DOCSLIB.ORG

FRED PARAGANO, CAS Re-Recording Mixer / Supervising Sound Editor Select Film, TV, Game & Music Credits Imdb.Com ● Allmusic.Com ● Editorsguild.Com

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FRED PARAGANO, CAS Re-Recording Mixer / Supervising Sound Editor Select Film, TV, Game & Music Credits Imdb.Com ● Allmusic.Com ● Editorsguild.Com ! FRED PARAGANO, CAS Re-Recording Mixer / Supervising Sound Editor Select Film, TV, Game & Music Credits imdb.com ● allmusic.com ● editorsguild.com AWARDS & NOMINATIONS I SHUDDER………………………………………………………TV Land 2017 WESTWORLD - “The Bicameral Mind” Sound Re-Recording Mixer Emmy Award Nomination: Outstanding Sound Editing GRANITE FLATS (SEASONS 1, 2, 3)……………………………NetFlix 2017 WESTWORLD - “Trace Decay” Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer Golden Reel Award Nomination MONKEY UP…………………………………….. Air Bud Entertainment 2017 WESTWORLD - “The Bicameral Mind” ADR Mixer Golden Reel Award Nomination PUP STAR…………………………………………Air Bud Entertainment SELECTED CREDITS ADR Mixer, Music Recording FULL OF GRACE……………………………………….. Outside Da Box THE MAYOR…………………………………………………………ABC Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer Supervising Sound Editor TOO LATE ……………………………….………………Foe Killer Films DEEP BLUE SEA 2 ………………………………. Warner Bros. Pictures Supervising Sound Editor, Dialogue Editor, Scoring Mixer, Sound Re- Sound Re-Recording Mixer Recording Mixer THE EXORCIST (SEASON 1, 2) …………………………Fox Television RUSSELL MADNESS…………………………….Air Bud Entertainment Supervising Sound Editor ADR Mixer WESTWORLD………………………………………………………HBO INTO THE MIND………………………………………...Sherpas Cinema Dialogue Editor Supervising Sound Editor, Sound Effects Editor, Re-Recording Mixer ROOM 104 …………………………………………………………. HBO CLOUDY WITH A CHANCE OF MEATBALLS 2………………. Sound Re-Recording Mixer …………………………….. Columbia Pictures / Sony Pictures Animation ADR Mixer ANIMAL CRACKERS ………………………………Blue Dream Studios Supervising Sound Editor, Dialogue/FX Editor, Re-Recording Mixer CAMP ABERCORN (PILOT) …………………….Gray Oak Productions Supervising Sound Editor, Dialogue Editor, Re-Recording Mixer STILL THE KING ……………………………………………………CMT Supervising Sound Editor, Sound Re-Recording Mixer RUNNER RUNNER………………………………New Regency Pictures ADR Mixer EXTINCT ……………………………………………….NetFilx / BYU TV Supervising Sound Editor, Sound Re-Recording Mixer MACLARRY & THE STINKY CHEESE BATTLE…………………… …………………………………………………….DreamWorks Animation THE LAYOVER……………………………Unified Pictures/Bron Studios Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer Sound Re-Recording Mixer ONCE UPON A TIME IN QUEENS…………. Grindstone Entertainment SENSUM……………………………………………Warner Bros. Pictures Supervising Sound Editor, Sound Re-Recording Mixer Supervising Sound Editor, Sound Re-Recording Mixer STOKER…………………………………………………. Fox Searchlight URBAN MYTH 2…………………………………..Warner Bros. Pictures ADR Mixer Supervising Sound Editor, Sound Re-Recording Mixer HOME RUN…………………………………………………………MGM THE LIBRARIANS (SEASON 2) ……………………………………TNT Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer Sound Re-Recording Mixer A RESURRECTION …………………… Jamie Kennedy Entertainment NASHVILLE (SEASONS 1, 2, 3, 4)…………………………………ABC Supervising Sound Editor, Sound Re-Recording Mixer Dialogue Editor, Sound Editor THE LONE RACER……………………………. Possible Entertainment FOUR KINGS……………………………………………….Sony Pictures Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer Supervising Sound Editor, Sound Re-Recording Mixer THE LEAGUE OF INCREDIBLE VEGETABLES…………DreamWorks APB (PILOT) ……………….