Art Museums of Switzerland

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Art Museums of Switzerland mySwitzerland 古柏林邀您共赏玲琅满目的奢华腕表 Art Museums of Switzerland gubelin.com gubelin.com Why not combine your visit to the country’s most significant art museums with the Grand Tour of Switzerland? You will not only discover Switzerland’s Schaffhausen B o 2 d e n most attractive towns and cities s 3 Rhein Thur e 1 e but also experience many other Töss Frauenfeld Limma BASEL t WINTERTHUR ST. GALLEN cultural and scenic highlights Liestal Baden irs Aarau on a unique road trip. B Delémont ZÜRICH Herisau Appenzell in Re e MySwitzerland.com/grandtour h u R ss Z ü Säntis r 2502 i c s Solothurn ub h - s e o e D e L Zug Z 2306 u BIEL/BIENNE g Churfirsten Aare e Vaduz r W s a e La Chaux- 1607 e lense e L Chasseral i de-Fonds e n e s 1899 t r 7 h e el Grosser Mythen Bi Weggis 1798 Glarus Rigi Vierwald- Glärnisch 1408 LUZERN Schwyz Bad Ragaz 2119 2914 N re Napf stättersee Pizol Aa Pilatus Stoos Braunwald 2844 l BERN te Stans La nd châ qu u Sarnen 1898 Altdorf Linthal art Ne Stanserhorn R Chur 2834 de e Flims FRANCE ac u Weissfluh Piz Buin L 2350 s Davos 3312 E Engelberg s mm Brienzer Tödi e Rothorn Scuol e y Titlis 3614 Arosa ro Fribourg Thun Brienz 3238 Inn Yverdon B a Disentis/ Lenzerheide- L rs. les Bains 2175 ze Mustér in Lai Nationalpark T n rhe Gantrisch h rie er un B A rd e a 3503 Vo 3294 Schwarzsee me r r M Sim s e e e 2998 Sustenhorn Piz Beverin Piz Kesch 2362 Grindelwald Niesen Wengen Andermatt ein 8 Eiger 3970 rrh e 2970 L'Orbe 2002 nte n i i Mönch 4107 H 3056 Le Moléson r Schilthorn a Piz Nair S 4274 a L Finsteraarhorn 4158 Adelboden r 3402 St. Moritz Jungfrau - e h h Rheinwaldhorn LAUSANNE c c s s Montreux Lenk t t Gstaad e e é m a n l l 2973 L A g e 2042 Wildstrubel 3272 L Diavolezza Rochers- 3244 3934 Basòdino 4049 de-Naye Leukerbad Bietschhorn Piz Bernina 10 Crans- Montana T i c 3210 Ve i n Les Diablerets rzasca Brig o 9 a M e sp ôn a Sion h Vi g GENÈVE Le R g ia Locarno Bellinzona 3257 Champéry Haute Nendaz Dents 02040 80 km du Midi Saas-Fee Verbier 4545 Dent Blanche Dom 0102040 miles 4357 LUGANO e o an Zermatt r ug o i L Matterhorn 3090 d i 1701 Grand 4478 Gornergrat o g Monte Combin g Lag Generoso 4314 Dufourspitze a 4634 M 1097 o Monte S. Giorgio g Grand-St-Bernard a L 1546 The Grand Tour of Switzerland is a suggested route that makes use of the existing Swiss road network. Visitors follow the route at their own risk. Switzerland Tourism and the Grand Tour of Switzerland association accept no liability for construction works, diversions, signage relating to special events or safety provisions along the route. GERMANY Schaffhausen B o d e n s Rhein Thur e 6 e Töss Frauenfeld Limma BASEL t 5 WINTERTHUR ST. GALLEN Liestal Baden 4 irs B Aarau AUSTRIA Delémont ZÜRICH Herisau Appenzell in Re e h u R ss Z ü Säntis r 2502 i c s Solothurn ub h - s e o e D e LIECHTENSTEIN L Zug Z 2306 u BIEL/BIENNE g Churfirsten Aare e Vaduz r W s a e La Chaux- 1607 e lense e L Chasseral i de-Fonds e n e s 1899 t r h e el Grosser Mythen Bi Weggis 1798 Glarus Rigi Vierwald- Glärnisch 1408 LUZERN Schwyz Bad Ragaz 2119 2914 N re Napf stättersee Pizol Aa Pilatus Stoos Braunwald 2844 l BERN te Stans La nd châ qu u Sarnen 1898 Altdorf Linthal art Ne Stanserhorn R Chur 2834 de e Flims ac u Weissfluh Piz Buin L 2350 s Davos 3312 E Engelberg s mm Brienzer Tödi e Rothorn Scuol e y Titlis 3614 Arosa ro Fribourg Thun Brienz 3238 Inn Yverdon B a Disentis/ Lenzerheide- L rs. les Bains 2175 ze Mustér in Lai Nationalpark T n rhe