Computing with Meaning by Operationalising Socio-Cognitive Semantics

Total Page:16

File Type:pdf, Size:1020Kb

Computing with Meaning by Operationalising Socio-Cognitive Semantics Computing with Meaning by Operationalising Socio-cognitive Semantics Robert McArthur BSc(Hons), GradCertEd(HigherEd), MInfTech 2007 SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE SCHOOL OF INFORMATION SYSTEMS QUEENSLAND UNIVERSITY OF TECHNOLOGY Abstract This thesis is motivated by the desire to provide technological solutions to enhance human awareness in information processing tasks. The need is pressing. Paradoxically, as informa- tion piles up people become less and less aware due to perceived scarce cognitive resources. As a consequence, specialisations become ever more specialised, projects and individuals in organisations become ever more insular. Technology can enhance awareness by informing the individual about what is happening outside their speciality. Systems which can assist people in these ways need to make sense of human communication. The computer system must know about what it is that it is processing; it must follow a socio-cognitive framework and reason with it. It must compute with meanings not symbolic surface structures. The hypothesis of the thesis is that knowledge potentially useful for enhancing aware- ness can be derived from interactions between people using computational models based on socio-cognitive semantics. The goals are whether an appreciable approximation of concep- tual spaces can be realised through semantic spaces, and whether such semantic spaces can develop representations of meaning which have the potential to enhance the awareness of users? The two thesis questions are how well the socio-cognitive framework of Gardenfors¨ could be brought into operational reality, and if a bridge can be made, then what practical issues can be involved? The theory of conceptual spaces of Peter Gardenfors¨ is combined with methods from cognitive science for creating geometric spaces to represent meaning. Hyperspace Analogue to Language and Latent Semantic Analysis are used as exemplars of the cognitive science algorithms. The algorithms are modified by a variety of syntactic processing schemes to overcome a paucity of data and hence lack of expressivity in representations of meaning: part-of-speech tagging, index expressions and anaphora resolution are effected and incorpo- rated into the semantic space. The practical element of the thesis consists of five case studies. These are developed in two parts: studies describing how meaning changes and evolves in semantic spaces, and stud- ies describing semantic space applications featuring knowledge discovery. These studies are in a variety of domains with a variety of data: online communities of interest using a mailing list, a health-based mailing list, organisational blogs, “hallway chatter”, and organisational email. The data is real world utterances that provide the situational factors that cognitive systems need to answer queries and provide context. The amounts of data are significantly i ii Abstract less than previously used by semantic space methods, hence the need for syntactic assistance. The particular problems examined in the case studies are corporate expertise management, social network discovery, tracking ebbs and flows of topics, and noticing the change in a person’s sense-of-self over time. These are significantly different to those usually examined using semantic spaces. The key differentiator of this work stems from its focus on the geometrically-based com- putational realisation of meaning. This thesis takes semantic spaces out of the closet and into real-world information technology applications, with a roadtest in real life. Publications These publications have direct relevance to this thesis. All are significantly or wholly rep- resented in at least one chapter, especially those describing case studies. In respect of this thesis, first authorship indicates a contribution of at least 60%, although I am happy to say they are a result of a true collaboration in ideas and penmanship. ² McArthur, R., Bruza, P., Kralik, D. and Warren, J. Projecting computational sense of self: A study of transition in a chronic illness online community. In Proceedings of the 39th Hawaii International Conference on System Sciences, IEEE Computer Society Press, January 2006. [106] ² McArthur, R., Bruza, P. and Song, D. Policy Conformance in the Corporate Blog Space. In the peer-reviewed Workshop on Policy Management on the Web, WWW Conference. 