The Multiplicity of Copyright Laws on the Internet
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Circular 1 Copyright Basics
CIRCULAR 1 Copyright Basics Copyright is a form of protection Copyright is a form of protection provided by the laws of the provided by U.S. law to authors of United States to the authors of “original works of authorship” that are fixed in a tangible form of expression. An original “original works of authorship” from work of authorship is a work that is independently created by the time the works are created in a a human author and possesses at least some minimal degree of creativity. A work is “fixed” when it is captured (either fixed form. This circular provides an by or under the authority of an author) in a sufficiently overview of basic facts about copyright permanent medium such that the work can be perceived, and copyright registration with the reproduced, or communicated for more than a short time. Copyright protection in the United States exists automatically U.S. Copyright Office. It covers from the moment the original work of authorship is fixed.1 • Works eligible for protection • Rights of copyright owners What Works Are Protected? • Who can claim copyright • Duration of copyright Examples of copyrightable works include • Literary works • Musical works, including any accompanying words • Dramatic works, including any accompanying music • Pantomimes and choreographic works • Pictorial, graphic, and sculptural works • Motion pictures and other audiovisual works • Sound recordings, which are works that result from the fixation of a series of musical, spoken, or other sounds • Architectural works These categories should be viewed broadly for the purpose of registering your work. For example, computer programs and certain “compilations” can be registered as “literary works”; maps and technical drawings can be registered as “pictorial, graphic, and sculptural works.” w copyright.gov note: Before 1978, federal copyright was generally secured by publishing a work with an appro- priate copyright notice. -
Digital Rights Management and the Process of Fair Use Timothy K
University of Cincinnati College of Law University of Cincinnati College of Law Scholarship and Publications Faculty Articles and Other Publications Faculty Scholarship 1-1-2006 Digital Rights Management and the Process of Fair Use Timothy K. Armstrong University of Cincinnati College of Law Follow this and additional works at: http://scholarship.law.uc.edu/fac_pubs Part of the Intellectual Property Commons Recommended Citation Armstrong, Timothy K., "Digital Rights Management and the Process of Fair Use" (2006). Faculty Articles and Other Publications. Paper 146. http://scholarship.law.uc.edu/fac_pubs/146 This Article is brought to you for free and open access by the Faculty Scholarship at University of Cincinnati College of Law Scholarship and Publications. It has been accepted for inclusion in Faculty Articles and Other Publications by an authorized administrator of University of Cincinnati College of Law Scholarship and Publications. For more information, please contact [email protected]. Harvard Journal ofLaw & Technology Volume 20, Number 1 Fall 2006 DIGITAL RIGHTS MANAGEMENT AND THE PROCESS OF FAIR USE Timothy K. Armstrong* TABLE OF CONTENTS I. INTRODUCTION: LEGAL AND TECHNOLOGICAL PROTECTIONS FOR FAIR USE OF COPYRIGHTED WORKS ........................................ 50 II. COPYRIGHT LAW AND/OR DIGITAL RIGHTS MANAGEMENT .......... 56 A. Traditional Copyright: The Normative Baseline ........................ 56 B. Contemporary Copyright: DRM as a "Speedbump" to Slow Mass Infringement .......................................................... -
The Law Applicable to Online Copyright Infringements in the ALI and CLIP Proposals: a Rebalance of Interests Needed?*
Rita Matulionyte The Law Applicable to Online Copyright Infringements in the ALI and CLIP Proposals: A Rebalance of Interests Needed?* by Rita Matulionyte, Hannover LL.M. (Munich) IP research fellow at the Institute for Legal Informatics, Leibniz University of Hannover. Abstract: The article discusses the problems of appli- a compromise between the territoriality and univer- cable law to copyright infringements online. It firstly sality approaches suggested in respect of ubiqui- identifies the main problems related to the well es- tous infringement cases. At the same time; the paper tablished territoriality principle and the lex loci pro- draws the attention that the interests of “good faith” tectionis rule. Then; the discussion focuses on the online service providers (such as legal certainty and “ubiquitous infringement” rule recently proposed by foreseeability) have been until now underestimated the American Law Institute (ALI) and the European and invites to take these interests into account when Max Planck Group for (onflicts of Law and Intellec- merging the projects into a common international tual Property !( IP). The author strongly welcomes proposal. Keywords: applicable law; copyright; Internet; ALI; CLIP; ubiquitous infringement; territoriality © 2011 Rita Matulionyte Everybody may disseminate this article by electronic means and ma e it available for do!nload under the terms and conditions of the "i#ital $eer $ublishin# %icence &"$$%'. A co)y of the license te*t may be obtained at htt)+,,nbn-resolvin#( de,urn+nbn+de+000.-d))l-v/-en0( Recommended citation: Rita Matulionyte, 2he %aw A))licable to 3nline 4o)yri#ht Infrin#ements in the A%I and 4%IP $ro)osals: A Rebalance of Interests Needed?, 2 (2011) JI$I2EC 26, para. -
