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Annual Report 2015–2016
ANNUAL REPORT 2015–2016 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 1 CONTENTS Reflections on the 2015–16 Season 2 Oscar S. Schafer, Chairman 4 Matthew VanBesien, President 6 Alan Gilbert, Music Director 8 Year at a Glance 10 Our Audiences 12 The Orchestra 14 The Board of Directors 20 The Administration 22 Conductors, Soloists, and Ensembles 24 Serving the Community 26 Education 28 Expanding Access 32 Global Immersion 36 Innovation and Preservation 40 At Home and Online 42 Social Media 44 The Archives 47 The Year in Pictures 48 The Benefactors 84 Lifetime Gifts 86 Leonard Bernstein Circle 88 Annual Fund 90 Education Donors 104 Heritage Society 106 Volunteer Council 108 Independent Auditor’s Report 110 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT THE SEASON AT A GLANCE Second Line Title Case Reflections on the 2015–16 Season 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 3 REFLECTIONS ON THE 2015–16 SEASON From the New York Philharmonic’s Leadership I look back on the Philharmonic’s 2015–16 season and remember countless marvelous concerts that our audiences loved, with repertoire ranging from the glory of the Baroque to the excitement of the second NY PHIL BIENNIAL. As our Music Director, Alan Gilbert has once again brought excitement and inspiration to music lovers across New York City and the world. I also look back on the crucial, impactful developments that took place offstage. Throughout the season our collaboration with Lincoln Center laid a strong foundation for the renovation of our home. -
Atlanta Chamber Players, "Music of Norway"
ATLANTA CHAMBER PLAYERS Music of Norway featuring Efe Baltacigil, cello David Coucheron and Helen Hwaya Kim, violins Julie Coucheron and Elizabeth Pridgen, piano Monday, March 6, 2017 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Eighty-ninth Concert of the 2016-17 Concert Season program JOHAN HALVORSEN (1864-1935) Concert Caprice on Norwegian Melodies David Coucheron and Helen Hwaya Kim, violins EDVARD GRIEG (1843-1907) Andante con moto in C minor for Piano Trio David Coucheron, violin Efe Baltacigil, cello Julie Coucheron, piano EDVARD GRIEG Violin Sonata No. 3 in C minor, Op. 45 Allegro molto ed appassionato Allegretto espressivo alla Romanza Allegro animato - Prestissimo David Coucheron, violin Julie Coucheron, piano INTERMISSION JOHAN HALVORSEN Passacaglia for Violin and Cello (after Handel) David Coucheron, violin Efe Baltacigil, cello EDVARD GRIEG Cello Sonata in A minor, Op. 36 Allegro agitato Andante molto tranquillo Allegro Efe Baltacigil, cello Elizabeth Pridgen, piano featured musician FE BALTACIGIL, Principal Cello of the Seattle Symphony since 2011, was previously Associate Principal Cello of The Philadelphia Orchestra. EThis season highlights include Brahms' Double Concerto with the Oslo Radio Symphony and Vivaldi's Double Concerto with the Seattle Symphony. Recent highlights include his Berlin Philharmonic debut under Sir Simon Rattle, performing Bottesini’s Duo Concertante with his brother Fora; performances of Tchaikovsky’s Variations on a Rococo Theme with the Bilkent & Seattle Symphonies; and Brahms’ Double Concerto with violinist Juliette Kang and the Curtis Symphony Orchestra. Baltacıgil performed a Brahms' Sextet with Itzhak Perlman, Midori, Yo-Yo Ma, Pinchas Zukerman and Jessica Thompson at Carnegie Hall, and has participated in Yo-Yo Ma’s Silk Road Project. -
January 07, 2018
January 07, 2018: (Full-page version) Close Window “Bores can be divided into two classes; those who have their own particular subject, and those who do not need a subject.” — A. A. Milne Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Poulenc Sextet for piano and winds Roge/Gallois/Bourgue/Portal/Wallez/Cazalet London 421 581 028942158122 Awake! 00:20 Buy Now! Tchaikovsky Elegie ~ Serenade for Strings in C, Op. 48 Moscow Virtuosi/Spivakov RCA 61964 090266196425 00:31 Buy Now! Borodin String Quartet No. 2 in D Emerson String Quartet DG 445 551 028944555127 01:00 Buy Now! Fauré Pavane, Op. 50 Philadelphia Orchestra/Ormandy Sony Classical 62644 074646264423 01:08 Buy Now! Schubert Symphony No. 6 in C, D. 589 Cologne Radio Symphony/Wand EMI 47875 077774787529 01:42 Buy Now! Wagner Prelude to Act 1 & Love-Death ~ Tristan & Isolde NY Philhamonic/Boulez Sony 64108 074646410820 Andante and Rondo for 2 Flutes and Piano, Op. 01:59 Buy Now! Doppler Rampal/Arimany/Ritter Delos 3212 013491321226 25 02:09 Buy Now! Bach I call to Thee, Lord Jesus Christ, BWV 639 Ma/Amsterdam Baroque Orchestra/Koopman Sony 60680 074646068021 02:13 Buy Now! Beethoven Symphony No. 6 in F, Op. 68 "Pastoral" Philharmonia Orchestra/Ashkenazy Decca 410 003 028941000323 03:01 Buy Now! Haydn Horn Concerto No. 1 in D Baumann/Academy SMF/Brown Philips 422 346 028942234628 03:18 Buy Now! Rossini Overture ~ William Tell Vienna Philharmonic/Sargent Seraphim/EMI 69137 724356913721 03:32 Buy Now! Mendelssohn String Quartet in A minor, Op. -