Gantrisch h rie er un B A rd e a 3503 Vo 3294 Schwarzsee me r r M Sim s e e e 2998 Sustenhorn Piz Beverin Piz Kesch 2362 Grindelwald Niesen Wengen Andermatt ein Eiger 3970 rrh e 2970 L'Orbe 2002 nte n i i Mönch 4107 H 3056 Le Moléson r Schilthorn a Piz Nair S 4274 a L Finsteraarhorn 4158 Adelboden r 3402 St. Moritz Jungfrau - e h h Rheinwaldhorn LAUSANNE c c s s Montreux Lenk t t Gstaad e e é m a n l l 2973 L A g e 2042 Wildstrubel 3272 L Diavolezza Rochers- 3244 3934 Basòdino 4049 de-Naye Leukerbad Bietschhorn Piz Bernina Crans- Montana T i c 3210 Ve i n Les Diablerets rzasca Brig o a M e sp ôn a Sion h Vi g GENÈVE Le R g ia Locarno Bellinzona 3257 Champéry Haute Nendaz 11 Dents 02040 80 km du Midi Saas-Fee Verbier 4545 Dent Blanche Dom 0102040 miles 4357 LUGANO e o an Zermatt r ug o i L Matterhorn 3090 d i 1701 Grand 4478 Gornergrat o g g Monte Combin g La Generoso 4314 Dufourspitze a 4634 M 1097 o Monte S. Giorgio g Grand-St-Bernard a L The Grand Tour is signposted clockwise. ITALY 1546 www.swisstravelcenter.ch Editorial I think a trip to a museum should be part of any city break. Especially in Switzerland, where the density of museums is higher than pretty much anywhere else. The Art Museums of Switzerland association brings together the country’s most important art, design and photo- graphy institutions. You will find everything in these museums, from the Old Christian Brändle Masters to classic modern Chairman Art Museums works and contemporary of Switzerland art in all its manifestations – often within one single institution. So, on your next visit, as well as discovering the best of Swiss architecture, cuisine and scenery, you can also take inspiration from the diverse cultural experiences that Switzerland has to offer. 3 Basel Zurich 6 12 Roche Tower by Herzog & de Meuron Prime Tower by Gigon/Guyer Theater Winterthur by Frank Krayenbühl Bern Lausanne 24 26 Garden Tower by Buchner Bründler Aquatis by AEP Concept Zurich Winterthur Portraits 12 16 18 Theater Winterthur by Frank Krayenbühl Lausanne Geneva Lugano 26 28 32 Aquatis by AEP Concept Hans Wilsdorf Bridge by Brodbeck Roulet Central Bus Terminal by Mario Botta Robert Delaunay, “Hommage à Blériot” (1914) © Kunstmuseum Basel, photo: Julian Salinas Basel: Kunstmuseum Basel Holbein and Böcklin, Monet and Picasso, Beuys and Richter all feature in the Kunstmuseum Basel’s world-famous collection of around 4,000 paintings, sculp- tures, installations and videos, along with 300,000 works on pa- per. As well as presentations Highlights 2019 showcasing the permanent col- lection, the museum regularly 30.03.–04.08.2019 holds temporary exhibitions The Cubist Cosmos. From Picasso to Léger featuring works by internationally renowned artists. The highlight of 2019 is a major exhibition 25.05.–15.09.2019 of cubism from Picasso to Léger, Helmut Federle staged in partnership with the Centre Georges Pompidou, Paris. 08.06.–28.09.2019 William Kentridge 11.10.2019–19.01.2020 Gold and Glory. Kunstmuseum Basel Gifts for Eternity St. Alban-Graben 16 A Basel Historical Museum 4051 Basel exhibition kunstmuseumbasel.ch 7 Jean Tinguely, “Grosse Méta-Maxi-Maxi-Utopia” (1987) (close-up) © 2018 ProLitteris, Zurich; photo: Museum Tinguely / Stefan Schmidlin Basel: Museum Tinguely Jean Tinguely (1925–1991) was one of the most important pioneers of art in the period after 1950. The museum, designed by Mario Botta, houses the world’s biggest collection of works by the Swiss artist, from early filigree reliefs to the monumental ma- Highlights 2019 chine sculptures of the 1980s. Inspired by Tinguely’s ideas, the 16.02.