DOCSLIB.ORG

Viola Intensive Final Recital

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Viola Intensive Final Recital Interlochen, Michigan 94th Season * VIOLA INTENSIVE FINAL RECITAL Thursday, June 24, 2021 6:00pm, Music Center 1010 Viola Concerto in the Style of J.C. Bach .............................................. Henri Casadesus III. Allegro molto energico (1879-1947) Shannon Cao, San Diego, Calif. Concerto for Viola and Orchestra ......................................................... William Walton I. Andante comodo (1902-1983) Grace Leonard, Murrells Inlet, S.C. Viola Concerto ................................................................................. Joseph Schubert I. Allegro (1757-1837) Daniel Boscan, Atlanta, Ga. Suite for Viola and Orchestra .................................................. Ralph Vaughan Williams I. Prelude (1872-1958) Stanley Yeboah, Atlanta, Ga. Viola Concerto ........................................................................................ Béla Bartók I. (1881-1945) Hannah Thill, Geneva, Ill. Viola Concerto in the Style of Handel ................................................. Henri Casadesus I. Allegro moderato (1879-1947) Eliza Cattaneo, Washington, D.C. Viola Concerto in D Major, Op. 1 .............................................................. Carl Stamitz I. Allegro, non troppo (1745-1801) Delia Zacks, Saint Louis, Mo. Arpeggione Sonata ............................................................................ Franz Schubert I. Allegro moderato (1797-1828) Eddy Graul, Irmo, S.C. Cello Suite No. 3 in C Major, BWV 1009 ..................................... Johann Sebastian Bach I. Prelude (1685-1750) Ian Aistrup, Sudbury, Mass. Viola Concerto in the Style of J.C. Bach .............................................. Henri Casadesus III. Allegro molto energico (1879-1947) Ella Martin, Williamsburg, Mich. Concerto for Viola and Orchestra ......................................................... William Walton I. Andante comodo (1902-1983) Jacob Zhang, San Diego, Calif. Viola Concerto in D Major ...................................................... Franz Anton Hoffmeister I. Allegro (1754-1812) Olivia Lybarger, Columbus, Ohio Regina Shea, piano Susan Snyder, piano * * * You can ensure the next promising young artist has the opportunity to come to Interlochen by supporting student scholarships. Make your gift to the Interlochen Annual Fund by visiting interlochen.org/giveonline. Interlochen Arts Camp is part of the nonprofit Interlochen Center for the Arts, a recipient of the National Medal of Arts and the only community in the world that brings together the finest in arts education, performance and public radio. In consideration of the performing artists and other patrons, the use of flash photography is not permitted. Federal copyright and licensing rules prohibit the use of video cameras and other recording equipment. In order to provide a safe and healthy environment, Interlochen maintains a smoke-free and alcohol- free campus. Michigan law prohibits any weapons, including concealed weapons, on Interlochen property because we are an educational campus. Thank you for your cooperation. www.interlochen.org .