PROGRAM NOTES: “Violin Concerto”
PROGRAM NOTES: “Violin Concerto” I believe that one of the most rewarding aspects of life is exploring and discovering the magic and mysteries held within our universe. For a composer this thrill often takes place in the writing of a concerto…it is the exploration of an instrument’s world, a journey of the imagination, confronting and stretching an instrument’s limits, and discovering a particular performer’s gifts. The first movement of this concerto, written for the violinist, Hilary Hahn, carries a somewhat enigmatic title of “1726”. This number represents an important aspect of such a journey of discovery, for both the composer and the soloist. 1726 happens to be the street address of The Curtis Institute of Music, where I first met Hilary as a student in my 20th Century Music Class. An exceptional student, Hilary devoured the information in the class and was always open to exploring and discovering new musical languages and styles. As Curtis was also a primary training ground for me as a young composer, it seemed an appropriate tribute. To tie into this title, I make extensive use the intervals of unisons, 7ths, and 2nds, throughout this movement. The excitement of the first movement’s intensity certainly deserves the calm and pensive relaxation of the 2nd movement. This title, “Chaconni”, comes from the word “chaconne”. A chaconne is a chord progression that repeats throughout a section of music. In this particular case, there are several chaconnes, which create the stage for a dialog between the soloist and various members of the orchestra. The beauty of the violin’s tone and the artist’s gifts are on display here. -
VIOLIN J.S. BACH Violin Concerto No. 1 in a Minor Violin Concerto No
VIOLIN HARP J.S. BACH Violin Concerto No. 1 in A Minor DEBUSSY Danses Sacree et Profane (in entirety) Violin Concerto No. 2 in E Major DITTERSDORF Harp Concerto in A Major BEETHOVEN Romance No. 1 in G Major HANDEL Harp Concerto in Bb Major, Op. 4, No. 6 Romance No. 2 in F Major MOZART Concerto for Flute and Harp in C Major BRUCH Violin Concerto No. 1 in G Minor RAVEL Introduction and Allegro HAYDN Violin Concerto in C Major Violin Concerto in G Major FLUTE LALO Violin Concerto No. 2 in D Minor GRIFFES Poem MENDELSSOHN Violin Concerto in E Minor HANSON Serenade for Flute MOZART Violin Concerti Nos. 1 – 5 MOZART Flute Concerto No. 1 in G Major SAINT-SAËNS Introduction & Rondo Capriccioso Flute Concerto No. 2 in D Major Violin Concerto No. 3 in B Minor TELEMANN Suite in A Minor SCHUBERT Rondo in A Major for Violin & Strings VIVALDI All flute concerti (Op 10, Nos. 1–6) VIVALDI The Four Seasons WIENIAWSKI Violin Concerto No. 1 in F# Minor PICCOLO Violin Concerto No. 2 in D Minor VIVALDI Piccolo Concerto in C Major, Op. 44, No. 11 Piccolo Concerto in A Minor VIOLA HANDEL Viola Concerto in B Minor OBOE HINDEMITH Trauermusik ALBINONI Oboe Concerto in Bb Major, Op. 7, No. 3 MOZART Sinfonia Concertante in Eb Major Oboe Concerto in D Minor, Op. 9, No. 2 TELEMANN Viola Concerto in G Major J.S. BACH Concerto for Oboe and Violin HAYDN Oboe Concerto in C Major VIOLONCELLO MOZART Oboe Concerto in C Major BOCCHERINI All cello concerti HAYDN Cello Concerto No. -
Getting Over the Shock of the New
GETTING OVER THE SHOCK OF THE NEW CONTEMPORARY IS SYMPHONIC MUSIC Thomas Dausgaard conducts the Seattle Symphony GETTING OVER THE SHOCK OF THE NEW AGE COMING OF BY GREG CAHILL here is a creepy bloodlust to orchestra will premiere the rest of the it,” he says. “That alertness to what the com- the doom-mongering of clas- works in future seasons. poser actually wrote, rather than what might sical music, as though an Indeed, a look at major orchestras around have become standard practice, is an inspira- “T autopsy were being con- the United States shows that contemporary tion for me when working on music by dead ducted on a still-breathing body,” William symphonic works are slowly, but surely, mak- composers we can no longer ask questions of. Robin wrote in the New Yorker in a 2014 ing inroads into program schedules. For So much of what we perform is written by article about perpetual reports of the example, subscribers to the Chicago