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“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell Original album Original label Bruce Springsteen “Born to Run” was Bruce Springsteen’s third album. The man who is “The Boss” has admitted that the creation of it was his blatant attempt for a true rock and roll record as well as commercial success after the tepid commercial reception of his earlier two albums, “Greetings from Asbury Park, N.J.” (1973) and “The Wild, the Innocent & the E Street Shuttle” (1973). On both counts, he got his wish. Upon its release, “Born to Run” would rise to number three on the charts. Besides gaining massive audience attention (by the end of the year Springsteen would be featured on the covers of both “Time” and “Newsweek”), “Born to Run” also saw the accomplishment of two other major factors in Springsteen’s artistic development. First, it saw the solidification of the line-up of Springsteen’s legendary back-up musicians, the E-Street Band. Second, it fully delivered on Springsteen’s early promise which saw him labeled as both a “modern day Dylan” and as “rock ‘n’ roll’s future.” Along with “Born to Run” being named to the National Registry in 2003, it has been ranked number eight on a list of rock’s all-time greatest albums by “Rolling Stone” magazine and was place at 18th on VH1’s list of the 500 greatest rock albums ever. Eight songs make up the tracks of “Born to Run”: “Thunder Road,” “Tenth Avenue Freeze- Out,” “Night,” “Backstreets,” “Born to Run,” “She’s the One,” “Meeting Across the River,” and “Jungleland.” In writing and developing the album, Springsteen has said he was hoping to recreate Phil Spector’s legendary “wall of sound” producing approach. -
Time Bruce's Chords
4th Of July, Asbury Park (Sandy) C F C F C Guitar 1: ------|--8-8<5------|---------------|-------------|---------------| -5----|--------8<6--|-5-/-8—6-------|-------------|---------------| ------|-------------|---------7-----|-5-----------|---------------| ------|-------------|---------------|---7-5-5-----|---------------| ------|-------------|---------------|---------7-5vvvv-------------| ------|-------------|---------------|-------------|-------------8-| Guitar 2: All ---5--|-8-----------|-18<15---------|-------------|-15-12-12-10-8-| ------|-------------|-------13-12---|-------------|-15-13-13-10-8-| ------|-------------|-------------13<15-----------|---------------| ------|-------------|---------------|-------------|---------------| ------|-------------|---------------|-------------|---------------| ------|-------------|---------------|-------------|---------------| F C F C Guitar 1: |--------|----------------|---------|-------| |--------|----------------|---------|-------| |--------|----------------|---------|-------| |--------|----------------|---------|-------| |--------|----------------|---------|-------| |-5vvv\3-|--------------3-|-3/5-8-10/8------| Time Guitar 2: |--------|----------------|---------|-------| |--------|----------------|---------|-------| |-7\5----|-17\15<13-15-17-|---------|-------| |-----7--|----------------|---------|-------| |--------|----------------|---------|-------| |--------|----------------|---------|-------| Sandy C F C Sandy the fireworks are hailin' over Little Eden tonight Am Gsus G Forcin' a light -
A Trip Back to 1978 with Bruce by MIKE KIRBY SUN CHRONICLE STAFF PHOTOS by RICK MILLER Monday, November 15, 2010 2:35 PM EST
A trip back to 1978 with Bruce BY MIKE KIRBY SUN CHRONICLE STAFF PHOTOS BY RICK MILLER Monday, November 15, 2010 2:35 PM EST Springsteen tribute band wows soldout SRO crowd at Showcase Live in Foxboro, MA FOXBORO - How would you like to see a Bruce Springsteen tribute band and not hear “Born in the USA?” Or “Tunnel of Love?” Or “The Rising?” You would if you were at Showcase Live on Friday night. Tramps Like Us, a 20-year-old Springsteen tribute band out of New York, treated a stand-room-only crowd of mostly graying baby boomers to a re-creation of The Boss’ most critically-acclaimed concert: a Sept. 19, 1978 show at the Capitol The- atre in Passaic, N.J. Springsteen, then approaching his 30th birthday, was, arguably, at his artistic peak. He had grabbed the music world’s attention in 1975 with “Born to Run,” but then a contract dispute left the prolific singer/songwriter with no albums for three years. The New Jersey show was to promote the just-released “Darkness on the Edge of Town,” a hard-rocking, often angry album that was far different from the poetic, elegant “Born to Run.” Springsteen had a lot of pent-up energy and plenty of time to beautifully craft music, and it was all on display during that tour. Tramps Like Us, like Springsteen did 32 years ago, melded material from the two albums - as well as a few tunes from his first two albums, “Greet- ings from Asbury Park, N.J.” and “The Wild, the Innocent and the E Street Shuffle” and some unreleased songs such as “Because the Night” - into a powerful, riveting 3 1/2-hour show. -
