DOCSLIB.ORG

European Brandenburg Ensemble Trevor Pinnock Company Avie Was Immediately Faced with Repressing It

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
European Brandenburg Ensemble Trevor Pinnock Company Avie Was Immediately Faced with Repressing It Trevor Pinnock European Brandenburg Ensemble Bach Six Concertos for the Margrave of Brandenburg 2005-2007 Project Chronology PrEss Trevor Pinnock plans 60th birthday celebrations in sheffield The City of Sheffield, whose representatives joined Trevor in London today to announce details of their new culture strategy is a significant partner in Brandenburgs Revisited. This extensive project could not take place without the remarkable demonstration of the value of partnerships and the belief in cultural regeneration by the organisations who have provided their generous support: Sheffield City Council, the University of Sheffield, Hammerson, Sheffield International Venues, Sheffield First for Investment, DLA Piper Rudnick Gray Cary and several Sheffield hotels including Macdonald St Paul, Sheffield Park, Cutler’s, Hilton and Royal November 2005 May 2006 Victoria Holiday Inn. Acoustic assessment sheffield culture strategy event The Classical source News, May 11, 2006 sheffield City Hall Ballroom DLA Piper offices, London Capital vision of the city of ‘culture’ Michele Gaggia, Trevor Pinnock’s Leipzig Trevor joins Carolyn Kenney, Assistant Sheffield took its vision of becoming a ‘European centre of excellence’ in London this week. The city’s based sound recordist, arrives in Sheffield Director, Hammerson plc, Phil Roberts, commitment to a new culture and sporting strategy to conduct extensive sound checks in the Director, Sheffield First for Investment, was outlined on Tuesday …by Minister of sport Richard Caborn, Sheffield Theatres artistic Director Samuel ballroom and is impressed with the acoustic Dr Ann Gosse, Sheffield’s Director of West and world–renowned musician and conductor potential of the space: “The diffusion is Culture, Sports Minister Richard Caborn, Trevor Pinnock. helped by the structure of the roof and and Sam West, Artistic Director of Sheffield Sheffield is aiming to place culture at the heart of the city’s by the round columns in the room. Similar Theatres, for the official launch of Sheffield’s social and cultural regeneration… Ian soutar, sheffield Telegraph News Friday, May 12, 2006 acoustic devices are nowadays placed in Culture Strategy. The event also celebrates recording studios or new concert halls. By the beginning of the European Brandenburg Pinnock’s Birthday Brandenburgs chance, in the ballroom, they are simply Ensemble (EBE), recognising the project “The germ of the project was a harpsichord recital I gave part of the room structure.” as a clear demonstration of Sheffield’s in Sheffield and the offer of an honorary degreee from the cultural ambitions. university,” says Pinnock, “with my 60th birthday approaching there was an impetus to create a project especially for the city.”…Underwriting it all – in cash and in kind – is a virtuous circle of interests including the University, the city, Sheffield International Venues, Hammerson Properties and a network of local hotels. Graeme Kay, Early Music Today, June/July 2006 ‘Music is noisy, that’s why we like it’ say youngsters The whole residency was a huge success and generated much interest with big audiences at the public events, open rehearsal sessions, lecture and talks. The residency, which saw all the members of the EBE coming together for the first time, was hosted by Sheffield University in association with Hammerson (UK Properties). sheffield Telegraph, Classical Guide, August 11, 2006 sponsors sought for City Hall CD The project is being touted as a major cultural event which will boost Sheffield’s international image, and a number of companies have already pledged their support. Among them