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Pot Lid Out, Wally Bird in Owners Epiris in 2016
To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp 7 1 -2 0 2 1 9 1 ISSUE 2507 | antiquestradegazette.com | 4 September 2021 | UK £4.99 | USA $7.95 | Europe €5.50 S E E R 50years D koopman rare art V A I R N T antiques trade G T H E KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY 12 Dover Street, W1S 4LL [email protected] | www.koopman.art | +44 (0)20 7242 7624 Robert Brooks: the boss who built the Bonhams brand by Alex Capon in 2010. He always looked up to his father, naming the new lecture theatre at Bonhams Former chairman of New Bond Street in his honour Bonhams Robert Brooks in 2005. has died aged 64 after a He opposed guarantees Among the highlights two-year battle with (although did occasionally use of the Alan Blakeman cancer. them later on) and challenged collection to be sold Having started his own Sotheby’s and Christie’s to by BBR Auctions on classic car saleroom, Brooks follow Bonhams’ example of September 11 is this Auctioneers, at the age of 33, introducing separate client shop display pot lid. he bought Bonhams 11 years accounts for vendors’ funds. Blakeman was pictured with later before merging it with Never lacking a competitive it on the cover of the programme Phillips in 2001. He streak, Brooks had left school produced for the first UK Summer subsequently expanded the as a teenager to briefly become National fair in 1985 (above). -
Bath Commercialis'd
BATH COMMERCIALIS'D Shops, Trades and Market at the 18th-Century Spa The shopping area of central Bath, from a map of 1789. Numbers 27-29 indicate the provisions market surrounding no.6, the Guildhall BATH COMMERCIALIS'D Shops, Trades and Market at the 18th-Century Spa by Trevor Fawcett RUTON : 2002 In Memory of a Leeds Shopgirl and a Market Florist First published in the United Kingdom in 2002 by RUTON, 25 Northampton Street, Bath, and produced by R. Milsom & Associates 01454 850033 Copyright © Trevor Fawcett All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright holder. ISBN 0-9526326-3-2 INTRODUCTION The Wedgwood cup-and-saucer on the title-page and the teapot above illustrate Georgian consumerism rather well. Tea consumption went up by sixty times between 1710 and 1800, a prime example of a luxury taste spreading to the masses. Shipped by the East India Company from distant China, tea also symbolised Britain's commercial prowess and global reach. At home it gave rise to the social rituals of the tea table, and to new ceramic forms (matching tea sets) which hastened the decline of pewter. And it was the demand for utilitarian tableware that underpinned Wedgwood's expansion into the range of ornamental pottery for which he is now best known. It is not surprising that Wedgwood chose Bath as the ideal place outside London to site his public showrooms. -
Churches in West Kent with Fine Stained Glass
CHURCHES IN WEST KENT WITH FINE STAINED GLASS Chiddingstone Causeway, St Luke Chancel windows by WG von Glehn in German expressionist style, 1906. Higham, St Mary (old church) Outstanding chancel windows by Robert Bayne of Heaton, Butler and Bayne influenced by the Pre-Raphaelites, 1863-4. Kemsing, St Mary Nave S window: roundel of Virgin & child, early 14thC. Chancel SE: figure of St Anne, 15thC. Chancel SW by Dixon & Vesey, 1880. Otherwise a good collection of 20thC glass. E & W windows plus N aisle windows by Ninian Comper, 1901-10; nave S by Henry Wilson & Christopher Whall, 1905; N aisle W by Douglas Strachan, 1935. Langton Green, All Saints Important collection of early Pre-Raphaelite glass. Vestry E window by William Morris, c1862. Chancel side windows by Edward Burne-Jones, 1865. Nave W by Burne-Jones, 1865. S aisle W by