"Born to Run" (Album)
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Tyler Hayes (guest post)* Original album Original label Bruce Springsteen Two albums into his career, Bruce Springsteen’s music trajectory was not set to contain notoriety. He was on a path that would soon see him without a record label. The rock ’n roller’s music had not yet broken through. Regardless of how “Greetings From Asbury Park, N.J.” and “The Wild, The Innocent & The E Street Shuffle” would be received by future fans, they didn’t find a wide enough audience to impress record label executives on release. Financial and emotional support may have been running out from people tasked with getting a return on their investment, but Springsteen’s resilience was unwavering with nowhere else to go except to press on. In 1974, months ahead of his third album, “Born To Run,” the title track was sent off to radio stations. Even the rough cut was something special that select DJs began to spin religiously. Before the third album was fully finished, the song gained traction. Buzz was building. A breakthrough was coming. From “Thunder Road” to “Jungleland,” Bruce Springsteen’s third studio album, “Born To Run,” is laced with invigorating youth. Innocence-tinged lyrics paint vivid pictures of a life explored while the music keeps hearts beating quickly. In the decades since the album’s release in 1975, it hasn’t faded from initial glory. The lead single, “Born To Run,” tucked in the middle of the track listing, rings now with all the same vigor it did when it was first released. -
"The Culture of the 1970S Reflected Through Bruce Springsteen's Music"
"The Culture of the 1970s Reflected Through Bruce Springsteen's Music" Senior Honors Thesis Presented To The Honors College Written By Melody S. Jackson Spring, 1983 Advised By Dr. Anthony Edmonds .;,- () -- "The Culture of the 1970s Reflected Through Bruce Springsteen's Music" I have seen the future of rock and roll and it is Bruce Springsteen. Jon Landau the advent of Bruce Springsteen, who made rock and roll a matter of life and death again, seemed nothing short of a miracle to me . Bruce Springsteen is the last of rock's great innocents. Dave Marsh Whether these respected critics see Springsteen as the future of great rock or the end of it, they do regard him with respect for his ability to convey the basic feeling of rock. And they are not alone in this opinion. From the start of his career, Springsteen has received a great deal of critical acclaim. This acclaim, in part because of his performing ability, seems quite fitting since his shows usually last for two and a half hours and often continue for four or even five hours. Relentlessly, he gives of himself to the thousands of fans -- his cult following -- who have come to see their own Rock Messiah. Upon analysis of the lyrics of Springsteen's songs, lyrics which he has written, one sees that he has a unique talent f()r reflecting the situation of the lower-middle class which he grew up in. In fact, in all of the albums he has released up to this time, he has written about the culture of the lower-middle class. -
1) Jungleland
60) Murder Incorporated So the comfort that you keep's a gold-plated, snub-nosed .32 Not quite sure why this doesn’t get more plays. It is a real belter, pumps you up, would be a great show opener. Would have been right at home on Darkness. Has you rocking from go to woe. Bruce leaves nobody behind on this and you’re taken on a six minute power ride, and there is no time for stopping. This was initially recorded back in 1982 with the Born In The USA sessions, but did not see an official release until the release of greatest hits in 1995. From the get go it sounds like classic Springsteen. The thud of Max’s drums, followed with the intro of the guitars. The organs feature prominently