BRISBANE/IPSWICH/GOLD COAST: (Mmim^ Elora Pylant (Ph
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Goddess of 1967 Tail Credits
director Clara Law script Eddie L. C. Fong Clara Law producers Peter Sainsbury Eddie L. C. Fong executive producers Wouter Barendrecht Helen Loveridge Michael J. Werner Akiko Funatsu director of photography Dion Beebe A.S.C. production designer Nicholas McCallum editor Kate Williams music composer Jen Anderson costume designer Anni Marshall Helen Mather line producer Dennis Kiely first assistant director Chris Webb casting australia Anousha Zarkesh Anna Lennon-Smith mullinars consultants casting japan Yoko Narahashi united performers studio the goddess of 1967 Rose Byrne Rikiya Kurokawa Nicholas Hope Elise McCredie CAST BG Rose Byrne JM Rikiya Kurokawa Grandpa Nicholas Hope Marie Elise McCredie Drummerboy Tim Richards BG aged 9 Bree Beadman Marie aged 9 Satya Gumbert JM's Friend Masato Sakai JM's Girlfriend Yoshiko Tatsumi Esther Tina Bursill Mr. Hughes Dominic Condon Mrs. Hughes Katie Kermond Little Girl Lauren Clark Detective Tim McGarry Barman Johnny Boxer Woman In Bar Judith Knapp Old Man In Bar Harry Lawrence Noodle Man Masao Ishiguro School Teacher Louise Lohse Road Rage Driver Sean Read Road Rage Passenger Craig Murray Woman in Street Makiko Saito Truck Driver Koji Miyashita Stunt Performers Warrick Young Tove Petterson Nigel Harbach Voice of Radio Announcer Stephanie Daniel Voice of Boxing Spruiker Fred Brophy Voice Over DS Segment Jean-Pierre Mignon CREW Production Co-ordinators Aubs Tredget Katie Gordon Production Accountant Lucy Vorst 2nd Assistant Director Tanya Jackson-Vaughan 3rd Assistant Directors Scott Lovelock Geoff Wilman -
Download Accepted Manuscript Versionadobe
This article is (c) Emerald Group Publishing and permission has been granted for this version to appear here http:// hdl.handle.net/10453/127329. Emerald does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Emerald Group Publishing Limited. International Journal of Building Pathology and Adaptation International Journal of Building Pathology and Adaptation Technical issues and energy efficient adaptive reuse of heritage listed city halls in Queensland Australia Journal: International Journal of Building Pathology and Adaptation Manuscript ID IJBPA-02-2018-0020.R3 Manuscript Type: Original Article heritage city halls, adaptive reuse, climate change, technical issues, energy Keywords: efficiency International Journal of Building Pathology and Adaptation Page 1 of 20 International Journal of Building Pathology and Adaptation 1 2 3 4 Technical issues and energy efficient adaptive reuse of heritage listed city 5 6 halls in Queensland Australia. 7 8 Abstract 9 10 Purpose – Adaptive reuse of heritage stock several advantages: retention of culturally and 11 12 socially significant buildings, as well as the opportunity to consider embodied energy, energy 13 efficiency retrofit measures and other environmental upgrades. This paper identifies the 14 technical issues faced in the adaptive reuse of Australian heritage listed city halls and 15 discusses sustainable strategies to enable further adaptations to be more energy efficient. 16 17 Design/methodology/approach – Adaptive reuse of a heritage building provides an 18 opportunity to retain embodied energy, improve energy efficiency and enhance durability, 19 which are important aspects of the technical lifecycle of a building. Using a case study 20 methodology and a qualitative approach, this paper evaluates adaptations and the technical 21 isues faced in three heritage city halls in Queensland, Australia. -
8 February 2013 Volume: 23 Issue: 2 Don't Bet on The
