Chisenhale Gallery Believes in Artists
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CORNELIA PARKER 1956 Nace en Cheshire / Neix a Cheshire / Born in Cheshire 1974-1975 Gloucestershire College of Art & Design 1975-1978 Wolverhampton Polytechnic - B.A. Hons 1980-1982 Reading University - M.F.A. Vive y trabaja en Londres / Viu i treballa a Londres / Lives and works in London Exposiciones Indiviaduales (selección) / Exposicions individuals (sel·lecció) / Selected solo shows 2011 D’Amelio Terras, (front room) New York Thirty Pieces of Silver York St Mary’s, York (in association with Tate) 2010 Doubtful Sound, Baltic Centre for Contemporary Art, Gateshead D’Amelio Terras, (front room) New York No Mans Land, Two Rooms, Auckland, New Zealand (as part of International Artists Residency) 2009 Nocturne: A Moon Landing, Firework display and installation to open Jupiter Artland, Edinburgh 2008 *Guy Bartschi, Geneva *Carles Taché, Barcelona Never Endings Museo De Arte de Lima, Peru (Touring from IKON) Latent News Frith Street Gallery, London Chomskian Abstract, Whitechapel Laboratory, Whitechapel Gallery, London (touring: Ballroom Marfa, Texas; Galleria d’Arte Moderna Contemporanea, Bergamo: Fundacion PRO, Buenos Aires; Henie Onstad Kunstsenter, Oslo; The Institute for the Re-adjustment of Clocks, Istanbul; Kunsthaus, Zurich; Moderna Museet, Stockholm; The Ullens Centre for Contemporary Artm Beijing) 2007 * Never Endings IKON, Birmingham 2006 * Brontean Abstracts, Brontë Parsonage Museum, Haworth, West Yorkshire 2005 Focus: Cornelia Parker, The Modern Art Museum of Fort Worth, Fort Worth, Texas New Work by Cornelia Parker, Yerba Buena -
Sturm Und Drang : JONAS BURGERT at BLAIN SOUTHERN GALLERY DAFYDD JONES : JONAS BURGERT at JONAS BURGERT I BERLIN
FREE 16 HOT & COOL ART : JONAS BURGERT AT BLAIN SOUTHERN GALLERY : JONAS BURGERT AT Sturm und Drang DAFYDD JONES JONAS BURGERT I BERLIN STATE 11 www.state-media.com 1 THE ARCHERS OF LIGHT 8 JAN - 12 FEB 2015 ALBERTO BIASI | WALDEMAR CORDEIRO | CARLOS CRUZ-DÍEZ | ALMIR MAVIGNIER FRANÇOIS MORELLET | TURI SIMETI | LUIS TOMASELLO | NANDA VIGO Luis Tomasello (b. 1915 La Plata, Argentina - d. 2014 Paris, France) Atmosphère chromoplastique N.1016, 2012, Acrylic on wood, 50 x 50 x 7 cm, 19 5/8 x 19 5/8 x 2 3/4 inches THE MAYOR GALLERY FORTHCOMING: 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ CAREL VISSER, 18 FEB - 10 APR 2015 TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com JAN_AD(STATE).indd 1 03/12/2014 10:44 WiderbergAd.State3.awk.indd 1 09/12/2014 13:19 rosenfeld porcini 6th febraury - 21st march 2015 Ali BAnisAdr 11 February – 21 March 2015 4 Hanover Square London, W1S 1BP Monday – Friday: 10.00 – 18.00 Saturday: 10.00 – 17.0 0 www.blainsouthern.com +44 (0)207 493 4492 >> DIARY NOTES COVER IMAGE ALL THE FUN OF THE FAIR IT IS A FACT that the creeping stereotyped by the Wall Street hedge-fund supremo or Dafydd Jones dominance of the art fair in media tycoon, is time-poor and no scholar of art history Jonas Burgert, 2014 the business of trading art and outside of auction records. The art fair is essentially a Photographed at Blain|Southern artists is becoming a hot issue. -
Introducing the 10 Shortlisted Ghetto Film School Fellows for the Inaugural Deutsche Bank Frieze Los Angeles Film Award 2020
