Sir Arthur Conan Doyle
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Ghostly Molds How to Make a Plaster Cast of Your Hand, Even If You Are Not a Spirit
SI M-A 2009 pgs 1/27/09 11:40 AM Page 22 NOTES ON A STRANGE WORLD MASSIMO POLIDORO Ghostly Molds How to make a plaster cast of your hand, even if you are not a spirit ince the early days of Spiritualism, public became aware of their existence porters of this method agree that it is when mediums began producing thanks also to articles in popular maga- possible to reproduce hands of different S physical phenomena, paraffin-wax zines such as Scientific American. sizes and shapes and that the glove molds supposedly modeled around mate- Some of the plaster casts of these might be easily hidden on the medium’s rialized “spirit hands” during séances were molds are still preserved at the Institut body. To obtain such a glove showing considered some of the best pieces of evi- Mètapsychique International in Paris the hand’s fingerprints and its distinc- dence of the paranormal. (www.metapsychique.org), a fact that in tive lines, one should first impress a real Some of these molds, in fact, seem- part explains why the interest in the hand on dental wax, which allows a ed to possess the characteristics of phenomena periodically resurfaces. much sharper outline of the skin’s tex- “permanent paranormal objects.” The ture than plaster. This imprinting will at Alternatives to the Paranormal empty paraffin molds found at the con- once be used as a mold for making a clusion of séances, it was thought, Many (e.g., Coleman 1994a; 1995a) rubber glove showing all the typical could still be intact only because the have pointed out various possible nat- marks of a real hand. -
Fairies to Be Photographed! Press Reactions in “Scrapbooks” to the Cottingley Fairies Kaori Inuma
Fairies to Be Photographed! Press Reactions in “Scrapbooks” to the Cottingley Fairies Kaori Inuma Introduction In 1917, two girls (Elsie Wright and Frances Griffiths) used a “Midge” camera to produce two fairy photographs in the Cottingley glen, West Yorkshire. Though the fairies were made of paper, the girls stubbornly insisted that they were real fairies in order to play a joke on their parents and friends.1 A few years later, the photographs were forwarded to Edward L. Gardner, the president of Blavatsky lodge of the Theosophical Society in London. In addition, the news about the photographs reached Arthur Conan Doyle, best known for his fictional detective series of Sherlock Holmes, who was then writing an article on the belief in fairies in folklore. Doyle contacted Gardner and they commenced the investigation of the fairy photographs together. They consulted various experts in photography and made the girls take three more fairy photographs. As a result, Doyle published two articles in the Strand Magazine in 1920 and 1921 followed by a book titled The Coming of the Fairies (1922) in which he concluded that they could not find any evidence of tricks. Some previous research on this case has considered that the contemporary press primarily debated the existence of the fairies, whether the photographs were forged or genuine; critical views were dominant. Alex Owen, who argued the case in relation to power and privilege, stated: “All this occurred, however, at considerable cost to Conan Doyle’s reputation. His espousal of the fairies dismayed many of even his most ardent admirers. Nevertheless, there were those who Fairies to Be Photographed! felt that lingering questions over the possible authenticity of the photographs remained, and public interest and debate have continued down the years” (50). -
Photographing Fairies Making and Faking Photos a Century After Cottingley 19 February - 19 August 2021 Stills.Org/Fairies Contents
Photographing Fairies Making and faking photos a century after Cottingley 19 February - 19 August 2021 Stills.org/fairies Contents Photographing Fairies 5 Introduction Stills Creative Learning Programme 9 Emma Black The Cottingley Fairy Photographs 11 Alice Sage The Ever-Changing Persistence of Fairies 23 Sarah Dunnigan Photography and Fairies 29 Alice Sage Detail, The Cottingley Fairies. Frank Quitely (1996) Printed copies of this booklet are available. If you would like one, please send an email to [email protected] Photographing Fairies This project was inspired by the 100th anniversary of the publication of the Cottingley Fairy Photographs in December 1920. This infamous hoax by Elsie Wright and Frances Griffiths produced the original viral selfies — photos of fairies which convinced many people of the existence of supernatural life, but also sparked fierce debate about the agency and ability of girls. We wanted to find out what young people the same age as Frances Griffiths thought about these photographs now — would they ever be fooled by fake images? Can we believe what we see in the media? How do we navigate a world of airbrushing, filters and deep fakes? Contents of the art box: In September 2020, we started working with two groups of Scissors young people who meet regularly through Edinburgh Young Glue Carers and Edinburgh Multi-cultural Family Base. We had Pens and pencils Pictures for collaging hoped to get together in the Stills darkroom, set up portrait Coloured paper sessions in the studio and go out finding fairies around the city. White card Of course, these plans had to change due to Covid-19. -