Morris, Burne-Jones & Ford Madox Brown, 1865. All eclipsed visually by CE Kempe's E window of 1904. Lullingstone, St Botolph E & nave S windows early 16thC. Nave N, painted glass by William Peckitt of York, 1754. N chapel windows contain 3 early 14thC figures, 3 panels dated 1563 (probably Netherlandish) & some armorial glass of the 17th/18thC. Mereworth, St Lawrence Upper E window filled with armorial glass of 16th-18thC. Nave SW magnificent armorial glass of c1750 by William Price. Otherwise a good collection of 19thC glass. Lower E window by Nathaniel Westlake, 1873; nave SE by John Hardman, c1885; nave S central window by Heaton Butler & Bayne, 1889; nave NE by Powell's, 1913. Nettlestead, St Mary Nave glazed some time between 1425 & 1438. -
Inside Front Cover Q3 3/6/2003 2:13 Pm Page 1
Cover Q3 3/6/2003 2:11 pm Page 1 ECCLESIOLOGY TODAY Journal of the Ecclesiological Society, successor to the Cambridge Camden Society of 1839 Registered Charity no. 210501 Issue 31, May 2003 Inside Front Cover Q3 3/6/2003 2:13 pm Page 1 CHAIRMAN’S COMMENTS Members who have been with the Society for some time will be saddended to hear of the recent death of Anna Zaharova, who was very active in the Society’s affairs in the 1980s.We hope to carry an appreciation of her work for the Society in our next issue. Now for an apology, or set of apologies. I have been a bit of a bottleneck in the Society’s affairs of late, for a variety of reasons. As a result, the promised new format of Ecclesiology Today has not yet been finalised - we need to get the details right, and I have held matters up. Nor have we yet transferred all the stock of the Society’s publications up to Whitby, where Dr Ockelton is setting up shop for members wanting to buy back copies; she has, however, been kept busy selling very sastisfactory numbers of Kenneth Richardson’s book on Southwark churches. Finally, as I write, the Society’s annual conference on 4th October is still being shaped: I hope the success of our previous conferences will encourage you to book, even though full details are not yet available. Now, two appeals for help. First, we are reviewing our visits policy, as attendance at these is highly erratic and sometimes too low for comfort. -
Church of St Mary on the Sea, Grimsby, Lincolnshire
Architectural and Historical Report Church of St Mary on the Sea, Grimsby, Lincolnshire Architectural and Historical Report Church of St Mary on the Sea, Heneage Road, Grimsby, Lincolnshire DN32 9DZ Prepared for The Roman Catholic Diocese of Nottingham By The Architectural History Practice Limited September 2016 2 CONTENTS 1.0 Introduction 4 2.0 Location and setting 5 3.0 Historical background 6 4.0 Architectural description 13 4.1 Plan 4.2 Exterior 4.3 Interior 5.0 Furnishings 17 5.1 Sanctuary 5.2 Sacred Heart Chapel 5.3 Nave and aisles 5.4 Stained glass 6.0 Significance 27 7.0 Other churches in Grimsby Deanery 28 8.0 Discussion 31 Sources not mentioned in footnotes 35 Appendix 1: List entries for church, presbytery and boundary walls 36 3 1.0 Introduction 1.1 This architectural and historical report on the Roman Catholic church of St Mary on the Sea, Grimsby has been commissioned from AHP by the Roman Catholic Diocese of Nottingham. The church is a Grade II listed building, and its closure is under consideration. The report has been prepared in order to meet the requirement in paragraph 46 of the Directory on the Ecclesiastical Exemption from Listed Building Control issued by the Bishops’ Conference of England and Wales, that the diocese should commission an expert report on the building proposed for closure, describing in detail the architectural and historical interest of the of building and its contents. 1.2 The report has been written by Andrew Derrick, a Director of the Architectural History Practice. -
