DOCSLIB.ORG

Willets Point Development Phase 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Willets Point Development Phase 1 REQUEST FOR PROPOSALS New York City Economic Development Corporation Willets Point Development Phase I Release Date: Monday, May 9, 2011 Submission Date: Friday, August 12, 2011 TABLE OF CONTENTS I. INTRODUCTION .................................................................................................. 5 II. PROJECT HISTORY AND BACKGROUND ........................................................ 7 STAKEHOLDER OUTREACH AND INPUT .................................................................................7 ENVIRONMENTAL REVIEW AND ENTITLEMENT EFFORTS ......................................................7 III. AERIAL LOCATION MAP OF THE DISTRICT .................................................... 9 IV. AERIAL MAP OF THE PHASE 1 SITE .............................................................. 10 V. SITE CONTEXT AND DESCRIPTION ............................................................... 11 Figure 1: District Context Map .................................................................................. 11 TRANSPORTATION ...............................................................................................................11 CITI FIELD ...........................................................................................................................12 FLUSHING MEADOWS-CORONA PARK .................................................................................12 DOWNTOWN FLUSHING .......................................................................................................13 VI. DISTRICT TRANSPORTATION MAP ................................................................ 14 VII. DISTRICT LAND USE MAP ............................................................................... 15 VIII. PHASE I SITE PROGRAM GUIDELINES .......................................................... 16 ZONING ...............................................................................................................................16 URBAN RENEWAL PLAN .....................................................................................................17 THE PHASE 1 APPROVED PROGRAM ....................................................................................17 BUFFER AREA .....................................................................................................................17 Figure 2: Willets Point Map illustrating the Phase 1 Approved Program ................. 18 IX. STREET GUIDELINES ...................................................................................... 19 STREET CONSTRUCTION ......................................................................................................19 STREETSCAPE IMPROVEMENTS AND PUBLIC SPACES ..........................................................20 STREET MAINTENANCE RESPONSIBILITIES ..........................................................................20 X. INFRASTRUCTURE GUIDELINES .................................................................... 21 EXISTING INFRASTRUCTURE ...............................................................................................21 NEW ACCESSORY INFRASTRUCTURE ...................................................................................21 Figure 3: Proposed Willets Point Accessory Infrastructure Elements (1) - (6) ......... 22 NEW DEVELOPER INFRASTRUCTURE ...................................................................................23 Stormwater Sewer ....................................................................................................... 23 Water Main ................................................................................................................. 24 Sanitary Sewer ............................................................................................................ 24 Private Utilities ........................................................................................................... 24 Expressway Work ........................................................................................................ 25 XI. HOUSING REQUIREMENTS ............................................................................. 26 XII. GREEN BUILDING REQUIREMENTS ............................................................... 27 XIII. DESIGN GUIDELINES ....................................................................................... 28 1 Area A: Mixed-Use Retail, Entertainment, and Housing ........................................... 28 Area B: Residential Neighborhood ............................................................................. 28 XIV. ADDITIONAL DEVELOPMENT CONSIDERATIONS ........................................ 29 A. DEMOLITION ................................................................................................................29 B. ENVIRONMENTAL CONTAMINATION ............................................................................29 C. GEOTECHNICAL CONSIDERATIONS ..............................................................................30 D. SITE ELEVATION AND FLOODPLAIN .............................................................................30 E. HEIGHT LIMITATIONS ..................................................................................................31 F. CLIMATE CHANGE .......................................................................................................31 G. ACOUSTICS AND SOUND ATTENUATION ......................................................................31 H. TRAFFIC PROGRAMS ....................................................................................................32 I. DAY CARE ...................................................................................................................32 J. MINORITY/WOMEN BUSINESS ENTERPRISE AND LOCAL HIRING INITIATIVE ...............32 K. FINANCING OPPORTUNITIES ........................................................................................32 XV. CONCEPTUAL DISTRICT PLAN ...................................................................... 