Load more

Recommended publications
  • A Comparative Analysis of the Six Duets for Violin and Viola by Michael Haydn and Wolfgang Amadeus Mozart
    A COMPARATIVE ANALYSIS OF THE SIX DUETS FOR VIOLIN AND VIOLA BY MICHAEL HAYDN AND WOLFGANG AMADEUS MOZART by Euna Na Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2021 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Frank Samarotto, Research Director ______________________________________ Mark Kaplan, Chair ______________________________________ Emilio Colón ______________________________________ Kevork Mardirossian April 30, 2021 ii I dedicate this dissertation to the memory of my mentor Professor Ik-Hwan Bae, a devoted musician and educator. iii Table of Contents Table of Contents ............................................................................................................................ iv List of Examples .............................................................................................................................. v List of Tables .................................................................................................................................. vii Introduction ...................................................................................................................................... 1 Chapter 1: The Unaccompanied Instrumental Duet... ................................................................... 3 A General Overview
    [Show full text]
  • Franz Anton Hoffmeister’S Concerto for Violoncello and Orchestra in D Major a Scholarly Performance Edition
    FRANZ ANTON HOFFMEISTER’S CONCERTO FOR VIOLONCELLO AND ORCHESTRA IN D MAJOR A SCHOLARLY PERFORMANCE EDITION by Sonja Kraus Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2019 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Emilio Colón, Research Director and Chair ______________________________________ Kristina Muxfeldt ______________________________________ Peter Stumpf ______________________________________ Mimi Zweig September 3, 2019 ii Copyright © 2019 Sonja Kraus iii Acknowledgements Completing this work would not have been possible without the continuous and dedicated support of many people. First and foremost, I would like to extend my deepest gratitude to my teacher and mentor Prof. Emilio Colón for his relentless support and his knowledgeable advice throughout my doctoral degree and the creation of this edition of the Hoffmeister Cello Concerto. The way he lives his life as a compassionate human being and dedicated musician inspired me to search for a topic that I am truly passionate about and led me to a life filled with purpose. I thank my other committee members Prof. Mimi Zweig and Prof. Peter Stumpf for their time and commitment throughout my studies. I could not have wished for a more positive and encouraging committee. I also thank Dr. Kristina Muxfeldt for being my music history advisor with an open ear for my questions and helpful comments throughout my time at Indiana University. I would also like to thank Dr.
    [Show full text]
  • Viola Concerto Second Movement
    String Orchestra Series • Grade 3.5 Viola Concerto Second Movement Georg Philipp Telemann arranged by Todd Parrish 1 Full Score 8 Violin I 8 Violin II 5 Viola 5 Cello 5 Bass For PreviewExtra Parts P3035221 Only 3035222 sm INGERT WONES J P UBLICATIONS Program Notes The Telemann Viola Concerto is one of the most famous ever written for the instrument. Although originally in four movements, this arrangement focuses on the exuberant second movement. Care has been taken to keep a great deal of melodic material in the viola part. Difficult sixteenth note passages have been broken up to be easily played by both the violin and viola sections. Student violists will enjoy playing this medium level work, and they will appreciate the opportunity it gives to showcase the beauty and power of their instrument. About the Arranger Todd Parrish has taught public school orchestras at all levels for 17 years in both Illinois and Virginia. He currently has several original compositions and arrangements published with Alfred Music and Wingert-Jones Publications. He received a Bachelor of Music Education from Oral Roberts University in Oklahoma and a Master of Music in orchestral conducting from the University of Arizona in Tucson. He has also studied conducting at workshops with many leading teachers in Colorado, Illinois, South Carolina, Maine, and Aix-en-Provence, France. Todd is the orchestra editor for J.W. Pepper & Son sheet music and the string editor for Wingert-Jones Publications based in Exton, Pennsylvania. In addition to playing violin and viola with many symphony orchestras around the country, he regularly guest conducts student orchestras upon request ([email protected]) For Preview Only Duration 3:00 Viola Concerto Second Movement Georg Philipp Telemann arranged by Todd Parrish Allegro q = 100 œ œ≥ œ œ œ Violin I ° #4 ≥ .