– 05.05.2019 Cyprien Gaillard museum offers a wide-ranging programme of exhibitions, seek- ing to engage with other artists, 17.04.– 01.09.2019 art forms and disciplines so as Lois Weinberger – to offer an interactive experience Debris Field that appeals to all the senses. 05.06.– 22.09.2019 Rebecca Horn Body Fantasies 23.10.2019 –26.01.2020 Museum Tinguely Len Lye. Paul Sacher-Anlage 1 motion composer 4002 Basel tinguely.ch 9 Pablo Picasso, “Acrobate et jeune arlequin” (1905) © Succession Picasso / 2018, ProLitteris, Zurich Basel: Fondation Beyeler Thanks to its collection and its exhibitions of modern and con- temporary art, the Fondation Beyeler has gained international renown and has become the most visited art museum in Swit- zerland. In 2019, it will present “The Young Picasso – Blue and Highlights 2019 Rose Periods”, which promises to be the European cultural high- 03.02.– 26.05.2019 light of the year. Picasso’s pic- The Young Picasso – Blue and Rose Periods tures from this creative phase in his life are some of the finest and most emotive examples of mod- 26.05.– 06.10.2019 ern painting. It is unlikely that all Rudolf Stingel these artworks will be seen again in a single place. Other exhibi- tions include Rudolf Stingel and three different presentations of the collection. Fondation Beyeler Baselstrasse 101 4125 Riehen / Basel fondationbeyeler.ch 11 Sebastião Salgado, “The Arctic National Wildlife Refuge”, Alaska, USA (2009) © Sebastião Salgado Zurich: Museum für Gestaltung With its collections comprising more than 500,000 objects, the Museum für Gestaltung Zürich is the leading Swiss museum for design and visual communi- cation.
Recommended publications
  • Paul Klee – the Abstract Dimension October 1, 2017 to January 21, 2018
    Media release Paul Klee – The Abstract Dimension October 1, 2017 to January 21, 2018 From October 1, 2017, to January 21, 2018, the Fondation Beyeler will be presenting a major exhibition of the work of Paul Klee, one of the most important painters of the twentieth century. The exhibition undertakes the first-ever detailed exploration of Kleeʼs relationship to abstraction, one of the central achievements of modern art. Paul Klee was one of the many European artists who took up the challenge of abstraction. Throughout his oeuvre, from his early beginnings to his late period, we find examples of the renunciation of the figurative and the emergence of abstract pictorial worlds. Nature, architecture, music and written signs are the main recurring themes. The exhibition, comprising 110 works from twelve countries, brings this hitherto neglected aspect of Kleeʼs work into focus. The exhibition is organized as a retrospective, presenting the groups of works that illustrate the main stages in Kleeʼs development as a painter. It begins, in the first of the seven rooms, with Kleeʼs apprenticeship as a painter in Munich in the 1910s, followed by the celebrated journey to Tunisia in 1914, and continues through World War I, and the Bauhaus decade from 1921 to 1931, with the well- known “chessboard” pictures, the layered watercolors, and works that respond to the experiments of the 1930s with geometric abstraction. The next section features a selection of the pictures painted after Kleeʼs travels in Italy and Egypt in the later 1920s and early 1930s. Finally, the exhibition examines the “sign” pictures of Kleeʼs late period, and the prefiguration, in his conception of painting, of developments in the art of the postwar era.
