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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
BLACK JACKS Written by Eric Karkheck
BLACK JACKS Written By Eric Karkheck (323) 736-6718 [email protected] Black Jack: noun, 18th Century An African warrior who becomes a pirate. FADE IN: EXT. VILLAGE BEACH, WEST AFRICA - DAY Statuesque TERU FURRO (30s) sits in the sand braiding ropes together into a fishing net. She is left handed because her right is missing its pinky finger. She looks out to the vast ocean. EXT. HIDDEN LAGOON - DAY Blue sky and puffy clouds reflect in the surface of the water. A dugout canoe with a sail skims across it. Tall and muscular CHAGA FURRO (30s) paddles in the stern. His skinny son KUMI (13) is in the bow. Chaga spots a school of tilapia. CHAGA Kumi, mind the net. (Note: Italicized dialogue is spoken in Akan African and subtitled in English.) KUMI Yes, father. Kumi gathers the net into his arms. CHAGA Do it clean. If the lines tangle it will scatter the school. Kumi throws the net overboard. He pulls in the ropes. KUMI They are strong. The ropes zip through Kumi's hands. Chaga catches them. CHAGA Place your feet on the side to give you leverage. Together, they pull the net up and into the canoe to release a wave of fish onto themselves. CHAGA Ha Ha!! Do you see this my son?! Good, good, very good! Mother will be pleased. Yes. 2. Chaga wraps Kumi in a warm hug. Kumi halfheartedly returns the embrace. EXT. ATLANTIC OCEAN - DAY Chaga paddles toward land. Kumi scans the ocean horizon through a mariner's telescope. KUMI Can we go on a trip somewhere? Maybe to visit another tribe? CHAGA We are fishermen. -
Lijst 556 Euro-DCD
€ DCD CODES!!!! LIJST: FAX/MODEM/E-MAIL: 25 jul 2021 PREVIEWS DISK: 27 jul 2021 [email protected] voor Nieuws, Aanbiedingen en Nabestellingen KIJK OP WWW.PEPCOMICS.NL PEP COMICS SLUITINGSDATUM: DCD WETH. DEN OUDESTRAAT 10 FAX: 25 juli 5706 ST HELMOND ONLINE: 25 juli TEL +31 (0)492-472760 UITLEVERING: (€) FAX +31 (0)492-472761 september/oktober #556 ********************************** DCD0060 [M] Image Firsts Monstress #1 2.57 b *** DIAMOND COMIC DISTR. ******* DCD0061 [M] Saga TPB Vol.01 12.89 b ********************************** DCD0062 [M] Saga TPB Vol.02 19.34 b DCD0063 [M] Saga TPB Vol.03 19.34 b DCD SALES TOOLS page 026 DCD0064 [M] Saga TPB Vol.04 19.34 b DCD0001 Previews September 2021 #396 5.45 i DCD0065 [M] Saga TPB Vol.05 19.34 b DCD0002 Marvel Previews S EXTRA Vol.05 #15 1.58 b DCD0066 [M] Saga TPB Vol.06 19.34 b DCD0003 Previews September 2021 Custo #396 0.86 i DCD0067 [M] Saga TPB Vol.07 19.34 b DCD0004 Previews Sept 2021 Cust EXTRA #396 1.72 i DCD0068 [M] Saga TPB Vol.08 19.34 b DCD0006 Previews Sep 2021 Retai EXTRA #396 2.62 b DCD0069 [M] Saga TPB Vol.09 19.34 b DCD0007 Game Trade Magazine #259 0.00 E DCD0070 [M] Mom Mother Of Madness (3) #3 6.44 b DCD0008 Game Trade Magazine EXTRA #259 0.58 E DCD0071 Blackbird TPB Vol.01 21.92 b IMAGE COMICS page 042 DCD0072 Skyward My Low G Life TPB Vol.01 12.89 b DCD0009 [M] Primordial A Sorrentino (6) #1 5.15 b DCD0073 Skyward Here There Be D TPB Vol.02 21.92 b DCD0010 [M] Primordial B Ward (6) #1 5.15 b DCD0074 Skyward Fix The World TPB Vol.03 21.92 b DCD0011 [M] Primordial C Nguyen -
Representations and Reality: Defining the Ongoing Relationship Between Anime and Otaku Cultures By: Priscilla Pham
Representations and Reality: Defining the Ongoing Relationship between Anime and Otaku Cultures By: Priscilla Pham Submitted to OCAD University in partial fulfillment of the requirements for the degree of Master of Arts in Contemporary Art, Design, and New Media Art Histories Toronto, Ontario, Canada, April 2021 © Priscilla Pham, 2021 Abstract This major research paper investigates the ongoing relationship between anime and otaku culture through four case studies; each study considers a single situation that demonstrates how this relationship changes through different interactions with representation. The first case study considers the early transmedia interventions that began to engage fans. The second uses Takashi Murakami’s theory of Superflat to connect the origins of the otaku with the interactions otaku have with representation. The third examines the shifting role of the otaku from that of consumer to producer by means of engagement with the