Frieze Los Angeles Press Release December 19, 2019 Introducing the 10 Shortlisted Ghetto Film School Fellows for the Inaugural Deutsche Bank Frieze Los Angeles Film Award 2020 Today Frieze and Deutsche Bank announce the ten shortlisted fellows that will headline the inaugural Deutsche Bank Frieze Los Angeles Film Award. Presented in partnership with award-winning, non-profit film academy Ghetto Film School (GFS), the initiative offers a platform and development program for ten emerging, Los Angeles-based filmmakers aged 20-34 years old. Frieze Los Angeles takes place February 14 – 16, 2020 at Paramount Pictures Studios in Hollywood. Launched in 2019, Frieze Los Angeles brings together more than 70 galleries from around the world and is supported by global lead partner Deutsche Bank for the second consecutive year. The ten shortlisted fellows are as follows: Danielle Boyd, Mya Dodson, Michelle Jihyon Kim, Nabeer Khan, Silvia Lara, Alima Lee, Timothy Offor, Toryn Seabrooks, Noah Sellman and Nicole L. Thompson. The recipient of the award, selected by a jury of leading art and entertainment figures including Doug Aitken, Shari Frilot, Jeremy Kagan, Sam Taylor Johnson and Hamza Walker will be announced at a ceremony on February 13 at Paramount Pictures Theatre and receive a $10,000 prize. Selected from an open call throughout Los Angeles, the ten shortlisted fellows completed an intensive three-month program at GFS each producing a short film in response to Los Angeles’ vibrant art, culture and social landscape. The resulting 10 short films will be screened at the Paramount Pictures Theatre throughout the fair, February 14-16, 2020. -
Arts Council England Grant-In-Aid and Lottery Distribution Annual Report and Accounts | |
13 14 Arts Council England Grant-in-Aid and Lottery distribution annual report and accounts | | Arts Council England Grant-in-Aid and Lottery distribution annual report and accounts 2013/14 Presented to Parliament pursuant to sections 34(3) and 35(5) of the National Lottery etc Act 1993 (as amended by the National Lottery Act 1998 and National Lottery Act 2006). Ordered by the House of Commons to be printed 10 July 2014 HC 176 | CONTENTS 20 REVIEW OF THE YEAR 40 THE CREATIVE ECONOMY 41 CHAIR’S REPORT 71 CHIEF EXECUTIVE’S REPORT 02 ACHIEVING GREAT ART AND CULTURE FOR EVERYONE 04 EQUALITY AND DIVERSITY 44 HIGHLIGHTED INFORMATION © Arts Council England copyright 2014 67 GRANT-IN-AID ACCOUNTS The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in 110 LOTTERY DISTRIBUTION ACCOUNTS any format or medium provided that it is reproduced accurately and not in a misleading context. 130 NATIONAL LOTTERY REPORT The material must be acknowledged as Arts Council England copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to National Director, Advocacy & Communications, Arts Council England, The Hive, 49 Lever Street, Manchester M1 1FN This publication is available at www.gov.uk/government/publications Print ISBN 9781474100908 Web ISBN 9781474100915 Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office ID 12031401 07/14 Printed on paper containing 75% recycled fibre content minimum 1 Review of the year 4 Lottery distribution accounts | | 2 Highlighted information 5 National Lottery report 3 Grant-in-Aid accounts ReVIEW OF 1 THE YEAR Peter Grimes opera on the beach, Aldeburgh Music in Suffolk. -
Press Release: 27 March 2018 the HEPWORTH WAKEFIELD ANNOUNCES NEW CHAIR of the BOARD
