Wo Es War : Marxism, the Unconscious, and Subjectivity

Total Page:16

File Type:pdf, Size:1020Kb

Wo Es War : Marxism, the Unconscious, and Subjectivity 4 Wo es war : Marxism, the Unconscious, and Subjectivity I Learning, at its most basic, can be described as the pro- cess of acquiring knowledge. Perhaps, with this definition’s most standard and ordinary rendition, learning appears rather unproblematic for any conception of what it means to be a student—even coalescing with the latter. Thus a student, in the standard model, is simply the actor or subject who acquires knowledge—a happy union indeed. But does such a concept of subjectivity accord with a critical education? The question arises because what makes learning critical usually turns on the registering of some socially traumatic knowledge. In the various critical theories (feminist theory, Marxism, critical race theory, and the like), this traumatic knowledge goes by such names as exploitation, oppression, subjugation, and so on. When it comes to knowledge of the disturbing kind, can we continue to assume an unproblematic homology between learning and studenthood? In other words, do students easily or willfully learn knowledge that is traumatic—for example, knowledge of social and political oppression, acts of genocide, or economic exploitation?1 Even a cursory examination of the various modes of commu- nication, from the cultural industry to schooling, will show that learning traumatic knowledge does not proceed without some resistance. It is enough to recall that the culture industry exists precisely to provide relief from social trauma, much less to help in knowing it. In that case, traumatic knowledge—the very K. D. Cho, Psychopedagogy © K. Daniel Cho 2009 72 PSYCHOPEDAGOGY knowledge at stake in critical theory—represents, from the standpoint of pedagogy, something of a problem for critical theory itself. Though endemic to all the various critical theories, where this problem is perhaps most pronounced is in Marxism. After all, Marx’s very project, at its most narrow, was to demon- strate how exploitation was not avoidable collateral for capi- talism but part of its integral structure, its very underside, that is, how the accumulation of capital is only possible if human misery also increases. Indeed, of capitalism’s fundamental law, Marx writes in Capital: “It makes an accumulation of mis- ery a necessary condition, corresponding to the accumulation of wealth.”2 And, at its broadest, his project was to confront the bourgeois metaphysics of surplus. Instead of serving as the basis for political mobilization, it seems more plausible that the traumatic knowledge discovered by Marx generates resistance— usually referred to as “ideology”—from capitalist subjects. The question is this: if the knowledge we are concerned with is traumatic (as it is in Marxism), then, what is the corre- sponding notion of studenthood? It is within the context of this question that psychoanalysis offers itself as a suggestive con- tributor.3 For psychoanalysis has always concerned itself with trauma and its subsequent repression; but, perhaps, more saliently, psychoanalysis attempts to project a model of sub- jectivity predicated on traumatic knowledge. Psychoanalysis will then be what adds the necessary facet to the Marxian prism— this is the articulation that will be sketched out here. II First entry can be made into this problematic by examining the philosophical presuppositions underpinning the standard model of studenthood. What one finds from such an examination is that the student as actor who acquires knowledge is modeled after none other than the Cartesian theory of subjectivity, that is, the cogito, “the thing that thinks.”4 It is not difficult to find Cartesian imprints in contemporary educational thought. We need only look as far as its two most prominent figures: John MARXISM, THE UNCONSCIOUS, AND SUBJECTIVITY 73 Dewey and Paulo Freire.5 In Dewey, we find the silhouette of a Cartesian structure in his appeal to reconstruct modern United States education on a more student-centered model. Driving Dewey, here, is his conception of the student as an active thinker/learner—or, translated into Cartesian terms, the subject of the student is a “thing” that exists by thinking experientially. As for Freire, in his famous problem-posing mode of education, the student is no longer an object filled by the teacher like so many empty buckets; rather, the student is now the active agent who comes to life by acts of cognition. “Liberating education,” Freire writes, “consists in acts of cognition, not transferrals of information.”6 Again, Descartes is writ large in Freire’s work as the student, according to the latter’s account, is seen as a being who thinks, thus rendering any attempt to impose knowledge on the student from the outside an act of inhumanity. Descartes’ endeavor itself is well known: the fateful decision to cast doubt on all the knowledge he possesses, to effectively assume it to be