Rhine Online Psi Research News-Magazine Volume 2 / Issue 2 – Summer 2010
Rhine Online Psi Research News-Magazine Volume 2 / Issue 2 – Summer 2010 Table of Contents Submission Guidelines ............................................................................................................................. Editorial Overview ................................................................................................................................... Shamanism and Healing: A Personal Perspective ..................................................................................... Anthropology and the Ontological Status of the Paranormal..................................................................... Interview with Christine Simmonds-Moore .............................................................................................. A Report of Spiritual Healing, Spontaneous Macro-PK, and Sympathetic Body Sensations Between Closely-Bonded Friends ........................................................................................................................... Taskings & Responses An Interview with Joe McMoneagle..................................................................... PSI Chronicles - The Case of the Wounded Kitten.................................................................................... The Healing Power of Dolphins................................................................................................................ Recent Rhine Events................................................................................................................................ -
Why Do So Many People Still Believe in the Cottingley Fairies?
Why do so many people still believe in the Cottingley Fairies? Frances Griffiths in one of their famous Cottingley Fairies photographs One hundred years after the photographs were taken, why is one community still transfixed by the hoax? By David Barnett At the bottom of Luke Horsman’s garden, there are fairies. Or at least, there were, a century ago, when two young girls unwittingly created a modern tale that brought together two worlds; the relatively new one of photography and the ages- old sphere of folklore, entrancing a famous figure as Sherlock Holmes creator Arthur Conan Doyle. Mr Horsman, 35, lives in Main Street, a narrow road of terraced houses, in the village of Cottingley in West Yorkshire, with his partner Ruth. He’s an illustrator and is working on a graphic novel called, with perhaps a nod to the idyllic outlook from his end-of-terrace house, Edengate. But, despite the sometimes fantastical nature of his own work, he had no idea when he and Ruth purchased the property in November 2015 that he was buying a slice of the history of the famous Cottingley Fairies. “It wasn’t mentioned to us at all,” says Mr Horsman, leading me to the kitchen, which overlooks the garden behind the house. “It was only when we moved in and one of the neighbours said to us, ‘Ah, you’re the ones who’ve bought the fairy house’ that we had any idea. I had no idea what they were talking about at first.” Mr Horsman takes me through the garden, along slate paths to an arbour that perches on the edge of a brook that cascades down past the backs of the homes in Main Street. -
Special Issue ARTHUR CONAN DOYLE
Special Issue on ARTHUR CONAN DOYLE FEBRUARY 2015 EDITOR’S INTRODUCTION An Adventure, A Magic Door and The Detective: An Invitation to Sir Arthur Conan Doyle’s Wide-Ranging Œuvre Sarah E. Maier University of New Brunswick “Conan Doyle…. Doyle…. Isn’t that the guy who wrote the series with Benedict Cumberbatch in it?” When one encounters such a response from a group of upper-level English students who have enrolled in my class on “Jack the Ripper & Co: Neo-Victorian Narratives of Crime,” it rather deflates the enthusiasm. Once I convinced them that in fact “the guy” was Sir Arthur Conan Doyle who had, in fact, written the “series” of stories about the detective, Sherlock Holmes, and his faithful doctor