Dr. Kirsten Broberg, Composer Assistant Professor • Division of Composition Studies • University of North Texas 415 Avenue C • Denton, Texas 76201• MU1005 [email protected] • www.music.unt.edu • 940.369.9040 • www.kirstenbroberg.com ______Education: Northwestern University, Chicago, Illinois 2009 Doctorate in Music Composition • Graduated with honors • Studied music composition with Augusta Read Thomas, Jay Alan Yim and Jason Eckardt • Published dissertation, An Analysis and Contextualization for Resonant Strands—a Cycle of Five Extractable Works for piano, bowed piano and string quartet, advised by Hans Thomalla • Twice awarded the William T. Faricy Award for original composition

University of Minnesota, Minneapolis, Minnesota 2003 Master of Arts in Music Composition • Achieved National Dean’s List • Studied music composition with Judith Lang Zaimont • Awarded first place in the University of Minnesota call for orchestral scores

Concordia College, Moorhead, Minnesota 2001 Bachelor of Music in Music Theory and Composition; Minor in English Writing • Awarded piano performance and academic excellence scholarships ______Teaching Experience: University of North Texas 2013-present Assistant Professor of Music Composition • Private composition lessons to undergraduate and graduate students • Graduate composition seminar for graduate composition students • Sophomore Composition Seminar for sophomore composition majors • Orchestration for undergraduate and graduate music students • Contemporary Music for undergraduate and graduate music students • Contemporary Vocal Techniques and Repertoire since 1960 • Contemporary Music since 2000

Saint Olaf College in Northfield, Minnesota 2011-2013 Visiting Assistant Professor of Music • Theory I for undergraduate music majors • Theory II for undergraduate music majors • Aural Skills I for undergraduate music majors • Aural Skills II for undergraduate music major

Broberg vitae, page 1 University of Saint Thomas, Saint Paul, Minnesota 2010-present Instructor of Music • Theory I for freshman music majors • Theory III for undergraduate music majors • Music Composition for undergraduate students • World Music for undergraduate students

Art Institutes International, Minneapolis, Minnesota 2012-present Instructor in Audio Production • Music theory and aural skills for audio production majors • Music appreciation—a Survey of Western Music History for audio production majors • Survey of the Music Industry for audio production majors

Saint Xavier University, Chicago, Illinois 2007-2009 Instructor of Music • Theory I for freshman music majors • Theory II for undergraduate music majors • Theory III for sophomore music majors • Theory IV for undergraduate music majors • Aural Skills for undergraduate music majors • Counterpoint for upper level music majors • Form and Analysis for upper level music majors • Music Composition for undergraduate music majors

North Park University, Chicago, Illinois 2007-2009 Instructor of Music • Music Theory and Aural Skills for graduate students • Music Fundamentals for undergraduate music majors • Aural Skills II (2 sections) for sophomore music majors

Prairie State College, Chicago, Illinois 2007-2008 Instructor of Music • American Music Since 1900 for freshman through sophomore non-music majors • Music Fundamentals for undergraduate music majors

Northwestern University, Chicago, Illinois 2004-2007 Instructor of Music • Harmony for undergraduate non-music majors • Form and Analysis for non-music majors • Music Composition for non-music majors • Music Composition and Production for non-music majors • Aural Skills for freshman music majors

Roosevelt University, Chicago, Illinois 2006 Instructor of Music • Western Music History Since 1900 for sophomore through senior music majors

Broberg vitae, page 2 University of Minnesota, Minneapolis, Minnesota 2003 Instructor of Music • Music Fundamentals for undergraduate non-music majors ______Selected Honors: Symphony No. 1 • Composer’s Choice Award: recipient of this award resulting in a 2016 25-minute commission for their 2017 season

Minnesota Orchestra • Winner: selected to participate in the Minnesota Orchestra Composer 2015 Institute program resulting in a public performance of Celestial Dawning for Orchestra on the Minnesota Orchestra's Future Classics program

Iron Composer Competition • Finalist and Participant: selected to compete in the Iron Composer 2015 Competition and radio broadcast at Baldwin Wallace University inf Berea, Ohio