so many lies, and to find instead a more sub- stantial ground on which to assuredly fix the existence of his being. How does Descartes locate this desired ground? Through the course of doubting all his possessed knowledge, treating it as a collection of myths and fairytales, Descartes discovers that the only thing he can be certain of is that, insofar as he actively doubts, he is in fact thinking. Empty of all content, the act of thinking itself is christened as the grounds for being’s certainty. Hence, the I is “a thing that thinks”—cogito—and therefore exists—ergo sum. It is quite understandable that Cartesian subjectivity would serve as the model for ontologies of the student—indeed Descartes’ methodological doubt is provocative in this regard. After all, Descartes himself did intend his Mediations on First Philosophy to be a didactic text on proper thinking. And when it comes to knowledge with which we are familiar and thus inclined to accept, the Cartesian method of doubt proves handy for creat- ing a critical distance between the thinking I and its knowledge. But we are here concerned with traumatic knowledge—that is to say, knowledge not so easily accepted. 74 PSYCHOPEDAGOGY Traumatic knowledge is at stake in Marx’s analysis of the mode of production insofar as what he has to tell us about capi- talism is not easy to digest. “If now,” Marx writes in his pamphlet “Wage Labour and Capital,” “we picture to ourselves this fever- ish simultaneous agitation on the whole world market, it will be comprehensible how the growth, accumulation and concentra- tion of capital results in an uninterrupted division of labour, and in the application of new and the perfecting of old machinery precipitately and on an ever more gigantic scale.”7 The key to Marx’s insight here is “simultaneity”—that is, the necessity to grasp, in a single motion, all sides of capital accumulation, which means the ability to picture its over- and undersides as a single totality. The overside of capitalism is obviously its various productivities: wealth, commodities, etc. These are easy enough to imagine (and desire) and therefore present no problem to any student interested in studying capitalism—indeed these things suggest themselves as candidates for Cartesian doubt. The underside however is not so inviting. It is of course the necessity of human misery. As we saw above, for Marx, to recognize mis- ery as the underside of capitalism is therefore to understand the fundamental law of capitalist accumulation. The difficulty Marx’s analysis of capitalism presents to any Cartesian model of student subjectivity is that the knowledge of human misery is not something we carry with us uncritically. Indeed, it is not difficult to find apologists who even today deny that capitalism produces misery as an essential part of its operation. Rather, misery is knowledge we do not yet fully comprehend or, more exactly, want to comprehend. As Freud might put it, the not-knowing of misery is more or less a con- scious not-wanting-to-know. An even more radical example can be found in Marx’s historical reconstruction of so-called primitive accumulation at the end of Capital. “So-called primi- tive accumulation,” Marx writes, “therefore, is nothing else than the historical process of divorcing the producer from the means of production” (Capital, 874–75). Historically, this process of divorce is one where “conquest, enslavement, robbery, murder, in short, force play the greatest part” (875). The thrust of Marx’s MARXISM, THE UNCONSCIOUS, AND SUBJECTIVITY 75 reconstruction is how it exposes the bourgeois political econo- mists of his time as not willing to accept that “capital comes,” into the world, “dripping from head to toe, from every pore, with blood and dirt” (926). To accept that capital emerges “dripping from head to toe . with blood and dirt” can indeed be a disturbing thought, and one we may be all too willing to forget. Against such knowledge it would seem the freshness of Cartesian doubt is nullified. However, Cartesian subjectivity has its uses and should not be discarded tout court. Necessary instead is to supplement it with another model of subjectivity that could continue to animate the learning process when the Cartesian model gets stonewalled. This model is provided by the “other side” of Cartesian philoso- phy, namely, psychoanalysis.8 III Wo es war, soll ich werden—literally “Where it was, there I shall become.”9 This famous line of Freud’s can be taken as his for- mula for the psychoanalytic subject. Where some alien knowl- edge once stood, the subjective I will come into being. It is almost a complete reversal of Descartes’ “Cogito ergo sum.” Whereas, in Descartes’ line, subjectivity emerges when consciousness becomes emptied out of all content, leaving only the empty shell of thought itself, in Freud’s, subjectivity emerges once the I absorbs or assumes a foreign body of knowledge. Freud’s name for this foreign body of knowledge is none other than the unconscious.