friend, Doctor Watson, I was able to reach back through history to the nineteenth century and introduce them to the original, marvelous texts.1 I boldly asserted that “the guy” had, in addition, written many, many other narratives in other genres that were absolutely worth reading. But alas, they did not feature Cumberbatch. The purpose of this special issue is to give a nod to the modern adaptations of Conan Doyle’s work, but to investigate via a series of essays his other works that seem too often to get left behind in the race after the cases of Holmes and Watson. Now to the man himself; Arthur Ignatius Conan Doyle was the eldest son and third of nine children born into the Irish Catholic family of Mary née Foley (1838-1921) and Charles Altamont Doyle (1832-1893) on 22 May 1859 in Edinburgh, Scotland. -
Journal of Scientific Exploration FEG Report 2010
Journal of Scientifi c Exploration, Vol. 28, No. 1, pp. 63–111, 2014 0892-3310/14 RESEARCH ARTICLE Investigations of the Felix Experimental Group: 2010–2013 STEPHEN E. BRAUDE Submitted 12/3/2013, Accepted 2/3/2014, Pre-published 3/20/2014 Abstract—This paper chronicles my introduction to and subsequent inves- tigation of the Felix Experimental Group (FEG) and its exhibitions of classi- cal physical mediumship. It’s been nearly a century since investigators have had the opportunity to carefully study standard spiritistic phenomena, in- cluding the extruding of ectoplasm, and the FEG is the only current physi- cal mediumistic circle permitting any serious controls. The paper details the progressively stringent controls applied to the production of phenomena, culminating in some well-controlled experiments with video documenta- tion in a secure and private location belonging to one of the investigators. Introduction I first learned about the Felix Experimental Group (FEG) and its medium, Kai Mügge, early in 2008, from Jochen Söderling (pseudonym), the cardiologist who eventually became its circle leader. Presumably because of Jochen, and also my reputation (such as it was) as a reasonably knowledgeable proponent of the best macro-PK cases, I soon thereafter found myself included among the email recipients of FEG updates. But as far as I can now reconstruct, my first direct contact with Kai occurred in the Fall of 2009, when we arranged for the first of a series of get-acquainted Skype video calls. By that time I had already been planning with my friend and colleague Peter Mulacz to apply for funding to visit the FEG, and our email discussions had begun with Jochen to make that visit happen. -
Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z
Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others). -
Hamilton Family Fonds (Mss 14, Pc 12, Tc 70 (A.79-21, A.79-41, A.79-52, A.79-56, A.79-65, A.80-08, A.80-25, A.81-09, A.86-56, A12-109))
University of Manitoba Archives & Special Collections Finding Aid - Hamilton Family fonds (Mss 14, Pc 12, Tc 70 (A.79-21, A.79-41, A.79-52, A.79-56, A.79-65, A.80-08, A.80-25, A.81-09, A.86-56, A12-109)) Generated by Access to Memory (AtoM) 2.3.0 Printed: March 23, 2017 Language of description: English University of Manitoba Archives & Special Collections 330 Elizabeth Dafoe Library Winnipeg Manitoba Canada R3T 2N2 Telephone: 204-474-9986 Fax: 204-474-7913 Email: [email protected] http://umanitoba.ca/libraries/units/archives/ http://umlarchives.lib.umanitoba.ca/index.php/hamilton-family-fonds Hamilton Family fonds Table of contents Summary information ...................................................................................................................................... 8 Administrative history / Biographical sketch .................................................................................................. 8 Scope and content ........................................................................................................................................... 9 Notes ................................................................................................................................................................ 9 Access points ................................................................................................................................................. 10 Collection holdings ....................................................................................................................................... -
The Enigma of Franek Kluski's Mediumship by Zofia Weaver