Press Release: 27 March 2018 THE HEPWORTH WAKEFIELD ANNOUNCES NEW CHAIR OF THE BOARD The Trustees of The Hepworth Wakefield have appointed internationally acclaimed design critic, Alice Rawsthorn OBE as the new Chair of The Hepworth Wakefield. Rawsthorn will take up the role in May 2018 when the gallery’s first Chair, David Liddiment steps down after a seven year term. David Liddiment, current Chair of The Hepworth Wakefield Board, said: “On behalf of The Hepworth Wakefield Board, I am delighted to announce Alice Rawsthorn as its new Chair. Alice has a wealth of experience and knowledge both as a Chair and Trustee of arts organisations that will be hugely beneficial to realising the gallery’s ambitious plans in the coming years.” On being appointed as Chair of The Hepworth Wakefield, Alice Rawsthorn said: “As a proud northerner, who is passionate about the arts I am thrilled to be taking on the role of Chair of The Hepworth Wakefield. The gallery has achieved so much in such a short time, and I am delighted by the prospect of being able to contribute to its future development and growth.” Rawsthorn has broad experience in arts governance, working for seven years as a trustee of Arts Council England, and serving on the board of the Whitechapel Gallery for over 20 years. She currently chairs the boards of trustees of Chisenhale Gallery and the contemporary dance group Michael Clark Company. Born in Manchester, Rawsthorn graduated in art history from the University of Cambridge. Awarded an OBE for services to design and the arts, she is an honorary senior fellow of the Royal College of Art and has an honorary doctorate from the University of the Arts. -
Fundraiser Catalogue As a Pdf Click Here
RE- Auction Catalogue Published by the Contemporary Art Society Tuesday 11 March 2014 Tobacco Dock, 50 Porters Walk Pennington Street E1W 2SF Previewed on 5 March 2014 at the Institute of Contemporary Arts, London The Contemporary Art Society is a national charity that encourages an appreciation and understanding of contemporary art in the UK. With the help of our members and supporters we raise funds to purchase works by new artists Contents which we give to museums and public galleries where they are enjoyed by a national audience; we broker significant and rare works of art by Committee List important artists of the twentieth century for Welcome public collections through our networks of Director’s Introduction patrons and private collectors; we establish relationships to commission artworks and promote contemporary art in public spaces; and we devise programmes of displays, artist Live Auction Lots Silent Auction Lots talks and educational events. Since 1910 we have donated over 8,000 works to museums and public Caroline Achaintre Laure Prouvost – Special Edition galleries – from Bacon, Freud, Hepworth and Alice Channer David Austen Moore in their day through to the influential Roger Hiorns Charles Avery artists of our own times – championing new talent, supporting curators, and encouraging Michael Landy Becky Beasley philanthropy and collecting in the UK. Daniel Silver Marcus Coates Caragh Thuring Claudia Comte All funds raised will benefit the charitable Catherine Yass Angela de la Cruz mission of the Contemporary Art Society to -
Damien Hirst E Il Mercato Dell'arte Contemporanea: La Carriera Di Un Young British Artist