Recommended publications
  • Mirrors of Culture1
    Mirrors of Culture1 Carla Freccero In 1936 and again, in revised form, in 1949, Jacques Lacan delivered a lecture resonant in its arguments with some of the mirror neuron findings (and applications)—including the neurocultural ramifications—of “How Stories Make Us Feel” and “Literary Biomimesis.” That lecture, presented at the Sixteenth International Congress of Psychoanalysis, was what we’ve come to call “The Mirror Stage,” “Le stade du miroir comme formateur de la fonction du Je telle qu’elle nous est révélée dans l’expérience psychanalytique” (1966, 93-100; translated in 2002, 3-9). There he argued that young animals of the homo sapiens sapiens subspecies first understand their objectal future being—that is, first identify as human—by viewing an image of themselves in a mirror and watching as the image moves—fluidly, seamlessly, perfectly and holistically, so it seems to the young animal— in correspondence with and contrast to his own chaotic and triumphant flailing as he is supported by maternal arms or some other prosthetic device (a “trotte bébé” in French: the translators call it a “walker”). In a breathtaking—and breathless—sentence, Lacan sums up what, for him, is the consequence, for humans, of the formative effects of mimetic identification with a Gestalt: This development is experienced as a temporal dialectic that decisively projects the individual’s formation into history: the mirror stage is a drama whose internal pressure pushes precipitously from insufficiency to anticipation—and, for the subject caught up in the lure of spatial identification, turns out fantasies that proceed from the fragmented image of the body to what I will call an “orthopedic” form of its totality—and to the finally donned armor of an alienating identity that will mark his entire mental development with its rigid structure.
    [Show full text]
  • Masterclass Looking at the Postcolonial Through the Lens Of
    Masterclass Looking at the Postcolonial through the Lens of Psychoanalysis Dr Joanne Faulkner (Philosophy, School of Humanities and Languages, University of New South Wales The extent of colonial violence in Australia, and its repercussions for present-day Aboriginal communities and individuals, has become subject to public discourse in recent years. Yet it is fair to say that its treatment has been ambivalent at best, and deeply problematic at worst, as contemporary Australians attempt to distance themselves from responsibility for past violence and its present effects. Arguably, what is taking place in Australia is not a simple case of denial (at least in its colloquial sense), but rather involves a complicated effort to manage and conceal — and to identify with and repudiate — the injuries suffered by Aboriginal people. The Masterclass will explore the ways in which psychoanalytic theory may help researchers to interpret the complex and contradictory investments of settler colonial subjectivity, and the often-perverse policies pursued by governments in the name of remediation. In particular, psychoanalysis can help us approach the hidden identifications and intents that are sometimes buried within projects of reconciliation. It can also support a critical suspicion regarding the stereotypes accorded to the “colonised other,” and the possibilities thereby available to them to participate in shaping community and cultural identity within the postcolonial nation. Discussion will be led by Dr Faulkner, in relation to approaches taken in her own work, and leading into an afternoon seminar that will demonstrate these uses. Freud’s concepts of the death drive and the uncanny, particularly, will be drawn on to address questions of ‘home,’ displacement, sovereignty, temporality, and the return of repressed aggression in the postcolonial context.