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  • 1 Curt Glaser Report
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  • Media Release Basel, October 22, 2020 the Kunstmuseum Basel Is
    Media Release Basel, October 22, 2020 The Kunstmuseum Basel is pleased to announce three major special exhibitions for 2021. With Sophie Taeuber-Arp and Kara Walker, two strong artists of different generations will be taking part in the first half of the year. The year will conclude with one of the most important painters in 19th century France, Camille Pissarro. As in the past, we will open three grand special exhibitions over the course of the year. After Rembrandt’s Orient, the spring of 2021 brings an extensive retrospective of the art of Sophie Taeuber-Arp (1889–1943), one of the most important women artists of the twentieth century. A pioneer of abstraction, she made vital contributions to the development of modernist art. After its début in Basel, the show will travel to London and New York, introducing international audiences to the diverse output of this long-neglected artist. In the summer, the Kunstmuseum will be the first museum in Switzerland to mount a comprehensive presentation of the oeuvre of the American artist Kara Walker (b. 1969). In works that are aesthetically dazzling and brilliantly executed, Walker addresses the hot-button issues that societies debate today: racism, gender, sexuality, and violence. The exhibition will also include a selection of decades-old works that the artist has never shared with the public. In the fall, we will showcase the art of Camille Pissarro (1830–1903), arguably the least known Impressionist. It will be the first retrospective of his oeuvre in Switzerland in more than sixty years. One of the most fascinating artist personalities of the nineteenth century, Pissarro ranks among the great facilitators and inspirers in the more recent history of art.
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  • Cubism Was One of the First Truly Modern Movements to Emerge in Art
    QUICK VIEW: Synopsis Cubism was one of the first truly modern movements to emerge in art. It evolved during a period of heroic and rapid innovation between Pablo Picasso and Georges Braque. The movement has been described as having two stages: 'Analytic' Cubism, in which forms seem to be 'analyzed' and fragmented; and 'Synthetic' Cubism, in which newspaper and other foreign materials such as chair caning and wood veneer, are collaged to the surface of the canvas as 'synthetic' signs for depicted objects. The style was significantly developed by Fernand Léger and Juan Gris, but it attracted a host of adherents, both in Paris and abroad, and it would go on to influence the Abstract Expressionists, particularly Willem de Kooning. Key Points • Analytic Cubism staged modern art's most radical break with traditional models of representation. It abandoned perspective, which artists had used to order space since the Renaissance. And it turned away from the realistic modeling of figures and towards a system of representing bodies in space that employed small, tilted planes, set in a shallow space. Over time, Picasso and Braque also moved towards open form - they pierced the bodies of their figures, let the space flow through them, and blended background into foreground. Some historians have argued that its innovations represent a response to the changing experience of space, movement, and time in the modern world. • Synthetic Cubism proved equally important and influential for later artists. Instead of relying on depicted shapes and forms to represent objects, Picasso and Braque began to explore the use of foreign objects as abstract signs.
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  • Review of Picasso, Braque and Early Film in Cubism
    W&M ScholarWorks Arts & Sciences Articles Arts and Sciences 12-2008 Review of Picasso, Braque and Early Film in Cubism Charles J. Palermo College of William and Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/aspubs Part of the Modern Art and Architecture Commons Recommended Citation Palermo, Charles J., Review of Picasso, Braque and Early Film in Cubism (2008). Nineteenth Century Theatre and Film. https://scholarworks.wm.edu/aspubs/580 This Review is brought to you for free and open access by the Arts and Sciences at W&M ScholarWorks. It has been accepted for inclusion in Arts & Sciences Articles by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. 76 Nineteenth Century Theatre & Film 35/2 methods of access, despite the dangers of being damned into performing only themselves, and forged potent critiques of cultural practices. Early American Women Critics is a gutsy book about gutsy performers. Jeff rey H. Richards Old Dominion University Bernice B. Rose, ed., Picasso, Braque and Early Film in Cubism. New York: PaceWildenstein, 2007. 188 pp. £79.95; $75.00. PaceWildenstein’s exhibition Picasso, Braque and Early Film in Cubism ran from 20 April to 23 June 2007 in New York. Th ose lucky enough to have seen it will surely recall a nice selection of well-known works and less widely published works, including pictures from private collections and from major museums in the United States and abroad. I expect the show itself would have ranked as a proud achievement for most museums.