hierarchies of perception, multiple identities, and displays of sexualities in the production of fan-created works. The final case study reflects on the 2.5D phenomenon, through which 2D representations are brought to 3D environments. Together, these case studies reveal the drivers of the otaku evolution and that the anime–otaku relationship exists on a spectrum that teeters between reality and representation. i Acknowledgements I would like to express my deepest gratitude to my primary advisor, Ala Roushan, for her continued support and confidence in my writing throughout this paper’s development. Her constructive advice, constant guidance, and critical insights helped me form this paper. Thank you to Dr. David McIntosh, my secondary reader, for his knowledge on anime and the otaku world, which allowed me to change my perspective of a world that I am constantly lost in. -
Y E a R L I N G U P D a T E S
The Black Book Y E A R L I N G U P D A T E S 80th Annual Auction of the Standardbred Horse Sales Company November 5-9, 2018 Harrisburg, Pennsylvania 2018 STANDARDBRED HORSE SALES CO. YEARLING UPDATES (as of Tuesday, October 30, 2018) MONDAY, NOVEMBER 5, 2018 Hip #s 1 - 173 Hip # 1 BACKSTREET ROMEO (Cantab Hall - Backstreet Hanover) 2nd Dam BYE BYE KERRY Producers: UPFRONT BYE BYE (dam of CHELSEES A WINNER 4,1:54.2f-$104,282) Hip # 2 LOU'S SWEETREVENGE (Sweet Lou - Before The Poison) 1st Dam BEFORE THE POISON Poison By The Page $1,368 2nd Dam STIENAM'S GIRL Producers: STIENAM'S PLACE (dam of GOOD DAY MATE $573,541; grandam of ROCKIN THE HOUSE $679,552, ALL STIENAM $384,078, ODDS ON DEMI-QUEUE $278,746, BEACH OGRE $217,909, TALK BACK $160,335, CASH IS KING $101,690, MOUNT ROYAL p,3,1:54.4h, *LOUNATIC p,2,1:55.2f), MS PININFARINA (dam of SIR SAM'S Z TAM $224,229, FAST MOVIN TRAIN $116,726), Buckle Bunni (dam of NICKLE BAG $833,247, SKYWAY BOOMER p,1:51.1f-$136,957), Touch Of Pearls (grandam of STEAL THE DIAMONDS $137,261, MY DAD ROCKS $130,653) Hip # 3 SISTER SLEDGE (Father Patrick - Behindclosedoors) 1st Dam BEHINDCLOSEDOORS Necessity BT2:01.4s 2nd Dam MARGARITA NIGHTS TEQUILA TALKIN 4 wins $41,918 Hip # 4 BONKERS HANOVER (Captaintreacherous - Bettor B Lucky) 1st Dam BETTOR B LUCKY BUTTER BAY HANOVER $10,745 2nd Dam HORNBY LUCKY READ THE PROPOSAL $128,535 Producers: BET ON LUCK (dam of *STARSHIP TROOPER p,2,Q1:55), B So Lucky (dam of CHEESE MELT p,3,1:51.1f) Hip # 5 BRIGHTSIDE HANOVER (Somebeachsomewhere - Bettor's Chance) 2nd Dam PLEASANT THOUGHTS Producers: Ms Dragon Flys (dam of NUCLEAR DRAGON $354,048) Hip # 6 BACK OF THE NECK (Ready Cash - Big Barb) 2nd Dam PINE YANKEE SIGILWIG 2,1:58.2f 2 wins $25,425 Third in John Simpson Mem. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
Kotatsu Japanese Animation Film Festival 2017 in Partnership with the Japan Foundation
Kotatsu Japanese Animation Film Festival 2017 In partnership with the Japan Foundation Chapter - September 29th - October 1st, 2017 Aberystwyth Arts Centre – October 28th, 2017 The Largest Festival of Japanese Animation in Wales Announces Dates, Locations and Films for 2017 The Kotatsu Japanese Animation Festival returns to Wales for another edition in 2017 with audiences able to enjoy a whole host of Welsh premieres, a Japanese marketplace, and a Q&A and special film screening hosted by an important figure from the Japanese animation industry. The festival begins in Cardiff at Chapter Arts on the evening of Friday, September 29th with a screening of Masaaki Yuasa’s film The Night is Short, Walk on Girl (2017), a charming romantic romp featuring a love-sick student chasing a girl through the streets of Kyoto, encountering magic and weird situations as he does so. Festival head, Eiko Ishii Meredith will be on hand to host the opening ceremony and a party to celebrate the start of the festival which will last until October 01st and include a diverse array of films from near-future tales Napping Princess (2017) to the internationally famous mega-hit Your Name (2016). The Cardiff portion of the festival ends with a screening of another Yuasa film, the much-requested Mind Game (2004), a film definitely sure to please fans of surreal and adventurous animation. This is the perfect chance for people to see it on the big-screen since it is rarely screened. A selection of these films will then be screened at the Aberystywth Arts Centre on October 28th as Kotatsu helps to widen access to Japanese animated films to audiences in different locations. -