8 February 2013 Volume: 23 Issue: 2 Don’t bet on the Australian dollar David James ............................................1 Election year food, sex and meaning Barry Gittins and Jen Vuk ...................................4 Migrants and big bank theory Andrew Hamilton .........................................7 Time runs out for idiot slavers Tim Kroenert ............................................9 In the halls of Cambodia’s Auschwitz Nik Tan ............................................... 11 NSW Labor’s diseased ethics Tony Smith ............................................ 13 Intervening in Israel Philip Mendes .......................................... 15 Diabetica and other poems Les Murray ............................................ 17 Climate change and Australia’s weather on steroids Paul Collins ............................................ 20 Tax justice for unpaid carers Michael Mullins ......................................... 22 Teaching literature to rock stars Brian Matthews ......................................... 24 Election year narrative shaped by the common good Fatima Measham ........................................ 26 Evil is relative in the hunt for bin Laden Tim Kroenert ........................................... 28 Pope sweet on tweets Andrew Hamilton ........................................ 30 A fine teacher’s urination solution Brian Doyle ............................................ 32 Post 9-11 demon words too simple for Africa Binoy Kampmark ........................................ 34 Gillard’s election -
[Warning - This Film Contains Nudity and References to Drugs]
[Warning - This film contains nudity and references to drugs] [What A Life! Rock Photography by Tony Mott - a free exhibition until 7 February 2016. Solid Gold - Jeff Apter & Philip Morris, Metcalfe Theatre, State Library of NSW, 5th December 2015] [Dressed in a black shirt and dark jeans, grey-haired Philip Morris sits beside his interviewer Jess Apter, a bald man dressed casually] [JEFF APTER] Thank you. Before starting, I want to say I was really fortunate to be able to work with Philip on this book. [Jeff Apter holds up a coffee table book] [JEFF APTER] And it was one of the more interesting exercises, wasn't it? Because we were given a directive to come up with... Was it 200 photos? ..for this book. [PHILIP MORRIS] That's right. [JEFF APTER] And Philip's archive is so fantastic and so rich, that I think we got it down to, what, 600? [PHILIP MORRIS] Yeah. [Audience laughs] [JEFF APTER] Was it 600 to start with? It was something like that. And it's staggering, really. It's a really great document of Australian rock history at a really interesting turning point. So to get it down to this... It's begging for a second edition, by the way. There's so many great photos. So it was a real honour to be able to... to do that. It was a lot of fun. [PHILIP MORRIS] Yeah, it was. [JEFF APTER] We actually had built into our contract... Our agreement was an understanding that we would never work in a boring situation. -
FRP Bars (1:15 - 3:00Pm)
Day 1 Session 1: Owner’s Perspective on the Use of GFRP Bars (1:15 - 3:00pm) Presentations (2 @ 10 mins) 1.1 US perspective a. (Antonio Nanni – ACI ) b. (Steven Nolan – AASHTO/FDOT) 1.2 Canadian perspective (Brahim Benmokrane) Discussion 1.3 (30 mins) Presentations (2 @ 10 mins) 1.4 Australian perspective and experience on GFRP bars in concrete structures (Allan Manalo, USQ) 1.5 European perspective (Emmanuel Ferrier) Discussion 1.6 (30 mins) Update on ACI Activities related to FRP bars Plan is to get the code balloted at main by spring 2020 Negatives resolved and back to TAC 1/22/2019 2 440-H – FRP Reinforced Concrete Code Chapter completed Ballot at Main Chapter 1 (General) Chapter 4 (Structural System Requirements) Chapter 5 (Loads) Chapter 21 (Strength Reduction Factors) Chapter 26 (Construction Documents and Inspection) Chapters under ballot at Main Chapter 22 (Sectional Strength) Chapter 25 (Reinforcement Details) Chapter Balloted at Sub Chapter 7 (One-Way Slabs): Will require 2nd ballot at sub Chapter 9 (Beams): Will require 2nd ballot at sub Chapter 20 (GFRP Reinforcement Properties): Ready to ballot at main Chapter 24 (Serviceability Requirements): Ready to ballot at main 1/22/2019 3 440-H – FRP Reinforced Concrete Code Rough Drafts Ready for Small Group Review Chapter 10 (Columns): Author –Nanni; Reviewers - Harries & Shield Chapter 11 (Walls): Authors – Sadeghian & Tomlinson; Reviewers - Harries & Shield Chapter 13 (Foundations): Author – Nanni; Reviewers – Bischoff Chapter 15 (Joints) & Chapter 16 (Connections): Author – El Salakawy; Reviewers – Galati, Polak, Masetti Rough Drafts Requiring Revision by Authors Chapter 8 (Two-Way Slabs): Authors – Benmokrane, El Salakawy & Masmoudi Brown indicated that there is need of volunteers to do this effort, new Associate and associated members are strongly encouraged to step up and help with this task. -
