The Invisible Dot Cabaret

Total Page:16

File Type:pdf, Size:1020Kb

The Invisible Dot Cabaret MEDIA RELEASE Level 5, 10 Hickson Road The Rocks Sydney NSW 2000 Australia Phone 61 2 8248 6500 Fax 61 2 8248 6599 sydneyfestival.org.au The Invisible Dot Cabaret AUSTRALIAN EXCLUSIVE “You should certainly check out anything The Invisible Dot is putting on… everything it does has integrity and style” The Guardian “one of the most exciting comedy powerhouses in the country” The Independent Hosted by Josie Long, UK Comedy lovers are in for a treat when industrious innovators The Invisible Dot Ltd hit Sydney Festival with The Invisible Dot Cabaret. Five comedians will take up residency in The Famous Spiegeltent for an incredible late-night comedy variety performance that favours the bold, innovative, eccentric and clever. British cult optimist Josie Long, will host and the night will feature straight-faced whimsical joker James Acaster. They’ll be joined onstage by some local favourites including the one-man sketch comedy master Steen Raskopoulos, with more locals to be announced. The Invisible Dot Cabaret is a unique chance to see the cutting edge of international comedy in an original and exuberant show! Josie Long is a writer and stand-up comedian, she has been nominated for the Edinburgh Comedy Award three times. For radio, she had created ‘Josie Long: All of the Planets Wonders was broadcast’ and a regular podcast ‘Short Cuts’ both for BBC Radio 4. Josie has been nominated for a BAFTA, regularly appears on television, is a zine-maker and DJ. James Acaster has been twice nominated for the Edinburgh Comedy Award. He has his own Radio Four series, ‘James Acaster’s Findings’ and regularly appears on ‘The Josh Widdecombe Show’ on XFM Radio. James regularly makes television appearances on shows including ‘Nevermind the Buzzcocks’, ‘Russell Howard’s Good News’ (BBC Three), ‘8 our of 10 Cats’, ‘Dave's One Night Stand’ (Dave), ‘Live at the Comedy Store’ (Paramount) and ‘Chris Addison's Show and Tell’ (E4). Steen Raskopoulos is an actor, writer & improviser. Most recently, Steen starred in the six-part BBC comedy series ‘Top Coppers’ with John Kearns. Other television credits include ‘Utopia’ (Working Dog), ‘It’s A Date Series 2’ (Princess Pictures/ABC), ‘Legally Brown’ (Endemol/SBS), the sketch comedy series ‘This Is Littleton’ (Highwire/ABC2), the television drama ‘The Code’ (Playmaker/ABC) and ‘Slideshow’ (Seven Network). Steen’s stage credits include ‘I’m Wearing Two Suits Because I Mean Business’, which sold out shows at the 2014 Melbourne International Comedy Festival (MICF), 2014 Sydney Comedy Festival, Sydney Fringe Festival and the Edinburgh Fringe Festival, for which he received an Edinburgh Comedy Award nomination. His latest show ‘Character Assassin’ was nominated for a Barry Award (Best Show) at MICF and boasted sell out shows at the Sydney Comedy Festival. Steen has appeared in the short films ‘The Page | 1 MEDIA RELEASE Level 5, 10 Hickson Road The Rocks Sydney NSW 2000 Australia Phone 61 2 8248 6500 Fax 61 2 8248 6599 sydneyfestival.org.au Roomate’, ‘Model Brother’, ‘The Polygamist’ and ‘Twisted’ which was a 2014 Tropfest film finalist as well as two film clips for ‘Axis of Awesome’. The Invisible Dot works primarily with comedians creating work that is bold, inventive and funny. The Company is interested in form and in addition to its stage work has created large site-specific installations, mock sporting events and published several books and a vinyl album. The Invisible Dot has always worked with comedians at the vanguard of the genre: over the years they have collaborated with Noel Fielding, Russell Brand, Tim Key, Daniel Kitson, Claudia O'Doherty, Tom Basden, Adam Buxton, Simon Amstell and Sara Pascoe. Where The Famous Spiegeltent, Meriton Festival Village When 7-17 January at 10.30pm Duration 75 minutes Price $55 Priority Entry $45 / $41 General Admission Bookings Sydney Festival on 1300 856 876 sydneyfestival.org/au/invisible Multipacks are available for all Sydney Festival events. Book 3 or more events and save 10 – 15%. Discounts apply to full price A Reserve or General Admission tickets. For interviews and further information contact: Jessica Keirle, Publicity Manager, 02 8248 6525 / 0438 805 109 [email protected] Cath Hayes, Publicist, 02 8248 6546 / 0431417112 [email protected] Julia Barnes, Publicist, 02 8248 6538 / 0402 678 589 [email protected] Page | 2 .