University of North Texas • Faculty travel grant: funds for a performance and to give a lecture 2015 at the Darmstadt Festival for Contemporary Music • Summer research grant: for composition 2014 • Faculty travel grant: funds for research, performances and presentations at the Darmstadt Festival for Contemporary Music 2014 • Faculty travel grant: funds for private research and study in France 2013

Minnesota Public Radio “Kirsten Broberg gets her Big Break” broadcast and radio interview 2013 with excerpts of “Constellations” for two pianos and percussion quartet “Breathturn” for choir and “Celestial Dawning” for orchestra aired on May 28 by Classical Minnesota Public Radio

Saint Olaf College 2011 • Faculty Travel Grant: awarded funds to support travel for the world premiere of Inward for string quartet premiered by the Kronos Quartet at the Ensems Festival of Contemporary Music in Valencia, Spain

American Composers Forum, St. Paul, Minnesota 2010 • Subito Grant: awarded funds to support a concert of three cycles by Kirsten Broberg in New York, New York

Harvard University, Cambridge, Massachusetts 2009 • Fromm Foundation Commissioning Grant: $10,000 for original composition to compose a new work for the Kronos Quartet

American Music Center, New York, New York 2009 • New Music Box and Counterstream Radio’s “Spotlight Session” featured composer for the month of May

Broberg vitae, page 3 • Encore Grant: awarded funds to support multiple performances of 2009 “Constellations” for solo piano

• Jerome Commissioning Grant: $8,000 to compose a semi-staged piece 2009 for treble voices and baroque chamber ensemble

• Encore Grant: awarded funds to support multiple performances of 2007 “Emerge” for piano and bowed piano

Northwestern University, Chicago, Illinois 2009 • Doctoral Honors: awarded for academic and professional achievements during doctoral study

• Ruth Wyatt Composer Grant: awarded funds to support composer 2008 travel for a performance of “Air” for flute and guitar in Rome, Italy

• William T. Faricy Award: awarded cash prize for outstanding student 2007 composition with "Of Resonance and "Opening” for string quartet, 2007

• Ruth Wyatt Composer Grant: awarded funds for composer travel for 2007 a performance of “In Stillness” for bass clarinet and cello in New York, New York

• William T. Faricy Award: awarded for outstanding student composition 2005 with "Increscent” for violin and piano

• Ruth Wyatt Composer Grant: awarded funds for composer travel for a 2005 performance of “Tendrils” for solo clarinet at the June in Buffalo Festival in Buffalo, New York

• Martha R. Steinback Scholarship: awarded funds for academic 2005 excellence

• Ruth Wyatt Composer Grant: awarded funds to support travel for 2004 "Sketches” for flute, vibraphone and piano performed at the Cincinatti Conservatory Music ’04 Festival in Cincinatti, Ohio

Cincinnati Conservatory, Cincinnati, Ohio 2004 • First Prize in Accent ’04 International String Quartet Competition: with "Lament” for string quartet awarded cash prize and three consecutive public performances

University of Minnesota, Minneapolis, Minnesota 2003 • First Prize in Call for Orchestral Scores at the University of Minnesota with “Night Visions” for full orchestra

Concordia College, Moorhead, Minnesota 1997-2001 • Alpha Society and Cum Laude Honors • Piano Performance and Academic Excellence Scholarships ______

Broberg vitae, page 4 Discography: Fleur de Son Classics Color and Texture for clarinet, violin and piano recorded by TrioPolis 2017 to be released in 2017

Independent Release “Cloud-Like” for saxophone duo commercially released by Ellie Parker 2015 and Emma Jones

Parma/Navona Records, North Hampton, New Hampshire 2011 “Breathturn” for choir recorded by the Crossing contemporary and commercially released

Innova Records, St. Paul, Minnesota 2009 “Constellations” for solo piano recorded by Matthew McCright and commercially released ______Performances of Original Music: “I Carry Your Heart” (text, E. E. Cummings) performed by the University 2017 of North Texas University Choir, conducted by Richard Sparks, on April 11, 2017 in Winspear Concert Hall at the University of North Texas.

