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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
Religious Expressions Among Jazz Musicians
religions Article Performing, Representing, and Archiving Belief: Religious Expressions among Jazz Musicians Vaughn A. Booker Department of Religion, Princeton University, 1879 Hall, Princeton, NJ 08544, USA; [email protected] Academic Editors: Douglas James Davies and Michael J. Thate Received: 30 March 2016; Accepted: 12 August 2016; Published: 19 August 2016 Abstract: The archives of African American jazz musicians demonstrate rich sites for studying expressions of religious belief and daily religious practice in public and private arenas, in professional and personal capacities. Highlighting print material from the archives of Edward Kennedy “Duke” Ellington (1899–1974) and Mary Lou Williams (1910–1981), this article examines the ways that these musicians worked to articulate their beliefs in print and to make meaning of their routine practices. Ellington and Williams produced written records of their aspirations for non-clerical religious authority and leadership, novel notions of religious community, and conceptions of quotidian writing tasks as practices with devotional value in the middle decades of the twentieth century. In preparation for his Sacred Concert tours of American and Western European religious congregations, Ellington theologized about the nature of God and the proper language to address God through private hotel stationery. Following her conversion to Roman Catholicism, Williams managed a Harlem thrift shop and worked to create the Bel Canto Foundation for musicians struggling with substance abuse and unemployment. This study of the religious subjectivity of African Americans with status as race representatives employs archival historical methods in the effort to vividly approximate complex religious interiority. Keywords: African American religious history; Religion in America; jazz; Duke Ellington; Mary Lou Williams 1. -
|||GET||| Creative Jazz Improvisation 4Th Edition
CREATIVE JAZZ IMPROVISATION 4TH EDITION DOWNLOAD FREE Scott D Reeves | 9780131776395 | | | | | Creative Jazz Improvisation by Scott Reeves Jazz-rock fusion appeared in the late s and early s, combining jazz improvisation with rock music 's rhythms, electric instruments, and highly amplified stage sound. It was Creative Jazz Improvisation 4th edition 'J-A-S-S'. Bunch II [l0v. Main article: Jazz fusion. Unfortunately, relatively little has been written about sacred and liturgical jazz. For most of its history, Afro-Cuban jazz had been a matter of superimposing jazz phrasing over Cuban rhythms. Since the beginning of the 90s, electronic music had significant technical improvements that popularized and created new possibilities for the genre. Bythe Atlantic slave trade had brought nearlyAfricans to North America. I gratefully acknowledge these people, as well as the staff at Prentice Hall, particularly my acquisitions editor, Christopher Johnson and my production and copy editor, Laura Lawrie. Murray, Richard Ambrose, Megan N. Enlarge cover. A series of recordings with the Classic Quartet in the first half of show Coltrane's playing becoming increasingly abstract, with greater incorporation of devices like multiphonicsutilization of overtones, and playing in the altissimo register, as well as a mutated return to Coltrane's sheets of sound. Tatiana Abramova added it May 31, Greer [xds. However the Catholic church has not embraced jazz as appropriate for Creative Jazz Improvisation 4th edition. Joyce, Marsha Weil, Emily Calhoun. Seller Inventory Julnd The relaxation of orthodoxy which was concurrent with post-punk in London and New York City led to a new appreciation of Creative Jazz Improvisation 4th edition. -
Of Music PROGRAM