The Law Applicable to Unregistered IP Rights After Rome II
R. L. R. The Law Applicable to Unregistered IP Rights After Rome II Haimo SCHACK* Until a few years ago, the con ict of laws problems of intellectual property rights have rarely been thoroughly treated.1) For con ict of laws people IP law was a remote special subject, and the IP people believed that they need not bother with the arcana of con icts law because the territoriality principle and the international conventions supposedly provided all the necessary rules. This mistake has been pointed out, at the latest, by the internet. Today the transborder use and infringement of IP rights is most common and legal proceedings are long since brought not only in the country for which protection is sought. More and more often the country of origin, the protecting country and the forum state are not identical, and one action apart from actions for injunctive relief asserts IP infringements in several protecting countries. That holds true in particular for unregistered and for Community-wide IP rights the reach of which not necessarily coincides with the national borders of a registering state. In the last years, however, the German and foreign literature on the law applicable to IP rights has been swelling very much. 2) Of late, even the European legislator has tried its hand with a rst partial rule in this eld of con icts law. The Regulation (EC) No. 864/2007 of the European Parliament and of the Council on the law applicable to non- contractual obligations ( Rome II )3) of 11 July 2007 provides in art. -
Defense Against the Dark Arts of Copyright Trolling Matthew As G
Loyola University Chicago, School of Law LAW eCommons Faculty Publications & Other Works 2018 Defense Against the Dark Arts of Copyright Trolling Matthew aS g Jake Haskell Follow this and additional works at: https://lawecommons.luc.edu/facpubs Part of the Civil Procedure Commons, and the Intellectual Property Law Commons Defense Against the Dark Arts of Copyright Trolling Matthew Sag &Jake Haskell * ABSTRACT: In this Article, we offer both a legal and a pragmaticframework for defending against copyright trolls. Lawsuits alleging online copyright infringement by John Doe defendants have accounted for roughly half of all copyright casesfiled in the United States over the past threeyears. In the typical case, the plaintiffs claims of infringement rely on a poorly substantiatedform pleading and are targeted indiscriminately at noninfringers as well as infringers. This practice is a subset of the broaderproblem of opportunistic litigation, but it persists due to certain unique features of copyright law and the technical complexity of Internet technology. The plaintiffs bringing these cases target hundreds or thousands of defendants nationwide and seek quick settlements pricedjust low enough that it is less expensive for the defendant to pay rather than to defend the claim, regardless of the claim's merits. We report new empirical data on the continued growth of this form of copyright trolling in the United States. We also undertake a detailed analysis of the legal andfactual underpinnings of these cases. Despite theirunderlying weakness, plaintiffs have exploited information asymmetries, the high cost of federal court litigation, and the extravagant threat of statutory damages for copyright infringement to leverage settlementsfrom the guilty and the innocent alike. -
Copyright Infringement (DMCA)
Copyright Infringement (DMCA) Why it is important to understand the DMCA: Kent State University (KSU) is receiving more and more copyright infringement notices every semester, risking the loss of ‘safe harbor’ status. Resident students, KSU faculty, staff, and student employees, and the University itself could be at risk of costly litigation, expensive fines, damage to reputation, and possible jail time. What you need to know about KSU’s role: ● KSU is not a policing organization. ● KSU does not actively monitor computing behavior. ● KSU reacts to infringement notices generated by agents of the copyright holders ● KSU expends a significant amount of time/money protecting the identity of students by maintaining ‘safe harbor’ status KSU is ‘the good guy’ – we’re focused on educating our community What you need to know if your student receives a copyright infringement notice: They were identified as using P2P software and illegally sharing copyrighted material (whether downloading to their computer or allowing others to download from their computer). They will be informed of the notice via email, and their network connection to external resources (sites outside of KSU) will be disabled to maintain ‘safe harbor’ status until such time as they have complied with the University’s requirements under the DMCA. They can face sanctions ranging from blocked connectivity to dismissal from the University. Definition of terms: DMCA: The Digital Millennium Copyright Act of 1998 was signed into law in the United States to protect the intellectual property rights of copyright holders of electronic media (music, movies, software, games, etc.). The DMCA allows KSU to operate as an OSP. -
IP and Applicable Law in Recent International Proposals
