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The Story So Far
THE LEADENHALL BUILDING THE STORY SO FAR The ever-changing skyline of the City is a reflection of London’s success as a global commercial centre and a celebration of its creativity and imagination. Now a new addition to that skyline is emerging. Unmistakable and uncompromising, yet inextricably connected with its surroundings, The Leadenhall Building is set to play its own unique part in the evolution of the City: respecting the past, and helping to shape the future. Here’s the story so far… “ TEN YEARS AGO, NO ONE IN LONDON USED TO LOOK UP. NOW THEY DO IT ALL THE TIME; THERE’S JUST SO MUCH TO SEE. PEOPLE ARE FASCINATED BY THE LEADENHALL BUILDING, AND I AM, TOO. I LOVE THE SKILL INVOLVED, THE SHEER ENGINEERING PROWESS – AND, OF COURSE, THE HEIGHT. FROM WHERE I LIVE IN WIMBLEDON, THE SKYLINE LOOKS AMAZING. IT’S SO DYNAMIC” John Safa, IT security expert and photographer Talk to anyone involved with The Leadenhall Building and you’ll hear the same words cropping up over and over again. Words like evolution, integrity, context and authenticity. It’s clear this is no ego- driven monument to ambition, parachuted onto the City skyline with scant regard for neighbouring buildings or the people working and living around it. Rather, this particular building is a deeply considered response to a unique set of challenges Of course, it’s only to be expected that So what is it about The Leadenhall Building that The Leadenhall Building’s developers – British Land has so captured people’s imaginations? Of course, and Oxford Properties – the architects at RSH+P and there’s the extraordinary shape, which led City the construction team, led by Laing O’Rourke, should Planning Officer Peter Rees to nickname it wax lyrical about their own project. -
[ KARAOKE - 70-80'S by ARTIST ] [ No of Tunes = 476 ]
[ KARAOKE - 70-80'S by ARTIST ] [ No of Tunes = 476 ] 10CC >> I'M NOT IN LOVE {K} 10CC >> RUBBER BULLETS {K} 1927 >> IF I COULD {K} ABBA >> DANCING QUEEN {K} ABBA >> FERNANDO {K} ABBA >> GIMME GIMME GIMME {K} ABBA >> HONEY HONEY {K} ABBA >> I DO I DO I DO I DO I DO {K} ABBA >> MAMMA MIA {K} ABBA >> MONEY MONEY MONEY {K} ABBA >> RING RING {K} ABBA >> S O S {K} ABBA >> WATERLOO {K} AC DC >> BACK IN BLACK {K} AC DC >> DIRTY DEEDS DONE DIRT CHEAP {K} AC DC >> HIGHWAY TO HELL {K} AC DC >> IT'S A LONG WAY TO THE TOP {K} AC DC >> JAILBREAK {K} AC DC >> ROCK N ROLL AIN'T NOISE POLLUTION {K} AC DC >> T N T {K} AC DC >> WHO MADE WHO {K} AC DC >> YOU SHOOK ME ALL NIGHT LONG {K} ADAM ANT >> ANT MUSIC {K} AEROSMITH >> DUDE ( LOOKS LIKE A LADY ) {K} AIR SUPPLY >> ALL OUT OF LOVE {K} ALICE COOPER >> DEPARTMENT OF YOUTH {K} ALICE COOPER >> SCHOOL'S OUT {K} ALTERED IMAGES >> HAPPY BIRTHDAY {K} ALVIN STARDUST >> MY COO CA CHOO {K} AMERICA >> SISTER GOLDEN HAIR {K} AMII STEWART >> KNOCK ON WOOD {K} ANGELS >> AM I EVER GOING TO SEE YOUR FACE AGAIN {K} ANGELS >> NO SECRETS {K} AUSTRALIAN CRAWL >> BOYS LIGHT UP {K} AUSTRALIAN CRAWL >> ERROL {K} B J THOMAS >> RAINDROPS KEEP FALLIN' ON MY HEAD {K} B52'S >> LOVE SHACK {K} B52'S >> PRIVATE IDAHO {K} B52'S >> ROAM {K} B52'S >> ROCK LOBSTER {K} BACHMAN TURNER OVERDRIVE >> TAKIN' CARE OF BUISINESS {K} BACHMAN TURNER OVERDRIVE >> YOU AIN'T SEEN NOTHING YET {K} BANANARAMA >> I WANT YOU BACK {K} BARRY BLUE >> DANCING ON A SATURDAY NIGHT {K} BARRY WHITE >> CAN'T GET ENOUGH OF YOUR LOVE BABY {K} BARRY WHITE >> YOU'RE THE -
The Contested Identities of Ulster Catholics
