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Annual Report 2005-2006
V I R G I N I A F O U N D A T I O N F O R T H E H U M A N I T I E S ANNUAL REPORT 2005-2006 V I R G I N I A F O U N D A T I O N F O R T H E H U M A N I T I E S www.virginiafoundation.org Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centers of energy and daring, those ripples build a current that can sweep down the mightiest walls of oppression and resistance. — Robert F. Kennedy President’s Letter ...............................2 Programs and Projects ......................4 VFH Grants ........................................14 VFH Fellows ......................................20 VFH Donors .......................................21 Statement of Financial Position ......28 VFH Board and Staff .........................29 Two years ago Encyclopedia Virginia was an idea; one year ago at it was a promise; today it is building the Virginia Foundation for the in energy. Now the currents flow in Humanities (VFH). A strong sense two directions. Some people are of mission and an excitement about researching, writing, and designing the future charge our work. It is an the database of knowledge about exciting mission to help individuals, Virginia culture and history, while organizations, and communities others are envisioning its structural harness their ideas and raw energy underpinnings. Our goal is to make to understand the past, confront this website fun and easy for all to important issues in the present, and use, no matter their age or their shape a promising future. -
Fiscal Year 2017 Appropriations Request
National Endowment for the Arts Appropriations Request For Fiscal Year 2017 Submitted to the Congress February 2016 National Endowment for the Arts Appropriations Request for Fiscal Year 2017 Submitted to the Congress February 2016 TABLE OF CONTENTS I. Overview ......................................................................... 1 II. Creation of Art .............................................................. 21 III. Engaging the Public with Art ........................................ 33 IV. Promoting Public Knowledge and Understanding ........ 83 V. Program Support ......................................................... 107 VI. Salaries and Expenses ................................................. 115 www.arts.gov BLANK PAGE National Endowment for the Arts – Appropriations Request for FY 2017 OVERVIEW The National Endowment for the Arts (NEA) is America’s chief funder and supporter of the arts. As an independent Federal agency, the NEA celebrates the arts as a national priority, critical to America’s future. More than anything, the arts provide a space for us to create and express. Through grants given to thousands of non-profits each year, the NEA helps people in communities across America experience the arts and exercise their creativity. From visual arts to digital arts, opera to jazz, film to literature, theater to dance, to folk and traditional arts, healing arts to arts education, the NEA supports a broad range of America’s artistic expression. Throughout the last 50 years, the NEA has made a significant contribution to art and culture in America. The NEA has made over 147,000 grants totaling more than $5 billion dollars, leveraging up to ten times that amount through private philanthropies and local municipalities. The NEA further extends its work through partnerships with state arts agencies, regional arts organizations, local leaders, and other Federal agencies, reaching rural, suburban, and metropolitan areas in all 50 states, the District of Columbia, special jurisdictions, and military installations. -
MARY HARTSOCK Family Member - Carter Family Fold – Hiltons, VA