IP and Applicable Law in Recent International Proposals IP and Applicable Law in Recent International Proposals: Report for the International Law Association by Rita Matulionytė, Vilnius, Dr. iur. (Munich and Freiburg), LL.M. IP (Munich), deputy director at the Law Institute of Lithuania Abstract: The report compares applicable law against particular solutions suggested in the propos- rules to intellectual property (IP) disputes as pro- als. This report was presented in the 1st meeting of posed in the recent international projects(ALI, CLIP, the Committee on Intellectual Property and Private Transparency, Kopila and Joint Japanese-Korean pro- International Law of the International Law Associa- posals). Namely, it identifies the differences among tion (15-17 March 2012, Lisbon) and is expected to proposals, reveals the underlying reasons of differ- contribute to the merge of current international pro- ing rules, looks at how particular issues have been posals into a single international initiative. until now solved at international and national levels, and finally, overviews the main arguments for and Keywords: Intellectual property, applicable law, conflict of laws, lex loci protectionis, lex originis, initial ownership, ubiquitous infringement, party autonomy © 2012 Rita Matulionytė Everybody may disseminate this article by electronic means and make it available for download under the terms and conditions of the Digital Peer Publishing Licence (DPPL). A copy of the license text may be obtained at http://nbn-resolving. de/urn:nbn:de:0009-dppl-v3-en8. This article may also be used under the Creative Commons Attribution-Share Alike 3.0 Unported License, available at h t t p : // creativecommons.org/licenses/by-sa/3.0/. -
Copyright Infringement
COPYRIGHT INFRINGEMENT Mark Miller Jackson Walker L.L.P. 112 E. Pecan, Suite 2400 San Antonio, Texas 78205 (210) 978-7700 [email protected] This paper was first published in the State Bar of Texas Corporate Counsel Section Corporate Counsel Review, Vol. 30, No. 1 (2011) The author appreciates the State Bar’s permission to update and re-publish it. THE AUTHOR Mark Miller is a shareholder with Jackson Walker L.L.P., a Texas law firm with offices in San Antonio, Dallas, Houston, Austin, Ft. Worth, and San Angelo. He is Chair of the firm’s intellectual property section and concentrates on transactions and litigation concerning intellectual property, franchising, and antitrust. Mr. Miller received his B.A. in Chemistry from Austin College in 1974 and his J.D. from St. Mary’s University in 1978. He was an Associate Editor for St. Mary’s Law Journal; admitted to practice before the United States Patent and Trademark Office in 1978; served on the Admissions Committee for the U.S. District Court, Western District of Texas, and been selected as one of the best intellectual property lawyers in San Antonio. He is admitted to practice before the United States Supreme Court, the Federal Circuit Court of Appeals, the United States Court of Appeals for the Fifth and Tenth Circuits, the District Courts for the Western, Southern, and Northern Districts of Texas, and the Texas Supreme Court. He is a member of the American Bar Association’s Forum Committee on Franchising, and the ABA Antitrust Section’s Committee on Franchising. Mr. Miller is a frequent speaker and writer, including “Neglected Copyright Litigation Issues,” State Bar of Texas, Intellectual Property Section, Annual Meeting, 2009, “Unintentional Franchising,” 36 St. -
Conflict-Of-Laws Rules Governing Copyrights in TV Format
Conflict-of-Laws Rules Governing Copyrights in TV Format Anna Y. Ananeva1; Oksana V. Lutkova2; Sergey Y. Kashkin3 1,2,3Kutafin Moscow State Law University (MSAL), Moscow, Russian Federation. Abstract The paper aims at finding and formulating conflict-of-laws principles governing TV format copyright relations. To achieve the goal, we used a vague range of methods standard for jurisprudence, e.g. formal- legal, comparative-legal, sociological, and legal modeling methods. As a main result, in comparison with the threads of copyrights conflict-of-laws regulation, we identified the groups of aspects of format issues that have been and have not been brought before courts yet, turned up and explained the approaches to the choice of law usually used by the courts, established in the documents of non-governmental organizations, and proposed our own approach. Moreover, we formulated a cascade of conflict-of-laws rules suitable for finding the proper jurisdictions in TV format contract relations in the absence of choice made by the parties. The paper is the first try to comprehend the issue of conflict-of-laws regulation of format copyright relations. Key-words: Copyright Law, International Private Law, Intellectual Statute, Contract Statute, Audio Visual Work Format. 1. Introduction Audiovisual work formats are widespread intellectual property (IP) in the modern world. They are usually defined as a set of distinctive characteristics of a TV program, making it recognizable and distinguishable by the audience, and therefore competitive among other equitable TV programs (LANE, 1992). The characteristics allow recreating a program that proved to be engaging in one country according to local cultural features of another country and minimizing the risks arising from developing a program from scratch. -
Volume 10, Issue 2, August 2013