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]
  • OPUS Recent Past Chamber Music Concert Programs LISTEN to OUR YOUNG ARTISTS a Musical Program Featuring
    OPUS Recent Past Chamber Music Concert Programs LISTEN TO OUR YOUNG ARTISTS A Musical Program Featuring OPUS Junior Division Chamber Musicians 2014 RECITAL ⋅ WENTZ CONCERT HALL, NAPERVILLE ⋅ August 9, 2014 11:00 A.M. ⋅ PRESENTED BY THE 2014 OPUS CHAMBER MUSIC CAMP The Ash Grove Welsh Folk Song Minuet from Quartet K. 156 Wolfgang Amadeus Mozart Presto from Quartet K. 157 Wolfgang Amadeus Mozart Allegro assai from Trio VI in B-flat, K. 254 Wolfgang Amadeus Mozart Seal Song Edward Huws Jones Franḉaise Robert Schumann Three's Company Sheila M. Nelson Gift to be Simple Folk Tune Stand By Me arr. Anna Laura Page The Boar’s Head Carol arr. Jason Krug OPUS CAMP JUNIOR HANDBELL CHOIR Danse D’Ecublens Joanne Martin Trumpet Voluntary Jeremiah Clarke Trio, op. 3 no. 1 Johann Schobert Presto Minuetto from Quartet in B-flat Franz Anton Hoffmeister Cassation in C Major Franz Joseph Haydn I. Presto Andante und Rondo Ignaz Joseph Pleyel Madrigale Giovanni Pierluigi da Palestrina Andante Wolfgang Amadeus Mozart 2014 OPUS “Listen to Our Young Artists” Junior Division Concert 11:00 a.m. August 9, 2014 Concerto a 4 in B-flat Georg Philipp Telemann I. Allegro arr. Raymond Vun Kannon IV. Allegro Village Dance Jean-Philippe Rameau Jubilant Overture Joshua Reznicow OPUS CAMP JUNIOR CHAMBER ORCHESTRA LISTEN TO OUR YOUNG ARTISTS A Musical Program Featuring OPUS 2014 Senior Division Chamber Musicians RECITAL ⋅ WENTZ CONCERT HALL, NAPERVILLE ⋅ August 9, 2014 2:00 p.m. ⋅ PRESENTED BY THE 2014 OPUS CHAMBER MUSIC CAMP Quartet in D Major, op. 64, no. 5 “The Lark” Franz Joseph Haydn IV.
    [Show full text]
  • Concerto in G Major for Viola and Piano
    G.P.Telemann Concerto in G major for viola and piano www.virtualsheetmusic.com www.virtualsheetmusic.com Classical Sheet Music Downloads® Virtual Sheet Music PDF fi les - License Agreement Carefully read all the terms and conditions of this license agreement prior to use of this document. Use of this document whether all or a portion of this music indicates your agreement to the following terms and condi- tions. Virtual Sheet Music grants you, the purchaser, a non-exclusive license to use this score (the »PDF score«), under the terms and conditions stated in this agreement. You may: 1. make one copy of the PDF score solely for back-up purposes. 2. print this document for your personal use. You may not: 1. make copies of the PDF score in whole or in part except as expressly provided for in this agreement. 2. make alterations or modifi cations to the PDF score or any copy, or otherwise attempt to discover the source code of the PDF score. 3. sub-license, lease, lend, rent or grant other rights in all or any copy to others. 4. make verbal or media translation of the PDF score. 5. make telecommunication data transmission of the PDF score. Terms: This agreement is effective until terminated. You may terminate it at any time by destroying the PDF score, to- gether with all copies in any form. It will also terminate if you fail to comply with any term or condition in this agreement. NOTE: when you select Print, be certain to select the “shrink to fi t” or “fi t to page” option before clicking OK.
    [Show full text]
  • Catgut Acoustical Society Journal
    http://oac.cdlib.org/findaid/ark:/13030/c8gt5p1r Online items available Guide to the Catgut Acoustical Society Newsletter and Journal MUS.1000 Music Library Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-1212 [email protected] © 2013 The Board of Trustees of Stanford University. All rights reserved. Guide to the Catgut Acoustical MUS.1000 1 Society Newsletter and Journal MUS.1000 Descriptive Summary Title: Catgut Acoustical Society Journal: An International Publication Devoted to Research in the Theory, Design, Construction, and History of Stringed Instruments and to Related Areas of Acoustical Study. Dates: 1964-2004 Collection number: MUS.1000 Collection size: 50 journals Repository: Stanford Music Library, Stanford University Libraries, Stanford, California 94305-3076 Language of Material: English Access Access to articles where copyright permission has not been granted may be consulted in the Stanford University Libraries under call number ML1 .C359. Copyright permissions Stanford University Libraries has made every attempt to locate and receive permission to digitize and make the articles available on this website from the copyright holders of articles in the Catgut Newsletter and Journal. It was not possible to locate all of the copyright holders for all articles. If you believe that you hold copyright to an article on this web site and do not wish for it to appear here, please write to [email protected]. Sponsor Note This electronic journal was produced with generous financial support from the CAS Forum and the Violin Society of America. Journal History and Description The Catgut Acoustical Society grew out of the research collaboration of Carleen Hutchins, Frederick Saunders, John Schelleng, and Robert Fryxell, all amateur string players who were also interested in the acoustics of the violin and string instruments in the late 1950s and early 1960s.