are DLA Piper Rudnick Gray Cary, Hammerson August 2006 Properties UK and The University of Sheffield. The latest to summer residency sponsor the project is Wolf Safety Lamps which has taken up the offer to ‘Adopt a Concerto’. ‘Mid summer Brandenburgs’ John Jackson, Managing Director of Wolf Safety said he The University of sheffield, Firth Hall was proud to be associated with a project which would set a new standard for Sheffield’s cultural ambitions. “Future supported by Arts Council England generations will look back on this momentous event as and sponsored by Hammerson plc yet another stride in the city’s progress towards becoming a major centre of culture and the arts in provincial England”. and the University of sheffield Bob rae, sheffield star Business News, November 16, 2006 The doors of the Firth Hall open up for sheffield lifts ‘cultural’ profile with a series of rehearsals, lectures and an Brandenburg project opportunity for Sheffield people to meet Starting on Monday, Trevor Pinnock will be making his historic Trevor Pinnock and musicians of the EBE new recording of the Brandenburg concertos in the City Hall for the first time. Music in the Round joins Ballroom for a CD to be distributed globally by Avie Records. The provision of the venue by SIV was crucial in kickstarting forces with the EBE to run a junior event as the project…..the contribution by British Land, Arup and Wolf hundreds of young fans queue to become Safety Lamps in turn attracted £10,000 from the Arts & Business New Partners investment programme …to ensure ‘Little Brandenburgs’. maximum recognition for the business sponsors which will encourage others to support future cultural events. “Business sponsorship of the arts is important, not only in financial terms but as recognition of the value that arts events bring to the economy of our region, especially in areas of regeneration,” says Tessa Gordziejko, director of A&B Yorkshire... Ian soutar, sheffield Telegraph News, December 8, 2006 Harpsichord master the key to ensemble Forty years on Trevor Pinnock is one of the world’s greatest exponents of the instrument, celebrating with a 60th birthday formation in Sheffield of the European Brandenburg Ensemble…..As the idea of the new orchestra evolved, Pinnock’s connections with Sheffield, and in particular the University, brought musicians from France, Germany, Italy, Slovakia and the UK to the city…They return to Sheffield on December 16 to perform the complete Brandenburgs in a City Hall Concert. David Denton, Yorkshire Post Culture Friday, December 8, 2006 Happy Bach day to you, Mr Pinnock It’s hard to believe that Trevor Pinnock has turned 60. But with 100 discs to his name he’s celebrating in style, December 14-18 2006 December 16 2006 beginning with a concert of the Brandenburgs in Sheffield. January 1-5 2007 Birthday concert Michael Church, The Independent, Extra December 14, 2006 recording sheffield City Hall Irwin Mitchell Oval Hall sheffield City Hall Ballroom strictly ballroom for landmark sponsored by Arup, VIP reception Brandenburg recordings Wolf safety Lamp Company, sheffield City Hall, Millennium Hall …City Hall General Manager Dominic Stokes: “It certainly British Land, the University of supported by Arts&Business Yorkshire was a surprise to find out that the ballroom was a near- perfect acoustic for this recording. It has created yet another sheffield and sheffield City Hall sponsored by sheffield City Hall use for the ballroom proving just how multi-functional the and steelworks studios venue is.” Bernard Lee, sheffield Telegraph Music Guide Musicians arrive in Sheffield for the first December 15, 2006 classical recording to be made in the City Trevor celebrates his birthday with the EBE in Hall ballroom. The logistics of running a a sell-out performance of the Brandenburgs full programme of events upstairs whilst at the City Hall. VIP