Strength givesgives youyou thethe in America. Women in the military powerpower to to can fight and die for our country, but changechange still don’t have equal rights and are thethe world. world. effectively shut out of the opportu- DiscoverDiscover yours. nity for serving on the Joint Chiefs PHOTO COURTESY yours. of Staff. People all across the U.S. continue PPersonalersonal TTrainingraining to work toward passage of the ERA. fforor WWomenomen State organizations partner with the national groups and are working at KKARIARI LLARSON,ARSON, CCPFTPFT the state legislature level. This year 763-473-4840763-473-4840 Nevada and Florida are states to www.KariLarsonFitness.comwww.KariLarsonFitness.com watch because of major efforts there to finally ratify the ERA. 26-12 Remade ad / website link error There are new efforts in 2017 to effect legislative action at the fed- Gail Kulick, left, and Betty Folliard eminis e a eminis e a eral and state levels. A bill in the wi a na i nal wi a na i nal U.S. Senate to remove the deadline e u a i n e u a i n on passage of the amendment is supported Gail Kulick lives in Milaca. She serves as a by Senators Amy Klobuchar and Al Franken. district court judge for Mille Lacs County and Valuing connection to Valuing connection to At the local level, bills that would enable is a former state legislator. self and others self and others Betty Folliard is president of ERA Minnesota, Minnesota to become the 24th state to embed Supporting a woman’s Supporting a woman’s an equal rights amendment into the state executive producer of A Woman’s Place radio journey to fi nd her show on AM950, and a former state legislator. journey to fi nd her constitution has been re-introduced by chief own voice own voice authors Sen. Richard Cohen, Sen. Scott Dibble, JOININ: Providing a safe Providing a safe Rep. Ilhan Omar, and Rep. Frank Hornstein. envi ron ment In Minnesota, anyone interested in advocating envi ron ment Bills to remove the ERA deadline at a state for women’s growth level were introduced by Sen. Sandy Pappas for the Equal Rights Amendment can contact for women’s growth and Rep. Rena Moran. ERA Minnesota on their website at Indi vid u al, Couple & Family Indi vid u al, Couple & Family MindBody Skills Group Constitutional rights are considered the www.eramn.org. MindBody Skills Group foundation of our society. U.S. Supreme Court Many national organizations are working 61 -3 9- 640 61 -3 9- 640 Justice Ruth Bader Ginsberg noted in an inter- toward passage of the ERA in our St. nt on ain St. nt on ain view that every constitution in the world writ- U.S. Constitution: ten since 1950 provides for equal citizenship ERA Coalition eracoalition.org stature for women and men. We owe it to our ERA Action eraaction.org mothers, aunts, sisters and daughters to allow Fem FemFederation femfederation.org for equal access to justice and for full citizen- Progressive Democrats of America ship to be set forth in our Constitution on par pdamerica.org/our-issues with all of the other fundamental rights that We Are Woman wearewoman.us define this great country.