Volume 10, Issue 2, August 2013 INTERNATIONALISATION OF FOSS CONTRIBUTORY COPYRIGHT ASSIGNMENTS AND LICENSES: JURISDICTION- SPECIFIC OR “UNPORTED”? Axel Metzger * Abstract Some of the major Free and Open Source (FOSS) projects use contributory copyright assignments and licenses to clarify the ownership of developer's contributions and to allow the project to grant sublicenses and enforce copyright claims in case of license violations. The paper gives an overview of typical provisions of these agreements and provides an analysis of the private international law principles applicable in Europe, United States, and Japan. As a conclusion, the paper suggests an internationalisation strategy for FOSS projects. FOSS copyright assignments and licenses should implement choice-of-law clauses to foster legal certainty for projects. DOI: 10.2966/scrip.100213.177 © Axel Metzger 2013. This work is licensed under a Creative Commons Licence. Please click on the link to read the terms and conditions. * Dr. iur. (Munich and Paris), Dr. iur. habil. (Hamburg), LL.M. (Harvard), Professor of Law at Leibniz (2013) 10:2 SCRIPTed 178 1. Introduction The legal questions raised by Free and Open Source Software (FOSS) licenses have been the subject of an intense international debate among legal scholars and practising lawyers since the late 1990s.1 Courts in different jurisdictions have confirmed that the core features of FOSS licenses are compliant with the respective applicable laws and thus enforceable in the respective jurisdictions.2 This significant interest in the legal relationship between programmers and users of FOSS (“outbound licenses”) is in remarkable contrast to the disregard legal scholars have shown for the legal relationships between programmers and the organisations behind FOSS projects. -
Kyoto Guidelines
Kyoto Guidelines: Applicable Law International Law Association’s Guidelines on Intellectual Property and Private International Law (“Kyoto Guidelines”): Applicable Law by Marie-Elodie Ancel, Nicolas Binctin, Josef Drexl, Mireille van Eechoud, Jane C Ginsburg, Toshiyuki Kono, Gyooho Lee, Rita Matulionyte, Edouard Treppoz, Dário Moura Vicente Abstract: The chapter “Applicable Law” of the registered rights is governed by the lex loci protec- International Law Association’s Guidelines on In- tionis whereas the law of the closest connection is tellectual Property and Private International Law applied to determine the ownership of copyright. For (“Kyoto Guidelines”) provides principles on the choice contracts, freedom of choice is acknowledged. With of law in international intellectual property matters. regard to ubiquitous or multi-state infringement and The Guidelines confirm the traditional principle of the collective rights management in the field of copyright, lex loci protectionis for the existence, transferabil- the Guidelines suggest innovative solutions. Finally, ity, scope and infringement of intellectual property the chapter contains a Guideline on the law applica- rights. The law applicable to the initial ownership of ble to the arbitrability of disputes. © 2021 Marie-Elodie Ancel, Nicolas Binctin, Josef Drexl, Mireille van Eechoud, Jane C Ginsburg, Toshiyuki Kono, Gyooho Lee, Rita Matulionyte, Edouard Treppoz and Dário Moura Vicente Everybody may disseminate this article by electronic means and make it available for download under the terms and conditions of the Digital Peer Publishing Licence (DPPL). A copy of the license text may be obtained at http://nbn-resolving. de/urn:nbn:de:0009-dppl-v3-en8. Recommended citation: Marie-Elodie Ancel, Nicolas Binctin, Josef Drexl et al., Kyoto Guidelines: Applicable Law, 12 (2021) JIPITEC 44 para 1 A. -
Moral Reflections on Strict Liability in Copyright, 44 Colum
PATRICK R. GOOLD, MORAL REFLECTIONS ON STRICT LIABILITY IN COPYRIGHT, 44 COLUM. J.L. & ARTS 123 (2021) Moral Reflections on Strict Liability in Copyright Patrick R. Goold* ABSTRACT Accidental infringement of copyright is a pervasive and largely ignored problem. In the twenty-first century, it has become increasingly easy to infringe copyright unintentionally. When such accidental infringement occurs, copyright law holds the user strictly liable. Prior literature has questioned whether the strict liability standard is normatively defensible. In particular, prior literature has asked whether the strict liability standard ought to be reformed for economic reasons. This Article examines the accidental infringement problem from a new perspective. It considers whether it is fair to hold copyright users strictly liable for accidental infringements of copyright. This Article argues that the strict liability standard is not fair because it results in copyright users being held liable for accidents for which they are not morally responsible. Using the moral philosophy literature on responsibility, this Article explores our intuitions surrounding copyright’s liability standard in order to better understand why strict liability in this context seems “harsh” and “inequitable.” In turn, this provides an argument for reforming copyright’s liability rule and adopting a negligence standard. This Article then argues that, within the United States, the proposed reform to copyright’s liability rule should be accomplished by modifications to the existing fair use doctrine. * Senior Lecturer, The City Law School, London, UK. This Article benefited from helpful feedback from Thomas Bennett, John C.P Goldberg, Dmitry Karshtedt, Rebecca Tushnet, David Simon, and colleagues at The City Law School.