33 XVI. SUBSEQUENT DEVELOPMENT PHASES ....................................................... 34 XVII. PROJECT STATUS ........................................................................................... 35 PROPERTY ACQUISITION .....................................................................................................35 BUSINESS RELOCATION ......................................................................................................35 WORKER ASSISTANCE PROGRAM ........................................................................................35 XVIII. PROJECT TIMELINE ......................................................................................... 36 XIX. RFP RESPONDENT GUIDELINES .................................................................... 37 XX. PROPOSAL REQUIREMENTS .......................................................................... 38 A. PHASE 1 SITE PLAN AND DISTRICT CONCEPTUAL PLAN ..............................................38 B. PURCHASE OFFER ........................................................................................................39 C. CONTRACT OF SALE TERMS .........................................................................................39 D. ANTICIPATED PROJECT SCHEDULE ..............................................................................40 E. FINANCIAL INFORMATION ...........................................................................................40 F. TEAM DESCRIPTION .....................................................................................................42 G. RESPONDENT DESCRIPTION .........................................................................................43 H. GREEN BUILDING/SUSTAINABLE DESIGN PLAN ..........................................................44 I. ZONING CALCULATION................................................................................................44 J. CONSTRUCTION PLAN AND TIMELINE ..........................................................................44 K. EMPLOYMENT GENERATION PROJECTIONS ..................................................................45 L. TRAFFIC MONITORING AND MITIGATION FUND ..........................................................45 M. MWBE/LOCAL HIRING AND UTILIZATION PLAN ........................................................45 N. HIRENYC PROGRAM ...................................................................................................46 O. STATEMENT OF AGREEMENT .......................................................................................46 XXI. PROPOSAL SELECTION CRITERIA ................................................................ 47 XXII. DEVELOPER DUE DILIGENCE ........................................................................ 49 SITE INFORMATION FILE .....................................................................................................49 2 APPROVALS AND DISPOSITION PROCESS ............................................................. 51 PUBLIC REVIEW PROCESS/ENVIRONMENTAL REVIEW ........................................................51 CONTRACT OF SALE ............................................................................................................51 XXIII. INFORMATION MEETING/SITE VISIT .............................................................. 53 XXIV. CONDITIONS, TERMS AND LIMITATIONS ...................................................... 53 XXV. SUBMISSIONS .................................................................................................
Load more

Recommended publications
  • Mundos Alternos
    FOR IMMEDIATE RELEASE: Queens Museum Presents Mundos Alternos: Art and Science Fiction in the Americas Traveling from UCR ARTS at the University of California, Riverside, the East Coast debut features new and reimagined work by 30 Latinx contemporary artists and collectives from across the Americas, as well as satellite installations and programs at The Leslie-Lohman Museum of Gay and Lesbian Art, Museum of the Moving Image, Sugar Hill Children’s Museum of Art & Storytelling, and the New York Hall of Science. Exhibition dates: April 7 – August 18, 2019 Public opening: April 7, 1 – 5 PM Image: Chico MacMurtrie/Amorphic Robot Works. Organic Arches (Time Traveler), 2014/2017. High tensile fabric, electric valves, Arduino, Raspberry Pi, Computer. Photo by Nikolay Maslov, courtesy UCR ARTS. Queens, NY (April 7, 2019) – Mundos Alternos: Art and Science Fiction in the Americas brings together the work of international artists from across Latin America and the Caribbean with Latinx artists from the United States. In the more than 50 works featured in the exhibition, most created in the last two decades, artists employ the imagery of science fiction to explore the colonial enterprise that shaped the Americas, different iterations of history, and “alienating” ways of being. Page 1 of 6 New technologies, communities, creatures, and world orders come together in the fictive future worlds of science fiction, in which they could exist. This exhibition's travel to the Queens Museum continues a transnational conversation about speculative aesthetics at a time when immigrant futures are facing uncertainty. As a former site of two New York World's Fairs that brought technologically-driven, futuristic ideas to a world stage, the Museum is the most relevant venue to host a show of this kind.