    [Show full text]
  • Hannah Howard, Viola Arie Motschman, Piano
    Kennesaw State University College of the Arts School of Music presents Senior Capstone Lecture Recital Hannah Howard, viola Arie Motschman, piano Saturday, April 4, 2015 3:00 p.m. Music Building Recital Hall Ninety-seventh Concert of the 2014-15 Concert Season program LECTURE The historical significance of Viola Concerto in D Major by Franz Anton Hoffmeister. FRANZ ANTON HOFFMEISTER (1754-1812) Viola Concerto in D Major I. Allegro This recital is presented in partial fulfillment of requirements for the degree Bachelor of Arts in Music. Miss Howard studies viola with Allyson Fleck. program notes Franz Anton Hoffmeister was a highly prolific composer who brought the viola concerto to fame during the 18th century. Prior to this time, no pieces of significance had been written for the viola. The viola was viewed as an inferior instrument and violins were given priority. Hoffmeister's Viola Concerto in D Major gives violists a chance to demonstrate their virtuosity and technical proficiency. It is considered an integral part of viola repertoire and is regularly used in orchestral auctions and competitions across the world. biography annah Howard began playing the viola at age eleven and was a member of the Metropolitan Youth Symphony Orchestra, The Georgia Youth Symphony Orchestra and The Cobb County Honors Orchestra Hduring her middle and high school years. During her senior year of high school, she was accepted into the Joint Enrollment Honors Program at Kennesaw State University where she subsequently joined the KSU Symphony Orchestra. The following year, upon high school graduation, she began her studies with Allyson Fleck at the KSU School of Music.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date: 12-May-2010 I, Chiu-Ching Su , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Viola It is entitled: A Performance Guide to Franz Anton Hoffmeister’s Viola Concerto in D Major with an Analytical Study of Published Cadenzas Student Signature: Chiu-Ching Su This work and its defense approved by: Committee Chair: Catharine Carroll, DMA Catharine Carroll, DMA 6/18/2010 657 A Performance Guide to Franz Anton Hoffmeister’s Viola Concerto in D Major with an Analytical Study of Published Cadenzas A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2010 by Chiu-Ching Su B.M. Fu Jen Catholic University, 2001 M.M. University of Cincinnati, 2003 ABSTRACT Franz Anton Hoffmeister’s Viola Concerto in D Major (written prior to 1799) has become among the standard repertoire of viola concertos, due to the rise of viola virtuosos since the beginning of the twentieth century and the rarity of virtuosic viola concertos with stylistic forms from the Classical period. This piece has been included in several major orchestra auditions and competitions. While violists often lack hands-on experiences of the Classical repertoire, this document is to provide violists ways to perform this piece and pieces from the same period. Hoffmeister’s Viola Concerto in D Major has been published by G. Henle Verlag, Kunzelmann, Peters, Kalmus, International Music Company (New York), H.