………………………………………. ABC Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer Dialogue Editor WBSF Post Production Services, 4000 Warner Boulevard, Burbank, CA 91522 * 818/954-3442 UNCONDITIONAL…………………………. Harbinger Media Partners NINE…………………………………….Weinstein Co. / Relativity Media ADR Mixer ADR Mixer THE PENNILESS PRINCESS…………………. DreamWorks Animation DROP DEAD DIVA……………………………..Sony Pictures Television Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer ADR Mixer HEMINGWAY & GELLHORN………………………………HBO Films HOUSE OF NUMBERS………………………. Rocky Mountain Pictures ADR Mixer Sound Re-Recording Mixer THE PAPERBOY ………………………………………Millennium Films CROSSING OVER …………………..Weinstein Co. / Kennedy/Marshall ADR Mixer ADR Mixer FLICKA: COUNTRY PRIDE………………………….20th Century Fox LEGENDS & LYRICS (SEASONS 1, 2)…………………………….PBS ADR Mixer Supervising Sound Editor, Sound Re-Recording Mixer MISSING…………………………………………………….ABC Studios AUSTRALIA………………………………. 20th Century Fox / Bazmark ADR Mixer ADR Mixer ROBIN GOOD AND HIS NOT SO MERRY MEN…………DreamWorks GUITAR HERO (VIDEO GAME) ……………………………. Harmonix Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer Music Mixer ANDRAÉ CROUCH: LIVE IN LA……………. Riverphlo Entertainment JOE COCKER: LIVE IN CONCERT………….Eagle Rock Entertainment Music Editor, Sound Re-Recording Mixer, Mastering Sound Re-Recording Mixer, Mastering TED NUGENT: I STILL BELIEVE……………………………….HDNet MÖTLEY CRÜE: CARNIVAL OF SINS………………………Universal Music Editor, Sound Re-Recording Mixer, Mastering Sound Re-Recording Mixer CLUE………………………….…………………………. Hasbro Studios ONE NIGHT WITH THE KING…………………………………….FOX ADR Mixer Music Editor, Score Recording/Mixing THE KILLING GAME……………………………………………Lifetime THE PIRATES WHO DON’T DO ANYTHING: A VEGGIETALES ADR Mixer MOVIE…………………………………………………………..Universal Dialogue Editor, ADR Mixer, Music Mixer THE LITTLE DRUMMER BOY………………DreamWorks Animation Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer THE ROLLING STONES: BIGGEST BANG………………. Eagle Rock TRESPASS……………………………………………….Millenium Films Sound Re-Recording Mixer ADR Mixer ROCK BAND (VIDEO GAME)………………………………..Activision PRINCESS & THE POP STAR …………………DreamWorks Animation Music Mixer Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer ROY ORBISON: LIVE IN AUSTRALIA……..Eagle Rock Entertainment BURN NOTICE …………….……………………………. Fox Television Music Mixer, Mastering ADR Mixer SING STAR (VIDEO GAME)…………….Sony Computer Entertainment TALIHINA SKY: THE STORY OF KINGS OF LEON…………Showtime Music Mixer ADR Mixer SLACKER UPRISING………………………………..Dog Eat Dog Films SOUL SURFER …………………………………………. TriStar Pictures Dialogue Editor ADR Mixer STACIE ORRICO: LIVE IN TOKYO………………………………. EMI TWAS THE NIGHT BEFORE EASTER ………; DreamWorks Animation Music Mixer, Mastering Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer SATURDAY NIGHT LIVE: 25 YEARS OF MUSIC………….NBC / VH1 JUST GO WITH IT……Columbia Pictures / Happy Madison Productions Music Editor, Post Production Sound ADR Mixer THIRD DAY LIVE IN CONCERT: LIVE WIRE…………Sony/Provident MEGA PYTHON VS. GATEROID……………………SyFy / The Asylum Music Mixer, Mastering ADR Mixer TOMATO SAWYER & HUCKLEBERRY LARRY’S BIG RIVER RES- FOREIGNER: ROCKIN’ THE RYMAN…………………………. HDNet CUE……………………………………………….DreamWorks Animation Music Editor, Sound Re-Recording Mixer, Mastering Dialogue Editor, Sound Re-Recording Mixer FLYPAPER ……………………………………………………. IFC Films VEGGIETALES (18 EPISODES)………………. DreamWorks Animation ADR Mixer Supervising Sound Editor, ADR Mixer, Dialogue Editor, Sound Re-Record- ing Mixer ROBERT CRAY: COOKIN’ IN MOBILE…………………………HDNet Music Editor, Sound Re-Recording Mixer, Mastering COUNTRY STRONG……………………….Screen Gems / Sony Pictures ADR Mixer REDEMPTION ROAD………………………Liberty Road Entertainment Supervising Sound Editor, Dialogue Editor, Sound Re-Recording Mixer THE LAST SONG……………………………………Touchstone Pictures ADR Mixer For a comprehensive list of music credits please click here or visit allmusic.com. TOOTH FAIRY…………………………………………20th Century Fox ADR Mixer WBSF Post Production Services, 4000 Warner Boulevard, Burbank, CA 91522 * 818/954-3442.