“Halo” for two prepared vibraphones, piano, harp, cello and contrabass 2016 performed on 11 November by the Contemporary Chamber Players at Roulette in New York, New York

“Halo” for two prepared vibraphones, piano, harp, cello and contrabass 2016 premiered on 10 November by the Contemporary Chamber Players at State University of New York at Stony Brook

Today the World (text, Pablo Neruda) collection of pieces for soprano, 2016 acoustic guitar and cello performed by Carrie Henneman Shaw, Kourtney Newton and Jesse Langen on 5 November in the Mary Haggar Rose Garden at the Dallas Arboretum and Botanical Gardens in Dallas, Texas

“Cloud-Like” for saxophone duo performed by Trio Dionysus on 18 2016 September at the Atonement Lutheran Church in Overland Park in Kansas City, Missouri

“Rain Gardens” for solo piano performed by Jonathan Hannau 2016 on 18 August in the Open Space Showcase at the Darmstadt International Music Institute

“Tendrils” for solo clarinet performed by the Texas New Music 2016 Ensemble on 30 July at the Fort Bend Music Center in Houston, Texas

“In Stillness” version for bass clarinet and cello performed by the Texas New Music Ensemble on 30 July at the Fort Bend Music Center in Houston, Texas

Broberg vitae, page 5 “Take Me In” for soprano and chamber ensemble with text by 2016 Jalāl ad-Dīn Muhammad Rūmī translated by Nader Khalili premiered by Ensemble Dal Niente at their tenth anniversary party on 30 April at their rehearsal space in Chicago, Illinois

Natura for Skeletal Orchestra including “Undercurrents,” 2016 “Rain Gardens,” “Air,” “As if Snow,” “In Stillness,” “Murmur,” and “Branching” performed by students and faculty members at the University of North Texas on 16 April in the Recital Hall at the University of North Texas in Denton, Texas

Color and Texture for clarinet, violin and piano performed by TrioPolis 2016 on 16 April in the Recital Hall at the University of North Texas in Denton, Texas

Dream-Paths for female voice, piano/prepared piano, electric guitar 2016 and percussion performed by Erin Matthews, David Falterman, Chaz Underriner and West Fox on 16 April in the Recital Hall at the University of North Texas in Denton, Texas

Color and Texture for clarinet, violin and piano performed by TrioPolis 2016 on 14 April at UNT on the Square in Denton, Texas

Color and Texture for clarinet, violin and piano performed by TrioPolis 2016 on 24 March in the Choral Recital Hall at the University of Houston

Color and Texture for clarinet, violin and piano performed by TrioPolis 2016 on 8 February in the Recital Hall at the University of North Texas in Denton, Texas

Dream-Paths for female voice, piano/prepared piano, electric guitar 2016 and percussion performed by Erin Matthews, David Falterman, Miguel Espinel and West Fox on 13 February in the Lyric Theater at the University of North Texas in Denton, Texas

“Cloud-Like” version for flute and alto saxophones performed by the 2016 Awea Duo on 22 January in Pepsico Recital Hall at Texas Christian University in Fort Worth, Texas

“Cloud-Like” version for flute and alto saxophones performed by the 2016 Awea Duo on 20 January in Dudley Recital Hall at the University of Houston in Houston, Texas

“Celestial Dawning” for full orchestra performed on 29 January 2016 by the Minnesota Orchestra on 29 January at Orchestra Hall in Minneapolis, Minneosota

“Cloud-Like” for two alto saxophones performed by Masahito 2015 Sugihara and Nathan Nabb on 21 February at the North American Saxophone Alliance Conference in Norman, Oklahoma

Broberg vitae, page 6 “Opening” for solo cello performed by Isabel Castellvi on 3 February 2015 at New Museum in New York, New York

“Celestial Dawning” for full orchestra performed on 4 February 2015 by the University of North Texas Symphony Orchestra Winspear Hall in the Murchison Performing Arts Center at the University of North Texas in Denton, Texas

“Increscent” for violin and piano and “Cadence” for piano, three 2014 piano bowers and string quartet performed by the Nova Ensemble on 17 November in Voertman Recital Hall at the University of North Texas