Recommended publications
  • Vivid Sydney Media Coverage 1 April-24 May
    Vivid Sydney media coverage 1 April-24 May 24/05/2009 Festival sets the city aglow Clip Ref: 00051767088 Sunday Telegraph, 24/05/09, General News, Page 2 391 words By: None Type: News Item Photo: Yes A SPECTACLE of light, sound and creativity is about to showcase Sydney to the world. Vivid Sydney, developed by Events NSW and City of Sydney Council, starts on Tuesday when the city comes alive with the biggest international music and light extravaganza in the southern hemisphere. Keywords: Brian(1), Circular Quay(1), creative(3), Eno(2), festival(3), Fire Water(1), House(4), Light Walk(3), Luminous(2), Observatory Hill(1), Opera(4), Smart Light(1), Sydney(15), Vivid(6), vividsydney(1) Looking on the bright side Clip Ref: 00051771227 Sunday Herald Sun, 24/05/09, Escape, Page 31 419 words By: Nicky Park Type: Feature Photo: Yes As I sip on a sparkling Lindauer Bitt from New Zealand, my eyes are drawn to her cleavage. I m up on the 32nd floor of the Intercontinental in Sydney enjoying the harbour views, dominated by the sails of the Opera House. Keywords: 77 Million Paintings(1), Brian(1), Eno(5), Festival(8), House(5), Opera(5), Smart Light(1), sydney(10), Vivid(6), vividsydney(1) Glow with the flow Clip Ref: 00051766352 Sun Herald, 24/05/09, S-Diary, Page 11 54 words By: None Type: News Item Photo: Yes How many festivals does it take to change a coloured light bulb? On Tuesday night Brian Eno turns on the pretty lights for the three-week Vivic Festival.
    [Show full text]
  • (Dis)Believing and Belonging: Investigating the Narratives of Young British Atheists1
    (Dis)Believing and Belonging: Investigating the Narratives of Young British Atheists1 REBECCA CATTO Coventry University JANET ECCLES Independent Researcher Abstract The development and public prominence of the ‘New Atheism’ in the West, particularly the UK and USA, since the millennium has occasioned considerable growth in the study of ‘non-religion and secularity’. Such work is uncovering the variety and complexity of associated categories, different public figures, arguments and organi- zations involved. There has been a concomitant increase in research on youth and religion. As yet, however, little is known about young people who self-identify as atheist, though the statistics indicate that in Britain they are the cohort most likely to select ‘No religion’ in surveys. This article addresses this gap with presentation of data gathered with young British people who describe themselves as atheists. Atheism is a multifaceted identity for these young people developed over time and through experience. Disbelief in God and other non-empirical propositions such as in an afterlife and the efficacy of homeopathy and belief in progress through science, equality and freedom are central to their narratives. Hence belief is taken as central to the sociological study of atheism, but understood as formed and performed in relationships in which emotions play a key role. In the late modern context of contemporary Britain, these young people are far from amoral individualists. We employ current theorizing about the sacred to help understand respondents’ belief and value-oriented non-religious identities in context. Keywords: Atheism, Youth, UK, Belief, Sacred Phil Zuckerman (2010b, vii) notes that for decades British sociologist Colin Campbell’s call for a widespread analysis of irreligion went largely un- heeded (Campbell 1971).