2005. Tokyo, Japan. [116] ² McArthur, R. and Bruza, P. Discovery of Implicit and Explicit Connections between People using Email Utterance. In Proceedings of the Eighth European Conference on Computer-Supported Cooperative Work (ECSCW). 2003. Helsinki, Finland: Kluwer. [111] ² McArthur, R. and Bruza, P. Discovery of Tacit Knowledge and Topical Ebbs and Flows within the Utterances of Online Community, in Chance Discovery, Ohsawa, Y. and McBurney, P. (Eds). 2003, Springer. p.115-131. [112] ² McArthur, R. and Bruza, P. Dimensional Representations of Knowledge in Online Community, in Chance Discovery, Ohsawa, Y.and McBurney, P. (Eds). 2003, Springer. pp.98-112. [110] ² McArthur, R. and Bruza, P. Finding Tacit Knowledge in Online Communities, in the peer-reviewed Workshop on Knowledge Sharing under Distributed Circumstance, Com- munities and Technologies Conference, Verburg, R. and Ridder, J.A.D. (Eds). 2003, NWO-MES: Amsterdam. [114] ² McArthur, R. and Bruza, P. Position paper on finding social networks using tacit and explicit knowledge, presented to the peer-reviewed Workshop on Social Network iii iv Publications Analysis, European Conference on Computer-Supported Cooperative Work (ECSCW), 2003. [113] ² McArthur, R. and Bruza, P. Position paper on defining online community, accepted to the peer-reviewed Second ECSCW Workshop on Community Knowledge, European Conference on Computer-Supported Cooperative Work (ECSCW), 2001. This paper was not physically presented due to travel restrictions following the “911” attacks. [108] ² McArthur, R. and Bruza, P.D. Finding tacit knowledge in online communities, in Pro- ceedings of the Eighth Australasian Document Computing Symposium (ADCS’03), 2003. [115] ² McArthur, R. and Bruza, P.D. Knowledge representation in online community, in Proceedings of the Sixth Australasian Document Computing Symposium (ADCS’01), 2001. [107] ² McArthur, R. and Bruza, P.D. The ABC’s of Online Community, in Proceedings of the First Asia Pacific conference on Web Intelligence: Research and Development, 2001. Published as Lecture Notes in Artificial Intelligence, v2198, Springer, Berlin, pp.141- 147. [109] The following paper was one in which I had peripheral involvement but which still in- volves ideas developed in and through those represented in this thesis: ² Song, D., Bruza, P., McArthur, R. and Mansfield, T., Enabling Management Oversight in Corporate Blog Space. To be published in the Proceedings of the AAAI-2006 Spring Symposium on Computational Approaches to Analyzing Weblogs, Stanford University, California, USA, March 27-29, 2006. [149] Table of Contents 1 Introduction 1 1.1 The problem . 1 1.2 Relationship to other areas . 3 1.3 The solution cauldron . 5 1.4 Thesis questions and contributions . 8 1.5 Methods . 11 1.6 Format of the thesis . 12 2 Socio-cognitive semantic representation theory 15 2.1 “Socio-cognitive” . 15 2.2 Gardenfors’¨ Socio-cognitive basis of meaning . 17 2.3 Other approaches to cognitive semantic representation . 20 3 Socio-cognitive semantic representation practice 25 3.1 Practice . 25 3.1.1 Representation . 27 3.1.2 Pre-semantic context . 43 3.1.3 Associational inference . 47 3.2 From practice to practicality . 54 3.2.1 Software . 54 3.2.2 Intellectual property . 55 4 Dynamics of Meaning 57 4.1 Utterance . 58 4.1.1 Communication artefacts . 58 4.1.2 Community . 61 4.2 The Dynamics of Meaning due to time . 64 4.2.1 The Harry Proa case study . 64 4.2.2 The “Sense-of-self ” case study . 75 4.3 The Dynamics of Meaning due to context . 