MARY HARTSOCK Family Member - Carter Family Fold – Hiltons, VA * * * Date: February 21, 2009 Location: Carter Family Fold - Hiltons, VA Interviewer: Amy C. Evans, SFA Oral Historian Transcription: Shelley Chance, ProDocs Length: 13 minutes, 40 seconds Project: Carter Family Fold Mary Hartsock-Carter Family Fold 2 [Begin Mary Hartsock Interview] 00:00:02 Amy Evans: This is Amy Evans on Saturday, February 21, 2009, in Hiltons, Virginia, at the Carter Family Fold. I’m in the kitchen here, and I’m with some Carter Family members: sisters, Mary [Hartsock] and Nancy [Carter]. And Mary, who I’m sitting with right now, if you would introduce yourself for the record and explain your relationship to the family? 00:00:22 Mary Hartsock: Okay. My name is Mary Hartsock, and my husband’s name is Paul and his mother and Sara [Dougherty] Carter are sisters. And that’s how I’m connected with the Carters. 00:00:36 AE: And his mother’s name was—? 00:00:37 MH: Mae [Dougherty] Hartsock. 00:00:40 AE: And you work here every Saturday morning at the Fold. Can you explain that? 00:00:43 MH: I—I usually work here every Saturday morning at the Fold. I seldom come in the evenings. Once in a while I do but not very often, but I help Rita every Saturday morning, help ©Southern Foodways Alliance www.southernfoodways.org Mary Hartsock-Carter Family Fold 3 her get it all ready to go because it’s a lot to it just to get it ready for evening. And as I was telling you, these people love beans and cornbread, and when you have beans and cornbread, that is the main dish of—of the evening because people love cornbread back here. -
FREEMAN KITCHENS COLLECTION Jennifer M
A BRIEF HISTORY and ORIENTATION - to the - FREEMAN KITCHENS COLLECTION Jennifer M. Jameson | WKU Folk Studies | Spring 2011 Freeman Kitchens stands in front of his shop. Photo by Jennifer Jameson, May 2011. ABSTRACT: The Freeman Kitchens Collection is largely a recorded sound collection of the Folklife Archives at the Kentucky Library & Museum, Western Kentucky University. The Collection includes 250, 7-inch reel-to-reel tapes with source material from the personal collection of Mr. Freeman Kitchens of Drake, Kentucky – U.S. postmaster, record collector, owner of Drake Vintage Music & Curios, and founding member and president emeritus of the Carter Family Fan Club. The recordings consists of tapes (or tapes of tapes) of 78 rpm commercial recordings, radio transcriptions, airchecks of radio broadcast programs and performances, field recordings of festival performances, and the like. WKU first acquired these tapes in the mid 1970s, as folklorists Burt Feintuch and Lynwood Montell directed and implemented the acquisition of these sound recordings from Mr. Kitchens. The collection also contains three recorded interviews with Mr. Kitchens from 1974, 1975, and 2010, respectively. In addition, the Archives hold some related ephemera from Mr. Kitchens including letters addressed to him from members of the Carter Family, record collectors, and from folklife scholars; posters from country music events; fan-made discographies; and original copies of the journal of the Carter Family Fan Club, the Sunny Side Sentinel. Freeman Kitchens continues to operate his record shop in Drake. FA 567 Manuscripts & Folklife Archives – Kentucky Library & Museum – Western Kentucky University INTRODUCTION I, Jennifer Jameson, a graduate student in the Folk Studies program at WKU, present a brief history and orientation to the Freeman Kitchens Collection at the Folklife Archives as I have encountered the bits and pieces of this long history. -
50-State Field Scan
Rural Prosperity through the Arts and Creative Sector: A Rural Action Guide for Governors and States 50-State Field Scan Introduction The National Assembly of State Arts Agencies (NASAA) is providing research and consulting services to the National State Index Governors Association Center for Best Practices (NGA) in support of an initiative funded by the National Endowment for the Arts (NEA) to better understand how the arts and creative industries • Alabama • Montana can facilitate sustainable economic development in rural • Alaska • Nebraska communities. NASAA's expertise and research—which includes a • Arizona • Nevada literature review, the identification of publicly available • Arkansas • New Hampshire quantitative data offering a national perspective of rural • California • New Jersey economies and a 50-state field scan of rural creative economic development projects and practices—will inform the NGA's • Colorado • New Mexico development of an expert roundtable discussion, other • Connecticut • New York convenings and a publication designed to help governors and • Delaware • North Carolina their staff support and benefit from their state's creative sector. • Florida • North Dakota • Georgia • Ohio The results of NASAA's 50-state field scan are summarized in this document, which serves as an atlas of the many rural creative • Hawai'i • Oklahoma economic development programs, projects and initiatives around • Idaho • Oregon the country. It addresses efforts of state arts agencies as well as • Illinois • Pennsylvania other state and local government agencies, nonprofit arts • Indiana • Rhode Island groups, community development organizations, chambers of • Iowa • South Carolina commerce, foundations and other stakeholders. This field scan • report does not comprehensively list of every instance of rural Kansas • South Dakota creative economic development in the country. -