Goddess Pf 1967 Music Credits
music composer Jen Anderson Music Supervisor Christine Woodruff Music engineers Ross Cockle Jen Anderson Music Mixer Ross Cockle Keyboard Programming Jen Anderson All Instruments Played by Jen Anderson except: Marianella Percussion Alex Pertout Shakuhachi & Ocarina Ann Norman Cello Helen Mountford Piano Accordion Mark Wallis Nylon String Guitar & Dan Tranh Michael Livett MUSIC Junk City Written by Rick Brewster/Bob Spencer/Bernard "Doc" Neeson © 1989 Frilanded Pty Ltd/Rondor Music (Used by Permission of Rondor Music (Aust) Pty Ltd)/ Universal Music Publishing Pty Ltd/Empire Music Pty Ltd. (All rights administered by EMI Songs Australia Pty Ltd.) Performed by The Angels Courtesy of Shock Records Piano Sonata in C Minor KV 457 Written by W. A. Mozart Performed by Jeno Jando Courtesy of Naxos Dogs Are Talking Written by Rick Brewster/Bernard "Doc" Neeson/Jim Hilburn/ Brent Eccles/Bob Spencer © 1990 Frilanded Pty Ltd/Rondor Music. (Used by Permission of Rondor Music (Aust) Pty Ltd.)/ Empire Music Pty Ltd (All Rights Administered by EMI Songs Australia Pty Ltd) & EMI Music Publishing Australia Pty Ltd/Universal Music Publishing Pty Ltd/ Rough Cut Music Pty Ltd Performed by The Angels Courtesy of Shock Records Der Fliegende Hollander (The Flying Dutchman) Written by Richard Wagner Performed by Muff/Haubold/Knodt/Seiffert/ Budapest Radio Chorus/ORF Symphony/Steinberg Courtesy of Naxos Walk Don't Run Written by John Smith peermusic Pty Ltd Performed by The Ventures (P) 1960 Liberty Records, a division of EMI Records USA Licensed courtesy of EMI -
The Spouses of the Governors of Queensland Credits and Acknowledgements
The Spouses of the Governors of Queensland Credits and Acknowledgements Cover design – portraits of the © The State of Queensland, Australia (Office of the Governor). spouses of the Governors of First edition published May 2018, revised edition published November 2018. Queensland since 1859. Copyright protects this publication except for purposes permitted by the The Office of the Governor expresses Copyright Act. Reproduction by whatever means is prohibited without prior its sincere gratitude to the State written permission of the Office of the Governor. Reference to this publication is Library of Queensland for granting permitted only with appropriate acknowledgement. permission to reproduce items from its photographic collection. Every effort has been made to ensure the information and facts in this book are The portrait of Lady Abel Smith is correct but the publishers hereby disclaim any liability for incorrect information. reproduced with permission from the Government House, Queensland – www.govhouse.qld.gov.au National Portrait Gallery, London. ISBN 978-0-646-98873-3. Contents Governor’s Foreword 2 Introduction 3 Lady Bowen 4 The Marchioness of Normanby 6 Lady Musgrave 8 Lady Norman 10 Lady Lamington 12 Lady Chermside 14 Lady Chelmsford 16 Lady MacGregor 18 Lady Goold-Adams 20 Lady Goodwin 22 Lady Wilson 24 Lady Lavarack 26 Lady Abel Smith 28 Lady Mansfield 30 Lady Hannah 32 Lady Ramsay 34 Lady Campbell 36 Mr Angus McDonald 38 Mrs Barbara Arnison 40 Mr Michael Bryce AM AE 42 Mr Stuart McCosker 44 Bachelors and Widowers 46 [1] Governor’s Foreword arly in 2014, Kaye was invited to speak at the official opening of the Annual EForum on Women and Homelessness, hosted by The Lady Musgrave Trust. -
“Paul Robert Burton Band”