The Contested Identities of Ulster Catholics Thomas Paul Burgess Editor The Contested Identities of Ulster Catholics Editor Thomas Paul Burgess School of Applied Social Studies University College Cork Cork, Ireland ISBN 978-3-319-78803-6 ISBN 978-3-319-78804-3 (eBook) https://doi.org/10.1007/978-3-319-78804-3 Library of Congress Control Number: 2018939711 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affliations. -
Spring 2017 Class Schedule
ASU West campus | ASU Downtown Phoenix campus | Tempe Public Library | Friendship Village Tempe | Maravilla Scottsdale Spring 2017 Class Schedule For the Love of Learning University-quality, non-credit classes for students 50+ lifelonglearning.asu.edu Osher Lifelong Learning Institute at ASU About Us The mission of the Osher Lifelong Learning Institute at Arizona State University is to provide university-quality learning experiences for adults ages 50 and over through diverse classes, campus-based learning opportunities, and civic engagement initiatives. We are a community of engaged learners discovering the joy of lifelong learning at its best . no tests, grades, or educational requirements! OLLI at ASU members have the opportunity to grow and learn inside and outside the classroom via campus events, local affinity groups, group discounts to local cultural and art events, and social media networks. Membership Benefits Semester membership fee entitles you to these benefits: • OLLI at ASU student member ID card • Discounted admission to the Deer Valley Petroglyph Preserve for workshops, lectures, speaker series, and adult camps offered through the ASU Center for Archaeology and Society • Discounted tickets to performances at the ASU Kerr Cultural Center in Scottsdale • Connections to the ASU Alumni Association offering enrollment in free OLLI lectures, discounts on educational travel trips, and many other perks • Discounted admission to the Heard Museum – American Indian Art & History – in Phoenix • Discounted tickets to select shows at -
You Are Viewing an Archived Copy from the New Jersey State Library for THREE CENTU IES PEOPLE/ PURPOSE / PROGRESS
You are Viewing an Archived Copy from the New Jersey State Library FOR THREE CENTU IES PEOPLE/ PURPOSE / PROGRESS Design/layout: Howard Goldstein You are Viewing an Archived Copy from the New Jersey State Library THE NEW JERSE~ TERCENTENARY 1664-1964 REPORT OF THE NEW JERSEY TERCENTENA'RY COMM,ISSION Trenton 1966 You are Viewing an Archived Copy from the New Jersey State Library You are Viewing an Archived Copy from the New Jersey State Library STATE OF NEW .JERSEY TERCENTENARY COMMISSION D~ 1664-1964 / For Three CenturieJ People PmpoJe ProgreJs Richard J. Hughes Governor STATE HOUSE, TRENTON EXPORT 2-2131, EXTENSION 300 December 1, 1966 His Excellency Covernor Richard J. Hughes and the Honorable Members of the Senate and General Assembly of the State of New Jersey: I have the honor to transmit to you herewith the Report of the State of New Jersey Tercentenary Commission. This report describee the activities of the Commission from its establishment on June 24, 1958 to the completion of its work on December 31, 1964. It was the task of the Commission to organize a program of events that Would appropriately commemorate the three hundredth anniversary of the founding of New Jersey in 1664. I believe this report will show that the Commission effectively met its responsibility, and that the ~ercentenary obs~rvance instilled in the people of our state a renewfd spirit of pride in the New Jersey heritage. It is particularly gratifying to the Commission that the idea of the Tercentenary caught the imagination of so large a proportior. of New Jersey's citizens, inspiring many thousands of persons, young and old, to volunteer their efforts. -