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e Gestione delle Arti e delle attività culturali Tesi di Laurea DAMIEN HIRST E IL MERCATO DELL'ARTE CONTEMPORANEA: LA CARRIERA DI UN YOUNG BRITISH ARTIST Relatore Prof. Stefania Portinari Laureanda Martina Pellizzer Matricola 816581 Anno Accademico 2012 / 2013 1 INDICE INTRODUZIONE p. 3 CAPITOLO 1 ALCUNE RIFLESSIONI SUL MERCATO DELL'ARTE CONTEMPORANEA: ISTITUZIONI E STRUTTURE DI PROMOZIONE E VENDITA 1 L'Evoluzione del sistema delle gallerie e della figura del gallerista p. 3 2. Il ruolo dei musei p. 19 3 Il ruolo dei collezionisti p. 28 4 Le case d'asta p. 36 CAPITOLO 2 DAMIEN HIRST: DA A THOUSAND YEARS (1990) A FOR THE LOVE OF GOD (2007) 1 Il sistema dell'arte inglese negli anni Novanta: gli Young British Artist …........p. 41 2 Damien Hirst una carriera in ascesa, da “Frezze” alla retrospettiva presso la Tate Modern p. 47 3 I galleristi di Damien Hirst p. 67 CAPITOLO 3 IL RUOLO DEL MERCATO DELL'ARTE NELLA CARRIERA DI DAMIEN HIRST 1 L'asta di Sotheby's: “Beautiful inside my head forever” p. 78 2 Rapporto tra esposizione e valore delle opere dal 2009 al 2012..............................p. 97 CONCLUSIONI p. 117 APPENDICE p. 120 BIBLIOGRAFIA p. 137 2 INTRODUZIONE Questa tesi di laurea magistrale si pone come obiettivo di analizzare la carriera dell'artista inglese Damien Hirst mettendo in evidenza il ruolo che il mercato dell'arte ha avuto nella sua carriera. Il primo capitolo, dal titolo “Alcuni riflessioni sul mercato dell'arte contemporanea”, propone una breve disanima sul funzionamento del mercato dell'arte contemporanea, analizzando in particolar modo il ruolo di collezionisti, galleristi, istituzioni museali e case d'asta, tutti soggetti in grado di influenzare notevolmente la carriera di un artista, anche se in maniera differente. -
Art REVOLUTIONARIES Six Years Ago, Two Formidable, Fashionable Women Launched a New Enterprise
Art rEVOLUtIONArIES SIx yEArS AgO, twO fOrmIdAbLE, fAShIONAbLE wOmEN LAUNchEd A NEw ENtErprISE. thEIr mISSION wAS tO trANSfOrm thE wAy wE SUppOrt thE ArtS. thEIr OUtSEt/ frIEzE Art fAIr fUNd brOUght tOgEthEr pAtrONS, gALLErIStS, cUrAtOrS, thE wOrLd’S grEAtESt cONtEmpOrAry Art fAIr ANd thE tAtE IN A whIrLwINd Of fUNdrAISINg, tOUrS ANd pArtIES, thE LIkES Of whIch hAd NEVEr bEEN SEEN bEfOrE. hErE, fOr thE fIrSt tImE, IS thEIr INSIdE StOry. just a decade ago, the support mechanism for young artists in Britain was across the globe, and purchase it for the Tate collection, with the Outset funds. almost non-existent. Government funding for purchases of contemporary art It was a winner all round. Artists who might never have been recognised had all but dried up. There was a handful of collectors but a paucity of by the Tate were suddenly propelled into recognition; the national collection patronage. Moreover, patronage was often an unrewarding experience, both acquired work it would never otherwise have afforded. for the donor and for the recipient institution. Mechanisms were brittle and But the masterstroke of founders Gertler and Peel was that they made it old-fashioned. Artists were caught in the middle. all fun. Patrons were whisked on tours of galleries around the world or to Then two bright, brisk women – Candida Gertler and Yana Peel – marched drink champagne with artists; galleries were persuaded to hold parties into the picture. They knew about art; they had broad social contacts across a featuring collections of work including those by (gasp) artists tied to other new generation of young wealthy; and they had a plan. -
Quarters Kathryn Tully Compare How the Artists’ Areas in the Two Cities Have Changed Over Time