“PAUL ROBERT BURTON BAND” The “Paul Robert Burton Band” is a musical collaboration, presenting to the public an expanding ensemble of world-class virtuoso musicians from an infinitely wide variety of musical styles and genres. Every player is unique, however they all have something very much in common, commitment and dedication to the Arts. Music can transport the soul to higher realms and these musicians together invoke that feeling. “ We can easily say that Paul Robert Burton and his band were the standout act at this year’s Kiama Jazz & Blues Festival. Where ever he played and in whatever venue (café, outdoor concert, club) or line up (from solo to full on band) the crowds were huge, bopping and excited. Venues were full to capacity and then some! During a sidewalk café appearance, the crowds spilled onto the street & stopped traffic! Apart from his musical gifts, Paul was appreciated by festival management as a source of information regarding other artists, and brought great energy, inspiration and spirit to our Festival. People raved for weeks afterwards, and purchased Paul’s CD’s aplenty, and we have had considerable requests since the festival as to where & when Paul might play again. ” Ross Eggleton, Festival Director Eevi Stein, Festival Coordinator & Publicity Kiama Jazz & Blues Festival April 1- 3 2011 PAUL ROBERT BURTON (Songwriter, Producer, Sound Engineer, Upright Bass, Foot Drums, Guitarlele, Harmonicas, Ocarinas and Vocals) www.paulrobertburton.com www.reverbnation.com/paulrobertburton www.youtube.com/paulrobertburton Paul Robert Burton is a Multi-tasking, Multi-instrumentalist, Singer, Songwriter, Producer and Sound Engineer. Beginning his career some 30 years ago as a session musician, Paul has performed with Elvis Presley’s drummer D J Fontana, James Brown’s drummer Toni Cooke and has an extensive list of musical associations with a veritable “who’s who” of the Australian Music Industry. -
Founding Families of Ipswich Pre 1900: M-Z
Founding Families of Ipswich Pre 1900: M-Z Name Arrival date Biographical details Macartney (nee McGowan), Fanny B. 13.02.1841 in Ireland. D. 23.02.1873 in Ipswich. Arrived in QLD 02.09.1864 on board the ‘Young England’ and in Ipswich the same year on board the Steamer ‘Settler’. Occupation: Home Duties. Macartney, John B. 11.07.1840 in Ireland. D. 19.03.1927 in Ipswich. Arrived in QLD 02.09.1864 on board the ‘Young England’ and in Ipswich the same year on board the Steamer ‘Settler’. Lived at Flint St, Nth Ipswich. Occupation: Engine Driver for QLD Government Railways. MacDonald, Robina 1865 (Drayton) B. 03.03.1865. D. 27.12.1947. Occupation: Seamstress. Married Alexander 1867 (Ipswich) approx. Fairweather. MacDonald (nee Barclay), Robina 1865 (Moreton Bay) B. 1834. D. 27.12.1908. Married to William MacDonald. Lived in Canning Street, 1865 – approx 26 Aug (Ipswich) North Ipswich. Occupation: Housewife. MacDonald, William 1865 (Moreton Bay) B. 13.04.1837. D. 26.11.1913. William lived in Canning Street, North Ipswich. 1865 – approx 26 Aug (Ipswich) Occupation: Blacksmith. MacFarlane, John 1862 (Australia) B. 1829. John established a drapery business in Ipswich. He was an Alderman of Ipswich City Council in 1873-1875, 1877-1878; Mayor of Ipswich in 1876; a member of Parliament from 1877-1894; a member of a group who established the Woollen Mill in 1875 of which he became a Director; and a member of the Ipswich Hospital Board. John MacFarlane lived at 1 Deebing Street, Denmark Hill and built a house on the corner of Waghorn and Chelmsford Avenue, Denmark Hill. -
Hansard 31 May 2001
31 May 2001 Legislative Assembly 1353 THURSDAY, 31 MAY 2001 Mr SPEAKER (Hon. R. K. Hollis, Redcliffe) read prayers and took the chair at 9.30 a.m. MINISTERIAL STATEMENT Human Cloning Hon. P. D. BEATTIE (Brisbane Central—ALP) (Premier and Minister for Trade) (9.31 a.m.), by leave: The Prime Minister has confirmed that human cloning will be on the agenda of the COAG meeting to be held on 8 June in Canberra. I table a copy of the communique from his office. Rapid developments in medical and reproductive technology have opened up the potential for experimental work that could lead to cloning of human beings. The creation of duplicate humans through cloning techniques is not supported by the Queensland government. Cloning of human beings is contrary to the Universal