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Galleri Stuart Klipper Att Köpa Konst
GALLERI STUART KLIPPER ATT KÖPA KONST Stuart Klippers uppdrag för Artipelag består av sexton stycken fotografier med motiv ifrån Stockholms skärgård som säljs i en upplaga om tre per motiv. Verken hänger utanför Restaurang Artipelag på “Björns golv” och i butiken. På “Björns golv” finns en lista med information om vilka verk som är sålda. Fotogra- fierna printas hos Projektor på Canson Platine, ett mycket fint franskt museipapper, som har en semi-gloss finish. Serien är exklusivt framtagen av Stuart Klipper för Artipelag och verken har en signerad etikett på baksidan där även editionsnumret framgår. Fotografierna säljs endast ramade. Vi samarbetar med Konstbar, Riddargatan 1 i Stockholm. Mått och priser (inkl 25% moms) 18 x 54 cm 10 000 SEK 30 x 97 cm 20 000 SEK 46 x 137 cm 30 000 SEK 61 x 193 cm 60 000 SEK En upplaga av samtliga sexton motiv är redan printade och ramade och finns här på Artipelag. Väljer du ett av dessa sexton motiv, kan du, om du vill, få med dig verket direkt. De andra två upplagorna, oavsett vald storlek, kommer att printas och ramas efter beställning och betalning. Detta är en process som tar 4-8 veckor. Så här gör du Har du bestämt dig för ett verk i storlek 18 x 54 cm, och om första upplagan av ditt valda motiv ännu inte är såld, kan du betala kontant eller med kort och få det med dig på en gång. I butiken betalar du samt hämtar ditt verk. Önskar du istället beta- la mot förskottsfaktura (10 dagar betalningsvillkor), reserverar vi ditt verk och kontaktar dig när vi mottagit din betalning för att bestämma leveranssätt. -
Magnachrom Volume 1, Issue 1, Build 1
VOLUME 1, ISSUE 1, BUILD 2 Premiere Issue! SOAPBOX: Welcome to MAGNAchrom ROUNDUP: Large/Medium Format Digital Backs INTERVIEW: Shelley Lake PORTFOLIO: Sacred Places TOOLKIT: BadassBadass Photographer’sPhotographer’s RVRV REVIEWS: GaoersiGaoersi 4x54x5 COLLECTIBLES: Linhof Bi Kardan System FEATURE: Adventures in IR-land TIPS & TRICKS: InfraredInfrared luminenceluminence layeringlayering The hybrid magazine for users of medium and large format cameras The hybrid Slot Canyon © 2006 Shelley Lake [THE SOAPBOX] Welcome to the Premiere Issue! elcome to the very first largely invisible creative souls. in future issues. Kudos and criticism can be ad- issue of MAGNAchrom Many have been quietly working dressed directly to me. And unlike “yet another web- — the hybrid magazine in this medium for years and site” in a sea of infinite web- This first issue features an for lovers of big cam- haven’t a chance of ever be- sites, MAGNAchrom serves to amazing soul — Dr. Shelley eras and the people who use ing covered by a main-stream consolidate the Lake, who has them. (yes, the double enten- publication. most pertinent, been quietly dre is intended!) our goal is to evolve into So I want to give them (per- up-to-date nothing less than the pre- working behind Why launch a new magazine haps you) a chance at letting information for mier publication devoted the scenes for for a market segment that the world see some really new, medium and to all things medium and many years ostensibly represents a smaller fresh faces. And along for the large-format large format developing her and smaller piece of the pho- ride, I know you will see some photographers. -
Animals: Them and Us to Open at the North Dakota Museum of Art
FOR IMMEDIATE RELEASE Contact: Matthew Wallace [email protected] 701-777-4195 ANIMALS: THEM AND US TO OPEN AT THE NORTH DAKOTA MUSEUM OF ART Museum Director Laurel Reuter has gathered the work of twenty-five artists from across North and South America in a contemporary exhibition Animals: Them and Us. The show is on display at the North Dakota Museum of Art in Grand Forks through January 5, 2009. The public is invited to a reception on November 22, 5 – 7 pm for Animals: Them and Us, and Vivienne Morgan: A Sense of Place, a landscape photography exhibition by Bemidji- based artist Vivienne Morgan. There will be a short lecture by Morgan. According to Morgan, “After living in the United States for nearly thirty years, I still define myself as English. I almost live in two worlds, watching BBC television, listening to BBC Radio 4: all my news and sense of America is filtered through those sources. It keeps me happy to remain connected, but when I leave my house, the whole wild wooded landscape of Northern Minnesota tells me plainly: I'm not in England anymore. Of all things English, my identity is most closely tied to the English landscape.” The biological definition of animal refers to all members of the kingdom Animalia, including humans who are only one of the nine or ten million species of animals that inhabit planet Earth. In curating the exhibition, Reuter searched for art from the complicated animal genre that exhibits contrasting and conflicting visions, points-of-view, assumptions, assertions, and historical remembrances of other members of the kingdom Animalia. -
Western States Digital Imaging Best Practices Version 1.0