4 ART AND THE CITY ART TIMES ART DISTRICTS London and New York are the two powerhouses of the international art world, Artist’s supporting galleries, auction houses, museums and, of course, artists. The areas where the latter congregate quickly gain a reputation for style, innovation and creativity – prompting the arrival of dealers and property developers. Based in London and New York respectively, Ben Luke and quarters Kathryn Tully compare how the artists’ areas in the two cities have changed over time LONDON (YBAs), and gathered in a then un- that the character of the place and the It is astonishing that until 2000, when likely crucible for cultural renaissance It is important to try to strike a things that made it successful as an area Tate Modern opened, London lacked – the East End districts of Shoreditch of regeneration can remain in some a national museum of modern art. and Hoxton. balance between ensuring that form, but without stultifying it and Instead, 20th-century art was housed In Lucky Kunst, his memoir of the trying to keep it as a museum.” alongside British art in the Tate Gallery, YBA era, Gregor Muir, now director of the character of the place and the Mirza is particularly focused on now Tate Britain, on Millbank. When it the contemporary gallery Hauser and the area around the 2012 Olympic arrived, Tate Modern shone as a beacon Wirth, remembers arriving as a pen- things that made it successful as an Park. “Hackney Wick has the largest for London’s newfound conviction in niless critic in a Shoreditch suffering concentration of artists anywhere in the kind of art that had long been the from the economic inequalities of the area of regeneration can remain in Europe. -
Lucy Sparrow Photo: Dafydd Jones 18 Hot &Coolart
FREE 18 HOT & COOL ART YOU NEVER FELT LUCY SPARROW LIKE THIS BEFORE DAFYDD JONES PHOTO: LUCY SPARROW GALLERIES ONE, TWO & THREE THE FUTURE CAN WAIT OCT LONDON’S NEW WAVE ARTISTS PROGRAMME curated by Zavier Ellis & Simon Rumley 13 – 17 OCT - VIP PREVIEW 12 OCT 6 - 9pm GALLERY ONE PETER DENCH DENCH DOES DALLAS 20 OCT - 7 NOV GALLERY TWO MARGUERITE HORNER CARS AND STREETS 20 - 30 OCT GALLERY ONE RUSSELL BAKER ICE 10 NOV – 22 DEC GALLERY TWO NEIL LIBBERT UNSEEN PORTRAITS 1958-1998 10 NOV – 22 DEC A NEW NOT-FOR-PROFIT LONDON EXHIBITION PLATFORM SUPPORTING THE FUSION OF ART, PHOTOGRAPHY & CULTURE Art Bermondsey Project Space, 183-185 Bermondsey Street London SE1 3UW Telephone 0203 441 5858 Email [email protected] MODERN BRITISH & CONTEMPORARY ART 20—24 January 2016 Business Design Centre Islington, London N1 Book Tickets londonartfair.co.uk F22_Artwork_FINAL.indd 1 09/09/2015 15:11 THE MAYOR GALLERY FORTHCOMING 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com EXHIBITIONS WIFREDO ARCAY CUBAN STRUCTURES THE MAYOR GALLERY 13 OCT - 20 NOV Wifredo Arcay (b. 1925, Cuba - d. 1997, France) “ETNAIRAV” 1959 Latex paint on plywood relief 90 x 82 x 8 cm 35 1/2 x 32 1/4 x 3 1/8 inches WOJCIECH FANGOR WORKS FROM THE 1960s FRIEZE MASTERS, D12 14 - 18 OCT Wojciech Fangor (b.1922, Poland) No. 15 1963 Oil on canvas 99 x 99 cm 39 x 39 inches STATE_OCT15.indd 1 03/09/2015 15:55 CAPTURED BY DAFYDD JONES i SPY [email protected] EWAN MCGREGOR EVE MAVRAKIS & Friend NICK LAIRD ZADIE SMITH GRAHAM NORTON ELENA SHCHUKINA ALESSANDRO GRASSINI-GRIMALDI SILVIA BRUTTINI VANESSA ARELLE YINKA SHONIBARE NIMROD KAMER HENRY HUDSON PHILIP COLBERT SANTA PASTERA IZABELLA ANDERSSON POPPY DELEVIGNE ALEXA CHUNG EMILIA FOX KARINA BURMAN SOPHIE DAHL LYNETTE YIADOM-BOAKYE CHIWETEL EJIOFOR EVGENY LEBEDEV MARC QUINN KENSINGTON GARDENS Serpentine Gallery summer party co-hosted by Christopher Kane. -
Art Books Spring 2020 Millbank London Sw1p 4Rg