Declaration on the Human Genome and Human Rights. Australia is a signatory to the declaration, which states— Practices which are contrary to human dignity, such as reproductive cloning of human beings, shall not be permitted. As well as being contrary to human dignity, cloning is unsafe. The first mammal that was cloned in 1997, Dolly the sheep, was the source of considerable interest. What many were not aware of at that time was the number of failed attempts which preceded Dolly. There were more than 270 failed attempts at cloning in order to produce one cloned sheep. This is not something we can allow to occur with human beings. The World Health Organisation has also affirmed that 'cloning for the replication of individuals is ethically unacceptable and contrary to human dignity and integrity. -
The Newsletter of Vacy Public School
The Newsletter of Vacy Public School Tuesday 7 October 2014 786 Gresford Road, Vacy 2421 Ph: 0249388153 Principal: Mr Graeme Oke www.vacy-p.schools.nsw.edu.au Respect, everyone & “Friendship and Learning” everything From The Principal Welcome back for Term 4! I hope that everyone had a safe, enjoyable and revitalising holiday and that those who were struck down by the nasty flu bug in Term 3 have been able to fully recuperate and are healthy and ready for what promises to be an exciting concluding term for 2014. At the end of last term we made a change to the staff carpark to allow for safer parking conditions. A big thank you to Peter Walker for organising the scraping and laying of gravel to complete the carpark. Be safe Recently we have made other improvements to the grounds and classrooms including adding fresh ‘softfall’ in the playground equipment area, laying down garden soil for the garden bed that borders the carpark, replacing the projector in the Library to upgrade the interactive whiteboard and we have engaged a contractor to install a new shade sail over the playground equipment. We also undertook an energy audit at the end of term and will be looking at the measures and strategies that we can put into place to reduce our electricity consumption and energy bills which will mean that funds can be diverted to support the learning of our students. Co-operate This Saturday, 11 October is the annual Vacy Charity Cutting Day, an event which contributes a significant amount towards the P&C and ultimately to the students of Vacy Public School. -
Monster Entertainment
Monster! Entertainment www.monsterenter tainment.tv 2021 Documentary & Music Catalogue The Monster Mews Telephone: +353-1-6114934 11A Herbert Lane, Dublin 2, Ireland Fax: +353-1-6114935 www.monsterentertainment.tv Mobile: +353-86-6032164 E: [email protected] Z Kids Story ... THE 80’s BLIT In strife torn 1979 Britain, against a backdrop of Bowie and driven by a gender bending, genre strikes, blackouts, racism and homophobia, out of busting desire to make it, these penniless one small London venue called The Blitz came a superstars in the making from Boy George & generation of outrageous teenagers. Culture Club to Spandau Ballet, Visage, Ultravox & Sade would go on to change the face of fashion, Working class and art school kids, who would music and culture across the world. define the look, the sound, the style and the attitude of the ‘80s & beyond. Inspired by David This is their story ... The Monster Mews Telephone: +353-1-6114934 11A Herbert Lane, Dublin 2, Ireland Fax: +353-1-6114935 Please Click link to screen www.monsterentertainment.tv Mobile: +353-86-6032164 E: [email protected] Video Killed The Radio Star HD 50 x 22 mins Series 5 + 6 + 7 + 8 Created by multi Grammy Winner + Producer Scott Videos such as Millaney and Multi Grammy + BAFTA winning Director Brian Grant. Bowie’s "Ashes to Ashes" Elton John’s “I’m still standing” The series Highlights Visual Video Styles and Musical Impacts from the pioneering David Bowie to the icon - Prince’s “Purple Rain" ic visuals of Michael Jackson + Elton John. Madonna's “Vogue” Each episode is dedicated to a particular unique Michael Jackson's “Thriller” Artist / Video Director / Stylist and more.