    [Show full text]
  • Tomorrow's World
    Tomorrow’s World: The New York World’s Fairs and Flushing Meadows Corona Park The Arsenal Gallery June 26 – August 27, 2014 the “Versailles of America.” Within one year Tomorrow’s World: 10,000 trees were planted, the Grand Central Parkway connection to the Triborough Bridge The New York was completed and the Bronx-Whitestone Bridge well underway.Michael Rapuano’s World’s Fairs and landscape design created radiating pathways to the north influenced by St. Peter’s piazza in the Flushing Meadows Vatican, and also included naturalized areas Corona Park and recreational fields to the south and west. The Arsenal Gallery The fair was divided into seven great zones from Amusement to Transportation, and 60 countries June 26 – August 27, 2014 and 33 states or territories paraded their wares. Though the Fair planners aimed at high culture, Organized by Jonathan Kuhn and Jennifer Lantzas they left plenty of room for honky-tonk delights, noting that “A is for amusement; and in the interests of many of the millions of Fair visitors, This year marks the 50th and 75th anniversaries amusement comes first.” of the New York World’s Fairs of 1939-40 and 1964-65, cultural milestones that celebrated our If the New York World’s Fair of 1939-40 belonged civilization’s advancement, and whose visions of to New Dealers, then the Fair in 1964-65 was for the future are now remembered with nostalgia. the baby boomers. Five months before the Fair The Fairs were also a mechanism for transform- opened, President Kennedy, who had said, “I ing a vast industrial dump atop a wetland into hope to be with you at the ribbon cutting,” was the city’s fourth largest urban park.
    [Show full text]
  • Brooklyn-Queens Greenway Guide
    TABLE OF CONTENTS The Brooklyn-Queens Greenway Guide INTRODUCTION . .2 1 CONEY ISLAND . .3 2 OCEAN PARKWAY . .11 3 PROSPECT PARK . .16 4 EASTERN PARKWAY . .22 5 HIGHLAND PARK/RIDGEWOOD RESERVOIR . .29 6 FOREST PARK . .36 7 FLUSHING MEADOWS CORONA PARK . .42 8 KISSENA-CUNNINGHAM CORRIDOR . .54 9 ALLEY POND PARK TO FORT TOTTEN . .61 CONCLUSION . .70 GREENWAY SIGNAGE . .71 BIKE SHOPS . .73 2 The Brooklyn-Queens Greenway System ntroduction New York City Department of Parks & Recreation (Parks) works closely with The Brooklyn-Queens the Departments of Transportation Greenway (BQG) is a 40- and City Planning on the planning mile, continuous pedestrian and implementation of the City’s and cyclist route from Greenway Network. Parks has juris- Coney Island in Brooklyn to diction and maintains over 100 miles Fort Totten, on the Long of greenways for commuting and Island Sound, in Queens. recreational use, and continues to I plan, design, and construct additional The Brooklyn-Queens Greenway pro- greenway segments in each borough, vides an active and engaging way of utilizing City capital funds and a exploring these two lively and diverse number of federal transportation boroughs. The BQG presents the grants. cyclist or pedestrian with a wide range of amenities, cultural offerings, In 1987, the Neighborhood Open and urban experiences—linking 13 Space Coalition spearheaded the parks, two botanical gardens, the New concept of the Brooklyn-Queens York Aquarium, the Brooklyn Greenway, building on the work of Museum, the New York Hall of Frederick Law Olmsted, Calvert Vaux, Science, two environmental education and Robert Moses in their creations of centers, four lakes, and numerous the great parkways and parks of ethnic and historic neighborhoods.