FESTIVAL OF AMERICAN CONTEMPORARY MUSIC at Rice University November 5-15, 1989 r celebrating American Music Week "HOPKINS LIVES" A Musical Tribute to poet Gerard Manley Hopkins .,. I PAUL ENGLISH, composer Thursday, November 9, 1989 8:00 p.m. in Hamman Hall c~m RICE UNNERSITY SchOol Of Music PROGRAM CHAMBER JAZZ Missing Lady (1974) Paul English Korisong ( 1985) The Many Faces of Cheryl ( 1982) Borrowing from the various jazz idioms and pe1jormance practice, these light miniatures serve as vehicles for improvisation. ~ l HOPKINS LIVES ( 1989) I This pe1jormance dedicated to Carl Sutton (January 25, 1920- October 8, /989) (Houston premiere) Poems by Gerard Manley Hopkins; music by Paul English. Thou art indeed just, Lord .. No worst, there is none Love preparing to fly Heaven-Haven Spring and Fall No News in the Times Today Cockle's Antibilious Pills The Child is Father to the Man Ashboughs Pied Beauty Commissioned in 1987 by Carl and Elizabeth Sutton and The International Hopkins Association to commemorate the centennial of the poet's death, this work received its world premiere at The Univer sityofTexasinAustinonJune I , 1989. Thepoemsselectedhereare representative of the wide emotional range of Hopkins' poetry. ·. I r A Jesuit priest in Victorian England, GERARD MANLEY HOPKINS ( 1844-1889) lived a life ofobscurity andfrustration. He was awed and fascinated by the splendor of "God's Grandeur" and the beauty of nature. But he struggled tragically with his own relationship with God and the inevitable impelfections within himself and all men. The soprano represents the lighter boyish, sometimes whim sical, always beautiful Hopkins. The baritone recalls the poet's darker side, the anguished priest, ill, severely depressed, bitterly ashamed of his own .frail humanity. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit N9.2419 lPE lPITClHl K.C., Mo. FREE ALL THE MUSE TI:AT FITS THE PITCH ISSUE NO. 10 JULY -AUGUST 1981 LeRoi, John CaIe, Stones, Blues, 3 Friends, Musso. Give the gift of music. OIfCharlie Parleer + PAGE 2 THE PENN:Y PITCH mJTU:li:~u-:~u"nU:lmmr;unmmmrnmmrnmmnunrnnlmnunPlIiunnunr'mlnll1urunnllmn broke. Their studio is above the Tomorrow studio. In conclusion, I l;'lish Wendy luck, because l~l~ lPIITC~1 I don't believe in legislating morals. Peace, love, dope, is from the Sex Machine a.k.a. (Dean, Dean) p.S. Put some more records in the $4.49 RELIGIOUS NAPOLEON group! 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Dear Warren: (Dear Sex Machine: Titles are being added to (816) 561-1580 I recently came across something the $4.49 list each month. And at the Moon I thought you might "Religion light Madness Sale (July 17), these records is excellent stuff keeping common will be $3.99! Also, it's good to learn that people quiet." --Napoleon Bonaparte the spirit of t_he late Chet Huntley still can Editor ..............• Charles Chance, Jr. (1769-1821). Keep up the good work. cup of coffee, even one vibrated Assistant Editors ...•. Rev. Frizzell Howard Drake Jay '"lctHUO':V_L,LJLe Canyon, Texas LOVE FINDS LeROI Contributing Writers and Illustrators: (Dear Mr. Drake: I think Warren would Dear Warren: Milton Morris, Sid Musso, DaVINK, Julia join us in saying, "Religion is like This is really a letter to Donk, Richard Van Cleave, Jim poultry-- you gotta pluck it and fry it LeRoi. -
Psaudio Copper
Issue 77 JANUARY 28TH, 2019 Welcome to Copper #77! I hope you had a better view of the much-hyped lunar-eclipse than I did---the combination of clouds and sleep made it a non-event for me. Full moon or no, we're all Bozos on this bus---in the front seat is Larry Schenbeck, who brings us music to counterbalance the blah weather; Dan Schwartz brings us Burritos for lunch; Richard Murison brings us a non-Python Life of Brian; Jay Jay French chats with Giles Martin about the remastered White Album; Roy Hall tells us about an interesting day; Anne E. Johnson looks at lesser-known cuts from Steely Dan's long career; Christian James Hand deconstructs the timeless "Piano Man"; Woody Woodward is back with a piece on seminal blues guitarist