90 4.3.1 The Sun blogs case study . 90 v vi TABLE OF CONTENTS 5 Knowledge Discovery Applications 103 5.1 Quantitative approaches to semantic knowledge representation . 104 5.2 The How’s it going with John? case study . 107 5.2.1 Data set . 107 5.2.2 Methods . 107 5.2.3 Results . 108 5.2.4 Discussion . 114 5.2.5 Conclusion . 116 5.3 Social Network Discovery case study . 117 5.3.1 Background . 117 5.3.2 Scenario . 119 5.3.3 Data set . 120 5.3.4 Methods . 121 5.3.5 Results . 122 5.3.6 Discussion . 127 5.3.7 Conclusion . 130 6 General Discussion and Conclusion 133 6.1 Thesis questions addressed . 133 6.1.1 How well can a bridge from the socio-cognitive framework of Gardenfors¨ Gardenfors¨ to an operational reality be made? . 133 6.1.2 If a bridge can be made, what are the practical issues involved? . 135 6.2 Claimed contributions . 136 6.3 Conclusions . 137 A Practical Lessons Learnt 139 A.1 Lessons for practitioners – methods . 139 A.2 Lessons for practitioners – domains and problems . 142 A.3 Lessons for practitioners – theories . 143 B Transition in chronic illness 145 C Case Study Feature Matrix 147 D Connecting theory and practice 149 Index ........................................ 165 Author Index . 170 List of Figures 1.1 Relationship to other academic areas . 4 1.2 The high level practical workflow . 7 1.3 The schematic of the thesis chapters . 11 2.1 Gardenfors’¨ three level model . 18 3.1 Example of the use of index expressions in HAL+ . 33 3.2 Illustration of singular value decomposition from 3D down to 2D . 37 3.3 Example of an index expression . 46 3.4 Example of differences in the information flow and cosine metrics . 51 3.5 Difference between Euclidean and non-Euclidean distance metrics . 53 4.1 Visualisation of a definition of ‘online community’ . 62 4.2 Visualisation of movement of sense-of-self against two axes of interest . 86 4.3 Number of blog entries. 93 4.4 Number of blog entries mentioning “dtrace” for each day. 97 4.5 Expertise around “dtrace” . 98 4.6 Expertise around “golf” . 100 5.1 Nonaka and Takeuchi’s SECI model.
Recommended publications
  • Link to 2012 Abstracts / Program
    April 9-14, 2012 Tucson, Arizona www.consciousness.arizona.edu 10th Biennial Toward a Science of Consciousness Toward a Science of Consciousness 2013 April 9-14, 2012 Tucson, Arizona Loews Ventana Canyon Resort March 3-9, 2013 Sponsored by The University of Arizona Dayalbagh University Center for CONSCIOUSNESS STUDIES Agra, India Contents Welcome . 2-3 Conference Overview . 4-6 Social Events . 5 Pre-Conference Workshop List . 7 Conference Schedule . 8-18 INDEX: Plenary . 19-21 Concurrents . 22-29 Posters . 30-41 Art/Tech/Health Demos . 42-43 CCS Taxonomy/Classifications . 44-45 Abstracts by Classification . 46-234 Keynote Speakers . 235-236 Plenary Biographies . 237-249 Index to Authors . 250-251 Maps . 261-264 WELCOME We thank our original sponsor the Fetzer Institute, and the YeTaDeL Foundation which has Welcome to Toward a Science of Consciousness 2012, the tenth biennial international, faithfully supported CCS and TSC for many, many years . We also thank Deepak Chopra and interdisciplinary Tucson Conference on the fundamental question of how the brain produces The Chopra Foundation and DEI-Dayalbagh Educational Institute/Dayalbagh University, Agra conscious experience . Sponsored and organized by the Center for Consciousness Studies India for their program support . at the University of Arizona, this year’s conference is being held for the first time at the beautiful and eco-friendly Loews Ventana Canyon Resort Hotel . Special thanks to: Czarina Salido for her help in organizing music, volunteers, hospitality suite, and local Toward a Science of Consciousness (TSC) is the largest and longest-running business donations – Chris Duffield for editing help – Kelly Virgin, Dave Brokaw, Mary interdisciplinary conference emphasizing broad and rigorous approaches to the study Miniaci and the staff at Loews Ventana Canyon – Ben Anderson at Swank AV – Nikki Lee of conscious awareness .