50S 60S 70S.Txt 10Cc - I'm NOT in LOVE 10Cc - the THINGS WE DO for LOVE
50s 60s 70s.txt 10cc - I'M NOT IN LOVE 10cc - THE THINGS WE DO FOR LOVE A TASTE OF HONEY - OOGIE OOGIE OOGIE ABBA - DANCING QUEEN ABBA - FERNANDO ABBA - I DO I DO I DO I DO I DO ABBA - KNOWING ME KNOWING YOU ABBA - MAMMA MIA ABBA - SOS ABBA - TAKE A CHANCE ON ME ABBA - THE NAME OF THE GAME ABBA - WATERLOU AC/DC - HIGHWAY TO HELL AC/DC - YOU SHOOK ME ALL NIGHT LONG ACE - HOW LONG ADRESSI BROTHERS - WE'VE GOT TO GET IT ON AGAIN AEROSMITH - BACK IN THE SADDLE AEROSMITH - COME TOGETHER AEROSMITH - DREAM ON AEROSMITH - LAST CHILD AEROSMITH - SWEET EMOTION AEROSMITH - WALK THIS WAY ALAN PARSONS PROJECT - DAMNED IF I DO ALAN PARSONS PROJECT - DOCTOR TAR AND PROFESSOR FETHER ALAN PARSONS PROJECT - I WOULDNT WANT TO BE LIKE YOU ALBERT, MORRIS - FEELINGS ALIVE N KICKIN - TIGHTER TIGHTER ALLMAN BROTHERS - JESSICA ALLMAN BROTHERS - MELISSA ALLMAN BROTHERS - MIDNIGHT RIDER ALLMAN BROTHERS - RAMBLIN MAN ALLMAN BROTHERS - REVIVAL ALLMAN BROTHERS - SOUTHBOUND ALLMAN BROTHERS - WHIPPING POST ALLMAN, GREG - MIDNIGHT RIDER ALPERT, HERB - RISE AMAZING RHYTHM ACES - THIRD RATE ROMANCE AMBROSIA - BIGGEST PART OF ME AMBROSIA - HOLDING ON TO YESTERDAY AMBROSIA - HOW MUCH I FEEL AMBROSIA - YOU'RE THE ONLY WOMAN AMERICA - DAISY JANE AMERICA - HORSE WITH NO NAME AMERICA - I NEED YOU AMERICA - LONELY PEOPLE AMERICA - SISTER GOLDEN HAIR AMERICA - TIN MAN Page 1 50s 60s 70s.txt AMERICA - VENTURA HIGHWAY ANDERSON, LYNN - ROSE GARDEN ANDREA TRUE CONNECTION - MORE MORE MORE ANKA, PAUL - HAVING MY BABY APOLLO 100 - JOY ARGENT - HOLD YOUR HEAD UP ATLANTA RHYTHM SECTION - DO IT OR DIE ATLANTA RHYTHM SECTION - IMAGINARY LOVER ATLANTA RHYTHM SECTION - SO IN TO YOU AVALON, FRANKIE - VENUS AVERAGE WHITE BD - CUT THE CAKE AVERAGE WHITE BD - PICK UP THE PIECES B.T. -
Cadac's Flagship Console Sounds out 10Cc's Uk Tour
EVENT FOCUS: 10cc EVENT FOCUS: 10cc Opposite: 10cc performed at the Brigewater Hall on the last night of their UK tour. Below: Tour Manager and FOH Engineer Jon Sword has recently started using a Cadac CDC eight digital console; The band played their legendary Sheet Music album in full. OUR LITTLE PIECE OF HEAVEN: CADAC’S FLAGSHIP CONSOLE SOUNDS OUT 10CC’S UK TOUR SINCE THEIR INCEPTION IN 1972, BRITISH ROCK BAND 10CC HAVE NEVER BEEN SHORT OF TALENT. FORMED BY MUSICIANS WHO COULD SING, WRITE AND PRODUCE THEIR OWN RECORDS BUILT THE FOUNDATION FOR WHAT WOULD LATER BECOME A LEGENDARY ACT. 43 YEARS ON, 10CC ARE STILL VERY MUCH APPRECIATED TODAY - BOTH ON VINTAGE VINYL AND ON TOUR. TPi’S KELLY MURRAY SPOKE TO THEIR FOH ENGINEER, JON SWORD ABOUT HIS ADMIRATION FOR THE BAND AND HIS NEW FAVOURITE MIXING CONSOLE, CADAC’S FLAGSHIP CDC EIGHT. myself ‘right, that’s it; it’s time to embrace the of studio production in the 70s and their work digital world because the new generation don’t still stands up in a concert hall now. Everything Originally comprising the artistry of Graham creative forces behind 10cc. Upon Stewart’s was an engineer. When Sword explained that know the analogue one!’” has to be heard with this band, so in that sense, Gouldman, Kevin Godley, Lol Crème and 1996 departure, Gouldman continued to tour his wasn’t, he was then asked if he’d like to be. For 10cc’s tour, Phil McDaniel of rental this is either the best or the worst job in the Eric Stewart, the band recorded some with a new line up from 1999. -
Research News 19, Spring 2008
