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Malcolm X and United States Policies Towards Africa: a Qualitative Analysis of His Black Nationalism and Peace Through Power and Coercion Paradigms
Malcolm X and United States Policies towards Africa: A Qualitative Analysis of His Black Nationalism and Peace through Power and Coercion Paradigms by Abdul Karim Bangura, Ph.D. [email protected] Researcher-in-Residence, Abrahamic Connections and Islamic Peace Studies at the Center for Global Peace, American University; Director, The African Institution; Professor, Research Methodology and Political Science; Coordinator, National Conference on Undergraduate Research initiative at Howard University, Washington, DC; External Reader of Research Methodology at the Plekhanov Russian University, Moscow; Inaugural Peace Professor for the International Summer School in Peace and Conflict Studies at the University of Peshawar in Pakistan; and International Director and Advisor to the Centro Cultural Guanin in Santo Domingo Este, Dominican Republic. The author is also the author of more than 75 books and more than 600 scholarly articles. The winner of more than 50 prestigious scholarly and community service awards, among Bangura’s most recent awards are the Cecil B. Curry Book Award for his African Mathematics: From Bones to Computers; the Diopian Institute for Scholarly Advancement’s Miriam Ma’at Ka Re Award for his article titled “Domesticating Mathematics in the African Mother Tongue” published in The Journal of Pan African Studies (now Africology: The Journal of Pan African Studies); the Special United States Congressional Award for “outstanding and invaluable service to the international community;” the International Center for Ethno- Religious Mediation’s Award for his scholarly work on ethnic and religious conflict resolution and peacebuilding, and promotion of peace and conflict resolution in conflict areas; and the Moscow Government Department of Multicultural Policy and Intergrational Cooperation Award for the scientific and practical nature of his work on peaceful interethnic and interreligious relations. -
KYK-OVER-AL Volume 2 Issues 8-10
KYK-OVER-AL Volume 2 Issues 8-10 June 1949 - April 1950 1 KYK-OVER-AL, VOLUME 2, ISSUES 8-10 June 1949-April 1950. First published 1949-1950 This Edition © The Caribbean Press 2013 Series Preface © Bharrat Jagdeo 2010 Introduction © Dr. Michael Niblett 2013 Cover design by Cristiano Coppola Cover image: © Cecil E. Barker All rights reserved No part of this publication may be reproduced or transmitted in any form without permission. Published by the Ministry of Culture, Youth and Sports, Guyana at the Caribbean Press. ISBN 978-1-907493-54-6 2 THE GUYANA CLASSICS LIBRARY Series Preface by the President of Guyana, H. E. Bharrat Jagdeo General Editors: David Dabydeen & Lynne Macedo Consulting Editor: Ian McDonald 3 4 SERIES PREFACE Modern Guyana came into being, in the Western imagination, through the travelogue of Sir Walter Raleigh, The Discoverie of Guiana (1595). Raleigh was as beguiled by Guiana’s landscape (“I never saw a more beautiful country...”) as he was by the prospect of plunder (“every stone we stooped to take up promised either gold or silver by his complexion”). Raleigh’s contemporaries, too, were doubly inspired, writing, as Thoreau says, of Guiana’s “majestic forests”, but also of its earth, “resplendent with gold.” By the eighteenth century, when the trade in Africans was in full swing, writers cared less for Guiana’s beauty than for its mineral wealth. Sugar was the poet’s muse, hence the epic work by James Grainger The Sugar Cane (1764), a poem which deals with subjects such as how best to manure the sugar cane plant, the most effective diet for the African slaves, worming techniques, etc. -
The Guyanese Writer Jan Carew on Modernization and Trauma in the Early 1960S Soviet Union Author: Hannes Schweikardt