    [Show full text]
  • The Rhetoric of Poetry Contests and Competition Marc Pietrzykowski
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 8-7-2007 Winning, Losing, and Changing the Rules: The Rhetoric of Poetry Contests and Competition Marc Pietrzykowski Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Pietrzykowski, Marc, "Winning, Losing, and Changing the Rules: The Rhetoric of Poetry Contests and Competition." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/english_diss/21 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. 1 Winning, Losing, and Changing the Rules: The Rhetoric of Poetry Contest and Competition by Marc Pietrzykowski Under the Direction of Dr. George Pullman ABSTRACT This dissertation attempts to trace the shifting relationship between the fields of Rhetoric and Poetry in Western culture by focusing on poetry contests and competitions during several different historical eras. In order to examine how the distinction between the two fields is contingent on a variety of local factors, this study makes use of research in contemporary cognitive neuroscience,
    [Show full text]
  • Science-Fiction Srudies
    INFORMATION TO USERS This manuscript has been repmôuced from the micrdilm master. UMI films the text difecüy from the original or copy submitted. mus, some thesis and dissertation copies are in typewnter face, while ofhen may be from any type of cornputer printer. The quality of this repfoâuction is dependent upon the quality of the copy submitted. Broken or indistind print, cdored or poor quality illustrations and photographs, print bleedttrrough, substandard margins, and imwr alignment can adversely aff&zt reprodudion. In the unlikely event tnat the author did not send UMI a cornplete manuscript and there are missing pages, these wïll be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e-g., maps, drawings, charb) are reproduced by sectiming the original, beginning at the upper bft-hand corner and cantinuing from left to right in eqwl seaiocis with small overlaps. Photographs included in the original manuscript have been reproduoed xerographicaliy in mis copy. Higher quality 6" x 9" bbck and mite photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI direcüy to order. Be11 8 Howell Information and Leaming 300 North Zeeb Road, Ann Arbor, MI 481064346 USA 800-521-0800 NOTE TO USERS The original manuscript received by UMI contains pages with indistinct andlor slanted print. Pages were microfilmed as received. # This reproduction is the best copy available The Cyborg. Cyberspace. and Nonh herican Science Fiction Salvatore Proietti Department of English iht~GiI1University. Monneal July 1998 A Thesis Submitted to the Faculty of Graduate Studies and Research in Partial Fulfillment of the Requirements of the Degree of Doctor of Philosophy Q Salvatore Proietti, 1998 National Library Bibliothèque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395.
    [Show full text]
  • Weekly Menuwm 19 INHALTSVERZEICHNIS 21.09.07
    Soulfood Music Distribution weekly menuWM 19 INHALTSVERZEICHNIS 21.09.07 JAZZ / WORLD 3 - 4 POP / ROCK 4 - 19 RAP / HIP HOP 19 - 23 EBM / GOTHIC / DARK WAVE 23 - 26 PUNK / ALTERNATIVE 26 - 28 METAL / HARD ROCK 28 - 36 DVD / VHS MUSIK 36 - 37 MERCHANDISE 37 - 44 WEITERE VÖs 45 - 47 ON TOUR 48 - 60 Auftragsannahme Soulfood Music Distribution Tel +49 (0)40 854196 21 WM 19 +49 (0)40 854196 22 Fax +49 (0)40 854196 10 weekly menu [email protected] www.soulfood-music.de Jetzt im VVK erhältlich! 21.09.07 JAZZ / WORLD Jazz/World Jazz/World 28.09.07 Boi Akih 21.09.07 Yalelol Enja Snetberger & Stockhausen Format: CD Streams PC: B Best.-Nr.: ENJ 9487 Enja 0 63757 94872 8 Format: CD Nach ihrem Quartettalbum „Uwa I“ (ENJ-9472 2) von 2004 präsentiert PC: B die Sängerin Monica Akihary ihre Band Boi Akih („Prinzessin Akih“) Best.-Nr.: ENJ 9511 diesmal in einer konzentrierten Duett-Besetzung. „2004 begannen wir 0 63757 95112 4 damit, das ‚Uwa I‘-Material im Duo aufzuführen“, erzählt sie. „Als Matthias Winckelmann die Aufnahme eines dieser Konzerte hörte, war er sich Ferenc Snétberger, „musikalischer Kosmopolit“ (Die Welt), entstammt sofort sicher, dass wir ein Duo-Album machen sollten. Wir erwärmten einer ungarischen Sinti-Roma-Familie. Als Kind schon spielte er Gypsy- uns immer mehr für diese Idee und seit 2005 konzentrieren wir uns ganz Gitarre, als Teenager lernte er klassische, studierte dann Jazzgitarre an aufs Duo.“ Monicas Partner im Leben und in der Musik (seit 1995) ist der der Franz-Liszt-Akademie Budapest und ergänzte später sein Spiel durch holländische Gitarren-Virtuose Niels Brouwer, ein großartiger Kompo- brasilianische und spanische Technik.