MARIANNA ROBERTS Musician & Relative - Carter Family Fold – Hiltons, VA
MARIANNA ROBERTS Musician & Relative - Carter Family Fold – Hiltons, VA * * * Date: February 21, 2009 Location: Carter Family Fold - Hiltons, VA Interviewer: Amy C. Evans, SFA Oral Historian Transcription: Shelley Chance, ProDocs Length: 42 minutes, 43 seconds Project: Carter Family Fold Marianna Roberts-Carter Family Fold 2 [Begin Marianna Roberts Interview] 00:00:02 Amy Evans: This is Amy Evans on Saturday, February 21, 2009. I’m in Hiltons, Virginia, at the Carter Family Fold, and I’m with Marianna Roberts. And Marianna, if you would mind telling me—stating your name for the record and also what you do for a living? 00:00:19 Marianna Roberts: My name is Marianna Roberts, and I’m retired after thirty years of service with Frontier Health; but I mainly watch grandchildren now and play a little music, and we have an old-time group. We do a lot of the Carter Family songs, and the name of our group is the Appalachian Dream Spinners. 00:00:44 AE: Now may I also ask you to share your birth date, if you don’t mind. I know it’s a very indelicate question for a Southern lady but—? 00:00:51 MR: June 8, 1947. 00:00:54 AE: And before we started recording, we got to talking a little bit about your family’s connection with the Carter Family, so can we maybe try and follow that path a little bit? ©Southern Foodways Alliance www.southernfoodways.org Marianna Roberts-Carter Family Fold 3 00:01:04 MR: Okay. Well my grandmother [Myrtle Porter Vermillion] was a cousin to Mother Maybelle [Addington Carter] and Sara [Dougherty Carter]. -
Youth-Renewing-The-Countryside.Pdf
renewing the youth countryside renewing the youth countryside youth : renewing the countryside A PROJECT OF: Renewing the Countryside PUBLISHED BY: Sustainable Agriculture Research & Education (SARE) WITH SUPPORT FROM THE CENTER FOR RURAL STRATEGIES AND THE W.K. KELLOGG FOUNDATION SARE’s mission is to advance—to the whole of American agriculture—innovations that improve profitability, stewardship and quality of life by investing in groundbreaking research and education. www.sare.org Renewing the Countryside builds awareness, support, and resources for farmers, artists, activists, entrepreneurs, educators, and others whose work is helping create healthy, diverse, and sustainable rural communities. www.renewingthecountryside.org A project of : Renewing the Countryside Published by : Sustainable Agriculture Research and Education (SARE) publishing partners Senior Editor : Jan Joannides Editors : Lisa Bauer,Valerie Berton, Johanna Divine SARE,Youth, and Sustainable Agriculture Renewing the Countryside Associate Editors : Jonathan Beutler, Dave Holman, Isaac Parks A farm is to a beginning farmer what a blank canvas Renewing the Countryside works to strengthen rural Creative Direction : Brett Olson is to an aspiring artist. It is no wonder then that areas by sharing information on sustainable America’s youth are some of agriculture’s greatest development, providing practical assistance and Design Intern : Eric Drommerhausen innovators and experimenters.The evidence is right here networking opportunities, and fostering connections between Lead Writers : Dave Holman and Nathalie Jordi between the covers of this book—youth driving rural renewal urban and rural citizens. by testing new ideas on farms, ranches, and research stations Lead Photographer : Dave Holman across the country. SARE supports these pioneers. In this book, This is the ninth in a series of books Renewing the Countryside read about the Bauman family farm in Kansas, the Full Belly Farm has created in partnership with others. -
Carter, A. P. and Sara, House 06/12/1985