Interpreting the ‘Thaw’ from the ‘Third World’: The Guyanese Writer Jan Carew on Modernization and Trauma in the early 1960s Soviet Union Author: Hannes Schweikardt Stable URL: http://www.globalhistories.com/index.php/GHSJ/article/view/102 DOI: http://dx.doi.org/10.17169/GHSJ.2017.102 Source: Global Histories, Vol. 3, No. 1 (Apr. 2017), pp. 19–38 ISSN: 2366-780X Copyright © 2017 Hannes Schweikardt License URL: https://creativecommons.org/licenses/by/4.0/ Publisher information: ‘Global Histories: A Student Journal’ is an open-access bi-annual journal founded in 2015 by students of the M.A. program Global History at Freie Universität Berlin and Humboldt-Universität zu Berlin. ‘Global Histories’ is published by an editorial board of Global History students in association with the Freie Universität Berlin. Freie Universität Berlin Global Histories: A Student Journal Friedrich-Meinecke-Institut Koserstraße 20 14195 Berlin Contact information: For more information, please consult our website www.globalhistories.com or contact the editor at: [email protected]. Interpreting the ‘Thaw’ from the ‘Third World’: The Guyanese Writer Jan Carew on Modernization and Trauma in the Early 1960s Soviet Union HANNES SCHWEIKARDT Hannes Schweikardt is currently studying in the M.A. History program at the University of Cologne. He received a B.A. in Political Science and History from Eberhard Karls University Tübingen. He visited Uppsala University, Sweden in 2011 as ERASMUS exchange student. His research interest includes contemporary history, the history of the Soviet Union and the GDR as well as global and environmental history. He works as student assistant for the University of Cologne and the German Commission for UNESCO. -
Decolonising Knowledge
DECOLONISING KNOWLEDGE Expand the Black Experience in Britain’s heritage “Drawing on his personal web site Chronicleworld.org and digital and print collection, the author challenges the nation’s information guardians to “detoxify” their knowledge portals” Thomas L Blair Commentaries on the Chronicleworld.org Users value the Thomas L Blair digital collection for its support of “below the radar” unreported communities. Here is what they have to say: Social scientists and researchers at professional associations, such as SOSIG and the UK Intute Science, Engineering and Technology, applaud the Chronicleworld.org web site’s “essays, articles and information about the black urban experience that invite interaction”. Black History Month archived Bernie Grant, Militant Parliamentarian (1944-2000) from the Chronicleworld.org Online journalists at the New York Times on the Web nominate THE CHRONICLE: www.chronicleworld.org as “A biting, well-written zine about black life in Britain” and a useful reference in the Arts, Music and Popular Culture, Technology and Knowledge Networks. Enquirers to UK Directory at ukdirectory.co.uk value the Chronicleworld.org under the headings Race Relations Organisations promoting racial equality, anti- racism and multiculturalism. Library”Govt & Society”Policies & Issues”Race Relations The 100 Great Black Britons www.100greatblackbritons.com cites “Chronicle World - Changing Black Britain as a major resource Magazine addressing the concerns of Black Britons includes a newsgroup and articles on topical events as well as careers, business and the arts. www.chronicleworld.org” Editors at the British TV Channel 4 - Black and Asian History Map call the www.chronicleworld.org “a comprehensive site full of information on the black British presence plus news, current affairs and a rich archive of material”. -
Colonial Study of Indigenous Women Writers in Canada, the United States, and the Caribbean
