Battle of the Bands Track List

Total Page:16

File Type:pdf, Size:1020Kb

Battle of the Bands Track List Battle of the Bands Track List Abnormality ‐ "Visions" Night Ranger ‐ "Sister Christian" AC/DC ‐ "Let There Be Rock" Nine Inch Nails ‐ "The Hand That Feeds" Aerosmith ‐ "Train Kept a Rollin'"* Nirvana ‐ "Drain You" AFI ‐ "Girl's Gone Grey" Nirvana ‐ "In Bloom" Alanis Morissette ‐ "You Oughta Know" No Doubt – “Don’t Speak” Alanis Morrisette – “Ironic” Norman Greenbaum ‐ "Spirit in the Sky" Alice Cooper – “Posion” Oasis – “Don’t look back in anger” Alice in Chains ‐ "Man in the Box" Oasis – “Live Forever” Allman Brothers ‐ "Ramblin' Man" Oasis – “Rock n Roll Star” Amy Winehouse ‐ "Rehab" OK Go ‐ "Here It Goes Again" Anarchy Club ‐ "Blood Doll" Ozzy Osbourne ‐ "Crazy Train" Panic at the Disco ‐ "Nine in the Anarchy Club ‐ "Get Clean" Afternoon" Anthrax ‐ "Caught in a Mosh" Paramore ‐ "That's What You Get" At the Drive‐In ‐ "One Armed Scissor" Pearl Jam ‐ "Alive" Avenged Sevenfold ‐ "Almost Easy" Pearl Jam – “Black” Avenged Sevenfold ‐ "The Beast & the Harlot" Phish ‐ "Llama" Bad Company ‐ "Shooting Star" Pixies ‐ "Wave of Mutilation" Bang Camaro ‐ "Night Lies" Poni Hoax ‐ "Antibodies" Bang Camaro ‐ "Pleasure (Pleasure)" Presidents of the USA ‐ "Lump" Pretty Girls Make Graves ‐ "Something Beach Boys ‐ "Good Vibrations (Live)" Bigger, Something Brighter" Beastie Boys ‐ "Sabotage" Primus ‐ "Jerry Was a Racecar Driver" Beastie Boys ‐ "So Whatcha Want" Queen ‐ "Bohemian Rhapsody" Beck ‐ "E‐Pro" Queen – ‘Crazy little thing called love” Big Country ‐ "In a Big Country" Queen – “Another One Bites the Dust” Bikini Kill ‐ "Rebel Girl" Queen – “I Want to Break Free” Billy Idol ‐ “White Wedding Pt. I" Queen – “One Vision” Queens of the Stone Age ‐ "Go With the Black Sabbath ‐ "Paranoid"* Flow" Blondie ‐ "One Way or Another" Queens of the Stone Age ‐ "No One Knows" Blondie ‐ "Heart of Glass" R.E.M. ‐ "Orange Crush" Blue Oyster Cult ‐ "Don't Fear the Reaper" Radiohead ‐ "Creep" Bob Dylan ‐ "Tangled Up in Blue" Rage Against the Machine ‐ "Testify" Bob Marley ‐ "Get Up, Stand Up" Rammstein ‐ "Du Hast" Bon Jovi ‐ "Livin' on a Prayer" Ramones ‐ "I Wanna Be Sedated" Bon Jovi ‐ "Wanted Dead or Alive" Ratt ‐ "Round & Round" Boston ‐ "Foreplay/Long Time" Red Hot Chili Peppers ‐ "Dani California" Breaking Wheel ‐ "Shoulder to the Plow" Red Hot Chili Peppers ‐ "Give it Away" Cheap Trick ‐ "Hello There" Rise Against ‐ "Give it All" Riverboat Gamblers ‐ "Don't Bury Me...I'm Chicago ‐ "25 or 6 to 4" Still Not Dead" Coheed & Cambria ‐ "Welcome Home" Rolling Stones ‐ "Gimme Shelter" Crooked X ‐ "Nightmare" Roxette ‐ "The Look" David Bowie ‐ "Suffragette City" Rush ‐ "The Trees" David Bowie ‐ "Space Oddity" Rush ‐ "Tom Sawyer"* Death of the Cool ‐ "Can't Let Go" Silversun Pickups ‐ "Lazy Eye" Deep Purple ‐ "Highway Star" Slipknot ‐ "Before I