California State University, Northridge the Middle
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE MIDDLE ENGLISH PEARL: A TRANSLATION AND COMMENTARY A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in English by Anne Elaine Kellenberger August, 1982 The Thesis of Anne Elaine Kellenberger is approved: David M. Andersen III, Chairman California State University, Northridge .ii FOR THE DANDIEST OF ALL iii CONTENTS Dedication . iii Abstract . v Historical and Critical Background 1 A Note on Pearl's Form .. 10 A Personal Interpretation: Kynde in Pearl 16 A Note on the Translation. 24 Text of Pearl. 29 Commentary 80 Notes . 113 Bibliography • 118 iv ABSTRACT THE MIDDLE ENGLISH PEARL: A TRANSLATION AND COMMENTARY by Anne Elaine Kellenberger Master of Arts in English Pearl, a twelve hundred line poem, is recognized as one of the most important products of the Alliterative Revival which took place in England during the fourteenth century. Yet, its obscure dialect and the changes that have occurred in the English language over the intervening six hundred years make the poem unavailable to an un trained modern reader. This paper is a translation into Modern English of the Middle English Pearl, with a critical introduction and commentary. The opening essay and the commentary serve as an introduction to the critical and linguistic issues that make up the large body of scholarship on the poem. Questions concerning the nature of Pearl, the significance of its imagery, its relationship to other poems, and the identity and orthodoxy of its author have been raised and debated since Pearl was first published in 1864. The commentary in particular addresses textual matters such as v the derivation of a debatable word or the effect a particu lar passage has on the interpretation of the poem as a whole. -
An Inventory to the Papers and Record S in the Japanese Canadian Research Collectio N
AN INVENTORY TO THE PAPERS AND RECORD S IN THE JAPANESE CANADIAN RESEARCH COLLECTIO N SPECIAL COLLECTIONS AND UNIVERSITY ARCHIVES DIVISIO N UNIVERSITY OF BRITISH COLUMBIA LIBRARY PREPARED BY TERRY NABATA (1975) ADDITIONAL WORK BY : SUSAN PHILIP S FRANK HANANO GEORGE BRANDAK REVISED 1996 NORMAN AMOR WITH A NEW INTRODUCTION BY: TSUNEHARU GONNAMI TABLE OF CONTENTS Page I. Introduction 1 I-i Background of the Collection 1 I-2 Size and Nature of the Collection 3 I-3 Inventory List 3 II. Contents of the Collection 4 11-1 Business and Commerce 4 II-2 Farming 5 II-2-1 Yasutaro Yamaga Collection 5 II-2-2 Yasutaro Yamaga Papers 6 11-2-3 Pitt Meadows Japanese Farmers' Association Collection 7 II-2-4 Mrs. Lily Kamachi Collection 8 II-2-5 Summerland Japanese Farmers' Association Collection 8 II-2-6 Chugi Kawase Collection 8 11-3 Fishing . 8 11-3-1 Rintaro Hayashi Collection 9 11-3-2 Japanese Fisherman's Benevolent Association Collection 10 11-3-3 Skeena Fisherman's Association Collection 10 11-3-4 Kishizo Kimura Collection 1 1 I1-4 Forestry 12 II-4-1 Kadota Collection 13 II-4-2 Kantaro Kadota Collection 13 I1-5 Mining 14 II-5-1 National Japanese Canadian Citizens Association Collection 14 11-5-2 Rev. Yoshio Ono Collection 15 II-6 Religious Activities 16 II-6-1 Rev. Y. Akagawa Collection 16 II-6-2 Rev. Yoshio Ono Collection 17 11-6-3 Rev. Y. Yoshioka Collection 17 II-6-4 United Church of Canada Collection 17 II-6-5 Steveston United Church Collection 17 ii II-7 Reminiscences and Biographies 17 II-7-1 National Japanese Canadian Citizens Association Collection 18 II-7-2 Mrs. -
"Ayako" by Osamu Tezuka