ABSTRACT NATIVE AMERICAS: A TRANSNATIONAL AND (POST)COLONIAL STUDY OF INDIGENOUS WOMEN WRITERS IN CANADA, THE UNITED STATES, AND THE CARIBBEAN Elizabeth M. A. Lamszus, PhD Department of English Northern Illinois University, 2015 Dr. Kathleen J. Renk, Director In the current age of globalization, scholars have become interested in literary transnationalism, but the implications of transnationalism for American Indian studies have yet to be adequately explored. Although some anthologies and scholarly studies have begun to collect and examine texts from Canada and the United States together to ascertain what similarities exist between the different tribal groups, there has not yet been any significant collection of work that also includes fiction by indigenous people south of the U.S. border. I argue that ongoing colonization is the central link that binds these distinct groups together. Thus, drawing heavily on postcolonial literary theory, I isolate the role of displacement and mapping; language and storytelling; and cultural memory and female community in the fiction of women writers such as Leslie Marmon Silko, Pauline Melville, and Eden Robinson, among others. Their distinctive treatment of these common themes offers greater depth and complexity to postcolonial literature and theory, even though independence from settler colonizers has yet to occur. Similarly, the transnational study of these authors contributes to American Indian literature and theory, not by erasing what makes tribes distinct, but by offering a more diverse understanding of what it means to be a Native in the Americas in the face of ongoing colonization. NORTHERN ILLINOIS UNIVERSITY DEKALB, ILLINOIS DECEMBER 2015 NATIVE AMERICAS: A TRANSNATIONAL AND (POST)COLONIAL STUDY OF INDIGENOUS WOMEN WRITERS IN CANADA, THE UNITED STATES, AND THE CARIBBEAN BY ELIZABETH M. -
Eagle-Eye Cherry Desireless Mp3, Flac, Wma
Eagle-Eye Cherry Desireless mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Desireless Country: US Released: 1998 MP3 version RAR size: 1503 mb FLAC version RAR size: 1334 mb WMA version RAR size: 1868 mb Rating: 4.6 Votes: 296 Other Formats: XM AHX MPC WMA VOX MMF MP4 Tracklist 1 Save Tonight 3:59 2 Indecision 5:16 3 Comatose (In The Arms Of Slumber) 4:37 4 Worried Eyes 4:31 5 Rainbow Wings 4:04 6 Falling In Love Again 3:30 7 Conversation 4:44 8 When Mermaids Cry 4:22 9 Shooting Up In Vain 5:36 10 Permanent Tears 4:43 11 Death Defied By Will 4:23 12 Desireless 6:14 Companies, etc. Manufactured By – The Work Group Phonographic Copyright (p) – Superstudio Phonographic Copyright (p) – Diesel Music AB Copyright (c) – Sony Music Entertainment Inc. Copyright (c) – Copyright Control Made By – DADC – CTDP-095843 Published By – Diesel 2 Publishing Published By – Management AB Published By – Eternal River Music Recorded At – Cosmos Studios Engineered At – Cosmos Studios Mixed At – Cosmos Studios Credits Co-producer – Eagle-Eye Cherry (tracks: 1 to 5, 7 to 12) Engineer – Adam Kviman (tracks: 1, 4, 5, 9, 11, 12) Engineer [Additional Drum Engineering] – Adam Kviman (tracks: 3, 7) Engineer [Music] – Ed Tuton (tracks: 2) Engineer [Vocals] – Simon Nordberg (tracks: 2) Engineer, Recorded By, Producer – Kent Gillström (tracks: 3, 7, 8) Lyrics By – Eagle-Eye Cherry (tracks: 1 to 11) Management – Tommy Manzi Mixed By – Adam Kviman (tracks: 1, 3, 5, 7, 9, 11, 12), Ed Tuton (tracks: 2, 5, 6), Kaj Erixon (tracks: 8), Kent Gillström (tracks: 8), -
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy And
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Tsung-Hsin Lee, M.A. Graduate Program in Dance Studies The Ohio State University 2020 Dissertation Committee Hannah Kosstrin, Advisor Harmony Bench Danielle Fosler-Lussier Morgan Liu Copyrighted by Tsung-Hsin Lee 2020 2 Abstract This dissertation “Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980” examines the transnational history of American modern dance between the United States and Taiwan during the Cold War era. From the 1950s to the 1980s, the Carmen De Lavallade-Alvin Ailey, José Limón, Paul Taylor, Martha Graham, and Alwin Nikolais dance companies toured to Taiwan under the auspices of the U.S. State Department. At the same time, Chinese American choreographers Al Chungliang Huang and Yen Lu Wong also visited Taiwan, teaching and presenting American modern dance. These visits served as diplomatic gestures between the members of the so-called Free World led by the U.S. Taiwanese audiences perceived American dance modernity through mixed interpretations under the Cold War rhetoric of freedom that the U.S. sold and disseminated through dance diplomacy. I explore the heterogeneous shaping forces from multiple engaging individuals and institutions that assemble this diplomatic history of dance, resulting in outcomes influencing dance histories of the U.S. and Taiwan for different ends. I argue that Taiwanese audiences interpreted American dance modernity as a means of embodiment to advocate for freedom and social change. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Rise of China and the Cross-Strait Relations by Philip Yang National Taiwan University