Load more

Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • Tom Fleischman CAS
    Career Achievement Award Recipient Tom Fleischman CAS CAS Award Nominees Production Equipment FOMO How the CAS Started Remembering Jim Alexander WINTER 2020 CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURE - ADR/DIALOGUE PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD “EXQUISITELY MADE, EVERY DETAIL CAREFULLY CONSIDERED. IT FEELS UTTERLY TRANSPORTING.” NETFLIXGUILDS.COM CAS QUARTERLY, COVER 2 NETFLIX: THE IRISHMAN PUB DATE 12/30/19 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURES FEATURE - ADR/DIALOGUE Production Sound Equipment Purchases . 20 PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD Ever have a “Fear of Missing Out”? 147th AES Convention . 26 Career Achievement Recipient . 34 Re-recording mixer Tom Fleischman CAS CAS Filmmaker Award . 44 34 Director, producer, and writer James Mangold CAS Award Nominations . 46 Outstanding Product Nominees . 50 Student Recognition Award Finalists . 52 The Start of the CAS . 54 Bob Hoyt had a vision A Case Study in Multilanguage Production Sound . 60 Possession 54 The “Sound” of Genre Storytelling . 64 Mixing approaches infl uenced by genre Remembering a Legend . 68 Production sound mixer Jim Alexander “EXQUISITELY MADE, DEPARTMENTS EVERY DETAIL The President’s Letter . 4 From the Editor . 6 CAREFULLY CONSIDERED. 60 Collaborators . 9 Meet the people behind the words IT FEELS UTTERLY Technically Speaking
    [Show full text]
  • Struction of the Feminine/Masculine Dichotomy in Westworld
    WiN: The EAAS Women’s Network Journal Issue 2 (2020) Skin-Deep Gender: Posthumanity and the De(con)struction of the Feminine/Masculine Dichotomy in Westworld Amaya Fernández Menicucci ABSTRACT: This article addresses the ways in which gender configurations are used as representations of the process of self-construction of both human and non-human characters in Jonathan Nolan and Lisa Joy’s series Westworld, produced by HBO and first launched in 2016. In particular, I explore the extent to which the process of genderization is deconstructed when human and non-human identities merge into a posthuman reality that is both material and virtual. In Westworld, both cyborg and human characters understand gender as embodiment, enactment, repetition, and codified communication. Yet, both sets of characters eventually face a process of disembodiment when their bodies are digitalized, which challenges the very nature of identity in general and gender identity in particular. Placing this digitalization of human identity against Donna Haraway’s cyborg theory and Judith Butler’s citational approach to gender identification, a question emerges, which neither Posthumanity Studies nor Gender Studies can ignore: can gender identities survive a process of disembodiment? Such, indeed, is the scenario portrayed in Westworld: a world in which bodies do not matter and gender is only skin-deep. KEYWORDS: Westworld; gender; posthumanity; embodiment; cyborg The cyborg is a creature in a post-gender world. The cyborg is also the awful apocalyptic telos of the ‘West’s’ escalating dominations . (Haraway, A Cyborg Manifesto 8) Revolution in a Post-Gender, Post-Race, Post-Class, Post-Western, Posthuman World The diegetic reality of the HBO series Westworld (2016-2018) opens up the possibility of a posthuman existence via the synthesis of individual human identities and personalities into algorithms and a post-corporeal digital life.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Casual and Hardcore Players in HBO's Westworld (2016): the Immoral and Violent Player