Sarnia Streets Project, with His 1988 Publication the Origin of Sarnia’S Street Names
The Streets of Sarnia Project What’s in a (Street) Name? Randy Evans Tom St. Amand 2 Table of Contents 1. Foreword Page 4 2. Authors’ Introduction and List of Contributors Page 5 3. Preface Page 11 ● Significant Dates in Sarnia’s History ● The Naming of Sarnia’s Streets ● After Whom or What are Sarnia’s Streets Named? ● Street Designations 4. Explanations of Sarnia’s Street Names Page 25 5. Appendices Page 335 ● The Origin of the Term “Bluewater” ● Andover Lane ● Echo Road ● Egmond Drive ● Everest Court ● Grace Avenue ● Berkley Road ● Blackwell Road ● Cathcart Boulevard ● Cull Drain ● Dora Street ● Hay Street ● Livingston Street ( Pt. Edward ) ● Maria Street 3 ● McMillen Parkway ● Mitton Street ● Proctor Street ● Road Scholars ● Russell Street ● Sarnia’s Suburbs – Maxwell – The Original Bright’s Grove ● Sarnia’s Suburbs – Robertsville ● Sarnia Suburbs - City Neighbourhoods ● Talfourd Street ● The Telfer Brickyards ● Vidal Street ● Who Gets to Name Sarnia Streets? ● Woodrowe Avenue ● Wood: Its Importance to Sarnia’s Development 6. Sources / Works Cited Page 347 4 MIKE BRADLEY MAYOR CITY OF SARNIA 255 Christina Street North PO Box 3018 Sarnia, ON Canada N7T 7N2 519 – 332-0330 Ext. 3312 519-332-3995 (fax) 519 – 332-2664 (TTY) www.sarnia.ca [email protected] September 19, 2016 Dear Friends: What a wonderful journey is the Sarnia Street Project. It explores Sarnia’s rich and diverse history going back to the founding of Port Sarnia in 1836. Street names provide a fascinating look into the community’s history, diversity, culture and social and economic evolution over time. The project, while reflecting our past, also mirrors the present with hundreds of citizens contributing to the research with their own personal knowledge. -
New Observations Concerning the Stoke Poges Windows 1
DOSSIER NEW OBSERVATIONS CONCERNING THE STOKE POGES WINDOWS 1 NEW OBSERVATIONS CONCERNING THE STOKE POGES WINDOWS YAO-FEN YOU Detroit Institute of Arts, Michigan, USA ABSTRACT RESUMO The Stoke Poges windows in the Detroit As janelas Stoke Poges no Instituto de Artes Institute of Arts have long intrigued scholars de Detroit têm, desde há muito, intrigado of stained glass, especially the question os estudiosos de vitrais, especialmente a of their earliest provenance and the questão da sua mais antiga proveniência e identification of the workshop responsible for a identificação da oficina responsável pela making them. This paper explores the strong sua execução. Este artigo explora a forte possibility that they were imported from possibilidade de que eles foram importados Germany in the nineteenth century rather da Alemanha, no século XIX, em vez de than made in England by continental glaziers fabricados na Inglaterra por vidreiros do in the sixteenth century. continente, no século XVI. KEYWORDS PALAVRAS-CHAVE DETROIT INSTITUTE OF INSTITUTE DE ARTES DE ARTS | STAINED GLASS | STOKE POGES, DETROIT | VITRAL | STOKE POGES, BUCKINGHAMSHIRE | WILLIAM RANDOLPH BUCKINGHAMSHIRE | WILLIAM RANDOLPH HEARST | JEFFRY WYATVILLE HEARST | JEFFRY WYATVILLE 2 RHASÉRIE W03 mong the highlights of post‑medieval glass in the Detroit Institute of Arts (DIA) are Asix large, rectangular panels of full‑length figures that once featured prominently in an annex to the Church of Saint Giles in Stoke Poges, Buckinghamshire. [FIG. 1] Located to the west of London, Stoke Poges is perhaps better known as the final resting place of the poet Thomas Gray, and it is believed that the graveyard of Saint Giles, where he is buried, provided the inspiration for “Elegy Written in a Country Churchyard” (1751). -
The Streets of Sarnia Project What’S in a (Street) Name?