    [Show full text]
  • Africa-Lite: Cultural Appropriation and Commodification of Historic Blackness in Post- Apartheid Fabric and Décor Design
    Africa-Lite: Cultural appropriation and commodification of historic blackness in post- apartheid fabric and décor design By Annemi Conradie Dissertation presented for the degree of Doctor of Visual Arts in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof. Lize van Robbroeck Department: Visual Arts April 2019 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this dissertation electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. April 2019 Copyright © 2019 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract Over the past few years, cultural appropriation has gained a degree of notoriety as a buzzword, after emerging into the wider public arena from academic, legal and political discourses. Internationally and in South Africa, debates arise predominantly around cases where historically asymmetric power relations are symbolically or materially re-enacted when dominant groups appropriate from economic or political minorities. This study examines the appropriation of colonial images of black individuals and bodies for commodification in twenty- first century South African décor and fabric design. A prominent trend in post-apartheid visual design, the re- purposing and commodification of archival photographs, and its circulation within local and global image economies and design markets demand further research and comprehensive theorising.
    [Show full text]
  • Extending the Embodied Semiotic Square: a Cultural-Semantic Analysis of “Follow Your Arrow”
    Semiotica 2020; 236–237: 275–295 Daniel Candel* Extending the embodied semiotic square: A cultural-semantic analysis of “Follow your Arrow” https://doi.org/10.1515/sem-2018-0144 Abstract: Pelkey’s anchoring of the semiotic square in embodiment is excellent news for cognitive literary theory, a dynamic field still in search of itself. However, his validation of the square, though theoretically unexceptionable, suffers in the execution, for his interpretation of the country song “Follow your Arrow” is less successful. The present article benefits from Pelkey’s validation as it organizes a tool of cultural-semantic analysis (CS-tool) as a ‘deviant’ semiotic square. The article then shows how this particular semiotic square allows us to analyze the song in terms which build on Pelkey’s analysis, but also arrive at more satisfying results. Where Pelkey sees liberation in the song and the square, the tool uncovers manipulation in the former and closure in the latter. The article then assesses the complementarity of and differences between the two squares: Pelkey works on a local sentence-level through direct implicature, thus following the narrative/ authorial voice of the poem. The CS-tool starts from a position of higher abstraction requiring a less defined, but still sufficient and more wide-ranging, three-step implicature. This allows the tool to step back from the song’s authorial voice and uncover its manipulations. The article closes by discussing the deviant features of the present square. Keywords: cognitive literary theory, CS-tool, embodiment, semiotic square 1 Introduction Cognitive literary studies is proving a fascinating battlefield (Baumbach et al.
    [Show full text]
  • NRC Emotion Lexicon Mohammad, Saif M.; Turney, Peter D
    NRC Publications Archive Archives des publications du CNRC NRC emotion lexicon Mohammad, Saif M.; Turney, Peter D For the publisher’s version, please access the DOI link below./ Pour consulter la version de l’éditeur, utilisez le lien DOI ci-dessous. https://doi.org/10.4224/21270984 NRC Publications Record / Notice d'Archives des publications de CNRC: https://nrc-publications.canada.ca/eng/view/object/?id=0b6a5b58-a656-49d3-ab3e-252050a7a88c https://publications-cnrc.canada.ca/fra/voir/objet/?id=0b6a5b58-a656-49d3-ab3e-252050a7a88c Access and use of this website and the material on it are subject to the Terms and Conditions set forth at https://nrc-publications.canada.ca/eng/copyright READ THESE TERMS AND CONDITIONS CAREFULLY BEFORE USING THIS WEBSITE. L’accès à ce site Web et l’utilisation de son contenu sont assujettis aux conditions présentées dans le site https://publications-cnrc.canada.ca/fra/droits LISEZ CES CONDITIONS ATTENTIVEMENT AVANT D’UTILISER CE SITE WEB. Questions? Contact the NRC Publications Archive team at [email protected]. If you wish to email the authors directly, please see the first page of the publication for their contact information. Vous avez des questions? Nous pouvons vous aider. Pour communiquer directement avec un auteur, consultez la première page de la revue dans laquelle son article a été publié afin de trouver ses coordonnées. Si vous n’arrivez pas à les repérer, communiquez avec nous à [email protected]. NRC Emotion Lexicon Saif M. Mohammad and Peter D. Turney National Research Council Canada Ottawa, Ontario, Canada, K1A 0R6 {saif.mohammad,peter.turney}@nrc-cnrc.gc.ca November 15, 2013 1 Introduction Words are associated with emotions.