“Cloud-Like” for two alto saxophones performed by Masahito 2014 Sugihara and Naomi Sullivan on 6 November at Sam Houston State University in Huntsville, Texas

“Cloud-Like” for two alto saxophones performed by Masahito 2014 Sugihara and Naomi Sullivan on 5 November at Central Trak in Dallas, Texas

Resonant Strands cycle—five pieces for piano, string quartet and 2014 three piano bowers performed by the Nova Ensemble on 24 October in Voertman Recital Hall at the University of North Texas

The Waters of Time cycle—seven pieces for soprano and chamber Ensemble—performed by Clay Couturiaux, conductor; Carol Wilson, soprano; Terri Sundberg, flutes, Kimberly Cole Luevano, clarinet; Christopher Deane, percussion; Justin Simone, piano; Usman Peguero, violin; and Valentina Crnjak, violoncello on 24 October in Voertman Recital Hall at the University of North Texas

“Emerge” for piano and three piano bowers performed by Michiko 2014 Saiki on 15 August on at the Darmstadt Festival for Contemporary Music in Darmstadt, Germany

“Without End,” “Upon the Paths of Dreams” and “Lost in 2014 Thoughts” (text, Ono no Komachi) version for female voice and vibraphone from the Dream Paths cycle performed by Carrie Henneman Shaw and Eric Barsness on 6 March in Antonello Hall, MacPhail Center for Music

Excerpts of “Constellations” for two pianos and percussion quartet, 2013 “Breathturn” for choir and “Celestial Dawning” for orchestra was aired on 28 May by Classical Minnesota Public Radio

“From the Book of Hours” (text, Rainer Maria Rilke) for soprano, 2013 harpsichord and viola de gamba was performed by Carrie Henneman Shaw, Tami Morse and Tulio Rondon on 19 May in Studio Z in Saint Paul, Minnesota

Broberg vitae, page 7 “From the Book of Hours” (text, Rainer Maria Rilke) for soprano, 2013 harpsichord and viola de gamba performed by Carrie Henneman Shaw, Tami Morse and Tulio Rondon was performed on 18 May in Studio Z in Saint Paul, Minnesota

“From the Book of Hours” (text, Rainer Maria Rilke) for soprano, 2013 harpsichord and viola de gamba performed by Carrie Henneman Shaw, Tami Morse and Tulio Rondon on 17 May in Studio Z in Saint Paul, Minnesota

“From the Book of Hours” (text, Rainer Maria Rilke), cycle for soprano, 2013 harpsichord and viola de gamba premiered by Carrie Henneman Shaw, Tami Morse and Tulio Rondon on 4 April in the Baroque Room in Saint Paul, Minnesota

“Celestial Dawning” for full orchestra performed by the Saint Olaf 2013 Philharmonia Orchestra, conducted by Martin Hodel, on 28 April in the Skoglund Center Auditorium Saint Olaf College in Northfield, Minnesota

“Celestial Dawning” for full orchestra premiered by the Saint Olaf 2013 Philharmonia Orchestra, conducted by Martin Hodel, on 26 April at Saint Michael's Catholic Church in Farmington, Minnesota

“Breathturn” (text, Paul Celan), for choir performed by Volti on 3 March 2013 at Brower Center in Berkeley, California

“Breathturn” (text, Paul Celan), for choir performed by Volti on 2 March 2013 at Brower Center in Berkeley, California

“Breathturn” (text, Paul Celan), for choir performed by Volti on 1 March 2013 at Brower Center in Berkeley, California

The Waters of Time (text, Pablo Neruda) for soprano and ensemble, 2013 performed by Ensemble 61 on 12 January at the Regional Cultural Center in New York Mills, Minnesota

The Waters of Time cycle for soprano and chamber ensemble performed by 2013 Ensemble 61 on 12 January at Regional Cultural Center in New York Mills, Minnesota

“Sketches” for alto flute/flute in C, piano and vibraphone on 26 October 2012 at the Fourth London Festival of American Music in London, England

The Waters of Time cycle for soprano and chamber ensemble performed 2012 by Ensemble 61 on 13 October at Center for the Arts in Fergus Falls, Minnesota

"Opening" for solo cello performed by Joel Salvo on 15 November at the 2012 Schubert Club in Saint Paul, Minnesota