1 The Streets of Sarnia Project What’s in a (Street) Name? Randy Evans Tom St. Amand 2 Table of Contents 1. Foreword Page 4 2. Authors’ Introduction and List of Contributors Page 5 3. Preface Page 12 Significant Dates in Sarnia’s History The Naming of Sarnia’s Streets After Whom or What are Sarnia’s Streets Named? Street Designations 4. Explanations of Sarnia’s Street Names Page 31 5. Appendices Page 471 The Origin of the Term “Bluewater” Andover Lane Echo Road Egmond Drive Everest Court Grace Avenue Berkley Road 3 Blackwell Road Cathcart Boulevard Cull Drain Dora Street Hay Street Livingston Street ( Pt. Edward ) McMillen Parkway Proctor Street Road Scholars Russell Street Sarnia’s Suburbs – Maxwell – The Original Bright’s Grove Sarnia’s Suburbs – Robertsville Sarnia Suburbs - City Neighbourhoods Talfourd Street The Telfer Brickyards Vidal Street Who Gets to Name Sarnia Streets? Woodrowe Avenue 6. Sources / Works Cited Page 486 4 MIKE BRADLEY MAYOR CITY OF SARNIA 255 Christina Street North PO Box 3018 Sarnia, ON Canada N7T 7N2 519 – 332-0330 Ext. 3312 519-332-3995 (fax) 519 – 332-2664 (TTY) www.sarnia.ca [email protected] September 19, 2016 Dear Friends: What a wonderful journey is the Sarnia Street Project. It explores Sarnia’s rich and diverse history going back to the founding of Port Sarnia in 1836. Street names provide a fascinating look into the community’s history, diversity, culture and social and economic evolution over time. The project, while reflecting our past, also mirrors the present with hundreds of citizens contributing to the research with their own personal knowledge. -
An Embarrassment of Riches: Fifteen Years of European Decorative Arts Author(S): Ghenete Zelleke Source: Art Institute of Chicago Museum Studies, Vol
Art Institute of Chicago An Embarrassment of Riches: Fifteen Years of European Decorative Arts Author(s): Ghenete Zelleke Source: Art Institute of Chicago Museum Studies, Vol. 28, No. 2, Gift Beyond Measure: The Antiquarian Society and European Decorative Arts, 1987-2002 (2002), pp. 22-89+93-96 Published by: Art Institute of Chicago Stable URL: http://www.jstor.org/stable/4113042 Accessed: 03-03-2016 20:29 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Art Institute of Chicago is collaborating with JSTOR to digitize, preserve and extend access to Art Institute of Chicago Museum Studies. http://www.jstor.org This content downloaded from 198.40.29.65 on Thu, 03 Mar 2016 20:29:11 UTC All use subject to JSTOR Terms and Conditions FIFTEEN YEARS OF EUROPEAN DECORATIVE ARTS This content downloaded from 198.40.29.65 on Thu, 03 Mar 2016 20:29:11 UTC All use subject to JSTOR Terms and Conditions . This content downloaded from 198.40.29.65 on Thu, 03 Mar 2016 20:29:11 UTC All use subject to JSTOR Terms and Conditions Gifts Beyond Measure Tea Service for Two n the seventeenth century, the introduc- c. -
Newsletter201
NL 201.qxp 09/03/2016 13:20 Page 1 The Furniture History Society Newsletter 201 February 2016 In this issue: Prussian Furniture and Pioneers | Society News | Obituary; Pierre Ramond | Future Society Events | Occasional Visits | Overseas Events | Other Notices | Book Reviews | Reports on the Society’s Events NL 201.qxp 09/03/2016 13:20 Page 2 Prussian Furniture and Pioneers: Karl Friedrich Schinkel’s Legacy in Texas he Texas frontier, a land of log cabins the same socioeconomic strata as many of Tand wide prairie skies, seems to be as far the people of nineteenth-century Texas. as possible from the world of the Surprisingly, previously unexplored European nobility and their grand sources indicate that the cabinetmakers of cosmopolitan palaces, but the furniture of Central Texas were making copies of Texas tells a different story. Prior research furniture owned by some of the most on the European stylistic origins of early regal Europeans of all, the members of Texas furniture focused on continental Prussian royal family. examples that belonged to farmers and The nineteenth century was a time of small village tradesmen, individuals of mass immigration to the United States. Fig. 1 Pair of chairs, walnut with cane seats. Made by Johann Michael Jahn, New Braunfels, Texas c.1860. Owner: Museum of Fine Arts, Houston, The Bayou Bend Collection, Gift of William J. Hill 2 furniture history society newsletter, no. 201, february 2016 NL 201.qxp 09/03/2016 13:20 Page 3 German-speaking immigrants made their Born in Brandenburg in 1781, Karl way to Texas seeking a better life and Friedrich Schinkel was a renaissance man brought their culture with them. -