    Casual and Hardcore Players in HBO’s Westworld (2016): The Immoral and Violent Player MA Thesis Ellen Menger – 5689295 [email protected] Supervisor: Dr. René Glas Second reader: Dr. Jasper van Vught Utrecht University MA New Media & Digital Culture MCMV10009 - THE-Masterthesis/ MA NMDC May 8, 2017 Abstract This thesis approaches the HBO series Westworld (2016) through the lens of game studies and interprets the series as a commentary on the stereotype of casual and hardcore players and immoral violence in video games. By performing a textual analysis, this thesis explores how Westworld as a series makes use of the casual and hardcore player stereotype, looking at the way the series explores the construction of player categories and how it ties these to the dialogue about violence and immoral behaviour in video games. Keywords: Westworld, games, player types, Western, casual gamer, hardcore gamer, violence, ethics, morals SPOILER WARNING This thesis reveals certain plot twists that may spoil part of the storyline of the first season of HBO’s Westworld. If you have not watched the series, read at your own risk. Table of Contents 1. Introduction ........................................................................................................................ 1 2. Theoretical framework ....................................................................................................... 7 2.1. (Im)moral Behaviour in Game Worlds ....................................................................... 7 2.2. The Player as a Moral
    [Show full text]
  • Netent Announces Jumanji As Its Latest Branded Game Deal in Collaboration with Sony Pictures Entertainment
    PRESS RELEASE 19th January, 2018 NetEnt announces Jumanji as its latest branded game deal in collaboration with Sony Pictures Entertainment. NetEnt, the leading provider of digital gaming solutions, has signed an agreement with Sony Pictures Consumer Products to launch a video slot machine game based on the original Jumanji film. The new Jumanji game, which will be released later this year, follows the recent launch of the holiday blockbuster film ‘Jumanji: Welcome to the Jungle’. The current film has resonated with critics and audiences alike around the globe having delivered more than $676 million in global box office. Henrik Fagerlund, Chief Product Officer of NetEnt, said: “Being able to secure a deal for another high-profile title showcases the moves we’re making in diversifying our roster of games.” Jumanji is a great addition to NetEnt’s renowned branded games portfolio alongside the likes of Planet of the Apes™, Guns N’ Roses™ and Motörhead Video Slot™. “The original Jumanji movie, which debuted in 1995, remains a moviegoer favorite and continues to demonstrate its cross-generational appeal more than 20 years later! Also, with the recent release of the new film, the Jumanji brand is more popular than ever. We’re excited for the game launch in 2018, continued Fagerlund.” Attendees at ICE can visit NetEnt’s stand (N3-242) to get a sneak peek of the game. NetEnt will be continuing the tradition at ICE unveiling another branded title at 15:00 on Tuesday, 6th February. For additional information please contact: [email protected] NetEnt AB (publ) is a leading digital entertainment company, providing premium gaming solutions to the world’s most successful online casino operators.