Forget" Deep Purple ‐ "Smoke on the Water" Smashing Pumpkins ‐ "Cherub Rock" Def Leppard ‐ "Foolin'" Smashing Pumpkins ‐ "Today" Devo ‐ "Uncontrollable Urge" Snoop Dogg – “Drop it like it’s Hot’ Devo ‐ "Whip It" Social Distortion ‐ "I Was Wrong" Dinosaur Jr. ‐ "Feel the Pain" Sonic Youth ‐ "Teenage Riot" Dio ‐ "Rainbow in the Dark" Soundgarden ‐ "Black Hole Sun" Dire Straits ‐ "Walk of Life" Soundgarden ‐ "Spoonman" Disturbed ‐ "Down with the Sickness" Spacehog ‐ "In the Meantime" Doobie Brothers ‐ "China Grove"* Speck ‐ "Conventional Lover" Dover ‐ "King George" Squeeze ‐ "Cool for Cats" Dream Theater ‐ "Panic Attack" Steely Dan ‐ "Bodhitsattya" Duran Duran ‐ "Hungry Like the Wolf" Steve Miller Band ‐ "Rock'n Me" Echo & the Bunnymen ‐ "The Killing Moon" Steve Miller Band ‐ "Fly Like an Eagle" Elton John ‐ "Saturday Night's Alright for Stone Temple Pilots ‐ "Vasoline" Fighting" Elvis Costello ‐ "Pump It Up" Stone Temple Pilots ‐ "Plush" Faith No More ‐ "Epic" Survivor ‐ "Eye of the Tiger" Fallout Boy ‐ "Dead on Arrival" Sweet ‐ "Ballroom Blitz"* Filter ‐ "Hey Man, Nice Shot" Swingin' Utters ‐ "This Bastard's Life" Fleetwood Mac ‐ "Go Your Own Way" System of a Down ‐ "Chop Suey" Fleetwood Mac – “Don’t Stop” T.Rex ‐ "20th Century Boy" Flyleaf ‐ "I'm So Sick" Talking Heads ‐ "Psycho Killer" Tears for Fears ‐ "Everbody Wants to Rule Foo Fighters ‐ "Everlong" the World" Foo Fighters ‐"Learn to Fly" Tegan & Sara ‐ "The Con" Foreigner ‐ "Cold As Ice"* Tenacious D ‐ "Master Exploder" Freezepop ‐ "Brainpower" Testament ‐ "Souls of Black" That Handsome Devil ‐ "Rob the Prez‐O‐ Garbage ‐ "I Think I'm Paranoid" Dent" Golden Earring ‐ "Radar Love" The Acro‐Bats ‐ "Day Late, Dollar Short" Guns N' Roses ‐ "Shackler's Revenge" The B‐52's ‐ "Rock Lobster"* HIM (His Infernal Majest) ‐ "Killing The Bronx ‐ "False Alarm" Loneliness" Hole ‐ "Celebrity Skin" The Clash ‐ "Should I Stay or Should I Go" Huey Lewis and the News ‐ "The Power of The Cure ‐ "Just Like Heaven" Love" Hypernove ‐ "Viva La Resistance" The Donnas ‐ "New Kid in School" The Doors ‐ "Break on Through (To the Interpol ‐ "PDA" Other Side)"* The Flaming Lips ‐ "Yoshimi Battles the Pink INXS ‐ "Need You Tonight" Robots Pt. 1" Iron Maiden ‐ "Run to the Hills"* The Go‐Go's ‐ "We Got the Beat" J. Geils Band ‐ "Centerfold" The Grateful Dead ‐ "Alabama Getaway" James Brown ‐ "I Got You (I Feel Good" ‐ The Guess Who ‐ "American Woman" Alternate Studio Version* Jane's Addiction ‐ "Mountain Song" The Hives ‐ "Main Offender" The Jimi Hendrix Experience ‐ "Crosstown Jet ‐ "Are You Gonna Be My Girl" Traffic"* Jethro Tull ‐ "Aqualung" The Killers ‐ "When You Were Young" Jimmy Eat World ‐ "The Middle" The Konks ‐ "29 Fingers" Joan Jett ‐ "Bad Reputation" The Libyans ‐ "Neighborhood" The Main Drag ‐ "A Jagged Gorgeous Joan Jett ‐ "I Love Rock N' Roll" Winter" Journey ‐ "Anyway You Want It" The