guests join Trevor, recording takes place below ground are tricky musicians, sponsors and friends for a but thanks to a huge amount of cooperation special, post-concert, birthday reception. and support from the City Hall team, the Sir Bob Kerslake, Chief Executive of Sheffield recording is completed on time. City Council and Peter Cropper, Artistic Director of Music in the Round, lead the 100 strong party in a birthday toast. Trevor is 60 and the evening marks the beginning of the EBE’s programme of international concerts. January 2007 April 2007 Italian Tour Far East Tour – concerts, workshops and receptions Trevor and the EBE take the Brandenburgs sponsored by Creative sheffield to venues in Cagliari, Rome, L’Aquilla, Zurich, with support from the University Treviso, Torino, Mantua and Belluno. Six out of sheffield of eight venues are completely sold out. Concerts in Kuala Lumpur, Malaysia, and Seoul and Ulsan, Korea, quickly sell out and audiences queue for programme signings with Trevor and EBE musicians. The ensemble host pre and post-concert VIP receptions in Kuala Lumpur in conjunction with tour sponsors Creative Sheffield and with the University of Sheffield’s Far Eastern office. In Hong Kong, Trevor and selected members of the EBE hold workshops, master-classes and recitals with students at the Academy of Performing Arts. Creative Sheffield hosts a VIP reception on the final night. July 2007 November 14 2007 Germany - Ansbach Final UK concert and Avie CD launch sponsored by Creative sheffield event, Cadogan Hall, London Hosted by the University of sheffield Sell out concerts in Ansbach’s Bach Festival. and Trevor Pinnock sponsored by Creative sheffield October 2007 spanish Tour A pre-concert champagne reception is held for London press and VIPs. Speakers include Miles The Ensemble takes to the road again for Stevenson, Director of Alumni Development for concerts in Vallodolid, Valencia and Las the University of Sheffield and EBE Board Palmas de Gran Canaria. Member Lord Balfour of Brucefield. Among the 60 strong party
Load more

Recommended publications
  • Lauryna Bendžiūnaitė Soprano
    LAURYNA BENDŽIŪNAITĖ SOPRANO BIOGRAPHY LONG VERSION Lauryna Bendžiūnaitė is a Lithuanian soprano who was a member of the ensemble of Staatstheater Stuttgart from 2014 - 2018. Her roles in Stuttgart have included Musetta, Ännchen, Zerlina, Susanna and Karolka. She also sang Dalinda in Handel’s Ariodante, appeared in Bieito’s new production of Purcell’s Fairy Queen conducted by Curnyn, as well as, in die Dirne Boesmans’s Reigen. Last season she performed Susanna at the Opera National du Rhin where she will return to sing Despina in Mozart’s Cosi fan tutte. Ms. Bendžiūnaitė studied at the Royal Academy of Music, London with Joy Mammen, winning the Pavarotti prize before moving on to further studies with Dennis O’Neil and Kiri te Kanawa. Prior to attending the Royal Academy, Ms. Bendžiūnaitė had studied with professor R. Maciutė at the Lithuanian Academy of Music and Theatre gaining the first prize in the International XXI Century Art Contest (Ukraine). She has since been a member of the Vilnius City Opera where her roles have included Pamina, Despina, Musetta, Sophie (Werther) and Johanna (Sweeney Todd). With the Lithuanian National Opera she sang Xenia (Boris Godunov). In 2012 Ms. Bendžiūnaitė sang Musetta at the Royal Swedish Opera where she was invited to repeat the role in 2013. In concert Ms. Bendžiūnaitė has performed with the Lithuanian National Philharmonic Orchestra regularly performs with the State Symphony Orchestra and the National Chamber Orchestra. She appeared in gala concerts with Kiri Te Kanawa in London and Dublin. She toured with the Kammerorchester Basel conducted by Trevor Pinnock with music from Purcell’s Fairy Queen and Mendelssohn’s Midsummer Nights Dream, which she also sang at the Teatro Massimo in Palermo in 2017.