    [Show full text]
  • Beyond Westworld
    “We Don’t Know Exactly How They Work”: Making Sense of Technophobia in 1973 Westworld, Futureworld, and Beyond Westworld Stefano Bigliardi Al Akhawayn University in Ifrane - Morocco Abstract This article scrutinizes Michael Crichton’s movie Westworld (1973), its sequel Futureworld (1976), and the spin-off series Beyond Westworld (1980), as well as the critical literature that deals with them. I examine whether Crichton’s movie, its sequel, and the 1980s series contain and convey a consistent technophobic message according to the definition of “technophobia” advanced in Daniel Dinello’s 2005 monograph. I advance a proposal to develop further the concept of technophobia in order to offer a more satisfactory and unified interpretation of the narratives at stake. I connect technophobia and what I call de-theologized, epistemic hubris: the conclusion is that fearing technology is philosophically meaningful if one realizes that the limitations of technology are the consequence of its creation and usage on behalf of epistemically limited humanity (or artificial minds). Keywords: Westworld, Futureworld, Beyond Westworld, Michael Crichton, androids, technology, technophobia, Daniel Dinello, hubris. 1. Introduction The 2016 and 2018 HBO series Westworld by Jonathan Nolan and Lisa Joy has spawned renewed interest in the 1973 movie with the same title by Michael Crichton (1942-2008), its 1976 sequel Futureworld by Richard T. Heffron (1930-2007), and the short-lived 1980 MGM TV series Beyond Westworld. The movies and the series deal with androids used for recreational purposes and raise questions about technology and its risks. I aim at an as-yet unattempted comparative analysis taking the narratives at stake as technophobic tales: each one conveys a feeling of threat and fear related to technological beings and environments.
    [Show full text]
  • Micdi Productions, Inc
    MICDI PRODUCTIONS, INC. CALIFORNIA STATE CORPORATION SIGNATORY OF I.A.T.S.E. MEMBER OF LOCAL 700 EDITOR’S GUILD [email protected] PHONE 818-563-3400 FAX 818-563-3800 MICDI PRODUCTIONS, INC. MICDI Productions is an award-winning, cutting-edge music editoriaL company and is home to a famiLy of taLented music editors, assistants, and support staff. Formed in 1987, MICDI holds among its credits many of film and television’s biggest hits and emerging favorites. We pride ourselves as creative colLaborators and host a Long and storied list of fiLmmakers, producers, composers, and music supervisors as our partners. We are adept in providing high-quaLity music editoriaL services for many media formats including broadcast television, feature fiLms, streaming, and new media. The MICDI faciLity is equipped with state-of-the-art technology including on-site ProtooLs editoriaL suites, mobiLe ProtooLs editoriaL systems, a fulLy networked faciLity and their very own high-speed server to secureLy transfer media fiLes with productions anywhere around the world. To colLaborate with remote productions and clienteLe, MICDI is equipped with remote playback systems such as Source Live and Source Connect, as welL as their very own hardware QVidium media streaming system. AdditionaLLy, our editors have access to a vast and exclusive fiLm & television score library containing many thousands of titLes, avaiLable only to MICDI. Being centraLLy located to aLL major studios in the greater Los Angeles area, our Burbank faciLity hosts amenities including a fulLy-stocked hospitaLity kitchen, runner & client services personnel, a conference room and electric vehicle charging stations. We look forward to Learning more about your project.
    [Show full text]
  • Safe, Orderly, and Productive School Legal News Note
    SAFE, ORDERLY, AND PRODUCTIVE SCHOOL LEGAL NEWS NOTE February 2004 School Leadership, Management, and Administration’s Safe, Orderly, and Productive School Initiative Jack Klotz, SLMA Coordinator **Johnny R. Purvis, Professor – School Leadership, Management, and Administration, UCA Shelly Albritton, Technology Coordinator Wm. Leewer, Jr., Editor, MSU Graduate School of School Leadership, Management, and Administration University of Central Arkansas 201 Donaghey Avenue Main Hall Room 104 Conway, Arkansas Phone: 501-450-5258 The Safe, Orderly, and Productive School Legal News Note is a monthly update of selected significant court cases pertaining to school safety-security and student management issues. It is written by Johnny R. Purvis for the Safe, Orderly, and Productive School Initiative, located in the Graduate School of Management, Leadership, and Administration at the University of Central Arkansas. If you have any questions or comments about these cases and their potential ramifications, please phone me at 501- 450-5258. In addition, feel free to contact me regarding school safety and security issues; student discipline/management issues; and issues pertaining to gangs, cults, and alternative beliefs. 1 “Student Kicked and Called Teacher Butthead” *Mulvey v. Jones (Va. App., 587 S.E. 2d 728), October 28, 2003 An eleven-year-old student was misbehaving and being disruptive in his teacher’s classroom. The teacher asked the student to leave the classroom three times and the student refused. The teacher placed the youngster’s book bag on a desk in the hallway. Thereupon, the student went into the hall, refused to sit, kicked the desk, and called his teacher a “butthead”. The teacher grabbed the student from behind with a strong grip on his shoulders and slammed him into the desk in a sitting position.