Mother Hips ‐ "Time We Had" Juanes ‐ "Me Enamora" The Muffs ‐ "Kids in America" Judas Priest ‐ "Painkiller" The Muffs ‐ "Outer Space" The Offspring ‐ "Come Out & Play (Keep Kansas ‐ "Carry On Wayward Son" 'em Separated)" KISS ‐ "Detroit Rock City" The Outlaws ‐ "Green Grass & High Tides"* L7 ‐ "Pretend We're Dead" The Police ‐ "Next to You" Lacuna Coil ‐ "Our Truth" The Police ‐ "Don't Stand So Close to Me" Lady Gaga ‐ “Bad Romance” The Ramones ‐ "Blitzkrieg Bop" Lady Gaga – “Just Dance” The Ravonettes ‐ "Last Dance" Lady Gaga – “Monster” The Replacements ‐ "Alex Chilton" Lady Gaga – “Poker Face” The Smiths ‐ "Stop Me if You Think You've Heard This One Before" Linkin Park ‐ "One Step Closer" The Sounds ‐ "Living in America" Lit ‐ "My Own Worst Enemy" The Sterns ‐ "Supreme Girl" Lush ‐ "De‐Luxe" The Strokes ‐ "Reptilia" Lynyrd Skynyrd ‐ "Free Bird" The Who ‐ "Pinball Wizard" Maná ‐ "Oye Mi Amor" The Who ‐ "Won't Get Fooled Again" Marilyn Manson ‐ "The Beautiful People" The Who ‐ "I Can See for Miles" Them Crooked Vultures ‐ "Dead End Mastodon ‐ "Colony of Birchmen" Friends" Tom Petty and the Heartbreakers ‐ "I Need Megadeth ‐ "Peace Sells" to Know" Tom Petty and the Heartbreakers – “I Metallica ‐ "Battery" Won’t back Down” Metallica ‐ "Enter Sandman" Tribe ‐ "Outside" Metric ‐ "Combat Baby" Vagiant ‐ "Seven" Mighty Mighty Bosstones ‐ "Where'd You War ‐ "Low Rider" Go" Modest Mouse ‐ "Float On" Warren Zevon ‐ "Werewolves of London" Molly Hatchet ‐ "Flirtin' With Disaster" Weezer ‐ "Say It Ain't So" Motorhead ‐ "Ace of Spades" Whitesnake ‐ "Here I Go Again" Mountain ‐ "Mississippi Queen"* Yeah Yeah Yeahs ‐ "Maps" New Pornographers ‐ "Electric Version" .
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
    Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack.
    [Show full text]
  • Night Ranger (From the 1983 Album MIDNIGHT MADNESS) Transcribed by Roadkill Words and Music by Jack Blades, Brad Gillis, Alan Francis Fitzgerald
    WHEN YOU CLOSE YOUR EYES As recorded by Night Ranger (From the 1983 Album MIDNIGHT MADNESS) Transcribed by Roadkill Words and Music by Jack Blades, Brad Gillis, Alan Francis Fitzgerald Gadd2/B C6 Em7add4 Dm7add4 A7sus4 Am7 Gadd2 G Gmaj7 C x 7 fr. xx 7 fr. x 7 fr. x x 5 fr. x 5 fr. 5 fr. xx 3 fr. x x 3 fr. x x 3 fr. Cadd11 Fadd2 D B E G/B Em D/C Dsus4 G5 x x 3 fr. x x 5 fr. x ` x x ` x 6 fr. x x x 7 fr. x x 7 fr. x x 5 fr. xxx 3 fr. Cmaj7 G/F C/F Dm7 Cmaj9 F/C F C/D x x 3 fr. x x x x x 5 fr. x x 3 fr. x x 5 fr. x x 5 fr. A Intro Moderate Rock = 140 P Gadd2/B C6 Gtr II f (Keyboards play chords) ^ ^ ^ R V V V 1 g P V V V V V V V P V V V V I 4 u u u z u v 1/2 vib. w/bar Gtr I f (Brad Gillis) [[[[[[ M Note:*1 [[[[[[ [[[[[[[[ T 12 (12) O A 12 14 12 14 14 12 12 14 12 14 B H P H Em7add4 ^ 8va ^ ^ V V V V V V V W 5 g c P V V V V I V V V c z u u Trem. bar * Note:*2 7 V 1/2 vib. w/bar Full M A.H.