    [Show full text]
  • Subject to Failure
    SUBJECT TO FAILURE by Ryan Robert Mitchell A thesis submitted to the Department of Sociology In conformity with the requirements for the degree of Master of Arts Queen’s University Kingston, Ontario, Canada (January, 2008) Copyright ©Ryan Robert Mitchell, 2008 Abstract My project here is to look at how uncovering those unconscious and phantasmatic identifications in the social field can lead to the possibility of altering subjectivity or, at the very least, tracing how subjects are formed through structure and how they are psychically linked to ideological structure. This thesis suggests that subjection is never total or complete and that when viewed from an awry or skewed perspective, particular discourses and modes of subjection are revealed to be neither permanent, true nor necessary—we can always open up new spaces of subjectivity and discourse and through the practice of ‘tracing’ structure we can discern how we are determined and at which points structure constrains or enables us. My work is an effort to supplement theories of discourse analysis/ideology critique with psychoanalytic concepts, and more specifically, the psychoanalytic category of fantasy to discuss the ways in which discourses are provided with coherence and how subjects are tethered/binded to discursive fields. In my discussion of the non-discursive, I will be drawing from the Freudian concept of unheimlich, or the uncanny, to discuss the ways in which discursive fields become disrupted by repressed or “foreign” elements. I contend that the subject always exceeds structure, and for this reason, there is always room for resistance within discursive fields. ii Acknowledgements There have been many people who have supported me with this project throughout the years, and it is my wish that each one of them knows that I am sincerely grateful.
    [Show full text]
  • Hegel, Lacan, and Material Negativity
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZRC SAZU Publishing (Znanstvenoraziskovalni center - Slovenske... Filozofski vestnik | Volume XXXIII | Number 2 | 2012 | 23–52 Adrian Johnston* Reflections of a Rotten Nature: Hegel, Lacan, and Material Negativity As I have underscored repeatedly in past texts,1 Jacques Lacan, despite his repu- tation as an avid anti-naturalist, has no qualms whatsoever about leaning upon certain ideas of nature as components of his theoretical apparatus.2 Although adamantly opposed to the introduction of a crudely reductive biologism as a grounding paradigm for psychoanalysis, he is not, for all that, categorically dis- missive of the life sciences. Once in a while, he even permits himself, like Freud, to voice hopes of eventual biological confirmations of analytic theories.3 To take just one illustration of this known to anyone familiar with Lacanianism, Lacan’s concept of “need” (besoin), as per the need-demand-desire triad, is bound up with the biological facticity of protracted infantile Hilflosigkeit, an anatomical and physiological “fact” of immense import for psychical ontogeny in the eyes of both Freud and Lacan.4 Arising immediately from the very start of the human 1 Adrian Johnston, Žižek’s Ontology: A Transcendental Materialist Theory of Subjectivity, Evan- ston: Northwestern University Press, 2008, pp. 269–287; Adrian Johnston, “Slavoj Žižek’s Hegelian Reformation: Giving a Hearing to The Parallax View,” Diacritics: A Review of Con- temporary Criticism, vol. 37, no. 1, Spring 2007, pp. 3–20; Adrian Johnston, “The Weakness of Nature: Hegel, Freud, Lacan, and Negativity Materialized,” Hegel and the Infinite: Religion, Politics, and Dialectic, ed.