Broberg vitae, page 8 The Waters of Time cycle for soprano and chamber ensemble performed 2012 by Ensemble 61 on 21 September at the at Central Square in Glenwood, Minnesota

The Waters of Time cycle for soprano and chamber ensemble performed by 2012 Ensemble 61 on 4 August at United Methodist Church in Alexandria, Wisconsin

The Waters of Time cycle for soprano and chamber Ensemble 2012 performed by Ensemble 61 on 27 April in Studio Z in Saint Paul, Minnesota

“Impulse” for five musicians and dancers premiered on 12 April by the 2012 Saint Olaf College Dance Department Saint Olaf College in Northfield, Minnesota

“Collecting Winter” for solo piano premiered by Ensemble 61 2011 on 17 February in Studio Z in Saint Paul, Minnesota on February

“Rain Gardens” for solo piano premiered by Nicholas Phillips at the 2011 Wisconsin Music Teacher’s Association annual conference in on 28 October in Wisconsin Dells, Wisconsin

“Of Resonance” for string quartet performed by the Saint Paul Chamber 2011 Orchestra on 22 October in Saint Paul, Minnesota in the Saint Paul Chamber Orchestra Music Room

“Of Resonance” for string quartet performed by the Saint Paul Chamber 2011 Orchestra on 20 October in Saint Paul, Minnesota in the Saint Paul Chamber Orchestra Music Room

“Ethers” for French horn, cello and percussion premiered by Ensemble 2011 Dal Niente on 20 October at Nicholas Hall in Evanston, Illinois

“That Time” for soprano and chamber ensemble on 17 October 2011 by the Chicago Symphony Orchestra MusicNow Ensemble

“Echoes” for piano, “Constellations” for piano and “That Time” for 2011 soprano and chamber ensemble performed by Nick Phillips on 26 May at the University of Wisconsin in Eau Claire, Wisconsin

The Waters of Time cycle for soprano and chamber Ensemble 2011 performed by Ensemble Dal Niente on 17 April at the Mayne Stage in Chicago, Illinois

“Echoes” for piano, “Constellations” for piano and “That Time” for 2011 soprano and chamber ensemble performed by Nick Phillips on 26 May at the University of Wisconsin in Eau Claire, Wisconsin

“With Reverence” for solo French horn percussion and strings 2011 premiered on 20 January by Bernhard Scully and Ensemble Dal Niente in Nichols Hall in Evanston, Illinois

Broberg vitae, page 9

“Constellations” for solo piano performed on 5 December at Piano 2010 Forte Chicago in Chicago, Illinois

“Echoes” for solo piano performed by Matthew McCright on 2010 23 September in Merkin Concert Hall in New York, New York

“Echoes” for solo piano performed by Matthew McCright on 2010 18 September in Sateren Hall at Augsburg College in Minneapolis, Minnesota

“Songs of Longing” (text, Sappho) for treble voices and baroque 2010 chamber ensemble premiered on 14 May in Studio Z in Saint Paul, Minnesota

Resonant Strands cycle for piano, bowed piano and string 2010 quartet; Origins cycle for mixed winds and strings and The Waters of Time cycle for soprano and chamber ensemble performed by the Ai Ensemble on 17 May at Galapagos Art Space in New York, New York

“Beyond Blue” violin concerto premiered by Austin Wulliman and 2010 Ensemble Dal Niente premiered on 2 May at Nichols Concert Hall in Evanston, Illinois

“So Close” for soprano and piano, and “To Want” for soprano and 2010 piano trio (text, Pablo Neruda) performed by Ensemble Dal Niente on 24 April at Bowling Green State University in Bowling Green, Ohio

“Constellations” for solo piano performed by Matthew McCright on 2010 25 April at a CD release concert at Gethsemane Episcopal Church in Minneapolis, Minnesota

Origins cycle for mixed winds and strings performed by Ensemble 2009 Dal Niente on 3 December at Immanuel Lutheran Church in Chicago, Illinois

“Increscent” for violin and piano duo performed by Austin Wulliman 2009 Wulliman and Mabel Kwan on 23 May at the University of Illinois in Bloomington, Illinois