Journal of Scientifi c Exploration, Vol. 29, No. 3, pp. 502–506, 2015 0892-3310/15 BOOK REVIEW Other Realities? The Enigma of Franek Kluski’s Mediumship by Zofia Weaver. Hove, UK: White Crow Books, 2015. 152pp + xxi. $16.99 (paperback). $8.99 (Kindle). ISBN 978-1-910121-39-9. Scholarly studies of physical mediumship typically list D. D. Home and Eusapia Palladino as the most convincingly documented mediums of all time, and most also rate Home’s case as among the most spectacular. Although many consider other cases of physical mediumship to be as dramatic as that of Home (e.g., those of Carlos Mirabelli, and Indridi Indridason), and while other less dramatic cases are often ranked as highly significant (e.g., Kathleen Goligher, Rudi Schneider, Eva C.), the prevailing view is that, despite their different virtues, these cases lie within the shadows of Home and Palladino. My own survey of physical mediumship (Braude 1997) represents this received opinion, an opinion which the book currently under review has forced me to reconsider. I’ve known all along about the apparently spectacular case of the Polish medium Franek Kluski (1873–1943).1 For example, I knew that (under conditions that seemed to rule out fraud) he reportedly produced lifelike materialized forms of both humans and animals, and that he frequently used warm paraffin to produce moulds of ostensibly materialized hands, some obtained under apparently quite tight conditions at the Institut Métapsychique International (IMI) in France, under the supervision of Gustave Geley and Charles Richet. The problem, however, was that the most important and extensive documentation of Kluski’s phenomena had never been translated from Polish into English, and so there was very little on which I and other Polish-challenged commentators could rely. -
= Consciousness
17/04/2016 •Withinonlythreeweeks,the“Icandothis” groupdemonstratedimprovementsin healthandanincreaseinparticipation ingroupactivities. 1/23/17 •By18months,theirdeathratewasreduced by50percent. DIFFERENT VIEWS OF CONSCIOUSNESS 17/04/2016 DIFFERENT VIEWS OF CONSCIOUSNESS * Consciousness is irrelevant Conventionalscience: * Consciousness is irrelevant “Themoretheuniverse seemscomprehensible, themoreitalsoseems pointless.” * Consciousness is just an excretum of brain ~StevenWeinberg Nobelist,physics,1979 Conventionalscienceinsiststhat _____________________________________________________________ WeinbergS.The FirstThreeMinutes. NewYork,NY:BasicBooks;1993:154. =consciousness “We’reallzombies. Nobodyisconscious.” ~DanielDennett …inspiteofthefactthatnohumanbeinghasever philosopher,TuftsUniversity observedconsciousnessbeingproducedby thebrain,orbyanythingelse. _______________________________________________________________ DennettD.ConsciousnessExplained.Boston,MA:BackBayBooks;1992:406. 17/04/2016 17/04/2016 22 Conventionalscience: 17/04/2016 Conventionalscience: 17/04/2016 11 “Thebrainisjustacomputermadeofmeat.” “Whenweconsider whetherfreewillisan —MarvinMinsky illusionorreality, weare Conventionalscience: DIFFERENT VIEWS OF CONSCIOUSNESS “[A]person’smentalactivitiesArtificial IntelligenceLab lookingintoanabyss. MIT Whatseemstoconfront areentirelyduetothebehavior “Theusisbrainaplungeisjustintoacomputernihilismmadeofmeat.” ofnervecells,glial cells,andthe 19272016 anddespair.” atoms,ions,andmoleculesthat —MarvinMinsky makeupandinfluencethem.” -
Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE E-Mail: [email protected] No
THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE e-mail: [email protected] no. 292 25th April 2009 A year ago I hailed the completion of David Timson’s ambitious Pitkin Publishing (Healey House, Dene Road, Andover, Hants. SP10 project, to record the entire Canon for Naxos AudioBooks (2nd Floor, 2AA) is well known for handsome full-colour souvenir guides to places 40A High Street, Welwyn, Herts. AL6 9EQ). Last month, in the author’s of interest – and to popular literary classics, the latest being The World sesquicentennial year, Naxos launched The Complete Sherlock Holmes of Sherlock Holmes by Peter Brimacombe . £4.99 gets you thirty-two as a boxed set, priced at £180.00 (but we’re negotiating a special offer pages of elementary but well-chosen, splendidly illustrated information. for members of the Society with the Audiobook Store at 36 Baker Street, Visitors to London will be snapping it up, and quite right too. London W1U 3EU – watch this space!). I’ve reviewed the individual Back in 1995, Sherlock Holmes: Some Unpublished Cases by Robert A releases over a period of ten years, and I’m happy to bang the drum for Kisch was published in a limited edition by the Institution of Diagnostic the set. David Timson, quite simply, is one of our great voice actors. His Engineers (7 Weir Road, Kibworth, Leicester LE8 0LQ; characterisations are distinct and precise, his pacing is masterly, and his [email protected] ; £9.99). For some reason it didn’t come feeling for the stories is palpable.