Western States Digital Standards Group Digital Imaging Working Group Western States Digital Imaging Best Practices Version 1.0 January 2003 Funded by an IMLS grant to University of Denver and the Colorado Digitization Program Created on: 2002-07-17 Last Modified: 2003-05-22 Western States Digital Imaging Digital Standards Group Best Practices A Cultural Heritage Collaboration January 2003 ACKNOWLEDGEMENTS ........................................................................................................................................2 PURPOSE ....................................................................................................................................................................3 SCOPE........................................................................................................................................................................4 REVISIONS .................................................................................................................................................................4 PIXELS PER INCH (PPI) VS. DOTS PER INCH (DPI).....................................................................................................4 GENERAL PRINCIPLES................................................................................................................................................5 RELATED DOCUMENTS ..............................................................................................................................................5 PROJECT PLANNING ..............................................................................................................................................6 -
CONTENTS (650) 323-3652 [email protected] BRASH ICE ……………………… Cover BLACK MEN in EARLY ANTARCTICA…..…
VOLUME 08‐09 DECEMBER NO. 2 PRESIDENT WWW.ANTARCTICAN.ORG Dr. Arthur B. Ford 400 Ringwood Avenue Menlo Park, CA CONTENTS (650) 323-3652 [email protected] BRASH ICE ……………………… cover BLACK MEN IN EARLY ANTARCTICA…..…. 5 VICE PRESIDENT Robert B. Flint, Jr. ANTARCTIC CALENDARS ………… 2 ICE IS WHERE YOU FIND IT ………..…….…. 5 185 Bear Gulch Road Woodside, CA 94062 WEBSITE UPDATE .…………………. 2 JOE FLETCHER ……………………………..…. 6 (650) 851-1532 [email protected] ARCHIVING ………………………….. 2 MARTIN POMERANTZ …............................…. 8 TREASURER Paul C. Dalrymple ICE SHELF LEAVING …………….…. 4 EAGLE ON ICE ………………………...……… 8 Box 325 Port Clyde, ME 04855 WIND POWER AT MCMURDO …..… 4 STUART KLIPPER …………………………...… 9 Phone: (207) 372-6523 [email protected] FAMILY BUSINESS ………………… 5 ANTARCTIC TOURISM ……………………...…10 SECRETARY Charles Lagerbom 83 Achorn Road Belfast, ME 04915 BRASH ICE. We had looked forward to this Newsletter as an end to my 30-year era of putting (207) 548-0923 [email protected] these Newsletters together and out on the street. I am really ready to call it quits, as something which was once a great pleasure and delight to do has now become a frustrating ordeal. When I WEBMASTER th Thomas Henderson was physically located in the Washington, DC area, when NSF was on 18 Street, when the 520 Normanskill Place Polar Research Board was in Foggy Bottom, when Ed Todd and Peter Wilkniss were in charge Slingerlands, NY 12159 [email protected] of the Office of Polar Programs, when Louie deGoes and Tim Hushen were heading up PRB, and when we had use of rooms at NSF and at the National Academy of Sciences for meetings, it was PAST PRESIDENTS all so easy. -
Volume 45, Number 40: May 28, 2008 University of North Dakota
University of North Dakota UND Scholarly Commons Elwyn B. Robinson Department of Special University Letter Archive Collections 5-28-2008 Volume 45, Number 40: May 28, 2008 University of North Dakota Follow this and additional works at: https://commons.und.edu/u-letter Recommended Citation University of North Dakota, "Volume 45, Number 40: May 28, 2008" (2008). University Letter Archive. 93. https://commons.und.edu/u-letter/93 This Newsletter is brought to you for free and open access by the Elwyn B. Robinson Department of Special Collections at UND Scholarly Commons. It has been accepted for inclusion in University Letter Archive by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. The University of North Dakota | University Letter Main Navigation SEARCH UND Print this Issue ISSUE: Volume 45, Number 40: May 28, 2008 A to Z Index Map Contents ABOUT U LETTER Top Stories University Letter is published electronically weekly on Council of Deans issue statement on campus climate Tuesday afternoons. Submissions are due at 10 a.m. Hesham El-Rewini named UND dean of engineering and mines Tuesday. Events to Note U LETTER U Letter Home Essential Studies director candidate interview set for May 29 Submit a Story Freshman Getting Started Program is through July 11 U2 lists workshops Memorial March is June 6; faculty, staff help sought Weigh Well program sign up ends Friday New exhibit, Remembering Dakota, opens at Museum Grand Cities Art Fest seeks volunteers Limited spots open for youth moviemaking camp North Dakota Arts and Humanities Summit is Oct. -
Subhankar Banerjee Resume