    [Show full text]
  • The Road to Plunderphonia Plunderphonia C H R I S C U T L E R C H R I S C U T L E R 0 4
    The road to The road to plunderphonia plunderphonia CHRIS CUTLER CHRIS CUTLER 0 4 2 In the pages that follow I will focus on something often neglected in accounts of musical innovation: the critical role of memory on which both the origination and reproduction of music turns. I will try to unpick to what extent the specific nature of a memory system shapes the music that it mediates, with particular reference to the third and newest of these systems: sound recording.1 PART I ‘You must remember this…’2 I Sound is energy and, like the time it sounds in, pure process; it is always vanishing, a condition both fundamental to its nature and, until very recently, axiomatic. This apparently immutable fact determined both our understanding – and the history – of music, from the first emergence of human consciousness until a little over a century ago; and underpinned its status as an art, quintessentially, of presence. So, although writing can intervene to shore up structure and complexity against loss, it does so at the cost of losing everything but structure and complexity. And since writers can work only with the imaginary and not the real, notation is always about music, but never is music.3 Sound recording, on the other hand, remembers every audible aspect of an event, retaining not only its architecture but the minutiae of its articulation, timbre and 1 This is the third part of a larger essay that examines the three memory systems associated with music to date, the first and second of which are, respectively, biological memory – what mind and body can retain and reproduce unaided – and written memory – instructions that can be stored as code.
    [Show full text]
  • Toward Computational Models of Literary Analysis May 22Nd, 2006, Genoa (Italy)
    Workshop Toward Computational Models of Literary Analysis May 22nd, 2006, Genoa (Italy), jointly held with LANGUAGE RESOURCES AND EVALUATION, LREC 2006 It has been often noticed that computer based literary critics is still relying on studies of concordances as traditionally intended since the 13th century. All the intermediate digital representations (storage, indexes, data structures or records) are not capitalized although they can play the role of a new literary "monster" (like the Cheiron centaur) as a new meaningful, artistic and hermeneutic macro unit. It is indeed true that the digital representation, its metadata and its digital derivatives (e.g. indexes, parse trees, semantic references to external dictionaries) are new and more complex forms of "concordances" and should be used by the literary scholar in cooperation with the original content. New processes of narrative analysis should thus take all of this into account by exploiting the fruitful interactions among the parts of the monster within suitable software architectures (that are thus more complex than digital archives/catalogs). In the Natural Language Processing research community, a wide range of computational methods have been successfully applied to information and document management, spanning from text categorization and information extraction, to ontology leaning, text mining and automatic semantic markup. Although these techniques are mostly applied to technical texts in application-driven contexts, their application range could be expanded to encompass a larger typology of texts, thereby gaining new powerful insights for the analysis of literary text content and paving the way for new experiments and forms of text hermeneutics. The development of language resources in this area is also rather limited and more interdisciplinary research is needed to open the field to realistic and effective applications.