    [Show full text]
  • The English Concert – Biography
    The English Concert – Biography The English Concert is one of Europe’s leading chamber orchestras specialising in historically informed performance. Created by Trevor Pinnock in 1973, the orchestra appointed Harry Bicket as its Artistic Director in 2007. Bicket is renowned for his work with singers and vocal collaborators, including in recent seasons Lucy Crowe, Elizabeth Watts, Sarah Connolly, Joyce DiDonato, Alice Coote and Iestyn Davies. The English Concert has a wide touring brief and the 2014-15 season will see them appear both across the UK and abroad. Recent highlights include European and US tours with Alice Coote, Joyce DiDonato, David Daniels and Andreas Scholl as well as the orchestra’s first tour to mainland China. Harry Bicket directed The English Concert and Choir in Bach’s Mass in B Minor at the 2012 Leipzig Bachfest and later that year at the BBC proms, a performance that was televised for BBC4. Following the success of Handel’s Radamisto in New York 2013, Carnegie Hall has commissioned one Handel opera each season from The English Concert. Theodora followed in early 2014, which toured West Coast of the USA as well as the Théâtre des Champs Elysées Paris and the Barbican London followed by a critically acclaimed tour of Alcina in October 2014. Future seasons will see performances of Handel’s Hercules and Orlando. The English Concert’s discography includes more than 100 recordings with Trevor Pinnock for Deutsche Grammophon Archiv, and a series of critically acclaimed CDs for Harmonia Mundi with violinist Andrew Manze. Recordings with Harry Bicket have been widely praised, including Lucy Crowe’s debut solo recital, Il caro Sassone.
    [Show full text]
  • Handel Rinaldo Tuesday 13 March 2018 6.30Pm, Hall
    Handel Rinaldo Tuesday 13 March 2018 6.30pm, Hall The English Concert Harry Bicket conductor/harpsichord Iestyn Davies Rinaldo Jane Archibald Armida Sasha Cooke Goffredo Joélle Harvey Almirena/Siren Luca Pisaroni Argante Jakub Józef Orli ´nski Eustazio Owen Willetts Araldo/Donna/Mago Richard Haughton Richard There will be two intervals of 20 minutes following Act 1 and Act 2 Part of Barbican Presents 2017–18 We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we welcome back Harry Bicket as delighted by the extravagant magical and The English Concert for Rinaldo, the effects as by Handel’s endlessly inventive latest instalment in their Handel opera music. And no wonder – for Rinaldo brings series. Last season we were treated to a together love, vengeance, forgiveness, spine-tingling performance of Ariodante, battle scenes and a splendid sorceress with a stellar cast led by Alice Coote.
    [Show full text]
  • Trevor Pinnock Journey
    TREVOR PINNOCK JOURNEY Two Hundred Years of Harpsichord Music TREVOR PINNOCK JOURNEY Two Hundred Years of Harpsichord Music ANTONIO DE CABEZÓN (c.1510–1566) GIROLAMO FRESCOBALdi (1583–1643) 1. Diferencias sobre 15. Toccata nona ................................ 4:32 ‘El canto del caballero’ .................. 3:10 16. Balletto primo e secondo .............. 5:39 from Toccate d’intavolatura di cimbalo et WILLIAM BYRD (c.1540–1623) organo,1637 2. The Carman’s Whistle .................. 3:58 GEORGE FRIDERIC HAndel (1685–1759) THOMAS TaLLIS (c.1505–1585) 17. Chaconne in G major, HWV 435 ... 6:36 3. O ye tender babes ........................ 2:37 DOMENICO SCARLAtti (1685–1757) JOHN Bull (1562/3–1628) Three Sonatas in D major, K. 490–92 4. The King’s Hunt ............................ 3:25 18. Sonata, K. 490: Cantabile ............ 5:02 JAN PIETERSZOON SWEELINCK 19. Sonata, K. 491: Allegro ................ 4:57 (1562–1621) 20. Sonata, K. 492: Presto ................. 4:17 5. Variations on ‘Mein junges Leben hat ein End’, SwWV 324 .............. 6:10 Total Running Time: 68 minutes JOHANN SEBASTIAN BACh (1685–1750) French Suite No. 6 in E major, BWV 817 6. Prélude ......................................... 1:31 7. Allemande .................................... 3:28 8. Courante ...................................... 1:47 9. Sarabande ................................... 3:22 10. Gavotte ........................................ 1:07 11. Polonaise ...................................... 1:20 12. Bourrée ........................................ 1:41 13.