“Breathturn” (text, Paul Celan) for chamber choir premiered by 2009 Chicago Lyric Opera chorus master and the Crossing contemporary chamber choir on 22 May at the Presbyterian Church of Chestnut Hill in Philadelphia, Pennsylvania

“Constellations” for solo piano performed by Matthew McCright on 2009 15 May at Piano Forte Chicago in Chicago, Illinois

Broberg vitae, page 10 “Constellations” for solo piano performed by Matthew McCright and 2009 “Increscent” for violin and piano performed by Austin Wulliman and John Boonenberg on May 26 at the Tenri Cultural Institute in New York, New York

“Constellations” for solo piano performed by Matthew McCright on 2009 9 March at Westminster College in New Wilmington, Pennsylvania

“In Stillness” for clarinet quintet performed by the Mivos String 2009 Quartet on 11 March at Issue Project Room in New York, New York

Resonant Strands cycle for piano, bowed piano and string quartet 2009 Performed on 13 February by Ensemble Dal Niente in the concert hall at Columbia College in Chicago, Illinois

“Of Resonance” for string quartet and “Opening” for solo cello 2009 performed by the Jack quartet on 16 January in Brechemin Auditorium at the University of Washington in Seattle, Washington

“Constellations” for piano duo and percussion quartet premiered by 2009 Chicago Symphony Orchestra pianists Amy Briggs and Daniel Schlosberg with Third Coast Percussion on 13 December in Ganz Hall at Roosevelt University in Chicago, Illinois

Origins cycle of five extractable pieces for mixed winds and strings 2009 premiered by the New Millennium Orchestra on 17 November at the Cultural Center of Chicago in Chicago, Illinois

“Air” for flute and guitar commissioned and performed by flutist 2009 Harvey Sollberger and guitarist Paul Bowman performed on 19, October at the Teatro Comunale in Ceglie Messapica, Italy

“Lines” electronic soundtrack composed for a film by Sarah Carlson 2008 premiered on 16 October at the Electronic Music Midwest Conference at Lewis University in Romeoville, Illinois

“Air” for flute and guitar commissioned and performed by flutist 2008 Harvey Sollberger and guitarist Paul Bowman performed on 16 October at the Nuovi Spazi Musicali Festival in Villa Aurelia Hall in Rome, Italy

“Constellations” for solo piano premiered by Matthew McCright on 2008 12 October in the concert hall at Carleton College in Northfield, Minnesota

“Emerge” for piano and bowed piano performed by pianist Mabel 2008 Kwan on 21 September on the Sonic Fusion Festival at Canongate Kirk in Edinburgh, Scotland

Broberg vitae, page 11 “That Time” for soprano and chamber ensemble performed by 2008 soprano Peyee Chen and the Northwestern University Contemporary Music Ensemble on 17 May in the Pick Staiger Concert Hall at Northwestern University in Evanston, Illinois

“Opening” for solo viola premiered by Chia-Ying Hsu on 5 April in 2008 Shiley Theatre, Camino Hall at the University of California at San Diego in San Diego, California

“Emerge” for piano and bowed piano performed by pianist Matthew 2008 McCright and the Renegade Ensemble on 4 April at Carleton College in Northfield, Minnesota

“Opening” for solo cello performed by Isabel Castellvi on 22 March 2008 at Brooklyn Arts Exchange in New York, New York

“Opening” for solo cello performed by Isabel Castellvi on 21 March 2008 at Brooklyn Arts Exchange in New York, New York

“That Time” for soprano and chamber ensemble premiered by 2008 soprano Carrie Henneman Shaw and Ensemble Dal Niente on 23 January in Ganz Hall at Chicago College of Performing Arts at Roosevelt University in Chicago, Illinois

“Increscent” for violin and piano performed by Eighth Blackbird 2008 violinist Matt Albert at the Sonic Impact Festival on 29 October at the Museum of Contemporary Art in Chicago in Chicago, Illinois

“Twilight” for music and dance performed by the Sonic Inertia 2008 Dance and Performance Group on 19 October at the Opera Cabal Chamber Opera and Multimedia Festival at the Zhou Brothers Art Center in Chicago, Illinois