s s /FACULTY OF ARTS & ARCHITECTURE research news The Austrian Avant-Garde Visits Cinecity Overalls: A Blank Canvas. 7 Fragile Identities: the work of William Kentridge. 3 Consuming Old Technology Today: the Meanings of Vintage Analogue New Research Group: Synthesizers. 20 FURNITURE OBJECTives. 4 researchnews /FACULTY OF ARTS & ARCHITECTURE research news research news The Austrian Avant-Garde Spring 2008 Edition 19 Visits Cinecity Paul Burgess wins ‘In The Austrian Avant-Garde Student News 20 Weekly’ Guardian Magazine Visits Cinecity 10 Overalls: A Blank Canvas. 7 Fragile Identities: photographic competition 2 Consuming Old the work of William Kentridge. 13 Consuming Old Fragile Identities the work Technology Today the Technology Today: the Meanings of Vintage Analogue New Research Group: Synthesizers. 20 FURNITURE OBJECTives. 4 Magnum and the Southbank of William Kentridge 13 Meanings of Vintage Analogue 1 researchnews Centre commissions Martin Synthesizers 20 Andersen 3 Further Adventures in COVER IMAGE: Illustration A Discipline Extreme Ironing Vogelfrei, Detail from Frame by New Research Group in Flux Lawrence Zeegen 7th Biennale Darmstadt, Frame installation by Peter FURNITURE OBJECTives 4 launches Secrets of Digital Germany 21 Tscherkassky. Illustration 15 The Austrian Avant-Garde St Radigunds project Knowledge Through Visits Cinecity. 10 Now completed 5 Former MAVA Students Practice New Open Seminar National and International Group 21 Mobility of the Line Successes 16 An Interdisciplinary New Students 24 Conversation 6 Staff -
James Blair Historical Review, Volume 3
James Blair Historical Review Volume 3 Issue 1 Article 1 2012 James Blair Historical Review, Volume 3 Chris Phillibert College of William and Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/jbhr Part of the History Commons Recommended Citation Phillibert, Chris (2012) "James Blair Historical Review, Volume 3," James Blair Historical Review: Vol. 3 : Iss. 1 , Article 1. Available at: https://scholarworks.wm.edu/jbhr/vol3/iss1/1 This Journal is brought to you for free and open access by the Journals at W&M ScholarWorks. It has been accepted for inclusion in James Blair Historical Review by an authorized editor of W&M ScholarWorks. For more information, please contact [email protected]. Phillibert: JBHR, Vol. 3 The James Blair Historical Review ~ 2012 III Volume TTHEHE JJAMESAMES BBLAIRLAIR HHISTORICALISTORICAL RREVIEWEVIEW VVOLUMEOLUME IIIIII ~~ 2012201 Published by W&M ScholarWorks, 2012 1 James Blair Historical Review, Vol. 3 [2012], Iss. 1, Art. 1 https://scholarworks.wm.edu/jbhr/vol3/iss1/1 2 The James Blair Historical Review EDITORIAL BOARD Kyra Zemanick, Editor-in-Chief Andrew Frantz, Managing Editor Andrew Fickley, Submissions Editor Mason Watson, Layout Editor Caitlin Patterson, Business Manager Diana Ohanian, Publicity Manager Alex Hopkins, Publicity Manager PEER REVIEWERS James Blake Taylor Feenstra Tracy Jenkins Paul Burgess Grant Gill Camille Lorei Ciara Cryst Abby Gomulkiewicz Molly Michie Stephen D’Alessio Lauren Greene Mira Nair Ashley Deluce Stephen Hurley Emily Patterson Chase Hopkins Amy Schaffman FACULTY ADVISOR Dr. Hiroshi Kitamura Online: In addition to this printed issue, the James Blair Historical Review can also be accessed online at www.wm.edu/as/history/under- graduateprogram/The-James-Blair-Historical-Review/index.php. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. THE PROBLEMS AND SOLUTIONS OF CHANGE IN CONCEPTIONS OF THE RULE OF LAW IN THE SEVENTEENTH CENTURY: EVOLUTION OR REVOLUTION? PAUL BURGESS Doctorate in Law The University of Edinburgh 2019 ii ABSTRACT / LAY SUMMARY The Rule of Law is one of the most important, and most contested, political concepts. The ideas of thinkers—who are frequently taken to be responsible for canonical statements relating to the Rule of Law—are frequently used to illustrate the existence of similarities and differences that both identify what the Rule of Law is and delineate the conceptual boundaries of the concept. In citing these thinkers, the underlying assumption is that the Rule of Law can be seen as a single, diachronically conceivable, concept that has evolved over time. I question both of these practices. -