    [Show full text]
  • Narcissism and Cultural Liberation a Textual and Cultural Analysis of Carol Shields’ “Mirrors”
    Narcissism and Cultural Liberation A Textual and Cultural Analysis of Carol Shields’ “Mirrors” By Rebecca Good Abstract This paper will analyze Carol Shields‘ short story ―Mirrors‖ in the collection Dressing Up for the Carnival. The paper will explore how the absence of mirrors in the story creates a break in narcissism, which liberates the characters from cultural impositions. This will be done using Jonathan Culler‘s ―Narrative‖ to analyze the parts of the plot where mirrors appear, or where the couple mirrors each other. The analysis will utilize the psychoanalytical and cultural underpinnings of Freud, Lacan, Lunbeck, Friedman, and Adorno and Horkheimer. Through the breaks in narcissism, the characters are liberated from the cultural impositions of vanity, fashion, marriage, and beauty, among others. Finally, the aspects of narcissism inherent in the setting and internal dialogue of the characters will be examined. Key words: Shields, mirrors, identity, culture, narcissism, uncanny, Narcissus 1. Introduction: Carol Shields and “Mirrors” Carol Shields‘ short story ―Mirrors‖ is about a couple‘s marriage to each other over a thirty-five-year time span, and their decision not to have any mirrors in their summer house (450). This deliberate act of mirrorlessness and the season of nonreflectiveness is justified by an innate need of appearance: ―The need to observe ourselves is sewn into us, everyone knows this, but he and his wife have turned their backs on this need…‖ (Shields 450). As noted by Dvorak, ―[Shields‘] writing, rooted in everdaynness, is profoundly metaphorical‖ (Dvorak 3). Thus, the story delves into the 79 ideas of self-identity in the absence of the mirrors but in the presence of another person, and the experience of the couple ultimately seeing themselves in each other (Kruk 122).
    [Show full text]
  • Cultural Techniques of Mirroring from Lecanomancy to Lacan George C
    communication +1 Volume 7 Issue 1 Intersectionalities and Media Article 5 Archaeologies October 2018 Cultural Techniques of Mirroring from Lecanomancy to Lacan George C. Vollrath University of Wisconsin - Superior, [email protected] Abstract Drawing on archaeological and historical evidence about the materials, production techniques, and ritualized use of mirrors in ancient and modern contexts, this paper demonstrates that potentials for self-recognition are subject to the material attributes of mirrors themselves. I argue that any theory of the self in communication theory must foreground mediated techniques of self-recognition if it wishes to understand the concepts of identity and identification in their cultural and historical specificity. I address mirrors from ancient Egypt, Mesoamerica, and Greece, biblical stories, the Middle Ages, the Renaissance, and modern psychological theory. In all cases, I find that a clear link can be made between the reigning technical standard for mirror production and dominant assumptions about the nature of the self and its cosmological or metaphysical roles. In short, cultural standards for self- identification are circumscribed and preceded by technical standards of material production. Keywords cultural techniques, mirrors, identity, self, mirror stage, media archaeology This work is licensed under a Creative Commons Attribution 4.0 License. Vollrath / Cultural Techniques of Mirroring Not long ago, after a trying railway journey by night, and much fatigued, I got into an omnibus, just as another gentleman appeared at the other end. ‘What degenerate pedagogue is that, that has just entered,’ thought I. It was myself: opposite me hung a large mirror. The physiognomy of my class, accordingly, was better known to me than my own.
    [Show full text]
  • Althusser's Mirror
    Studies in 20th Century Literature Volume 18 Issue 1 Special Issue on The Legacy of Article 7 Althusser 1-1-1994 Althusser's Mirror Carsten Strathausen University of Oregon Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Strathausen, Carsten (1994) "Althusser's Mirror," Studies in 20th Century Literature: Vol. 18: Iss. 1, Article 7. https://doi.org/10.4148/2334-4415.1339 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Althusser's Mirror Abstract Jacques Lacan significantly influenced Althusser's accounts of ideology and the subject. Althusser's belief that science is a discourse without a subject parallels Lacan's belief that in the Symbolic Order the Subject and the Other are alienated. Althusser's account of interpellation, which explains how ideology recognizes individuals as subjects, takes for granted Lacan's notion of the mirror stage. Althusser repudiates the plenitude of the subject, whose interpellation conceals its lack; Lacan shows that the subject's failure to express itself in language makes the subject a void. However, Althusser, whose subject is too much like Lacan's ego, fails to distinguish between the "I" of the split subject and the "ego" of the subject's imaginary self-identity.