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  • Booklet (Download PDF)
    Sophie Taeuber-Arp Living Abstraction Biography In the first half of the twentieth century, the Swiss artist Sophie Taeuber- Arp created a rich and diverse oeuvre bridging the divide between ap- plied and fine arts. Her face will be familiar to most people in Switzer- land, where it appeared on the 50-franc note from 1995 until 2016. This exhibition, which was organized in cooperation with the Museum of Modern Art, New York (Anne Umland, Walburga Krupp), and Tate Modern, London (Natalia Sidlina), seeks to introduce broad international audi- ences to a leading pioneer of abstraction. Davos and Trogen 1889–1908 Early years Sophie Taeuber is born in Davos on January 19, 1889, the youngest child of the pharmacist Emil Taeuber and his wife Sophie Taeuber-Krüsi [→1]. After her father’s death, her mother runs a boardinghouse in Trogen (AR) to provide for the family. She teaches her young daughters various crafts and nurtures the children’s creativity. St. Gallen 1908–1910, Munich 1910–1914 Studying arts and crafts Aged 18, Taeuber-Arp enrolls as an auditor at the Drawing School for Industry and Commerce in St. Gallen. The town has been a center of the textile and embroidery industries, eastern Switzerland’s eco- nomic mainstays, since the mid-nineteenth century. After their mother’s death in 1908, the sisters Sophie and Erika move to St. Gallen. In 1910, Taeuber-Arp leaves for Munich to attend the reform- oriented Debschitz School, where women and men study together [→2]. The training she receives is influenced by the ideals of the British Arts-and-Crafts Movement, which underscores the affinities between manual craftsmanship and artistic creation and envisions an alternative to the “soullessness” of industrial production.
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  • Media Release Basel, November 8, 2018 the Cubist Cosmos from Picasso to Léger March 30
    Media release Basel, November 8, 2018 The Cubist Cosmos From Picasso to Léger March 30 – August 4, 2019, Kunstmuseum Basel | Neubau Curator: Eva Reifert When Pablo Picasso and Georges Braque pioneered Cubism in the early years of the twentieth century, they set off a revolution in visual art. The new style’s fragmented forms signal a fundamental change in how painting relates to the visible world. The Cubists rank as one of the most influential movements in art history; their works are adventures for the eyes even today, challenging our habits of perception. Produced in cooperation with the Centre Pompidou, the exhibition The Cubist Cosmos. From Picasso to Léger is the first to unite both museums’ Cubist masterworks for a reconstruction of the wider context in which the world-famous treasures bequeathed to the Kunstmuseum Basel by Raoul La Roche were created. Rounded out by masterpieces on loan from international collections, the presentation showcases ca. 130 works to illuminate this seminal chapter in the history of art. The Cubist Cosmos traces Cubism’s evolution from 1908 to the years after World War I, surveying its enormous stylistic range and highlighting the revolutionary energy it imparted to later tendencies in twentieth-century art. Combining chronology with thematic foci, the exhibition opens with a section that throws the growing influence of folk art and archaic sculpture as well as Paul Cézanne’s oeuvre in Picasso’s and Braque’s paintings into relief. Starting in 1908, crystalline and quasi-geometric elements appear on the scene: landscape details and still lifes seem to be molded by an intrinsic organizational principle that is intellectual first and foremost.
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  • Pablo PICASSO (1881 – 1973)
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