    [Show full text]
  • Venues with Free Or Suggested Admission
    The City of New York is home to more than 700 galleries, 380 nonprofit theater companies, 330 dance companies, 131 museums, 96 orchestras, 40 Broadway theaters, 15 major concert halls, five zoos, five botanical gardens, and an aquarium. Many institutions offer free hours or suggested admission. Venues with Free or Suggested Admission • Alice Austen House Museum | www.aliceausten.org • American Folk Art Museum | www.folkartmuseum.org • American Institute of Graphic Arts National Design Center | www.aiga.org • American Museum of Natural History | www.amnh.org • Aperture Foundation Gallery | www.aperture.org • BRIC Rotunda Gallery | www.bricartsmedia.org • Brooklyn Museum | www.brooklynmuseum.org • Bronx Museum of the Arts | www.bronxmuseum.org • The Center for Book Arts | www.centerforbookarts.org • CUE Art Foundation | www.cueartfoundation.org • Elizabeth Foundation for the Arts | www.efanyc.org • Flushing Town Hall | www.flushingtownhall.org • Horticultural Society of New York | www.hsny.org • International Print Center New York | www.ipcny.org • Jamaica Center for Arts and Learning | www.jcal.org • Kentler International Drawing Space | www.kentlergallery.org • King Manor Museum | www.kingmanor.org • Lefferts Historic House | www.prospectpark.org/lefferts • Longwood Art Gallery at Hostos Community College | www.bronxarts.org/lag.asp • Metropolitan Museum of Art / The Cloisters | www.metmuseum.org • MoMA PS1 | www.momaps1.org • El Museo del Barrio | www.elmuseo.org • Museum of Biblical Art | www.mobia.org • Museum of the City of New York
    [Show full text]
  • 13 Most Wanted Men: Andy Warhol and the 1964 World’S Fair
    1 3 Most Apr 27 Wanted Men 20 14 Andy Warhol Sept 7 and the 1964 2014 World’s Fair More than fifty years have passed since architect Philip Johnson was 1 3 Most asked by New York State Governor Nelson Rockefeller to design the New York State Pavilion for the 1964 New York World’s Fair. To adorn Wanted Men the outside wall of the Pavilion’s circular Theaterama, Johnson invited ten up-and-coming artists to each produce a new work for a 20’ x 20’ Andy Warhol slot: Peter Agostini, John Chamberlain, Robert Indiana, Ellsworth Kelly, Roy Lichtenstein, Alexander Lieberman, Robert Mallary, Robert and the 1964 Rauschenberg, James Rosenquist and Andy Warhol, who at that time World’s Fair had enjoyed only one New York exhibition of his Pop paintings. While Lichtenstein contributed a laughing comic-book redhead and Kelly paired red and blue monochromatic forms, Warhol chose to Apr 27 enlarge mug shots of the NYPD’s 13 most wanted criminals of 1962, silkscreen them on square Masonite panels, and tile them together into an animated black-and-white rogue’s gallery that would look out over 2014 the Fair. 13 Most Wanted Men was installed by April 15, 1964, and, after triggering objections at the highest level, was painted over with Sept 7 silver paint a few days later. When the Fair opened to the public on April 22, all that was visible was a 20’ x 20’ silver square, mounted on 2014 the concrete structure between a fragile-looking white sculpture by Agostini and a colorful combination of advertising imagery by Rosenquist.
    [Show full text]
  • Queens: Need to Know Getting Started Operational Notes
    Queens: Need to Know Getting Started Operational Notes • One-way audio • Ask your questions • Handout • Follow-up Introduction Introduction • Stephanie Freed-Burns • Canada Account Manager NYC & Company Introduction NYC & Company is the official destination marketing organization for the five boroughs of NYC. Our mission is to maximize travel and tourism opportunities throughout the City, build economic prosperity and spread the dynamic image of NYC around the world. Agenda Queens: Need to Know • Welcome to Queens • Neighborhood Highlights • Resources Welcome to Queens The Bronx Manhattan Queens Brooklyn Staten Island Queens JFK & LGA Airports Louis Armstrong House Museum Belmont Park Only in Queens JFK & LGA Airports Louis Armstrong House Museum Belmont Park Only in Queens JFK & LGA Airports Louis Armstrong House Museum Belmont Park Only in Queens Neighborhood Highlights Neighborhood Highlights • Astoria & Long Island City • Flushing • The Rockaways Astoria & Long Island City Behind the Screen The Jim Henson Exhibition Screening and education programs Museum of the Moving Image Isamu Noguchi’s art and legacy Public programming Gallery talks and tours The Noguchi Museum Non-collecting museum Contemporary sculpture Group tours SculptureCenter Exhibition space Diverse and innovative Tours MoMA PS1 Astoria Park Socrates Sculpture Park Gantry Plaza State Park Outdoors Astoria Park Socrates Sculpture Park Gantry Plaza State Park Outdoors Astoria Park Socrates Sculpture Park Gantry Plaza State Park Outdoors 136 rooms & suites Complimentary WiFi
    [Show full text]
  • The Case of Philip Johnson's New York State Pavilion at the 1964-1965 World's Fair
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation January 2004 Complexities in Conservation of a Temporary Post-War Structure: The Case of Philip Johnson's New York State Pavilion at the 1964-1965 World's Fair Susan Singh University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Singh, Susan, "Complexities in Conservation of a Temporary Post-War Structure: The Case of Philip Johnson's New York State Pavilion at the 1964-1965 World's Fair" (2004). Theses (Historic Preservation). 59. https://repository.upenn.edu/hp_theses/59 Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of Requirements for the Degree of Master of Science in Historic Preservation 2004. Advisor: Lindsay D. A. Falck This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/59 For more information, please contact [email protected]. Complexities in Conservation of a Temporary Post-War Structure: The Case of Philip Johnson's New York State Pavilion at the 1964-1965 World's Fair Comments Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of Requirements for the Degree of Master of Science in Historic Preservation 2004. Advisor: Lindsay D. A. Falck This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/59 COMPLEXITIES IN CONSERVATION OF A TEMPORARY POST-WAR STRUCTURE: THE CASE OF PHILIP JOHNSON’S NEW YORK STATE PAVILION AT THE 1964-65 WORLD’S FAIR Susan Singh A THESIS in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfi llment of the Requirements for the Degree of MASTER OF SCIENCE 2004 ___________________________________ ______________________________ Advisor Reader Lindsay Falck David G.