f2 .'Go Carter Family Thematic Nomination, Virginia Division of Historic Landmarks Thematic National Register Nomination Inventory Form Historic Name: A.P. and Sara Carter House Common Name: A. P. and Sara Carter House Street Adress/Rt. No.: Rt. 614 VHLC File Number: 84-14 Vicinity of: Maces Spring Owner: Milan and Gladys Carter Millard USGS Quad: Hilton 7.5 Rt. 1, Hiltons, VA 24258 Date(s): Early 20th Century Architect/Builder: remodeled by A. Original Use: Dwelling Style: Vernacular Carter Present Use: Dwelling Condition: Very Good Altered x ; unaltered Physical Description: The A. P. and Sara Carter House is a one-and-one-half story, wood-frame bungalow whose present form reflects the 1928 alterations made by A. P. Carter. According to his daughter, Gladys, the present owner, the house contained only four rooms, two rooms wide and two rooms deep, when her parents acquired the property. A carpenter by trade, A. P. Carter remodeled the original three-bay block by creating bedrooms on the second floor, lit by a new front dormer, and by remodeling the front porch. Carter added a dining room addition which still stands off the east end. Few major changes were made to the plan besides the. removal of the partition between the two front rooms. The resulting dwelling clearly reflects the vernacular domestic forms of rural Scott County in the early twentieth century. Since 1960, Gladys and Milan Millard have made several additions, including a garage/den addition off the west end, balancing the east wing added by A. P. Carter. The Millards also created a basement, added a bathroom, enlarged the back bedroom, and covered the house with aluminum siding. -
Viewed in the Family (66)
The Influence of Family in the Preservation of Appalachian Traditional Music: From the Front Porch to Performance A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By KATHY Q. HAYES B.S., Berea College, 1973 2008 Wright State University WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES June 12, 2008 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kathy Hayes The Influence of Family in the Preservation of Appalachian Traditional Music: From the Front Porch to Performance BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities. _________________________________ Mary L. Rucker, Ph.D. Director _________________________________ Ava Chamberlain, Ph.D. Director, Master of Humanities Program Committee on Final Examination ______________________________ Mary L. Rucker, Ph.D. ______________________________ Edward Haas, Ph.D. ______________________________ Marjorie Mclellan, Ph.D. ______________________________ Joseph F. Thomas Jr., Ph.D. Dean, School of Graduate Studies Table of Contents Acknowledgements Chapter I: Introduction………………………………………………………………………………………… 1 Chapter II: History and Settlement of Appalachia……………………16 Chapter III: Values, Families, and Migration in Appalachia…………………………………………………………………………………………………32 Chapter IV: Appalachian Families and Music……………………………………36 Carter Family………………………………………………………………………………………………………59 Ritchie Family……………………………………………………………………………………………………70 Queen Family…………………………………………………………………………………………………………75 -
Carter Family Papers: a Guide to Its Records at the Jimmy Carter Library
441 Freedom Parkway NE Atlanta, GA 30307 http://www.jimmycarterlibrary.gov Carter Family Papers: A Guide to Its Records at the Jimmy Carter Library Collection Summary Creator: Carter, Jimmy, 1924- Title: Carter Family Papers Dates: 1940-1976 Quantity: 87 linear feet (70 linear feet, 3 linear inches open for research), 161 containers Identification: Accession Number: 80-1 National Archives Identifier: 592907 Scope and Content: The records in this collection document Jimmy Carter’s early political career in the Georgia State Senate, his term as Governor from1970-1974; and his membership on the West Georgia Planning Commission. In addition, the collection contains material from the 1970 gubernatorial campaign, gubernatorial trips to South America and Europe, the 1976 presidential campaign, Rosalynn Carter’s gubernatorial papers, and Carter’s pre- presidential speech files. The files consist of correspondence, form letters, memoranda, studies, recommendations, position papers, notes, speeches, drafts, press releases, news clippings, itineraries, newsletters, pamphlets, polling