    [Show full text]
  • Exclusive PREVIEW of Vivid Sydney 2018 Where to Eat, Shop, Stay And
    LOVE EVERY SECOND OF SYDNEY & NSW IN WINTER 25 May – 16 June 2018 VIVID SYDNEY SYDNEY NEW SOUTH WALES exclusive Where to essential short PREVIEW of vivid eat, shop, stay breaks & long sydney 2018 and play road trips VIVID SYDNEY VIVID – WHAT’S ON 03 What to expect from Vivid Light, Music and Ideas Vivid SYDNEY celebrates VIVID LIGHT WALK Lights on! A guide to the 04 amazing Vivid Light installations VIVID PRECINCTS Find out where to see 10 years of creativity 08 the city light up VIVID MUSIC Get into 23 days 25 May - 16 June 2018 10 of music discovery VIVID IDEAS Hear from global Game 13 Changers & Creative Catalysts GETTING AROUND Plan your journey using public 16 transport during Vivid Sydney HELP FROM OUR FRIENDS Thanks to our partners, 17 collaborators and supporters VIVID MAP Use this map to plan your 20 Vivid Sydney experience SYDNEY BEYOND VIVID Your guide to exploring 21 Sydney and New South Wales SYDNEY FOOD & WINE Foodie hotspots, new bars 22 and tours EXPLORE SYDNEY Where to stay and shop 24 and what to see THE GREAT OUTDOORS There is so much more to do, see and love at vivid sydney in 2018. Your guide to walks, the 25 harbour & high-rise adventures Start planning your experience now. IT’S ON! IN SYDNEY 26 Unmissable sporting events, theatre, musicals and exhibitions VIVID SYDNEY SYDNEY IN WINTER EXPLORE NSW At 6pm on 25 May Vivid Sydney 2018 While you’re here for Vivid Sydney, stay The most geographically diverse State in switches on with the Lighting of the Sails a while longer to explore the vibrancy Australia offers a little bit of everything new south wales of the Sydney Opera House and all light of Sydney in Winter.
    [Show full text]
  • Corporate Resources Overview & Scrutiny Panel
    Corporate Resources Overview & Scrutiny Panel Date: Tuesday 19 October 2010 Time: 10.00am Venue: Edwards Room, County Hall, Norwich Persons attending the meeting are requested to turn off mobile phones. Membership Mr M Brindle Mrs D Clarke (Liberal Democrat Spokesperson) Mr S Clancy Mr B Collins Mr J Dobson Mr R Hanton Mr C Jordan (Chairman) Mr M Langwade Ms J Mickleburgh Mr J Mooney Mr A Proctor (Vice Chairman) Mr R Smith Dr M Strong Mrs J Toms (Green Spokesperson) Mr A White Mrs C Walker (Labour Spokesperson) Mr T Williams Cabinet Members (Non-Voting) Mr B Borrett Efficiency Mr I Mackie Finance and Performance Mr J Carswell Culture Customer Services and Communications Deputy Cabinet Members (Non-Voting) Mr J Herbert Corporate Affairs For further details and general enquiries about this Agenda please contact: Catherine Wilkinson on 01603 223230 or email [email protected] Corporate Resources Overview & Scrutiny Panel – 19 October 2010 A g e n d a 1. To receive apologies and details of any substitute members attending. 2. Minutes To confirm the minutes of the meeting held on Wednesday 15 September 2010. (Page 1) 3. Members to Declare any Interests Please indicate whether the interest is a personal one only or one which is prejudicial. A declaration of a personal interest should indicate the nature of the interest and the agenda item to which it relates. In the case of a personal interest, the member may speak and vote on the matter. Please note that if you are exempt from declaring a personal interest because it arises solely from your position on a body to which you were nominated by the County Council or a body exercising functions of a public nature (e.g.
    [Show full text]
  • Desiring Postcolonial Britain: Genre Fiction Since the Satanic Verses
    Desiring Postcolonial Britain: Genre Fiction sinceThe Satanic Verses Sarah Post, BA (Hons), MA Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy November 2012 This thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere ProQuest Number: 11003747 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003747 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 1 Acknowledgements The completion of this project would not have been possible without the academic, financial and emotional support of a great number of people. I would like to thank all those that offered advice on early drafts of my work at conferences and through discussions in the department. Special thanks go to the Contemporary Gothic reading group at Lancaster for engendering lively debate that fed into my understanding of what the Gothic can do today. Equally, I could not have finished the project without financial support, for which I am grateful to the Lancaster English Department for a fee waiver and to Dr.