Blind Blake; and I consider comfort music, and continue with a Vintage Whine look at Fairchild. Our reviewer friend Vade Forrester brings us his list of guidelines for reviewers. Industry News will return when there's something to write about other than Sears. Copper#77 wraps up with a look at the unthinkable from Charles Rodrigues, and an extraordinary Parting Shot taken in London by new contributor Rich Isaacs. Enjoy, and we’ll see you soon! Cheers, Leebs. Stay Warm TOO MUCH TCHAIKOVSKY Written by Lawrence Schenbeck It’s cold, it’s gray, it’s wet. Time for comfort food: Dvořák and German lieder and tuneful chamber music. No atonal scratching and heaving for a while! No earnest searches after our deepest, darkest emotions. What we need—musically, mind you—is something akin to a Canadian sitcom. -
The Norton Jazz Recordings 2 Compact Discs for Use with Jazz: Essential Listening 1St Edition Pdf, Epub, Ebook
THE NORTON JAZZ RECORDINGS 2 COMPACT DISCS FOR USE WITH JAZZ: ESSENTIAL LISTENING 1ST EDITION PDF, EPUB, EBOOK Scott DeVeaux | 9780393118438 | | | | | The Norton Jazz Recordings 2 Compact Discs for Use with Jazz: Essential Listening 1st edition PDF Book A Short History of Jazz. Ships fast. Claude Debussy did have some influence on jazz, for example, on Bix Beiderbecke's piano playing. Miles Davis: E. Retrieved 14 January No recordings by him exist. Subgenres Avant-garde jazz bebop big band chamber jazz cool jazz free jazz gypsy jazz hard bop Latin jazz mainstream jazz modal jazz M-Base neo-bop post-bop progressive jazz soul jazz swing third stream traditional jazz. Special Attributes see all. Like New. Archived from the original on In the mids the white New Orleans composer Louis Moreau Gottschalk adapted slave rhythms and melodies from Cuba and other Caribbean islands into piano salon music. Traditional and Modern Jazz in the s". See also: s in jazz , s in jazz , s in jazz , and s in jazz. Charlie Parker's Re-Boppers. Hoagy Carmichael. Speedy service!. Visions of Jazz: The First Century. Although most often performed in a concert setting rather than church worship setting, this form has many examples. Drumming shifted to a more elusive and explosive style, in which the ride cymbal was used to keep time while the snare and bass drum were used for accents. Season 1. Seller Inventory While for an outside observer, the harmonic innovations in bebop would appear to be inspired by experiences in Western "serious" music, from Claude Debussy to Arnold Schoenberg , such a scheme cannot be sustained by the evidence from a cognitive approach. -
History and Records
HISTORY AND RECORDS YEAR -BY-YEAR CHAMPIONS DIVISIONAL CHAMPIONS (SINCE 1997) Mid-American Conference Champions West Division Champions 2015 NIU/Toledo/WMU/CMU (6-2) 2015 Bowling Green (7-1) ! 1967 Toledo (5-1) 2014 Northern Illinois (7-1) 2013 Northern Illinois (8-0) 2014 Northern Illinois (7-1) ! 1966 Miami (5-1) 2012 Northern Illinois (8-0) 2013 Bowling Green (7-1) ! 1965 Bowling Green/Miami (5-1) 2011 Northern Illinois/Toledo (7-1) 2010 Northern Illinois (8-0) 2012 Northern Illinois (8-0) ! 1964 Bowling Green (5-1) 2009 Central Michigan (8-0) 2008 Ball State (8-0) 2011 Northern Illinois (7-1) ! 1963 Ohio (5-1) 2007 C. Michigan/Ball State (4-1) 2010 Miami (7-1) ! 1962 Bowling Green (5-0-1) 2006 Central Michigan (7-1) 2005 NIU/UT (6-2) 2009 Central Michigan (8-0) ! 1961 Bowling Green (5-1) 2004 Toledo/NIU (7-1) 2008 Buffalo (5-3) ! 2003 Bowling Green (7-1) 1960 Ohio (6-0) 2002 Toledo/NIU (7-1) 2007 Central Michigan (7-1) ! 1959 Bowling Green (6-0) 2001 UT/NIU/BSU (4-1) 2000 WMU/Toledo (4-1) 2006 Central Michigan (7-1) ! 1958 Miami (5-0) 1999 WMU (6-2) 2005 Akron (5-3) ! 1957 Miami (5-0) 1998 Toledo (6-2) 1997 Toledo (7-1) 2004 Toledo (7-1) ! 1956 Bowling Green (5-0-1) East Division Champions 2003 Miami (8-0) ! 1955 Miami (5-0) 2015 Bowling Green (7-1) 2014 Bowling Green (5-3) 2002 Marshall (7-1) ! 1954 Miami (4-0) 2013 Bowling Green (7-1) 2001 Toledo (5-2) ! 1953 Ohio (5-0-1) 2012 Kent State (8-0) 2011 Ohio (6-2) 2000 Marshall (5-3) ! 1952 Cincinnati (3-0) 2010 Miami (7-1) 2009 Ohio/Temple (7-1) 1999 Marshall (8-0) ! 1951 Cincinnati -