data, photographs, schedules, vote statistics, advertisement flyers, appointment books, and publications. Creator Information: Carter, Jimmy and Rosalynn The Carter Family Papers were transferred to the library by President and Mrs. Carter. These documents and memorabilia were collected over a twenty-five year period. Biographical information on key office personnel is located at the end of the finding aid. Restrictions: Restrictions on Access: These papers contain documents restricted in accordance with applicable executive order(s), which governs National Security policies, applicable statutes/agency restrictions, and material which has been closed in accordance with the donor’s deed of gift. Terms Governing Use and Reproduction: Copyright interest in these papers has been donated to the United States Government. -
Tapes Press Release
Carter Family Memorial Music Center, Inc. A nonprofit organization P. O. Box 111, Hiltons, VA 24258 Press for release November 17, 2010 Release HISTORIC TAPE COLLECTION RETURNED TO THE CARTER FAMILY FOLD The University of North Carolina at Chapel Hill has returned to the Carter Family Memorial Music Center, Inc., in Hiltons, VA, the collection of audiocassettes and DAT tapes of live performances recorded at the Carter Fold from 1981 through 2004, that had been given to the University. The legality of the “gift agreement” transferring the collection from the Carter Fold to the university had been the center of controversy since 2007. Howard Klein, president of the CFMMC board, expressed relief at having the collection returned. “We are glad they are back,” he said. “The Carter Fold tapes are a rich legacy of music at the Fold covering a 25-year period. They are a priceless record of Original Carter Family songs and of Appalachian culture. They document the tireless work of our founder, Janette Carter, who fought to preserve her family’s music and their place in history. The performers on the tapes are a Who’s Who of Blue Grass and Old-Time music. They include Janette Carter, singing and accompanying herself on the autoharp, her brother Joe, her Uncle Ermine and her Aunt Sylvia. We hope to be able to share these recordings widely, once they have been preserved and transferred to stable formats.” Other performers on the tapes include Johnny Cash, June Carter Cash, Marty Stuart, the Red Clay Ramblers, Marc Pruitt, the Home Folks, The McLain Family Band, John McCutcheon, Bryan Bowers, Elizabeth Cotton, David Morris, Doc Smiddy & Reedy Creek, Doc Watson & Blueridge Express, Dixie Dewdrops, White Top Mountain Band, and the Stevens Family, to name but a few. -
L1 the ORIGINALS 570 6 November 2016 Appalachia 3
L1 THE ORIGINALS 570 6 november 2016 Appalachia 3 - Kirsten 2:56 1 Tennessee Border (Work) Alben JIMMY WORK AGA105 Dit zijn The Originals bij L1 Radio, Appalachia Special Vol 3, met een zeldzame van en door Jimmy Work op het Alben label in 1948: zijn Tennessee Border, gecoverd van Hank Williams tot Bill Haley. Jimmy woonde op de grens tussen Tennessee en Kentucky, maar zijn song is natuurlijk evenzeer toepasselijk voor wie op de grens tussen Tennessee en – pakweg – Virginia woonde, zoals Tennessee Ernie Ford, die zelfs pal op die grens woonde, in het plaatsje Bristol waarvan de hoofdstraat (State Street) gewoon die staatsgrens volgt. Niet alleen spreekt zulks tot de verbeelding, wij met The Originals zijn daar bijna een volle aflevering zoet. 2:37 2 Shotgun Boogie (Ford) Capitol TENNESSEE ERNIE FORD L90 3 Shotgun Boogie, waarmee Tennessee Ernie Ford in 1950 niet alleen een eerste plaats op de country charts veroverde, hij hield hier ook een Original aan over. Alle andere versies, van Cab Calloway tot Shakin’ Stevens, zijn van latere datum. Nu zijn we natuurlijk niet alleen voor Tennessee Ernie naar Bristol afgezakt (ook al blijft hij mooi meegenomen); in Bristol (Tennessee en/of Virginia) is vooral muziekgeschiedenis geschreven toen hier zomer 1927 voor het eerst een grote platenmaatschappij ter plaatse neerstreek voor opnamen. Tot dan toe zat er voor talent uit die bergen niets anders op dan zelf de verplaatsing naar New York te maken, toevallig of niet kwamen die dan allemaal terecht bij één en dezelfde producer bij één en dezelfde maatschappij: Ralph Peer om hem niet te noemen (We raken daar maar niet van af).