www.smartymagazine.com "Ayako" by Osamu Tezuka by 28 Vignon Street #Comics Osamu Tezuka, nicknamed the " Dieu of manga ", remains one of the most important and innovative authors today with his some 700 works and his pioneering work in animation. We inaugurate this selection of authors from which we must read everything with this master who installed manga in Japanese culture, gave it its codes and explored all its genres (or almost). Whether through his unique drawing style, his talent as a narrator, his approach to the medium or his essays from animation ; Osamu Tezuka remains an essential keystone for anyone who wants to read and understand manga (in addition to enjoying reading his incredible masterpieces.) Among his greatest works are Phoenix: eleven volumes of a history spread over several centuries around the Phoenix, a divinity that accompanies humanity from its beginnings to a distant future in space. Each volume is independent (despite the common thread and the winks between the different stories) and could be a series in itself as Tezuka crystallizes the best of his talents in this work that has occupied him all his life. The Life of Buddha, tells the story of Prince Siddhartha's metamorphosis into Buddha, intertwined with a host of secondary stories that depict Asia in the 5th century BC and the ramifications of this new religion that will become so important. As for Phoenix, Tezuka plays on flash-back & flash-forward to offer us important points of view and variations on certain historical episodes. Humour is not absent from this work, which is thought-provoking without ever losing its reader. -
Manga! Manga!: the World of Japanese Comics, 1998, Frederik L
Manga! Manga!: The World of Japanese Comics, 1998, Frederik L. Schodt, Kodansha International, 1998 DOWNLOAD http://bit.ly/1HTCRzm http://www.barnesandnoble.com/s/?store=book&keyword=Manga%21+Manga%21%3A+The+World+of+Japanese+Comics DOWNLOAD http://wp.me/2Zqkv http://bit.ly/1oODmJz The Otaku Encyclopedia An Insider's Guide to the Subculture of Cool Japan, パトリック・ウィリアムガルバレス, Patrick W. Galbraith, Jun 25, 2009, Social Science, 248 pages. Otaku - Japan's anime nerds, game geeks and pop-idol fanboys - originates from a polite second-person pronoun meaning 'your home' in Japanese. This guide offers an insight into. Japanese Visual Culture , Mark W. MacWilliams, Jan 29, 2008, Art, 352 pages. Born of Japan's cultural encounter with Western entertainment media, manga (comic books or graphic novels) and anime (animated films) are two of the most universally recognized. Dreamland Japan Writings on Modern Manga, Frederik L. Schodt, 1996, Literary Collections, 360 pages. Discusses the different forms, styles, artists, and publishers of manga, the popular form of comic book in Japan.. Nextworld, Volume 1 , , 2003, Comics & Graphic Novels, 168 pages. World leaders start a political conflict over what to do with creatures who have acquired superior abilities as a result of nuclear testing.. Astro Boy Volume 3 , Osamu Tezuka, May 28, 2002, Comics & Graphic Novels, . A timeless comics and animation classic, Osamu Tezuka' Astro Boy is still going strong nearly half a century after its creation, and Dark Horse brings Tekuza's original Astro. Lost World, Volume 1 , , 2003, Juvenile Fiction, 246 pages. -
Animé & Tetsuwan Atomu
Lunds universitet Tina Davidsson Språk- och litteraturcentrum FIVK01 Filmvetenskap Handledare: Lars Gustaf Andersson 2011-01-21 Animé & Tetsuwan Atomu Japans första animerade superhjälte 1 INNEHÅLLSFÖRTECKING 1 INLEDNING....................................................................................................................................2 1.1 Vad är Animé?.............................................................................................................................2 1.2 Den unika animén.......................................................................................................................3 1.3 Syfte och frågeställningar ..........................................................................................................5 1.4 Avgränsning och disposition.......................................................................................................6 1.5 Metod och Teori..........................................................................................................................6 1.5 Tidigare forskning.......................................................................................................................8 2 BAKGRUND....................................................................................................................................9 2.1 Animés framväxt.........................................................................................................................9 2.2 Barn av sin tid: Genus...............................................................................................................11