    [Show full text]
  • IUNIVERSE of the MIND/ a Semiotic Theory of Culture
    IUNIVERSE OF THE MIND/ A Semiotic Theory of Culture YURI M. LOTMAN translated by ANNSHUKMAN Introduction by UMBERTO ECO INDIANA UNIVERSITY PRESS Bloomington and Indianapolis Copyright ©1990 by LB. Tauris Note: All translations of quotations are by Ann Shukman unless stated otherwise. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Printed in Great Britain Library of Congress Cataloging-in-Publication Data Lotman, IU. M. (Iurii Mikhailovich). 1922- Universe of the mind: a semiotic theory of culture / Yuri Lotman; translated by Ann Shukman. p. em, Translated from the Russian. Includes bibliographical references and index. ISBN 0-253-33608-2 1. Semiotics. 2. Culture. L Title P99.L68 1990 302.2--dc20 1 2 3 4 5 95 94 93 92 91 Contents Introduction by Umberto Eco vii Preface 1 Notes to Preface 6 PART ONE THE TEXT AS A MEANING-GENERATING MECHANISM 1 Three functions of the text 11 2 Autocommunication: 'I' and 'Other' as addressees 20 3 Rhetoric as a mechanism for meaning-generation 36 4 Iconic rhetoric 54 5 The text as process of movement: author to audience, author to text 63 6 The symbol as plot-gene 82 7 The symbol in the cultural system 102 Notes to Part One 111 PART TWO THE SEMIOSPHERE 8 Semiotic space 123 9 The notion of boundary 131 10 Dialogue mechanisms 143 11 The semiosphere and the problem of plot 151 12 Symbolic spaces 171 1.
    [Show full text]
  • Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
    Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S.
    [Show full text]
  • Music Database Nr Interpret CD-Name
    Music database last update: 8 Febrauary 2009 Nr Interpret CD-Name 0001 Herbert Grönemeyer unplugged 0002 Herbert Grönemeyer Live 0003 Siddhartha Cruise Atlantic 0004 Rage against the Machine Rage against the Machine 0005 Beastie Boys Licensed to ill 0006 Ice Cube Lethal Incection 0007 Ugly Kid Joe American least wanted 0008 Schauorchester Ungelenk Schauorchester Ungelenk 0009 Rüdiger Hoffmann Der Hauptgewinner 0010 Liquid Bass In full Effect EP 0011 Nightcrawlers Push the Feeling on 0012 Recycle or die Rod 4 0013 Pizza Man Sex on the Streets RMX´s 0014 Aphex Twin Donkey Rhubarb 0015 Celvin Rotane I believe (uuh!) 0016 Cenith X Feel 0017 Judgement gone blind 1994 new hope-new fear 0018 PUR Sie sieht die Sonne 0019 Johnny O. Fantasy Girl 0020 Acrid Abeyance The Exposure EP 0021 Acrid Abeyance The Remix Project 0022 Earth Nation Alienated 0023 State of House Invasion 0024 Cosmic Baby Blade Runner part1 0025 Alien Factory Get the Future started 0026 PUR OPUS I 0027 PUR Vorsicht zerbrechlich ! 0028 PUR Wie im Film 0029 PUR PUR 0030 PUR Unendlich mehr 0031 PUR Nichts ohne Grund 0032 PUR Live 0033 PUR Seiltänzertraum 0034 PUR Abenteuerland 0035 Baby D I need your loving 0036 Baby D Let me be your fantasy 0037 Soundgarden Black hole sun 0038 Felix It will make my crazy 0039 Babylon Zoo Spaceman 0040 Oasis Wonderwall 0041 Madonna You´ll see 0042 Cherry Moon Trax In my Electric House 0043 Sampler E-Beat 0044 Everything but the Girl Missing 0045 Wolfsheim 55578 / Live 0046 Wolfsheim Dreaming Apes 0047 Bobo in the white wooden houses Travel in my mind 0048 Blind Passengers´ Destroyka 0049 Jamiroquai Space Cowboy 0050 Anne Clark Best of Anne Clark 0051 Fugees Fu-Gee-La 0052 Pulp Disco 2000 0053 Fury in the Slaughterhouse Fury in the Slaughterhouse 0054 Trancemaster Dream Structures 0055 Alanis Morissette Ironic 0056 Fury in the Slaughterhouse The hearing and the sense of Balance 0057 Deep Blue Something Breakfast at Tiffany´s 0058 Sampler 9000-Ohm 0059 Paul van Dyk Seven Ways 0060 Faithless Insomia 0061 Emmanuel Top & B.B.E.
    [Show full text]