    [Show full text]
  • 2016/17 Season Preview and Appeal
    2016/17 SEASON PREVIEW AND APPEAL The Wigmore Hall Trust would like to acknowledge and thank the following individuals and organisations for their generous support throughout the THANK YOU 2015/16 Season. HONORARY PATRONS David and Frances Waters* Kate Dugdale A bequest from the late John Lunn Aubrey Adams David Evan Williams In memory of Robert Easton David Lyons* André and Rosalie Hoffmann Douglas and Janette Eden Sir Jack Lyons Charitable Trust Simon Majaro MBE and Pamela Majaro MBE Sir Ralph Kohn FRS and Lady Kohn CORPORATE SUPPORTERS Mr Martin R Edwards Mr and Mrs Paul Morgan Capital Group The Eldering/Goecke Family Mayfield Valley Arts Trust Annette Ellis* Michael and Lynne McGowan* (corporate matched giving) L SEASON PATRONS Clifford Chance LLP The Elton Family George Meyer Dr C A Endersby and Prof D Cowan Alison and Antony Milford L Aubrey Adams* Complete Coffee Ltd L American Friends of Wigmore Hall Duncan Lawrie Private Banking The Ernest Cook Trust Milton Damerel Trust Art Mentor Foundation Lucerne‡ Martin Randall Travel Ltd Caroline Erskine The Monument Trust Karl Otto Bonnier* Rosenblatt Solicitors Felicity Fairbairn L Amyas and Louise Morse* Henry and Suzanne Davis Rothschild Mrs Susan Feakin Mr and Mrs M J Munz-Jones Peter and Sonia Field L A C and F A Myer Dunard Fund† L The Hargreaves and Ball Trust BACK OF HOUSE Deborah Finkler and Allan Murray-Jones Valerie O’Connor Pauline and Ian Howat REFURBISHMENT SUMMER 2015 Neil and Deborah Franks* The Nicholas Boas Charitable Trust The Monument Trust Arts Council England John and Amy Ford P Parkinson Valerie O’Connor The Foyle Foundation S E Franklin Charitable Trust No.
    [Show full text]
  • Jordi Savall Hespèrion XX-XXI, La Capella Reial De Catalunya, Le Concert Des Nations
    DISCOGRAPHY Jordi Savall Hespèrion XX-XXI, La Capella Reial de Catalunya, Le Concert des Nations 1968 1. Songs of Andalusia (Andalusian Songs) Victoria de Los Angeles & Barcelona Ars Musicae - Dir. Enric Gispert HMV “Angel Series” SAN 194 [LP] 2. Del Romànic al Renaixement - Le Moyen-Age Catalan, de l’art roman à la renaissance Ars musicae de Barcelone - Gispert Edigsa AMC 10/051 [LP] 1970 3. Recercadas del “Tratado de Glosas” Jordi Savall, Genoveva Gálvez, Sergi Casademunt Hispavox HHS 7 [LP] 1971 4. De Guillaume Dufay à Josquin Des Prés - Chansons d’amour du 15e siècle Ensemble d’Instruments anciens “Ricercare” de Zurich - Dir. Michel Piguet Erato STU 70661 [LP] 1972 5. Music for guitar and harpsichord John Williams / Rafael Puyana / Jordi Savall Columbia “CBS Masterworks” M 31194 [LP] 6. Ludwig Senfl Deutsche Lieder Ricercare - Ensemble für Alte Musik, Zurich - Dir. Michel Piguet EMI/Electrola “Reflexe” 1C 063 30 104 [LP] 7. Telemann - Suite & Concerto J. Savall, M. Piguet, Orchestre de chambre Jean-François Paillard - Dir. J.-F. Paillard Erato STU 70711 [LP] 1973 8. Musik des Trecento um Jacopo da Bologna Ricercare-Ensemble für Alte Musik, Zurich - Dir. Michel Piguet EMI/Electrola “Reflexe” 1C 063 30 111 [LP] 1 9. Die Instrumentalvariation in der Spanischen Renaissancemusik Ricercare-Ensemble für Alte Musik, Zurich - Dir. Michel Piguet / Jordi Savall EMI/Electrola “Reflexe” 1C 063 30 116 [LP] 10. Praetorius - Auswalh aus Terpsichore Ricercare- Ensemble für Alte Musik, Zürich - Dir. Michel Piguet EMI/Electrola “Reflexe” 1C 063 30 117 [LP] 11. Jean-Baptiste Lully: Le Bourgeois Gentilhomme, Comédie-Ballet (1670) LWV 43 Various singers & La Petite Bande – Dir.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Avant Première Catalogue 2017