tik 5th Europe-Northeast Asia Forum i The Taiwan Strait and Northeast Asian Security Berlin, 15-17 December 2005 A conference jointly organised by Stiftung Wissenschaft und Politik (SWP), Berlin, the Korean Institute for International Studies (KIIS), Seoul, and the Federal Ministry of Defence, Berlin Discussion Paper Do Note Cite or Quote without Author’s Permission ftung Wissenschaft und Pol Sti Rise of China and the Cross-Strait Relations by Philip Yang National Taiwan University German Institute for International and Security Affairs SWP Ludwigkirchplatz 3–4 10719 Berlin Phone +49 30 880 07-0 Fax +49 30 880 07-100 www.swp-berlin.org In East Asia, the rise of China has dominated most regional policy discussion and deliberation. In almost every field of regional concerns, China’s rise has posed new challenges and brought profound implications. The impacts of China's rise on cross-strait relations are also heatedly discussed in Taiwan’s academia as well as media. China’s surging economy and newfound political clout expand its tool box in handling cross-strait relations and complicate U.S. role in dealing with the cross-strait political and military stalemate. With its missile deployments directed at Taiwan and the adoption of an anti-secession law threatening the use of force to deter Taiwan’s pursuance of de jure independence, China’s coercive cross-strait policy could severely challenge the island and its most important ally, the United States. However, China’s rising economic power and political status in the region have also been translated into a growing pool of “soft” power, affording Beijing increasing leverage on cross-strait issues. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
Diggin History Assessment An
A Sign Of The Times of the Carolinas 2015 - Diggin’ History Through Music and Dance I. Pre / Post Assessment (Before presentation ) (After presentation ) Diggin’ History Questions? Answers Answers 1. 2. 3. II. Kwanzaa / Black History - Suggested Reading List Kwanzaa: A Celebration of Family Community and Culture MaulanaKarenga The African American Holiday of Kwanzaa MaulanaKarenga Selections From the Husia MaulanaKarenga Million Man March Day of Absence: Mission Statement MaulanaKarenga Reconstructing Kemetic Culture MaulanaKarenga Maat The Moral Idea of Ancient Egypt MaulanaKarenga To Your Journey (http://www.creative-interchange.com/about/) Ahmad Daniels The Signs & Symbols of Primordial Man Albert Churchward Blues People Amiri Baraka Blueprint for Black Power Amos N. Wilson Black-on-Black Violence Amos Wilson The Falsification of Afrikan Consciousness Amos Wilson The Development Psychology of the Black Child Amos Wilson The Maroon Within Us Asa G. Hilliard III African Power Asa G. Hilliard III SBA:The Reawakening of the African Mind Asa G. Hilliard III Nile Valley Contributions to Civilization Anthony T. Browder Psychopathic Racial Personality Bobby Wright The Ruins of Empires C.F. Volney The Mis-Education of the Negro Carter G. Woodson The Destruction of Black Civilization Chancellor Williams The Rebirth of African Civilization Chancellor Williams Echoes of the Old Darkland Charles Finch The Star Of Deep Beginnings Charles Finch Introduction To African Civilization: Myth or Reality Cheikh Anta Diop Civilization or Barbarism Cheikh Anta Diop Precolonial Black Africa Cheikh Anta Diop Cultural Unity of Africa Cheikh Anta Diop Towards African Renaissance Cheikh Anta Diop David Walker’s Appeal David Walker "Wonderful Ethiopians of the Cushite Empire" Drusilla Dunjee Houston From Columbus to Castro Eric Williams The Isis Papers Frances Cress Welsing Stolen Legacy George James Claiming Earth Haki R.