    [Show full text]
  • The Mighty Boosh Is an Award Winning British Comedy Show Created and Written by Comedians Noel Fielding & Julian Barratt
    Photography by Dave Brown 01.09.12 – 16.10.12 Exhibition at Oriel Colwyn, Theatre Colwyn, Abergele Road, Colwyn Bay Clwyd, Wales LL29 7RU All prints are available for sale unframed. Limited Edition of 100 Signed & Numbered. Page 1 of 3 The Mighty Boosh is an award winning British comedy show created and written by comedians Noel Fielding & Julian Barratt. Also starring regular cast members Rich Fulcher, Michael Fielding and Dave Brown. Developed from 3 stage shows appearing at Edinburgh & Melbourne Comedy Festivals, The Boosh has since produced a 6 episode radio series, 3 television series (a total of 20 television episodes) for the BBC, which have aired worldwide and 2 sell out live tours of the UK, as well as performing exclusive live shows in the United States and Australia. Dave Brown has been part of The Mighty Boosh since its conception in the late 90s. Over the years he has been involved in many aspects of the show from designing DVDs, books and merchandise to choreography, music and playing many characters in the show itself, most famously Bollo, the Gorilla. Dave’s also had a camera in his hand from day 1 of the show. These photographs of his fellow cast members and good friends span over 12 years. Photographs from early live gigs, filming the TV shows and behind the scenes whilst on tour. They provide a unique insight into the lives and characters of The Mighty Boosh collective. Dave is alone in his photographic documentation of the show. He has reduced his extensive archive to 46 of his personal favourites to exhibit here at Oriel Colwyn, many being shown for the first time.
    [Show full text]
  • Guardian-2May2018
    Interview Noel Fielding: 'Everything Salvador Dalí did was funny' Stuart Jeffries The comedian stars as one of his heroes, goth-rocker Alice Cooper, in Sky’s latest Urban Myths romp – so why did he pitch to play its other lead character, the clown prince of surrealism? Wed 2 May 2018 12.17 BST oel Fielding was born, or so you’d think, to play Alice Cooper. The eyeliner, the dangling black locks, the camped-up goth vibe, the way the comedian and Bake Off host dresses more outlandishly than anyone in any room, with the possible N exception of Prue Leith. Cooper has long been one of Fielding’s heroes. His parents were fans and inducted their son into the rock musician’s oeuvre, perhaps even instilling into little Noel the subversive philosophy of Cooper’s School’s Out. “I love his music. He was a punk before punk.” The Adventures of Alice and Noel, from the Guardian’s Guide, 2012. Illustration: Noel Fielding And then one day, Cooper appeared as a guest on the pop quiz show Never Mind the Buzzcocks, on which Fielding was a team captain. Their relationship blossomed. “He invited me to his show and then I did a cartoon strip about him in the Guardian.” He also interviewed his hero for the paper. So when Fielding went to audition for a role in a new drama for Sky Arts’ Urban Myths series about the time the glam rocker met the venerable shock artist Salvador Dalí, Fielding was a shoo-in to play Cooper. But he had other ideas.
    [Show full text]
  • A Sheffield Hallam University Thesis
    Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy.
    [Show full text]
  • BBC 4 Listings for 14 – 20 February 2009 Page 1 of 3
    BBC 4 Listings for 14 – 20 February 2009 Page 1 of 3 SATURDAY 14 FEBRUARY 2009 producer Cameron Mackintosh, Nicholas Parsons, Ed Stewart how the classic novel Wuthering Heights allows us to step inside and Kit and the Widow. other minds and understand the world from different points of SAT 19:00 Men, Women and Clothes (b00hn6fz) view, and she wonders whether the new digital revolution could Facing the Elements threaten the values of classic reading. SAT 02:25 Iran and Britain (b00hq1w7) 1950s fashion series. Doris Langley Moore shows how [Repeat of broadcast at 22:00 today] protection from the elements has always been of secondary SUN 02:05 How Reading Made Us Modern (b00hk7mx) importance. We see how attitudes to covering up changed English literature professor John Mullan explores the dramatic completely in the 1920s, when the acquisition of a suntan SAT 03:25 New Town (b00hq1w5) increase in reading which took place in 18th-century Britain, as became de rigueur for those serious about style. [Repeat of broadcast at 21:00 today] it went from being the preserve of the rich to the national pastime it is today. SAT 19:25 Wives and Daughters (b00hq1w3) In 1695 a tiny amendment to the British constitution allowed Episode 2 SUNDAY 15 FEBRUARY 2009 for a flood of publications, without which Britain would be almost unrecognisable. This was the era that gave us the first Adaptation of Elizabeth Gaskell's novel which follows the SUN 19:00 Stephen Fry in America (b00flx59) ever magazines, newspapers and perhaps most vitally, the novel.