too. And for the next six minutes, you feel compelled to tap your foot to the beat and fill with anger, because let’s face it, this song doesn’t exactly put a smile on your face. That’s not to say songs need to have a happy vibe about them to enjoy them. The sax solo feels like it’s just been shoved in for the sake of it. But somehow Bruce managed to make it work. Nils’ wows us with a blistering solo before the bridge and we are treated to one final verse and raspy Bruce belts out a “I could tell you were just frustrated livin with Murder Incoporated.” Bruce struts his stuff and nearly sets his guitar on fire, Stevie throws a punch back (much like the Saint duel at Hammersmith), but Bruce shows why he’s Boss. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
The Backstreets Liner Notes
the backstreets liner notes BY ERIK FLANNIGAN AND CHRISTOPHER PHILLIPS eyond his insightful introductory note, Bruce Springsteen elected not to annotate the 66 songs 5. Bishop Danced RECORDING LOCATION: Max’s Kansas City, New included on Tracks. However, with the release York, NY of the box set, he did give an unprecedented RECORDING DATE: Listed as February 19, 1973, but Bnumber of interviews to publications like Billboard and MOJO there is some confusion about this date. Most assign the which revealed fascinating background details about these performance to August 30, 1972, the date given by the King songs, how he chose them, and why they were left off of Biscuit Flower Hour broadcast (see below), while a bootleg the albums in the first place. Over the last 19 years that this release of the complete Max’s set, including “Bishop Danced,” magazine has been published, the editors of Backstreets dated the show as March 7, 1973. Based on the known tour have attempted to catalog Springsteen’s recording and per- chronology and on comments Bruce made during the show, formance history from a fan’s perspective, albeit at times an the date of this performance is most likely January 31, 1973. obsessive one. This booklet takes a comprehensive look at HISTORY: One of two live cuts on Tracks, “Bishop Danced” all 66 songs on Tracks by presenting some of Springsteen’s was also aired on the inaugural King Biscuit Flower Hour and own comments about the material in context with each track’s reprised in the pre-show special to the 1988 Tunnel of Love researched history (correcting a few Tracks typos along the radio broadcast from Stockholm. -
Bruce Springsteen Observes Law and Politics Bill Haltom University of Puget Sound, [email protected]
University of Puget Sound Sound Ideas All Faculty Scholarship Faculty Scholarship 1996 From Badlands to Better Days: Bruce Springsteen Observes Law and Politics Bill Haltom University of Puget Sound, [email protected] Michael W. McCann Follow this and additional works at: http://soundideas.pugetsound.edu/faculty_pubs Citation Haltom, Bill and McCann, Michael W., "From Badlands to Better Days: Bruce Springsteen Observes Law and Politics" (1996). This Article is brought to you for free and open access by the Faculty Scholarship at Sound Ideas. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. From Badlands to Better Days: Bruce Springsteen Observes Law and Politics William Haltom and Michael W. McCann Western Political Science Association San Francisco 1996 Bruce Springsteen defines himself as a story-teller.1 We agree that Springsteen is as tal- ented a story-teller as rock and roll has produced.2 He has written romances of adolescence and adolescents; lyrical tales of escapes, escapees, and escapists; and elegies on parents and parenthood. The best of Springsteen’s song-stories deftly define characters by their purposes and artfully articulate the artist’s attitude toward his “material.” Not so Springsteen’s songs that con- cern law or politics. In these songs the artist’s attitude toward his creations is often lost in a flood of seemingly studied ambiguity and the charactors’ purposes are usually murky. Spring- steen, in legal and political songs as well as in his other stories, almost always evokes emotion. Until recently, too many of his songs of law or politics have been rock-and-roll Rorschach blots: scenes, acts, and actors without clear purposes and attitudes. -
The B-Street Band Song List - Springsteen Songs