Sym- people long gone; it can be frustrating never genre’s death. “What if each commentator phony Orchestra’s 2020–21 season can to be able to ask them, never to see how their decided, instead, to Google ‘young com- expect a generous serving of Brahms, Cho- faces light up when they hear their music poser’ or ‘new chamber ensemble’ and write pin, Schubert, Schumann, Debussy, Ravel, coming to life. a compelling profile of a discovery?” and Scriabin. But the orchestra also will per- “So what a joy it is as performer and audi- That’s good advice, especially since form two world premieres of CSO-commis- ence to be around living composers and young composers are providing an infusion sioned works by American composer Gabriela enrich the experience of hearing and per- of new blood into the modern orchestra. -
Mason Bates Short Bio (SEPT 2011)
MASON BATES The music of Mason Bates fuses innovative orchestral writing, imaginative narrative forms, the harmonies of jazz and the rhythms of techno. Frequently performed by orchestras large and small, his symphonic music has been the first to receive widespread acceptance for its expanded palette of electronic sounds, and it is championed by leading conductors such as Riccarod Muti, Michael Tilson Thomas, and Leonard Slatkin. He has become a visible advocate for bringing new music to new spaces, whether through institutional partnerships such as his residency with the Chicago Symphony, or through his classical/DJ project Mercury Soul, which has transformed spaces ranging from commercial clubs to Frank Gehry-designed concert halls into exciting, hybrid musical events drawing over a thousand people. Carnegie Hall’s 2012-13 season opens with Riccardo Muti leading the Chicago Symphony in Alternative Energy, an ‘energy symphony’ that spans four movements and hundreds of years. Premiered last season to rave reviews, the work subsequently toured California and receives its Canadian premiere in February by the Toronto Symphony. A new violin concerto for Anne Akiko Meyers and the Pittsburgh Symphony premieres in December under the baton of Leonard Slatkin, and the Pittsburgh Symphony will perform many additional works as he serves as Composer of the Year. Numerous repeat performances of his music occur across the country this season, from Houston Ballet’s new ballet based on The B-Sides to the Phoenix Symphony performing two works this season, including a new song cycle. While Bates often performs the electronica onstage with orchestras, dozens of repeat performances of his symphonic music happen without him. -
SAN DIEGO SYMPHONY ORCHESTRA a JACOBS MASTERWORKS CONCERT Sameer Patel, Conductor
SAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT Sameer Patel, conductor February 10 and 11, 2018 FRANZ LISZT Les Préludes ADAM SCHOENBERG Orchard in Fog (Violin Concerto – World Premiere) Frail Dancing Farewell Song Anne Akiko Meyers, violin INTERMISSION JEAN SIBELIUS Symphony No. 5 in E-flat Major, Op. 82 Tempo molto moderato; Allegro moderato Andante mosso, quasi allegretto Allegro molto Les Préludes FRANZ LISZT Born October 22, 1811, Raiding, Hungary Died July 31, 1886, Bayreuth Les Préludes has always been the most popular of Liszt’s 12 symphonic poems. The composer explained its title by printing in the score a lengthy paraphrase of the Méditations poètiques of the French poet Alphonse de Lamartine (1790-1869). Lamartine’s poem is a rather flowery discourse on the tribulations of life, particularly on the difference between war and the pastoral life. The paraphrase in the score captures some of its flavor: “What else is life but a series of preludes to that unknown hymn, the first and solemn note of which is intoned by Death? Love is the dawn of all existence; but what fate is there whose first delights of happiness are not interrupted by some storm…” Liszt’s music – which seems to depict these many “preludes to that unknown hymn” – was first performed in Weimar on February 23, 1854, and it remains a favorite with audiences. But the problem with the story of the music’s inspiration is that it isn’t true. Liszt originally wrote this music in 1848 as the overture to a work for male chorus called Les Quatre Élémens (The Four Elements) on a text by Joseph Autran. -
NSCMF 2014 Pressreport