TATE PUBLISHING TATE ENTERPRISES LTD ART BOOKS SPRING 2020 MILLBANK LONDON SW1P 4RG 020 7887 8870 TATE.ORG.UK/PUBLISHING TWITTER: @TATE_PUBLISHING INSTAGRAM: @TATEPUBLISHING CONTENTS NEW TITLES 3 ANDY WARHOL 7 STEVE MCQUEEN 9 BRITISH BAROQUE: POWER AND ILLUSION 11 AUBREY BEARDSLEY 13 A BOOK OF FIFTY DRAWINGS BY AUBREY BEARDSLEY 15 ZANELE MUHOLI 17 LYNETTE YIADOM-BOAKYE 19 MAGDALENA ABAKANOWICZ 21 BRITAIN AND PHOTOGRAPHY: 1945–79 23 HUGUETTE CALAND 25 VENICE WITH TURNER 27 SPRING 29 SUMMER 30 QUENTIN BLAKE: PENS INK & PLACES 31 HOW TO PAINT LIKE TURNER 32 RECENT HIGHLIGHTS 34 BACKLIST TITLES 41 J.M.W. TURNER 42 BARBARA HEPWORTH 43 QUENTIN BLAKE 44 HYUNDAI COMMISSION 45 TATE INTRODUCTIONS 46 MODERN ARTIST SERIES 47 BRITISH ARTIST SERIES 48 REPRESENTATIVES AND AGENTS All profits go to supporting Tate. Please note that all prices, scheduled publication dates and specifications are subject to alteration. Owing to market restrictions some titles are not available in certain markets. For more information on sales and rights contacts see page 48. ANDY WARHOL EDITED BY GREGOR MUIR AND YILMAZ DZIEWIOR NEW TITLES NEW EXHIBITIONS A FASCINATING ‘RE-VISIONING’ OF WARHOL AND Tate Modern HIS UNIQUE VIEW OF AMERICAN CULTURE 12 Mar – 6 Sept 2020 As an underground art star, Andy Warhol (1928–87) Museum Ludwig, was the antidote to the prevalent abstract expressionist Cologne, 10 Oct 2020 style of 1950s America. Looking at his background as – 21 Feb 2021 a child of an immigrant family, his ideas about death and religion, as well as his queer perspective, this Art Gallery of book explores Warhol‘s limitless ambition to push the Ontario, Toronto traditional boundaries of painting, sculpture, film and 27 Mar – 13 Jun 2021 music. -
Frieze London Announces Galleries, Curators & Pioneering New Section
Frieze Press Release 27 June 2016 Frieze London Announces Galleries, Curators & Pioneering New Section for the 2016 Fair The 14th edition of Frieze London will take place a week earlier this year, open- ing 6–9 October with a Preview Day on Wednesday 5 October. This year’s fair brings together more than 160 of the world’s leading galleries, showcasing today’s most significant artists across its main and curated sections, alongside the fair’s celebrated non-profit programme of ambitious new artist commis- sions and talks. In 2016 the fair will debut a new gallery section, The Nineties, recreating seminal exhibitions from the decade, alongside the return of sections Focus and Live, the definitive platforms for emerging galleries and performance art respectively. Frieze London coincides with Frieze Masters and the Frieze Sculpture Park, convening art of the highest quality from a spectrum of periods and countries and offering collectors, scholars and art enthusiasts an unparal- leled cultural experience. Frieze London is supported by main sponsor Deutsche Bank for the 13th con- secutive year, continuing a shared commitment to discovery and artistic excel- lence. Building on Frieze’s enduring relationship with collecting institutions, this year, the fair partners with two acquisition funds for national museums, including the the Frieze Tate Fund, now supported by WME | IMG; and the launch of the Contemporary Art Society’s Collections Fund at Frieze, supporting a regional museum in the UK. Victoria Siddall, Director, Frieze Fairs said, ‘Frieze has become known for its strong curated sections and this year I am particularly excited to see Nicolas Trembley’s selection of artists who changed the conversation in the 1990s.