    [Show full text]
  • Gray Cottage, Sagamore Hill National Historic Site
    National Park Service U.S. Department of the Interior Historic Architecture Program Northeast Region Gray Cottage Sagamore Hill National Historic Site Oyster Bay, New York Historic Structure Report This page was intentionally left blank. GRAY COTTAGE HISTORIC STRUCTURE REPORT Sagamore Hill National Historic Site Oyster Bay, New York By James J. Lee III Architectural Conservator Historic Architecture Program Northeast Region, National Park Service Lowell, Massachusetts 2009 Printed 2011 This page was intentionally left blank. CONTENTS LIST OF FIGURES AND CREDITS ................................................................................viii ACKNOWLEDGMENTS .................................................................................................. xiii INTRODUCTION ............................................................................................................1 EXECUTIVE SUMMARY .................................................................................................3 PURPOSE AND SCOPE ..................................................................................................3 HISTORICAL OVERVIEW ............................................................................................4 STATEMENT OF SIGNIFICANCE ..............................................................................6 RESEARCH CONDUCTED ...........................................................................................6 RESEARCH FINDINGS .................................................................................................7
    [Show full text]
  • Pieces of a Woman
    PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss.
    [Show full text]
  • Cecil Averett Resume Sound Design Theatrical - Film/Multimedia – Civic
    Cecil Averett Resume Sound Design Theatrical - Film/Multimedia – Civic 1056 Electric Avenue SE Salem, Oregon 97302 888.592.4448 ext. 1 [email protected] www.csdesigngroup.net EDUCATION San Jose State University, San Jose, CA. Liberal Arts, History California Recording Institute, San Francisco, CA. Music Recording, Technology EMPLOYMENT Arena Stage Washington, D.C. Audio Engineer 1995-1998 The Goodman Theatre Chicago, IL. Audio Head/Engineer 1998-2004 Milburn Bodeen Music Chicago, IL. Editor/Designer 1998-2001 cs|designgroup Chicago / Portland Co-Founder / Principal Designer 2002-Present ADI Group New York, NY. Designer, Assoc. Designer 2003-2004 Marriott Theatre Lincolnshire, IL. Resident Sound Designer 2004-2009 TEACHING EXPERIENCE Northwestern University, Evanston, IL. Theatre Sound Design / Technology – Beginning /Advanced 2001-2003 DePaul University, Chicago, IL. Guest Artist / Mentor – Sound Design 1999-2002 SOUND DESIGN – Theatrical GOODMAN THEATRE, Chicago, IL. Beyond Glory, directed by Stephen Lang 2005 (also Of-Broadway at Roundabout Theatre, directed by Robert Falls 2007) Romance, directed by Pam MacKinnon 2006 Mamet Festival, directed by Various 2006 Passion Play: a cycle, directed by Mark Wing-Davies 2007 (Joseph Jeferson Nomination – Sound Design) A Christmas Carol, directed by Bill Brown 2007, 2008 ARENA STAGE, Washington, D.C. Ghosts, directed by Liviu Chuili 1996 CHICAGO SHAKESPEARE THEATRE, Chicago, IL. Henry IV Parts I and II, directed by Barbara Gaines 1999 (Jef Award – Best Production) Macbeth, directed by Kim Rubenstien 1999 Romeo and Juliet, directed by Kim Rubenstien 2000 (Remounted and subsequent tour in 2001) Three Musketeers, directed by David H. Bell 2007 CAP21 / DR2 THEATRE, New York, NY. Waiting For My Man, directed by Anthony Patellis 2004 (Of-Broadway) CLEAR CHANNEL PRODUCTIONS / JUNIPER STREET PRODUCTIONS, New York, NY.
    [Show full text]