josephcorreia A&E COLUMNS Home News Business Sports A&E Life & Style Opinion Real Estate Cars Jobs 2014 North Shore Chamber Music Festival preview Custom Banner - $8.99 vistaprint.com Buy Quality Custom Banners Today. Personalize & Order Online Now. Email Tweet 11 Recommend 68 Pinterest 0 2 1 2 next | single page Violinist Vadim Gluzman and his wife, pianist Angela Yoffe are rehearsing in Chicago on Tuesday, May 27, 2014 for a performance at the North Shore Chamber Music Festival. Gluzman is playing rare violin, the "ex-Auer" 1690 Stradivarius. (Zbigniew Bzdak, Chicago Tribune / May 26, 2014) John von Rhein 1:42 p.m. CDT, June 3, 2014 The North Shore Chamber Music Festival is a mom-and-pop Chicago classical operation that thinks big. Very big. Internationally big. The event's directors, the celebrated violinist Vadim Gluzman and his wife, pianist Angela Yoffe, take time out from their busy solo and duo careers each year at this time to put on the BRAND PUBLISHING This is sponsored content. ? three-day festival at a church near their Northbrook home. WINDY CITY HAIR Every season they invite musician friends from near and far to share their love of the rich After hair-loss chamber repertory with the festival's appreciative audience. battle, resolution for female alopecia This year's roster includes such admired artists as violinist JOHN VON RHEIN sufferer Anne Akiko Meyers, pianist Alessio Bax, cellist Wendy Warner and pianist-conductor Andrew Litton, along with REAL ESTATE INSIDER student musiciansNorth Shore from ChamberChicago's Betty Music Haig Festival Academy • of P.O. -
JOANA CARNEIRO Music Director DEAR FRIENDS
JOANA CARNEIRO Music Director DEAR FRIENDS, I am very happy to welcome you to our 2016/17 season, my eighth since given the privilege of joining the Berkeley Symphony community. One of the greatest joys in my work is deepening my relationships with composers, artists and audiences all over the world and forging new musical bonds with the voices of our time. What better way to start our new season than by premiering a new orchestral work by our dear friend Paul Dresher, whose imagination, creativity and generosity have no limits. We have much to look forward to. It has been a dream of mine to be involved in the creation of one of James MacMillan´s works and I am proud that we are co-commissioners of his Symphony No. 4, along with our friends at the Pittsburgh Symphony and the BBC Scottish Symphony Orchestra. These new works will be paired with great repertoire pieces such as Beethoven´s Symphony No. 4, Stravinsky´s Petrushka and the massive Shostakovich Symphony No. 13, enriched by the talents of bass soloist Denis Sedov and the work of our UC Berkeley colleague Marika Kuzma and an expanded Men’s Chorus. This will be an event in itself! I am delighted to announce the return of pianist Shai Wosner, who will share his artistry with us again in Beethoven´s Piano Concerto No 4. And we welcome for the first time to our community the violinist Philippe Quint, performing the beautiful Korngold Violin Concerto, and cellist Joshua Roman in the West Coast premiere of Mason Bates´ Cello Concerto. -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
Reich 80Th Birthday Celebrations
October 2016 Reich 80th birthday celebrations Events around the world honouring Steve Reich’s 80th include New York first performances of two new works, Pulse and Runner. San Francisco Steve Reich’s 80th is celebrated with over 400 of the all-Reich concert at Carnegie Hall on Los Angeles performances in more than 20 countries this year. 1 November with the united forces of ICE, Toronto With the birthday itself falling on 3 October, this Soˉ Percussion and Synergy Vocals conducted Photo: © Newspix/Alan Pryke autumn brings major series in New York, London by David Robertson. London and Paris as well as first performances of his latest Reich describes Pulse as “a calmer more Paris works. One of the leading composers of the past contemplative piece” than his recent Quartet, half century, Reich lays genuine claim to directing Amsterdam employing a fixed pulse and steady harmonies musical history onto an alternative path, opening with varied accentuation coming from hand Cologne composition to influences beyond the central alternation patterns on the piano. Following Frankfurt classical canon. New York, the European premiere is at the Hannover Reich combined his early experiments on tape Barbican’s Steve Reich at 80 series on loops and phasing patterns with his researches 5 November, followed by an Ensemble Modern Leipzig into African drumming and Balinese gamelan to tour to Paris and Cologne, with further Munich create a radical new style, simple in materials yet performances in Amsterdam’s ZaterdagMatinee complex in its intricate rhythmic patterning. The series and in a Los Angeles Philharmonic Green Budapest scope of his works grew through the 1970s to Umbrella concert in January.