    [Show full text]
  • The Function of Mirrors and Reflection in Seventeenth-Century Painting
    Queen’s Journal of Visual & Material Culture Issue 1 | 2008 Danielle Manning (Re)visioning Heterotopia: The Function of Mirrors and Reflection in Seventeenth-Century Painting he enigmatic term “heterotopia,” popularized by Michel Foucault in his text The Order of Things (1966), describes sites that undermine stable T relationships, disrupt conventions of order, and negate straightforward categorization. Heterotopias also reflect a curious slippage between the familiar and the unfamiliar, a property expressed by Sigmund Freud’s notion of the ‘uncanny.’1 Heterotopic sites seem familiar, as they are subsumed within a society’s conventional ordering system that links them to other sites, yet they are unfamiliar in that they simultaneously contradict the premises by which these relationships are sustained.2 By using heterotopic theory to analyze the function of mirrors and reflections in seventeenth-century Dutch paintings, it is possible to illuminate the spatial complexity of these scenes, a characteristic that is initially masked by the paintings’ seemingly accurate transcription of an observed reality. The purpose of this visual play between nature and painterly artifice is to challenge vision’s role in producing empirical knowledge. Foucault’s interest in the breakdown of order characterizing heterotopias was inspired by his response to Borges’ passage from a Chinese encyclopaedia, which uses an alphabetical ordering system to narrow the distinction between fantastic creatures of the imagination and those that exist in reality. Thus, the effect of this passage is to “disturb and threaten with collapse our age-old distinction between 1 Sigmund Freud, “The Uncanny,” in Art and Literature. The Penguin Freud Library vol.
    [Show full text]
  • Father Knows Best
    Studies in 20th Century Literature Volume 18 Issue 1 Special Issue on The Legacy of Article 8 Althusser 1-1-1994 Father Knows Best Judith Roof University of Delaware Follow this and additional works at: https://newprairiepress.org/sttcl Part of the American Literature Commons, French and Francophone Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Roof, Judith (1994) "Father Knows Best," Studies in 20th Century Literature: Vol. 18: Iss. 1, Article 8. https://doi.org/10.4148/2334-4415.1340 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Father Knows Best Abstract In his essay, "Althusser's Mirror," Carsten Strathausen reveals the paternal politics inherent to any gesture of appropriation. Molding Lacan to an Althusserian mirror, Strathausen demonstrates parallels between Lacan's mirror stage and Althusser's interpellated subject. The resemblance, created through what Strathausen suggests is Althusser's mis-reading of Lacan, reveals their mutual influence. The question of influence, however, becomes an issue of tradition Althusser links to a politics of legitimacy and right he associates with a figure of paternity. While the process of filiation would seem ot extend from Lacan to Althusser in the logic of the mirror employed by Strathausen to renew Marxist thought, Althusser also situates himself as the father to a Lacan he is attempting to salvage from the ignominy of illegitimacy.
    [Show full text]
  • The Return of the Other
    Canadian Journal of Political and Social Theorv/Revue canadienne de thiorie politique et sociale, Vol. 4, No. 2 (Spring-Summer/ Printemps-Ete, 1980). THE RETURN OF THE OTHER Jeanne Wolf.f v. Amerongen The ontological basis of history is the relation of men with other men, the fact that the individual "I" exists only against the background of the community . Lucien Goldmann There are no subjects except by and for their subjection . Louis Althusser I identify myself in language, but only by losing myself in it like an object. Jacques Lacan Jacques Lacan, Ecrits, A Selection, translated from the French by Alan Sheridan, New York: W.W. Norton & Company Inc ., 1977, pp. 335 . Jacques Lacan is scarcely a new name on the academic scene. He is widely known and discussed in the fields of psychoanalysis, literary criticism and media studies . Although many books, essays and critical reviews have been devoted to formulating a clearer and more comprehensive understanding of his work for the North American audience, relatively few critics have attempted to relate Lacan's work to the study of ideology . The lack of critical analysis in the realm of ideology cannot be accidental since Lacan himself has never developed a concrete theory of the subject and its formation in and through ideology, and accordingly it is only on a latent level that such a description can be derived . Despite Lacan's reticence to formulate explicitly a theory of ideology, he has, however unremittingly attacked the school of American Ego Psychology for its ideological presupposition of the autonomous individual and unified ego structure .