    [Show full text]
  • Culturecard.Pdf
    CULTURECARD Through our Strategic Partnerships program, Con Edison supports New York cultural institutions, both large and small, that add to the quality of life in New York. Many of these organizations offer employees and retirees of Con Edison Company of New York and the Con Edison family of companies discounted or complimentary tickets to performances, exhibitions, and environmental centers, as well as discounts in their gift shops. Think of your Con Edison ID card as your ticket to many of these cultural treasures. Take advantage of this unique opportunity to visit and enjoy them! MUSEUMS AND VISUAL Brooklyn Museum of Art Historic Richmond Town ARTS INSTITUTIONS 200 Eastern Pkwy., Brooklyn, NY 441 Clark Ave., Staten Island, NY 718-638-5000 718-351-1611 Free admission for employees + 4 guests; Free admission for employees Alice Austen House 10% discount at the gift shop. historicrichmondtown.org 2 Hylan Blvd., Staten Island brooklynart.org Hudson River Museum and Historic 718-816-4506 Conference House Park Glenview Mansion Free admission for employees + 1 guest 7455 Hyland Blvd., Staten Island 511 Warburton Ave., Yonkers, NY aliceausten.org 718-984-6046 914-963-4550 American Museum Free Admission for employees Free admission for employees + 5 guests; of Natural History conferencehouse.com 50% discount on admission to planetarium; discounted admission to concerts & films; Central Park West at 79th St. Dyckman Farmhouse 20% discount on family memberships. 212-769-5100 4881 Broadway, NY, NY hrm.org Free admission to museum and Rose 212-304-9422 Center for employees + 5 guests; Free admission for employees + 1 guest International Center of Photography discounts on special exhibits & IMAX.
    [Show full text]
  • Queens Guide
    A Guide to Free and Low Cost Activities to do with Children in New York City New York Early Childhood Professional Development Institute Welcome ! Welcome to the ACS/CUNY Informal Family Child Care Project Guide to Free and Low Cost Activities to do with Children in New York City! As a child care provider, you have the unique responsibility and joy of caring for children during an impor- tant time in their lives. Being out in the world adds variety to the day and helps children develop a sense of themselves and the world around them. We hope this guide makes your time with children easier, more interesting and more FUN! Who we are: The ACS/CUNY Informal Family Child Care Project (IFCC) is a partnership between the Administration for Children’s Services (ACS) and the City University of New York (CUNY) created to support the important work you do with children and families every day. IFCC offers a variety of programs and services, including: • Professional learning workshops • Coaching and individualized support • Career development, and • Resources and materials to use with children Who this guide is for: Whether you are caring for one child a few days a week or several children on a regular basis, you are building relationships and providing important learning opportunities through the choices you make every day. IFCC created this guide for you, to share information about the rich resources and experiences available for young children in New York City, many of which are free or low cost. How to use this guide: Outings with children can include short trips – like a daily walk or a visit to a local park, library, or grocery store – or longer outings to specific destinations.