    [Show full text]
  • Arizona 500 2021 Final List of Songs
    ARIZONA 500 2021 FINAL LIST OF SONGS # SONG ARTIST Run Time 1 SWEET EMOTION AEROSMITH 4:20 2 YOU SHOOK ME ALL NIGHT LONG AC/DC 3:28 3 BOHEMIAN RHAPSODY QUEEN 5:49 4 KASHMIR LED ZEPPELIN 8:23 5 I LOVE ROCK N' ROLL JOAN JETT AND THE BLACKHEARTS 2:52 6 HAVE YOU EVER SEEN THE RAIN? CREEDENCE CLEARWATER REVIVAL 2:34 7 THE HAPPIEST DAYS OF OUR LIVES/ANOTHER BRICK IN THE WALL PART TWO ANOTHER BRICK IN THE WALL PART TWO 5:35 8 WELCOME TO THE JUNGLE GUNS N' ROSES 4:23 9 ERUPTION/YOU REALLY GOT ME VAN HALEN 4:15 10 DREAMS FLEETWOOD MAC 4:10 11 CRAZY TRAIN OZZY OSBOURNE 4:42 12 MORE THAN A FEELING BOSTON 4:40 13 CARRY ON WAYWARD SON KANSAS 5:17 14 TAKE IT EASY EAGLES 3:25 15 PARANOID BLACK SABBATH 2:44 16 DON'T STOP BELIEVIN' JOURNEY 4:08 17 SWEET HOME ALABAMA LYNYRD SKYNYRD 4:38 18 STAIRWAY TO HEAVEN LED ZEPPELIN 7:58 19 ROCK YOU LIKE A HURRICANE SCORPIONS 4:09 20 WE WILL ROCK YOU/WE ARE THE CHAMPIONS QUEEN 4:58 21 IN THE AIR TONIGHT PHIL COLLINS 5:21 22 LIVE AND LET DIE PAUL MCCARTNEY AND WINGS 2:58 23 HIGHWAY TO HELL AC/DC 3:26 24 DREAM ON AEROSMITH 4:21 25 EDGE OF SEVENTEEN STEVIE NICKS 5:16 26 BLACK DOG LED ZEPPELIN 4:49 27 THE JOKER STEVE MILLER BAND 4:22 28 WHITE WEDDING BILLY IDOL 4:03 29 SYMPATHY FOR THE DEVIL ROLLING STONES 6:21 30 WALK THIS WAY AEROSMITH 3:34 31 HEARTBREAKER PAT BENATAR 3:25 32 COME TOGETHER BEATLES 4:06 33 BAD COMPANY BAD COMPANY 4:32 34 SWEET CHILD O' MINE GUNS N' ROSES 5:50 35 I WANT YOU TO WANT ME CHEAP TRICK 3:33 36 BARRACUDA HEART 4:20 37 COMFORTABLY NUMB PINK FLOYD 6:14 38 IMMIGRANT SONG LED ZEPPELIN 2:20 39 THE
    [Show full text]
  • Be Kind Rewind
    FRIDAY 30 OCTOBER, 2015 TENACIOUS D IN THE PICK OF DESTINY (2006) ears before he reached his cinematic breakthrough, Black Ycaught the eye of discerning HBO subscribers through Tenacious D, a series based around the fake musical exploits of the real-life “mock rock” duo he’d co-founded with fellow actor-musician Kyle Gass. The pair filmed a trio of episodes with Mr. Show’s David Cross and Bob Odenkirk, and although the first episode didn’t set the world on fire when it aired in 1997 - HBO neglected to broadcast the other two until 2000 - Tenacious D’s act contributed to the steadily growing cult around the “band’s” brash frontman, and when they finally got around to releasing their debut LP in 2001, it cracked the Top 40 and paved the way for their big-screen debut, 2003’s Tenacious D in The Pick of Destiny, co-starring Ronnie James Dio as himself and Dave Grohl as Satan. BE KIND REWIND (2008) KING KONG (2005) or film fans of a certain age, the phrase “be kind rewind” Fwill forever conjure memories of the stickers affixed to lack’s obviously quite adept at getting laughs, but his gift VHS rentals begging customers not to return their tapes Bfor playing creeps also lends itself to drama - as director without rewinding them first - but by 2008, VHS had been all Peter Jackson obviously recognized while casting his big-bud- but consigned to the format graveyard, making Be Kind get remake of King Kong, tapping Black to play Carl Denham, Rewind the perfect title for a movie about a hapless video the financially tenuous (and morally bankrupt) filmmaker store clerk (Yasiin Bey) whose knuckleheaded friend (Black) whose quest for a hit sets in motion the chain of events that accidentally erases every single tape in stock right after the brings a certain giant gorilla to New York and unleashes a hail owner (Danny Glover) leaves town.