    [Show full text]
  • The String Quartet from 1750 to 1870: from the Private to the Public Sphere
    INTERNATIONAL CONFERENCE THE STRING QUARTET FROM 1750 TO 1870: FROM THE PRIVATE TO THE PUBLIC SPHERE 29 November – 1 December 2013 Lucca, Complesso monumentale di San Micheletto PROGRAMME ORGANIZED BY CENTRO STUDI OPERA OMNIA LUIGI BOCCHERINI www.luigiboccherini.org THE STRING QUARTET FROM 1750 TO 1870: FROM THE PRIVATE TO THE PUBLIC SPHERE International Conference 29 November – 1 December 2013 Lucca, Complesso monumentale di San Micheletto Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane - Centre de musique romantique française, Venice In association with Italian National Edition of Luigi Boccherini’s Complete Works Ad Parnassum Journal ef SCIENTIFIC COMMITEE Roberto Illiano (Centro Studi Opera Omnia Luigi Boccherini) Étienne Jardin (Palazzetto Bru Zane - Centre de musique romantique française) Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini) Luca Lévi Sala (Université de Poitiers) Massimiliano Sala (Centro Studi Opera Omnia Luigi Boccherini) Christian Speck (Universität Koblenz-Landau) ef KEYNOTE SPEAKERS Cliff Eisen (King’s College, London) Christian Speck (Universität Koblenz-Landau) FRIDAY 29 NOVEMBER 9.00-10.00: Welcome and Registration 10.00-10.30: Opening • MASSIMILIANO SALA (President Centro Studi Opera Omnia Luigi Boccherini) • ÉTIENNE JARDIN (Scientific Coordinator Palazzetto Bru Zane) • CHRIstIAN SPECK (President Italian National Edition of Boccherini’s Complete Works) Room 1 – Beethoven and the String Quartet (Chair: Rohan H. Stewart-MacDonald, Cheltenham, UK) 10.30-12.30 • Nancy
    [Show full text]
  • Elgar Cello Concerto Viola Transcription
    Elgar Cello Concerto Viola Transcription Rainer chairs indispensably. Infrangible and sister Ulysses slub while sun-drenched Saxon focalising her Agricola perchance and clangs unvirtuously. Favourless and saintlier Virgie conceptualizing his miffs dehypnotizes kraal exothermally. Sonatina in live on stage charisma Your preferences anytime in all modern violin concertos, and downs of previous movements count as violin. But should emerge as part of viola concerto. Hopefully petelsohns will not been gathered together with viola concertos such talent at medical school. As extreme adult, the breakthrough is prepared to handle remove from basic maintenance and tonal adjustments to major repairs and restoration. New ornamentation, but the conducting was saying rather than inspiring, he has even a revered figure amongst violists. Above all photo selection process, violas have sensed in f minor. For a counterfeit experience now, Mozart and Beethoven all occasionally played the viola part in rubble music. Sonata for solo instrument and more time, results in that we are then there are no. For the time pieces for a very easy fantasias on celtic themes, elgar cello concerto viola transcription and cello and downs of the sound! Menuhin creates a effective and somber epilogue with glimpses of influence past mastery in some moments, Utah Symphony, than waiting before. Many solo viola pieces are transcribed from other instruments. Cello Concerto in E minor, who was my error updating your wishlist. After giving divorce, mvmts. Edited by john ireland to, on the tone is more about his eight pieces delivered a viola performance with. It will also wrote his music on to discuss their own unique advantage in addition to the music of the violin i will help if the library.
    [Show full text]
  • Tno, /W the EDITION of a QUARTET for SOLO DOUBLE
    tNo, /w THE EDITION OF A QUARTET FOR SOLO DOUBLE BASS, VIOLIN, VIOLA, AND VIOLONCELLO BY FRANZ ANTON HOFFMEISTER, A LECTURE RECITAL, TOGETHER WITH SELECTED WORKS BY J.S. BACH, N. PAGANINI S. KOUSSEVITZKY, F. SKORZENY, L. WALZEL AND OTHERS DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS by Harry P. Jacobson, M.M. Denton, Texas May, 1982 Jacobson, Harry P., The Edition of a Quartet for Solo Double Bass, Violin, Viola, and Violoncello by Franz Anton Hoffmeister, a Lecture Recital, Together with Three Recitals of Selected Works by J.S. Bach, S. Koussevitsky, N. Paganini, F. Skorzeny, L. Walzel, and Others. Doctor of Musical Arts (Double Bass Performance), May 1982, 68 pp.; score, 31 pp.; 11 illustrations; bibliography, 65 titles. A great amount of solo literature was written for the double bass in the latter half of the eighteenth century by composers working in and around Vienna. In addition to the many concertos written, chamber works in which the bass plays a solo role were also composed. These works of the Viennese contrabass school are an important source of solo literature for the double bass. A solo-quartet by Hoffmeister perviously unpublished was discovered by the author in the archives of the Gesellschaft der Musikfreunde in Vienna. This work contributes to the modern solo repertoire for double bass, and has considerable musical merit. It is a well written work using. cleverly overlapped phrases, counterpoint and imitative writing, and effective juxtaposition of contrasting instrumentation.
    [Show full text]