SUBHANKAR BANERJEE I was born in 1967 in Berhampore, a small town near Kolkata, India. My early experiences in my tropical home in rural Bengal fostered my life long interest in the value of land and it’s resources. In the cinemas of these small towns, I came to know the work of brilliant Bengali filmmakers including, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak. I loved cinema and found their visual explorations of everyday life and larger social issues immensely inspiring. I asked my Great Uncle Bimal Mookerjee, a painter, to teach me how to paint. I created portraits and detailed rural scenes, but knew from growing up in a middle-income family that it would be nearly impossible for me to pursue a career in the arts. I chose instead the practical path of studying engineering in India and later earned master’s degrees in physics and computer science at New Mexico State University. In the New Mexican Desert, I fell in love with the open spaces of the American West. I hiked and backpacked frequently in New Mexico, Arizona, Colorado, and Utah, and bought a 35mm camera with which I began taking photographs. After finishing my graduate degrees in Physics and Computer Science, I moved to Seattle, Washington to take up a research job in the sciences. In the Pacific Northwest, my commitment to photography grew, and I photographed extensively during many outdoor trips in Washington, Oregon, Montana, Wyoming, California, New Hampshire, Vermont, Florida, British Columbia, Alberta, and Manitoba. In 2000, I decided to leave my scientific career behind and began a large-scale photography project in the American Arctic. -
John T. Lyle Papers 0059
http://oac.cdlib.org/findaid/ark:/13030/c88g8s45 Online items available The Finding Aid of the John T. Lyle Papers 0059 Rob Strauss, Emily Chavarria, Josh Rose, Alex Dan, and Elainna-Marie Herrera The processing of this collection and the creation of this finding aid was funded by the generous support of the National Historical Publications and Records Commission. California State Polytechnic University, Pomona. Special Collections and Archives January 2018 3801 West Temple Avenue Pomona, CA 91768 [email protected] 909-869-3775 The Finding Aid of the John T. 0059 1 Lyle Papers 0059 Title: John T. Lyle Papers Creator: Lyle, John Tillman Identifier/Call Number: 0059 Contributing Institution: California State Polytechnic University, Pomona. Special Collections and Archives Language of Material: English Physical Description: 81.27 Linear Feet(71 boxes, 5 flat file drawers) Date (inclusive): circa 1950-2004 Abstract: John T. Lyle (1934-1998) taught Landscape Architecture at Cal Poly Pomona from 1968 to 1998. He was also founding project director of the Center for Regenerative Studies at Cal Poly Pomona, which is now called the John T. Lyle Center for Regenerative Studies. This collection includes personal and business correspondence; course outlines and lecture notes; blueprints and project designs; materials relating to the Center for Regenerative Studies, drafts and notes from his writings, including unpublished material; personal papers and subject files; and photographs and other audiovisual materials. Sponsor The processing of this collection and the creation of this finding aid was funded by the generous support of the National Historical Publications and Records Commission. Conditions Governing Access Advanced notice required for access. -
Large Format View Camera a Creative Tool with Limitless Potential
Section3b LargeFormat – View Arca Swiss . 158-169 Horseman . .170-179 Linhof . 180-197 Sinar . .198-217 Toyo . 218-228 ARCA SWISS DISCOVERY 4x5 SYSTEM Arca Swiss cameras are more than the sum of their parts. Each and every model gives you an entry into the Arca system, allowing you access to the most complete line of professional accessories available. Designed by working photographers, this modular system allows you to add components as needed, giving you the freedom to purchase what you need when you need it. In addition, Arca Swiss cameras are ergonomically designed, allowing the photog- VIEW CAMERAS rapher to control perspective and depth-of-field accurately. And Arca has devised a fail-safe (and foolproof) system for Arca Swiss attaching the lensboard bellows and camera back. Discovery The affordable Arca Discovery is an economical introduction to the Arca Swiss system. In spite of its 158 low cost, the light-weight Discovery shares many of the unique features that Arca cameras are renowned for (plus a few of its own). The Discovery is also compatible with most Arca system accessories, such as rails, viewers, hoods, masks, rollfilm holders and more. FEATURES ■ Precision micro gear ■ Made of lightweight Arca Swiss 4x5 Discovery Camera (0210445) focusing metal alloys Consists of: 30cm monorail (041130), monorail attachment piece 3/8˝, Function Carrier Front ■ Superfluous refocusing ■ Precision Swiss construction (Discovery), Function Carrier Back (Discovery), after parallel displacements Format Frame Front (Discovery), Format Frame ■ Includes Rucksack case Back (Discovery), standard 38cm bellows ■ Yaw-free movements (72040), film and groundglass holder 4x5, 1 3 ■ Built-in ⁄4 and ⁄8 fresnel lens and Arca Swiss nylon backpack. -