Mi M®, 7273 the FUNCTION of ORAL TRADITION in MARY LOU's MASS by MARY LOU WILLIAMS THESIS Presented to the Graduate Counci
37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 Fledderus, France. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. Master of Music (Musicology), August, 1996,141 pp., 44 titles. The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of Williams, discussed in the context of her musical aesthetics, this thesis investigates the elements of conventional mass settings and oral tradition found in Mary Lou's Mass. -
September 2007 Published by the American Recorder Society, Vol
september 2007 Published by the American Recorder Society, Vol. XLVIII, No. 4 XLVIII, Vol. American Recorder Society, by the Published Edition Moeck 2825 Celle · Germany Tel. +49-5141-8853-0 www.moeck.com NEW FROM MAGNAMUSIC American Songs Full of Songs Spirit & Delight Fifteen pieces For TTB/SST freely arranged for The twenty lovely recorder trio, SAT, pieces in this by Andrew aptly named set Charlton. Classics demonstrate why like America, Michael East in Battle Hymn of the his time was Republic, America arguably one of the Beautiful, The the most popular Caisson Song, of the Elizabethan Columbia, the Gem composers. of the Ocean, The Marines Hymn, Chester, Complete edition from the original score, with Battle Cry of Freedom, All Quiet along the intermediate difficulty. 3 volumes. $8.95 each Potomac, I'm a Yankee Doodle Dandy, Vol. 1 ~ TTB Vol. 2 ~ TTB Vol. 3 ~ SST Marching through Georgia, and more! TR00059 TR00069 TR00061 Item No. JR00025 ~ $13.95 IN STOCK NOW! An inspiring and instructive guide for everyone who plays the recorder (beginner, intermediate, experienced) and wants to play more beautifully. The Recorder Book is written with warmth and humor while leading you in a natural, methodical way through all the finer points of recorder playing. From selecting a recorder to making it sing, from practicing effectively to playing ensemble, here is everything you need. This is a most enjoyable read, whether you are an amateur or an expert. The repertoire lists have been updated, out-of-print editions have been removed, and edition numbers have been changed to reflect the most recent edition numbering. -
The Crusaders the Vocal Album Mp3, Flac, Wma
The Crusaders The Vocal Album mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: The Vocal Album Country: Europe Released: 1987 Style: Soul-Jazz, Jazz-Funk, Disco MP3 version RAR size: 1303 mb FLAC version RAR size: 1710 mb WMA version RAR size: 1191 mb Rating: 4.5 Votes: 300 Other Formats: MPC DTS MIDI APE DXD MOD DXD Tracklist Hide Credits Street Life A1 7:30 Vocals – Randy Crawford This Old World's Too Funky For Me A2 5:25 Vocals – Joe Cocker Better Not Look Down A3 5:43 Vocals – B.B. King Inherit The Wind A4 3:52 Vocals – Bobby Womack Hold On (I Think Our Love Is Changing) A5 4:11 Co-producer – Stewart LevineVocals – B.B. King Help (I Need Somebody) B1 4:30 Vocals – Tina Turner Soul Shadows B2 6:25 Vocals – Bill Withers The Way It Goes B3 4:44 Vocals – Nancy Wilson I'm So Glad I'm Standing Here Today B4 5:02 Vocals – Joe Cocker (No Matter How High I Get) I'll Still Be Lookin' Up To You B5 4:12 Co-producer – Bobby WomackVocals – Alltrinna Grayson, Bobby Womack Companies, etc. Manufactured For – BMG Direct Marketing, Inc. – R 123379 Copyright (c) – MCA Records, Inc. Phonographic Copyright (p) – MCA Records, Inc. Phonographic Copyright (p) – Capitol Records, Inc. Manufactured By – MCA Records, Inc. Distributed By – MCA Records, Inc. Credits Compiled By – Rik Pekkonen Design, Art Direction – Kathleen Covert Illustration – Jeanne Provensen Mastered By – Brian Gardner Producer – The Crusaders Notes Track A1 taken from 'Street Life' album by The Crusaders.