    [Show full text]
  • Psychoanalyzing the Subjectivity of Marlow and Kurtz in Conrad's Heart
    “The Great Subterranean Pool of the Subconscious”: Psychoanalyzing the Subjectivity of Marlow and Kurtz in Conrad’s Heart of Darkness Jason Funderburk, English 483 “The conscious mind may be compared to a fountain playing in the sun and falling back into the great subterranean pool of subconscious from which it rises.” —Sigmund Freud, The Interpretation of Dreams (1900) In the area of literary criticism, it is arguable that no other theory placed as much emphasis on the realm of the subconscious as that of psychoanalytic theory. Led by the works of Sigmund Freud and Jacques Lacan, the theory searches for the meaning of its literary text beneath the written language of the printed page, in much the same manner as its psychological use in the treatment of human patients. For example, the repressed elements of a character’s subconscious can be used to reveal unstated elements of his or her characterization, enlightening the reader with a deeper, more complex comprehension of its plot and characters. The richness of its sub-textual analysis can be potentially vital in the reading of a work such as Heart of Darkness by Joseph Conrad, in which much of the story’s psychological depth lies below its rhetorical presentation. Under the theories of Lacan and Freud, the characterization of Marlow and Kurtz may be interpreted through a psychoanalytic discourse that provides unique understanding of the reasoning and motivation in the construction of each character’s subjectivity. The mysterious characterization and unarticulated actions of Kurtz are uniquely exposed through Freud’s theory of narcissism, particularly in its “queering” of his sexuality and subsequent causation of mental illness, and since Marlow acts as the reader’s pedagogical entry point into the text of the story, it seems appropriate to examine the construction of his subjectivity through French psychoanalyst Lacan’s theory of the mirror stage and its effect on his view of language.
    [Show full text]
  • Image, Symbol, and Signifier (VI)
    April Seminar 2020 NIDA LACAN STUDY AND READING GROUP Due to Coronavirus restrictions, we will continue our seminars online until further notice. I will send members copies of the texts of the monthly seminars. New members, please contact us by the email: [email protected] _____________________________________________________________________ Image, Symbol, and Signifier (VI) Dr Ehsan Azari Stanizai Psychoanalysis approaches a symbol, and by consequence, the formation of a symbol and symbolization as crucial points for the subject's constitution and the culture where the unconscious thoughts, motives, and instinctual processes play a determining role. In other words, the unconscious establishes the evolutionary substitution of the symbol or image and their referents. The core of their importance is the metaphoric nature of each symbol as something that represents something else. Replacement of one idea for another also comes under the same category. From a word to a social institution, and from an individual human gesture to a common cultural phenomenon, all functions symbolically. Jones takes symbolization as the universal foundation of human civilization. He divided symbolism into two groups, common symbolization, and ‘true’ symbolization. The second category was of greater psychoanalytic importance for Jones for ‘true’ symbolism refers to the unconscious validation of a repressed idea and propensities through symbols and images. Moreover, this category of symbolization “resembles dreaming and symptom-formation in that they are private constructions, the meaning of which is discoverable only in terms of the individual experience of the subject [issue or problem] and not by reference to dictionaries or social conventions,” (Rycroft, 1972, 162-163). Jung added a spiritual dimension to symbolism in mythology, religious literature, cultural events, and so on.
    [Show full text]