Benchers Notes Winter 2018
Benchers’ Notes Winter 2018 Volumn 19, Number 2 This issue of Benchers’ Notes contains information on selected topics considered by Benchers at Convocation and other items of interest to the Bar. This edition of Benchers’ Notes is available online at www.lawsociety.nf.ca. President’s Report Welcome to the Winter edi- Donovan Molloy, QC concluded. On behalf of Benchers, tion of Benchers’ Notes I would like to take this opportunity to thank these indi- where I hope to continue viduals for their dedicated service over their two terms the tradition of keeping our as Benchers. Amy and Donovan always fully contrib- members informed and up- uted their intellect and skills around the Benchers’ ta- dated with our latest news ble and we appreciate their commitment and efforts. and to provide you all with information that I hope Following the AGM, I was pleased to attend the Annual you will find to be helpful. Dinner. This is always an enjoyable event, with one of the highlights being the presentation of awards. Stu- Before I get into the de- dent awards were presented to: Dana Martin (Hunt tails of what I have been Award), Sarah Pinsent (Penney Award and Sprack- doing since being elected lin Award), Stephanie Morton (Provincial Court Judg- Donald E. Anthony, as President, I would like es’ Association Award) and Nakita Ryan (William J. President, Law Society of Newfoundland to express my sincere ap- Browne Scholarship). Service awards were also present- and Labrador preciation to my prede- ed: Appointed Bencher, Linda Harnett was awarded cessor, R. Paul Burgess, the Jean Bruneau, OC, Certificate of Merit; Randell Ear- QC. -
YARDBIRDS, 10Cc, & Graham Gouldman
YARDBIRDS, 10CC, & GRAHAM GOULDMAN by Alan L. Chrisman The Yardbirds were a legendary British Blues-rock band in the 60’s. Especially because three well-known guitarists came out of one band at one point or another: Eric Clapton, Jeff Beck and Jimmy Page. They started out as a blues band, replacing The Stones at the Crawdaddy Club in Richmond, England. But Clapton left the band in ’65 because he didn’t like their commercial direction and he joined John Mayall’s Bluesbreakers, to be replaced by Page and later, Jeff Beck, who was known for first experimenting with guitar feedback. The Yardirds also make an appearance in Antonioni’s film, Blowup in 1966. Their first big commercial hits though, “ For Your Love” and “Heart Full of Soul’”were written by songwriter, Graham Gouldman. The still-teenage Gouldman, very influenced by The Beatles, had original planned to give them his song, “For Your Love” , but that night the Yardbirds were opening for The Beatles and he gave it to Jimmy Page instead and it became The Yardbirds’ first big hit. Gouldman also wrote several hits for The Hollies (“ Bus Stop”, “Look Through Any Window”), Herman’s Hermits ( “No Milk Today”) and many others. He briefly replaced, Wayne Fontana of The Mindbenders after their hit, “The Game of Love”, where he met his future 10cc bandmate, Eric Stewart. Kevin Godley and Lol Creme would then join Stewart and Gouldman under the name, Hotlegs and have an international single with “Neanderthal Man” in 1970. The four would then form the art-rock band 10cc.