    [Show full text]
  • Rocking 7” Vinyl and Compact Discs at Great Prices! New Integrated Ep and Cd Listings
    It’s the incredible free! MutantMutant PopPop AB Mailorder Catalog Here we go. Tonight is May 8. It is 10 pm. Sixteen blank pages are before me and I’m hitting the road on June 1. I work at the shoe store five days next week, I have exactly one day to get this bastard nailed to the wall... Everything has to click just right for me to get this catalog written, printed, mailed, delivered, and for you to get your checks in the mail and back to Corvallis before I leave town. It’s gonna create a very insane mailorder tsunami—it should be fun! I’ll do my part and get this to you by the 20th at the very latest. Please remember: you’ve gotta get your bix to me by May 30, if you wanna see your stuff fast rather than in early July... That means your envelope has to be in Corvallis by May 30. Hike! Okay, new release... First one out the gate is MP-515 THE PROMS Helpless Romatic. This one released on May 6, 1999 and the initial reac- tion to the album has been very, very positive. That sort of response from pop-punk fans is kinda a “no duh” to me, I knew this album kicked ass from the first time I heard the tape. It is gratifying to hear nice words none- theless. It’s quite a tremendous album when you get right down to it: awe- some songwriting, huge RAMONESy guitar riffs, and delightful deep har- monies akin to a very fine barbershop quartet.
    [Show full text]
  • We Will Rock You”
    “We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns.
    [Show full text]
  • Amy Gore and Her Valentines Have It in Spades
    Over the years, the Detroit music scene has produced a dizzying array of incredible bands in every genre from classic R&B and soul to the MC5 and the Stooges. The current generation has internalized an incredible amount of musical goodness as they develop as artists; musical acuity seems to be part of the gene pool. But chops and taste will only get a band so far in a crowded field of mediocrity. The standouts have that intangible magnetism that can’t be faked - Amy Gore and Her Valentines have it in spades. Singer/songwriter/guitarist Amy Gore has been the heart and soul of bands like Gore Gore Girls and Gorevette, producing critically acclaimed albums and performing with icons like The Cramps and Blondie. In early 2011, she’d written a batch of new songs and booked a one-off show at Detroit’s Blow Out festival to perform them. Originally named Amy Gore and the Squires, Gore assembled Jackson Smith (T-Bone Burnett’s Speaking Clock Revue, Electric Six) on guitar, Leann Banks (the Von Bondies) on bass and Joe Leone (Grayling, Fletcher Pratt) hitting the skins. It became obvious on stage that the band’s chemistry was too potent to walk away from. "We had no expectations beyond that first show, but the chemistry on stage was instant and powerful. It was as if everyone in the room knew something special was happening. Afterwards, Jackson called me to say they wanted to continue as a real band, he and Joe were really impressed with my songs and the vibe on stage.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Ken Andrews Selected Producer, Engineer & Mixer Credits
    KEN ANDREWS SELECTED PRODUCER, ENGINEER & MIXER CREDITS: The Shelters Jupiter Sidecar (Warner Bros.) M Failure In The Future Your Body Will Be The Furthest Thing Co-P E M Co-W Underoath Erase Me (Fearless) M Stone Temple Pilots Stone Temple Pilots (Play Pen) M Citizen As You Please (Run For Cover Records) M Gone Is Gone Echolocation (Rise) M My Jerusalem A Little Death (Razor and Tie) M Jimmy Eat World Integrity Blues (RCA) M The Naked and Famous Simple Forms (Universal Music) M Meg Myers Sorry (Atlantic) M W Failure The Heart Is A Monster (Failure) P E M The Pierces Creation (Polydor) M M83 "Oblivion" from Oblivion [Motion Picture Soundtrack] (Back Lot Music)M A Day To Remember Common Courtesy (Fontana) M Mu Paramore Paramore (Fueled By Ramen) M M83 You and the Night (Naïve) P E M Candlebox Love Stories & Other Musings (Audio Nest) P E M W Mu Arsenal / Arsenal Lokemo (Play