“Emerge” for piano and bowed piano performed by Matthew 2008 McCright and the Renegade Ensemble on 13 October in Lloyd Ultan Recital Hall at the University of Minnesota in Minneapolis, Minnesota

“Branching” for solo clarinet and chamber ensemble premiered by 2007 Ensemble Dal Niente on 4 October at the Sound Field Festival for New and Experimental Music at the Renaissance Society at the University of Chicago in Chicago, Illinois

“Opening” for solo violin premiered on 22 August by Carmel Raz 2007 at Cafe Mersand in Tel-Aviv, Israel

“Of Resonance” for string quartet performed by the Jack Quartet 2007 string quartet on 5 May at the Renaissance Society at the University of Chicago in Chicago, Illinois

Broberg vitae, page 12 “Tendrils” for solo bass clarinet performed by Gareth Davis on 27 April 2007 at Rosenberg and Kaufman Fine Art on the New York City International Contemporary Ensemble Ice Fest in New York, New York

“Opening” for solo cello performed by Isabel Castellvi on 10 April at 2007 Ossia Fine Arts Space in the historic Fine Arts Building on Michigan Avenue in Chicago in Chicago, Illinois

“Twilight” (text, e. e. Cummings) for soprano and chamber 2007 ensemble premiered by soprano Linden Christ with Ensemble Dal Niente on 5 April on the Chamber Opera & Multimedia Festival at the Zhou Brothers Art Center in Chicago, Illinois ______Music Administration Experience: Ensemble 61, Saint Paul, Minnesota 2010-2013 Chairman of the Board and Co-Director • Founded and co-managed a critically-acclaimed contemporary music ensemble • Planned and promoted events in Saint Paul, Minnesota and surrounding areas • Formed partnerships with organizations such as Minnesota Public Radio, the Consulat Général de France and the and the Goethe-Institut of Germany • Developed strategic plans to meet fundraising goals and balance the budget

Ensemble Dal Niente, Chicago, Illinois 2004-2010 Executive Director • Founded and managed a critically-acclaimed, non-profit music organization • Applied for and received 501(c)(3) status • Produced over one hundred events including public performances, multimedia events and education/outreach programs • Developed strategic plans to meet fundraising goals and balance the budget • Generated revenue from private donations, grants and institutions • Promoted the organization through press releases, advertising in written, online and broadcast outlets and working directly with reviewers and critics

Northwestern University Graduate Music Organization, Chicago, Illinois 2004-2008 President • Built community and served as a liaison between students and administration • Planned professional, educational and social events

Broberg vitae, page 13 New Music Chicago, Chicago, Illinois 2007-2008 Board Member • Facilitated communication among over twenty music organizations • Helped plan and produce concerts and a three-day multimedia event at the Museum of Contemporary Art in Chicago, Illinois

Midwest Music Graduate Consortium, Chicago, Illinois 2006-2007 Music Composition Chair • Helped plan an interdisciplinary music conference with a consortium of universities in the Midwest • Produced a concert of works selected works from an international call for scores • Secured funds and ensured fiscal responsibility Chicago Composers Forum, Chicago, Illinois 2006-2007 Steering Committee Member • Advocated for Chicago composers • Produced concerts of selected works from various calls for scores

New Music Northwestern, Chicago, Illinois 2004-2006 Assistant Director • Planned and helped produce a seven-hour marathon of music and lectures

International Contemporary Ensemble, Chicago, Illinois 2006 Marketing Assistant • Sent press releases and listed the event with various publications • Surveyed and interpreted the results

College Music Society, Minneapolis, Minnesota 2003 Assistant to National Composition Board Member • Developed strong organizational skills and attention to detail ______Grants Procured: Metropolitan Regional Arts Council grant—$5,000 to produce a 2013 concert of Scandinavian music in Saint Paul, Minnesota

Cultural STAR grant—$5,000 to produce a concert of Scandinavian 2013 music in Saint Paul, Minnesota

French American Contemporary Music fund—$2,500 awarded to 2013 produce a concert of French and American music in Minneapolis, Minnesota

