Sinai, Zion, and Eden in Byzantine Hymnographic Exegesis1
Bogdan G. Bucur PiĴ sburgh, PA “THE MOUNTAIN OF THE LORD“: SINAI, ZION, AND EDEN IN BYZANTINE HYMNOGRAPHIC EXEGESIS1 Introduction In the manifesto of the “Theophaneia School,“ Alexander Go litzin ventures the following bold statement: Theophany permeates Orthodox Tradition throughout, informing its dogmatic theology and its liturgy. That Jesus, Mary’s son, is the very One who appeared to Moses and the prophets — this is the consistent witness of the ante-Nicene Fathers, and remains founda- tional throughout the fourth century Trinitarian controversies and the later christological disputes.2 In the pages to follow, I would like to show that, aside from the his- tory of creeds, councils, and condemnations, and accompanying the patristic works of Christology or trinitarian theology, the identifi cation of the Son of Mary with “the Lord of Glory whom Moses saw of old“ is also aĜ rmed by the hymnographic tradition of the Christian East. The witness of Byzantine hymnography is extremely relevant, as no single patristic work has been read so extensively and with such uncondi- tional acceptance throughout the ages. Nevertheless, as I will show, the exegetical dimension of Byzantine hymnography is diĜ cult to de- fi ne using the categories commonly used for early Christian exegesis (“allegory,“ “typology,“ etc); I submit that a more suitable category (1) Except where indicated, the English translation of the hymns is taken from The Festal Menaion (trans. Mother Mary and Kallistos Ware; London— Boston: Faber&Faber, 1969) and The Lenten Triodion (trans. Mother Mary and Kallistos Ware; London—Boston: Faber&Faber, 1977), modifi ed only to con- form to contemporary use of pronouns and verbs.
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