    Avant PreCATALOGUEmi ère 2017 UNITEL is one of the world's leading producers of classical music programmes for film, television, video and new media. Based on exclusive relationships with outstanding artists and institutions like Herbert von Karajan, Leonard Bernstein, the Salzburg Festival and many others, the UNITEL catalogue of more than 1700 titles presents some of the greatest achievements in the last half a century of classical music. Search the complete UNITEL catalogue online at www.unitel.de Front cover: Elīna Garanča in G. Donizetti's “La Favorite” / Photo: Wilfried Hösl UNITEL AVANT PREMIÈRE CATALOGUE 2017 Editorial Team: Konrad von Soden, Franziska Pascher Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: 31st of January 2017 ∙ © Unitel 2017 ∙ All Rights reserved FOR COPRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching / Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas
    [Show full text]
  • ARIA the Newsletter of the Kiri Te Kanawa Foundation
    ARIA The newsletter of the Kiri Te Kanawa Foundation Welcome to the 15th edition of ‘Aria’ - the newsletter of the Kiri Te Kanawa Foundation. Dame Kiri comments ….. Now in the month of July and summer has definitely arrived. I have recently had three days here at the house with some intense work with Phillip Rhodes along with my very good friend and colleague Robin Stapleton. Phillip’s progress goes from strength to strength and now he is finding more subtle sounds in his technique. His voice is impressive and he works extremely hard on all areas. he learns well and I always hope his dreams will be right around the corner. A few months ago I visited Dennis O’Neill’s school (Cardiff International Academy of Voice) and listened to most of his singers. Once again they are all working very hard and I did hear some very nice voices - one or two were a little tired as there had been some traveling and concerts in the previous days. Some of the singers were already planning to move to opera houses in Europe in the young singers programmes and this seems to be the normal progress as they go from one opera house to the other gaining experience and languages. Dennis’ Academy is more of a finishing school and not one to come to unless your next move is to auditions or one of the international young people’s programmes. Sadly I was not able to attend the Lexus Song Quest last year. I heard such good reports as the competition seemed to have a lot of very positive input.
    [Show full text]
  • New Digital Double Vie for Sales in Uk
    MUSIC Et VIDEO WEEK SEPTEMBER 5, 1981 Edited by DECCP SOLTI NICOLAS SOAMES CHICAGO SYMPHONY ORCHESTRA NEW DIGITAL DOUBLE Exclusively on Decca BARTOK Concerto for Orchestra Dance Suite VIE FOR SALES IN UK SXDL 7536 DIGITAL TWO NEW digital recordings of Mozart's The Magic Talvela, Eric Tappy, Zdislawa Donat, Ileana Cotrubas, Christian BRUCKNER Flute are coming on to the market this month to offer Boesch and Jose van Dam in the title roles, with the Vienna Symphony No. 4 competition to the set conducted by Karajan issued by State Opera Chorus and the Vienna Philharmonic Orchestra (AL SXDL 7538 03728). DIGITAL Deutsche Grammophon last year. Levine has a reputation in this country, but is not so widely TIPPETT Bernard Haitink, in his first operatic recording, has made the Symphony No. 4 work for EMI, and James Levine, following operatic successes known as Haitink of course. Like the earlier DG set, the RCA (World Premier recording) such as La Forza del Destino and Otello, has made it for RCA. Magic Flute comes on four LPs (no cassette) with a dealer price Suite for the Birthday of Prince Charles The battle now for substantial shares of the Magic Flute just under £11. SXDL 7546 market - the work isalways popular - should be very So the main competition is going to take place between DIGITAL interesting. Karajan and Haitink, and much will depend on the critics.It is MAHLER Haitink has gradually built a reputation for opera inthis also worth remembering that there are eight other sets currently Symphony No. 2 "Resurrection" country through his musical directorship of Glydebourne.