BCR's CDP Digital Imaging Best Practices Version
BCR’s CDP Digital Imaging Best Practices Working Group BCR’s CDP Digital Imaging Best Practices Version 2.0 June 2008 discover. share. experience. CONTENTS Updating BCR’s CDP Digital Imaging Best Practices, Version 2.0 .......................................................iii Introduction.................................................................................................................................................iv Purpose ....................................................................................................................................................... 1 Scope ........................................................................................................................................................... 1 Revisions..................................................................................................................................................... 2 Laying the Groundwork ............................................................................................................................. 2 General Principles.................................................................................................................................... 2 Questions to Ask Before Starting a Digitization Project........................................................................... 3 Documentation ......................................................................................................................................... 3 Staffing .................................................................................................................................................... -
National Science Foundation
This document has been archived. National Science Foundation U.S. Antarctic Program 1999-2000 National Science Foundation U.S. Antarctic Program 1999-2000 i CONTENTS U.S. Antarctic Program, 1999-2000 . .ii Aeronomy and Astrophysics . 1 Biology and Medicine . 12 Antarctic Pack Ice Seals . 25 Long-term ecological research . 28 Environmental Monitoring Program . 31 Geology and Geophysics . 32 Cape Roberts International Drilling Project . 47 Glaciology . 51 Siple Dome Ice Coring . 55 International Trans-Antarctic Scientific Expedition . 57 Ocean and Climate Systems . 60 ii During the 1999-2000 austral summer and the Station by a team of scientists from the PROGRAM,U.S. ANTARCTIC 1999-2000 2000 austral winter, the U.S. Antarctic Program United States, New Zealand, Italy, Australia, will support more than 800 researchers and the United Kingdom, and Germany other participants in the U.S. Antarctic Program • long-term ecological research in the at three year-round stations (McMurdo, McMurdo Dry Valleys and in the Palmer Amundsen-Scott South Pole, and Palmer), Station region of the Antarctic Peninsula aboard two research ships (Laurence M. Gould and Nathaniel B. Palmer) in the Ross Sea and in Science teams also will use networks of the Antarctic Peninsula region, at remote field automatic weather stations, automated geo- camps, and in cooperation with the national physical observatories, ultraviolet-radiation antarctic programs of the other Antarctic Treaty monitors, and a high-altitude, long-duration nations. These projects, funded and managed balloon that will circumnavigate the continent by the National Science Foundation (NSF), are and carry instruments for an optical investiga- part of the international effort to understand tion of solar activity. -
The Museum of Modern Art
The Museum of Modern Art For Immediate Release January 1991 PROJECTS: STUART KLIPPER February 1 - March 19, 1991 An exhibition of approximately fifteen color photographs of Antarctica by American photographer Stuart Klipper opens at The Museum of Modern Art on February 1, 1991, as part of its continuing PROJECTS series. The three-foot- wide panoramas have been selected from the series On Antarctica, comprised of more than 1,000 pictures made in 1989 under the aegis of the National Science Foundation. Organized by Peter Galassi, curator, Department of Photography, PROJECTS: STUART KLIPPER is made possible by generous grants from The Bohen Foundation, the Lannan Foundation, The Contemporary Arts Council of The Museum of Modern Art, and the National Endowment for the Arts. The exhibition remains on view through March 19. Although Antarctica is perhaps the most unwelcoming place on earth, science now flourishes on the continent. Every day the place becomes less unfamiliar. If Klipper's photographs testify by their mere existence to this process of assimilation, they nevertheless evoke the unhuman vastness of Antarctica. In the exhibition brochure, Mr. Galassi writes that the artist's panoramas present "a landscape that is ravishing in its barren beauty, in its inhospitable grandeur, and in the delicacy of its ever-changing hues. The photographs seem to fuse the epic swoon of romanticism with the impersonal rigor of science." - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 Born in 1941 in the Bronx, New York, Stuart Klipper lives in Minneapolis.