Goethe-Institut of Germany—$600 to support performances of music 2010 by German Composers

Consulat Général de France—$600 to support performances of 2010 music by French composers

Chicago Department of Cultural Affairs—$500 to support general 2010 operating expenses for Ensemble Dal Niente

Broberg vitae, page 14

Dorothy and Donnelly Foundation—$3,000 to support general 2010 operating expenses for Ensemble Dal Niente

Harvard University Fromm Foundation Grant—$10,000 for original 2009 composition

American Composers Forum Jerome Commissioning Grant 2009 —$7,000 for original composition

Dorothy and Donnelly Foundation—$3,000 to support general 2009 operating expenses for Ensemble Dal Niente

American Composers Forum Encore Grant—$1,500 to support 2009 performances of original work

American Composers Forum Encore Grant—$1,000 to support 2008 performances of original work

Dorothy and Donnelly Foundation—$3,000 to support general 2008 operating for Ensemble Dal Niente

Ruth Wyatt Composer Grant—$1,000 to support travel for a performance 2008 of “Air” for flute and guitar in Rome, Italy

Dorothy and Donnelly Foundation—$3,000 to support general 2007 operating expenses for Ensemble Dal Niente

BMI Foundation—$600 to support general operating expenses for 2007 Ensemble Dal Niente

Ruth Wyatt Composer Grant—$500 to support travel for a performance 2007 of “In Stillness” for bass clarinet and cello in New York, New York

Dorothy and Donnelly Foundation—$3,000 to support general 2006 operating expenses for Ensemble Dal Niente

Ruth Wyatt Composer Grant—$500 to support travel for a performance 2005 of “Tendrils” for solo clarinet at the June in Buffalo Festival in Buffalo, New York

Ruth Wyatt Composer Grant—$500 to support travel for a performance 2004 of “Sketches” for flute, vibraphone and piano performed at the Cincinatti Conservatory Music ’04 Festival in Cincinatti, Ohio ______Guest Lectures: State University of New York at Stony Brook 2016 • On Cyclicity and The Natura Cycle: A Modular and Overlapping Cycle of Eleven Extractable Pieces by Kirsten Broberg

Broberg vitae, page 15 International Summer Course for New Music in Darmstadt, Germany 2016 • On Cyclicity and The Natura Cycle: A Modular and Overlapping Cycle of Eleven Extractable Pieces by Kirsten Broberg

Northwestern University in Evanston, Illinois 2016 • On Cyclicity and The Natura Cycle: A Modular and Overlapping Cycle of Eleven Extractable Pieces by Kirsten Broberg

International Summer Course for New Music in Darmstadt, Germany 2014 • “Partiels” from Les Espaces Acoustiques by Gérard Grisey

International Summer Course for New Music in Darmstadt, Germany 2014 • “Emerge” form the Resonant Strands cycle by Kirsten Broberg

Saint Paul Chamber Orchestra 2011 • Pre-concert lecture on “Piano Concerto Number 1” by Ludwig van Beethoven, “Serenade Number 2” by Johannes Brahms and “Pastoral Symphony” by Brett Dean

The French Alliance of Minneapolis/Saint Paul 2011 • “Olivier Messiaen: His Music and Influence”

American Composers Forum, St. Paul, Minnesota 2010 • “Composing for Piano”

Concordia College, Moorhead, Minnesota 2009 • “Spectrality and the music of Gérard Grisey

Chicago, Illinois Academy for Performing Arts, Chicago, Illinois 2008 • “Spectrality and Extended Techniques”

Loyola University, Chicago, Illinois 2007 • “Stravinsky Ballets”

Illinois State University, Bloomington, Illinois 2007 • “Prepared Piano”

Northwestern University, Chicago, Illinois 2005-2006 • “Contemporary Music: Serialism” • “Contemporary Music: Minimalism” • “Contemporary Orchestration: Prepared Piano” • “Contemporary Orchestration: String Techniques”

Northwestern University High School Music Institute, Chicago, Illinois 2005-2007 • “Spectrality” • “Extended and Bowed Piano Techniques” • “Current Trends in Contemporary Music” • “Contemporary Orchestration Techniques

Broberg vitae, page 16