Out!) Unwritten Law Swan (Surburban Noise) M Settle At Home We Are Tourists (Epitaph) M FM Static Dear Diary (Tooth and Nail) M Anya Marina Slow & Steady Seduction: Phase II (Chop Shop) M Beto Cuevas Miedo Escenico (Warner Music Mexico) M Crosby Loggins Time to Move (RCA) M 1 P- Producer E- Engineer M- Mixer W- Writer Mu- Musician KEN ANDREWS SELECTED PRODUCER, ENGINEER & MIXER CREDITS: Empyr Peaceful Riot (Jive) P E M W Mu Nine Inch Nails The Slip Live (The Null Corporation) M Thousand Foot Krutch The Flame In All Of Us (Tooth and Nail) P E M Army of Anyone Army of Anyone (Machine Shop) M Future of Forestry Future of Forestry (Credential) P M Bullets and Octane In
    [Show full text]
  • The Recording Academy® Producers & Engineers Wing® to Present Grammy® Soundtable— “Sonic Imprints: Songs That Changed My Life” at 129Th Aes Convention
    ® The Recording Academy Producers & Engineers Wing 3030 Olympic Boulevard • Santa Monica, CA 90404 E-mail: p&[email protected] THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® TO PRESENT GRAMMY® SOUNDTABLE— “SONIC IMPRINTS: SONGS THAT CHANGED MY LIFE” TH AT 129 AES CONVENTION Diverse Group of High Profile Producer and Engineers Will Gather Saturday Nov. 6 at 2:30PM in Room 134 To Dissect Songs That Have Left An Indelible Mark SANTA MONICA, Calif. (Oct. 15, 2010) — Some songs are hits, some we just love, and some have changed our lives. For the GRAMMY SoundTable titled “Sonic Imprints: Songs That Changed My Life,” on Saturday, Nov. 6 at 2:30PM in Room 134, a select group of producer/engineers will break down the DNA of their favorite tracks and explain what moved them, what grabbed them, and why these songs left a life long impression. Moderated by Sylvia Massy, (Prince, Johnny Cash, Sublime) and featuring panelists Joe Barresi (Bad Religion, Queens of the Stone Age, Tool), Jimmy Douglass (Justin Timberlake, Jay Z, John Legend), Nathaniel Kunkel (Lyle Lovett, Everclear, James Taylor) and others, this event is sure to be lively, fun, and inspirational.. More Participant Information (other panelists TBA): Sylvia Massy broke into the big time with 1993's “Undertow” by Los Angeles rock band Tool, and went on to engineer for a diverse group of artists including Aerosmith, Babyface, Big Daddy Kane, The Black Crowes, Bobby Brown, Prince, Julio Iglesias, Seal, Skunk Anansie, and Paula Abdul, among many others. Massy also engineered and mixed projects with producer Rick Rubin, including Johnny Cash's “Unchained” album which won a GRAMMY award for Best Country Album.
    [Show full text]
  • Dave Grohl's Growth Mindset
    ! Handout 2 - Dave Grohl’s Growth Mindset To some, Dave Grohl is the drummer from the groundbreaking Seattle “Grunge” band Nirvana. Other music fans likely know him as the guitarist, vocalist, frontman, and songwriter of the arena- filling band, Foo Fighters. Still others that have seen Grohl on the HBO series Sonic Highways or the documentary Sound City may recognize him as a music historian and film director. The truth is that Dave Grohl is all of the above. Thinking back to his childhood during an episode of the Sonic Highways series, Grohl remembers his artistic “light bulb” turning on during a family vacation to Chicago. Grohl, only twelve at the time, accompanied a cousin to a local Punk concert. It was awesome. He left the show inspired, asking himself, “why can’t I do this?” Then, he realized he could. Once home in Springfield, VA, a Beltway suburb about thirteen miles from the White House, the young Grohl tapped into D.C.’s thriving Punk scene. He befriended members of the local music community such as Ian MacKaye, a go-getter who played bass in Teen Idles, sang in Minor Threat, and later handled guitar and vocals in Fugazi, all while co-founding the Dischord Records label. In the mid and late 1980s, the major record labels, radio, and MTV--basically all the national tastemakers--were mostly focused on Glam Rock, Synth Pop, and Michael Jackson. D.C. Punk wasn’t even on their radar. But, rather than get discouraged or bitter about the lack of outside investment, many in the D.C.
    [Show full text]