    [Show full text]
  • Radio 4 Extra Listings for 15 – 21 May 2021 Page 1 of 10 SATURDAY 15 MAY 2021 Producer: Jill Waters Comedy Chat Show About Shame and Guilt
    Radio 4 Extra Listings for 15 – 21 May 2021 Page 1 of 10 SATURDAY 15 MAY 2021 Producer: Jill Waters comedy chat show about shame and guilt. First broadcast on BBC Radio 4 in June 1998. Each week Stephen invites a different eminent guest into his SAT 00:00 Planet B (b00j0hqr) SAT 03:00 Mrs Henry Wood - East Lynne (m0006ljw) virtual confessional box to make three 'confessions' are made to Series 1 5. The Yearning of a Broken Heart him. This is a cue for some remarkable storytelling, and 5. The Smart Money No sooner has Lady Isabel been betrayed by the wicked Francis surprising insights. John and Medley are transported to a world of orgies and Levison than she is left unrecognisably disfigured by a terrible We’re used to hearing celebrity interviews where stars are circuses, where the slaves seek a new leader. train crash. persuaded to show off about their achievements and talk about Ten-part series about a mystery virtual world. What is to become of her? their proudest moments. Stephen isn't interested in that. He Written by Paul May. Mrs Henry Wood's novel dramatised by Michael Bakewell. doesn’t want to know what his guests are proud of, he wants to John ...... Gunnar Cauthery Mrs Henry Wood ... Rosemary Leach know what makes them ashamed. That’s surely the way to find Lioba ...... Donnla Hughes Lady Isabel ... Moir Leslie out what really makes a person tick. Stephen and his guest Medley ...... Lizzy Watts Mr Carlyle ... David Collings reflect with empathy and humour on things like why we get Cerberus .....
    [Show full text]
  • Music Videos in the British Screen Industries and Screen Heritage: from Innovation to Curation
    Alphaville: Journal of Film and Screen Media no. 19, 2020, pp. 154–159 DOI: https://doi.org/10.33178/alpha.19.13 Music Videos in the British Screen Industries and Screen Heritage: From Innovation to Curation Introduction Emily Caston In December 2019, Rolling Stone magazine ran a piece on the best videos of the year which began by asking, “What even counts as a music video now?” (Shaffer). Vevo, Tiktok and Instagram TV have blurred the lines. Videos can be an hour long. They can be events on YouTube Premiere. They can be virtual reality. The idea that the world of the earliest creators of pop promos was simple in comparison to today subtends this dossier. In 2015, I was awarded an Arts and Humanities Research Council (AHRC) grant to investigate the history of music videos in Britain since 1966.1 At the end of the grant, I curated a collection of the most significant of those videos into a limited-edition box set (Power). Selecting them involved very detailed discussions with our interviewees and industry consultants about just what a “music video”—known as a “promo” until the mid 1980s—is. The term “music video” arose in the 1980s. It was used in record labels to describe visual products mastered on physical videotapes for television broadcast. In fact, almost all of those products were shot on celluloid (16mm or 35mm) until digital technologies allowed HD to become the norm in the 2000s. For the purposes of this dossier, I define music videos and pop promos as a type of musical short film for mass audiences commissioned and released by record labels (usually) at the same time as the release of a synchronised audio “single”; the shorts comprise a copyrighted synchronised picture and audio track in which a percentage of the royalties accrue to the recording artist and/or record label.
    [Show full text]
  • Canada and Australia
    CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities.
    [Show full text]