    [Show full text]
  • A Good Deal of the Pieces, Especially Those in The
    A good deal of the pieces, especially those in the second half of the semester, can be found in the Naxos Digital Library; (search CLIO for Naxos Digital Library) many are in the Online Reserves (accessed through the Music Humanities webpage). Key: on website: look for a link to it on the webpage associated with that piece iTunes: purchase it at iTunes Courseworks: in the class files section of Courseworks Naxos: available to stream at the Naxos Digital Library Online Reserves: available for RealAudio stream at the Online Reserves note for Mac users: streaming does not work on a Mac; save the link to your desktop (or Music HUM folder). Open the link and you can stream with that. Anonymous: Kyrie IV (Cunctipotens genitor) Benedictine Abbey Choir of Munsterschwarzach and Pater Godehard Joppich: Gregorian Chant (iTunes) Anonymous (Tuotilo?): Kyrie Cunctipotens Genitor on website Anonymous: Puer Natus Est Benedictine Abbey Choir of Munsterschwarzach and Pater Godehard Joppich: Gregorian Chant (iTunes) Perotin: Beata Viscera Hilliard Ensemble: Perotin (iTunes) also Online Reserves Anonymous from Codex Calixtinus: Kyrie trope: Cunctipotens genitor Anonymous 4: Miracles of Santiago: Medieval Chant and Polyphony (iTunes) Anonymous: Alleluia Nativitas on website (linked on Perotin: Alleluia Nativas page) Perotin: Alleluia, "Nativitas gloriose virginis Marie" Courseworks Anonymous: Viderunt Omnes on website (linked on Perotin: Viderunt page) Perotin: Viderunt Courseworks Guillaume de Machaut: Kyrie from Messe de Notre Dame Courseworks Anonymous:
    [Show full text]
  • Sir John Eliot Gardiner
    LSO SEASON CONCERTS SIR JOHN ELIOT GARDINER Thursday 7 February 2019 7.30–9.30pm Barbican Weber Overture: Euryanthe Mendelssohn Concerto for Violin and Piano Interval Schumann Symphony No 3, ‘Rhenish’ Sir John Eliot Gardiner conductor Isabelle Faust violin Kristian Bezuidenhout fortepiano SCHUMANN Programme Notes on Pages 4 to 9 Sunday 10 February 2019 7–9pm Barbican Hall Schumann Overture: Manfred Beethoven Piano Concerto No 1 Interval Schumann Symphony No 1, ‘Spring’ Sir John Eliot Gardiner conductor Piotr Anderszewski piano Programme Notes on Pages 10 to 14 Welcome Latest News On Our Blog Thanks to our media partner Classic FM, CENTRE FOR MUSIC ORCHESTRA’S CHOICE: SCHUMANN who have recommended this concert to their listeners. Thursday evening will be broadcast The LSO, Barbican and Guildhall School have LSO players share stories about their live on the LSO’s YouTube channel, and both ambitious plans for a new London concert favourite music by Robert Schumann concerts will also be captured for the LSO’s hall. The vision for the Centre for Music is and how it came into their lives, from the own recording label LSO Live, as part of a to develop a world-class venue for music symphonies to chamber music to song. complete cycle of Schumann’s symphonies and education. First concept designs for the • lso.co.uk/blog conducted by Sir John Eliot Gardiner. project have now been released. • lso.co.uk/news I hope that you enjoy the performances and MEET LAHAV SHANI that you will be able to join us again soon. In these two LSO concerts at the Barbican
    [Show full text]