Coghill
Digitized by the Internet Archive in 2012 with funding from National Library of Scotland http://www.archive.org/details/familyofcoghill200cogh < o o H o u o o THE FAMILY OF COGHILL. 1377 to 1879. WITH SOME SKETCHES OF THEIR MATERNAL ANCESTORS, THE SLINGSBYS, OF SCRIVEN HALL. 1135 to 1879. JAMES RLJVEY COGHILL. CAMBRIDGE: $rintdJ at tljc fiitjcrsibc fftrfttf. 1879. To MY CHILDREN, SARAH ADELINE AND HOWARD, THESE FRAGMENTARY SKETCHES OF THEIR ANCESTORS ABE Mast affcctionatcls ©eBkatcS. PREFACE. Could I have foreseen the difficulties to be encoun- tered, the large outlay of money, and the amount of labor to be expended upon this work, it would probably never have been undertaken by me. But now that it is fin- ished I cannot say that I regret the impulse which first prompted me to engage in it. When I first entered upon this work it was with no thought of extending my researches beyond the limits of our own country, and with but little hope of tracing the family very far back here. I was fortunate, however, at the beginning, in having the assistance and cooperation of a gentleman (A. R. Micou, Esq., of Tappahannock, Vir- ginia) whose qualifications and position enabled him to render me valuable aid. To his patient and thorough examination of the old and musty records of Essex County, in that State, I am indebted for many links of the family chain ; these, and others which came to me through family records and members now living, were, by carefully examining and comparing the different rec- VI PREFA GE. -
Collecting Through Connections
REVISTA DE HISTÓRIA /03 DA ARTE COLLECTING THROUGH CONNECTIONS GLASS AND STAINED-GLASS COLLECTORS AND THEIR NETWORKS IN THE 19TH CENTURY MAGAZINE DIRECTION (IHA/FCSH/UNL) Raquel Henriques da Silva Joana Cunha Leal Pedro Flor PUBLISHER Instituto de História da Arte SCIENTIFIC COMMITTE (RHA SÉRIE W — 03) Susan Crane University of Arizona, USA Uwe Gast Corpus Vitrearum Deutschland, Freiburg, Germany Sven Hauschke Der Veste Coburg, Corburg, Germany Dedo von Kerssenbrock-Krosigk Museum Kunstpalast, Glasmuseum Hentrich, Düsseldorf, Germany Teresa Medici DHAA/Faculdade de Letras/Universidade de Coimbra and VICARTE, Lisbon, Portugal António Nunes Pereira PSML/National Palace of Pena, Sintra, Portugal Márcia Vilarigues Faculdade de Ciências e Tecnologia/UNL and VICARTE, Lisbon, Portugal 3 4 5 Paul Williamson Victoria & Albert Museum, London, United Kingdom EDITORIAL INTERVIEW DOSSIER ORGANIZING COMMITTEE (RHA SÉRIE W — 03) Bruno A Martinho Parques de Sintra — Monte da Lua, SA / António Ressano Garcia Professor Doutor António National Palace of Pena, Sintra / CHAM, Faculdade de Ciências Sociais Lamas Lamas e Humanas, Universidade Nova de Lisboa, Universidade dos Açores Alexandra Rodrigues VICARTE and Ph.D. fellow, Dep. Conservation and Restoration, Faculdade de Ciências e Tecnologia/ UNL, Lisbon, Portugal António Nunes Pereira Parques de Sintra — Monte da Lua, SA / National Palace of Pena, Sintra, Portugal Márcia Vilarigues Faculdade de Ciências e Tecnologia/UNL and VICARTE, Lisbon, Portugal COORDINATORS Márcia Vilarigues e Bruno A Martinho TRANSLATION Alexandra Rodrigues AUTHORS Daniel Hess | Suzanne Higgott | Márcia Vilarigues Anne-Laure Carré | Paola Cordera Caroline Blondeau-Morizot | Ann Glasscock Bruno A Martinho | Ulrike Müller | Daniel Parello Alexandra Rodrigues | Jayme Yahr | Yao-Fen You REVIEWERS Susan Crane | Uwe Gast | Sven Hauschke Dedo von Kerssenbrock-Krosigk António Pires de Matos | Teresa Medici António Nunes Pereira | Márcia Vilarigues DESIGN José Domingues (Undo) Cover Julius Eugen Rühl (ca.