    [Show full text]
  • Impact of the New York Hall of Science Career Ladder Program on Its Former Participants
    Impact of the New York Hall of Science Career Ladder Program on its former participants Martin Storksdieck Kate Haley-Goldman Mika Cohen Jones May 2002 Institute for Learning Innovation 166 West St., Annapolis, MD 21401 (410) 268-5149 Fax (410) 268-2179 http://www.ilinet.org Impact of the New York Hall of Science Career Ladder Program on its former participants (Phase 2 of the two-staged evaluation) Submitted by: Institute for Learning Innovation Martin Storksdieck Kate Haley-Goldman Mika Cohen Jones May 2002 Preface This evaluation was conducted between late December 2001 and March 2002. Most of the respondents were residents of New York. We believe that the tragedy of September 11 might have influenced this study to some extent, since particularly in New York, life had not yet fully returned to normal. However, both as a reminder of the strong spirit that seems to prevail in New York and amongst New Yorkers, and also as a telling indicator for the way in which the New York Hall of Science’s Career Ladder Program might have touched individual lives, we would like to start this report with a letter written by the widow of a program alumnus: I am sorry to inform you in this way, but my husband, Tom Gardner, was one of the firefighters who heroically died in the World Trade Center tragedy. He was working with the Hazardous Material Unit of the FDNY. He was able to apply his love of science with his firefighting career and was very successful. He traveled around the country teaching about hazardous materials and terrorism.
    [Show full text]
  • P38-39 Layout 1
    lifestyle MONDAY, APRIL 14, 2014 RevisitingTRAVEL NYC’s 1964 World’s Fair, 50 years later ou can just barely see them through the unique experience,” said Janice Melnick, Queens museum window of the No. 7 subway as it rattles Flushing Meadows Corona Park administrator. The museum is housed in a building that Yinto the elevated station in Corona, And yet, as you walk out of the 111th Street dates to the 1939 World’s Fair, which marks its Queens: a gigantic steel sphere, two rocket train station, there’s something about Corona 75th anniversary this year. It also briefly housed ships, and towers that appear to be capped by that also brings to mind an older, simpler New the United Nations General Assembly after flying saucers. York. No hipsters here; no luxury condo sky- World War II. Exhibits include posters from both These unusual landmarks are among a scrapers. Instead, you’ll find modest brick number of attractions still standing from the apartment buildings and single-family homes, 1964 World’s Fair, which opened in Flushing pizzerias and diners, barber shops and variety Meadows Corona Park 50 years ago, with mar- stores. That throwback sensibility adds a layer vels ranging from microwave ovens to of nostalgia to the experience of revisiting fair Disney’s “it’s a small world” ride to Belgian waf- sites, especially for boomers who attended the fles with strawberries and whipped cream. event as kids. But visiting the area today is as much about “I think for many people, the fair represents 21st century Queens as it is a walk down this last moment of true optimism,” said memory lane.
    [Show full text]
  • UNISPHERE with Its Surrounding Pool and Fountains, Flushing Meadows - Corona Park, Borough of Queens
    landmarks Preservation Commission May 16, 1995, Designation List 263 LP-1925 THE UNISPHERE with its surrounding pool and fountains, Flushing Meadows - Corona Park, Borough of Queens. Constructed 1963-1964; Gilmore D. Clarke, Landscape Architect; United States Steel Company, Engineering and Fabrication. landmark Site: Queens Tax Map Block 2018, Lot 1 in part, consisting of the land bounded by a line extending around the inner edge of the walkway encircling the described improvements. On February 14, 1995, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Unisphere with its surrounding pool and fountains and the proposed designation of the related Landmark Site. The hearing had been duly advertised in accordance with the provisions of law . Six witnesses spoke in favor of designation. There were no speakers in opposition to . designation. The Parks Department has expressed its support for the designation. DESCRIPTION AND ANALYSIS Summary The U nisphere, located in Flushing Meadows-Corona Park, was the centeipiece and visual logo of the 1964-65 New York World's Fair, symbolizing the theme of "Peace Through ·Understanding." It was designed by the noted landscape architect Gilmore D. Clarke, who had devised the geometric, Beaux Arts-inspired layout of Flushing Meadows Park which formed the basis of the plan for this World's Fair as well as the earlier 1939-40 World's Fair. The Unisphere, which was commissioned to celebrate the dawn of the space age, was constructed and donated to the park by the United States Steel Coiporation after successfully meeting several engineering challenges. Robert Moses had hired Gilmore D.
    [Show full text]