THE B-STREET BAND SONG LIST - SPRINGSTEEN SONGS THE RIVER THUNDER ROAD FOR YOU GROWING UP SHE'S THE ONE BORN TO RUN BRILLIANT DISGUISE DARLINGTON COUNTY HIGH HOPES BLINDED BY THE LIGHT SAINT IN THE CITY INDEPENDENCE DAY MEETING ACROSS RIVER POINT BLANK PROVE IT ALL NIGHT OUT IN THE STREET BADLANDS FIRE/I'M ON FIRE PROMISELAND CANDY'S ROOM BOBBY JEAN BORN IN THE USA COVER ME WORKING/HIGHWAY DOWNBOUND TRAIN GOIN' DOWN GLORY DAYS DANCING IN THE DARK ADAM RAISED THE CAIN SPIRIT IN THE NIGHT SANDY BACKSTREETS ROSALITA ALL OR NOTHING MAN'S JOB ROLL OF THE DICE BETTER DAYS LUCKY TOWN IF I SHOULD FALL BEHIND ATLANTIC CITY HUMAN TOUCH TUNNEL OF LOVE TIES THAT BIND HUNGRY HEART MY HOME TOWN STREETS OF PHILA RACING IN THE STREET 10TH AVENUE SHERRY DARLING JERSEY GIRL HEAVEN WILL ALLOW VIVA LAS VEGAS JUNGLELAND SANTA CLAUS BECAUSE THE NIGHT SOMETHING IN THE NIGHT NO SURRENDER TRAPPED YOU CAN LOOK DARKNESS ON THE EDGE MURDER INCORPORATED RAMROD NIGHT TWO HEARTS LOVE WON’T LET YOU DOWN THE RISING LONESOME DAY WAITIN ON A SUNNY DAY MARY’S PLACE LAND OF HOPE AND DREAMS PARADISE BY THE SEA MERRY XMAS BABY PAY ME MY MONEY DOWN E-STREET SHUFFLE RADIO NOWHERE LONG WALK HOME LIVIV IN THE FUTURE CADDILLAC RANCH WORK FOR YOUR LOVE GIRLS IN THEIR SUMMER PINK CADDILLAC SMALL THINGS MAMA QUARTER TO THREE AMERICAN LAND WRECKING BALL TAKE CARE OF OUR OWN FRANKIE FELL IN LOVE MEET ME IN THE CITY . -
Bruce Springsteen, Jungleland
Bruce Springsteen, Jungleland The rangers had a homecoming in Harlem late last night And the Magic Rat drove his sleek machine over the Jersey state line Barefoot girl sitting on the hood of a Dodge Drinking warm beer in the soft summer rain The Rat pulls into town rolls up his pants Together they take a stab at romance and disappear down Flamingo Lane Well the Maximum Lawman run down Flamingo chasing the Rat and the barefoot girl And the kids round here look just like shadows always quiet, holding hands From the churches to the jails tonight all is silence in the world As we take our stand down in Jungleland The midnight gang's assembled and picked a rendezvous for the night They'll meet `neath that giant Exxon sign that brings this fair city light Man there's an opera out on the Turnpike There's a ballet being fought out in the alley Until the local cops, Cherry Tops, rips this holy night The street's alive as secret debts are paid Contacts made, they vanished unseen Kids flash guitars just like switch-blades hustling for the record machine The hungry and the hunted explode into rock'n'roll bands That face off against each other out in the street down in Jungleland In the parking lot the visionaries dress in the latest rage Inside the backstreet girls are dancing to the records that the D.J. plays Lonely-hearted lovers struggle in dark corners Desperate as the night moves on, just a look and a whisper, and they're gone Beneath the city two hearts beat Soul engines running through a night so tender in a bedroom locked In whispers of -
Bruce Springsteen's Hope and the Lawyer As Poet Advocate*
Widener University Commonwealth Law School From the SelectedWorks of Randy Lee 2005 Bruce Springsteen’s Hope and the Lawyer as Poet Advocate Randy Lee Available at: https://works.bepress.com/randy_lee/1/ BRUCE SPRINGSTEEN'S HOPE AND THE LAWYER AS POET ADVOCATE* Randy Lee** The Am.erican experience is filled with lawyers who were poets. 1 The overlap between these two fields should com.e as no surprise. The lawyer, like the poet, seeks to capture life in words, to use words to im.prove life, and to identify and address the questions in life that m.atter m.ost. The lawyer, like the poet, is also called to serve his com.m.unity by accepting the m.antle of the prophet: he m.ust resist the tem.ptations of the world's earthly trappings and rem.ain true to his pursuit of truth wherever that journey m.ay lead. At their best, both lawyers and poets are listeners. They "stand back"; they "let it all be"; they take it all in.2 It is easy to forget that. Before lawyers and poets can speak, they m.ust capture life, and then they translate the life into words so the rest of the world can know and understand what they have encountered.f Aldous Huxley once described words as "a device m.en use for suppressing and distorting the truth" to "protect our sensibilities and preserve * Randy Lee, Address at the Widener Law Journal Symposium, The Lawyer as Poet Advocate: Bruce Springsteen and the American Poet (Feb. 24 2005). ** Professor of Law, Widener University School of Law, Harrisburg, PA.