PIEDRAS NEGRAS DIARY an Archaeological Field Journal,Guatemala, 1931
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Ancient Maya Afterlife Iconography: Traveling Between Worlds
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. -
Vestiges of the Mayas
: VESTIGES OF THE MAYAS, Facts tendinis to prove that Communications and Intimate Relations must have existed, in very remote times, between the inhabitants of M A T A B AND THOSE OF .A-Si.^ ^^isrx) ^a^:fi?,ic.a.- AUGUSTUS Le PLONGEON, M. D., Member of the American Antiquarian Society of Worcester, Mass., of the California Academy of Sciences, and. several other Scientific Societies. Author of various Essays and Scientific Works. NEW YORK JOHN POLHEMUS, PKINTER AISID STATIONER, 102 NASSAU STREET. 1881. TO MR. PIERRE LORILLARD. Who deserves the thanks of the students of American Archaeology more than you, for the interest manifested in the explorations of the ruined monu- ments of Central America, handiwork of the races that inhabited this con- tinent in remote ages, and the material help given by you to Foreign and American explorers in that field of investigations ? Accept, then, my personal thanks, with the dedication of this small Essay. It forms part of the result of many years' study and hardships among the ruined cities of the Incas, in Peru, and of the Mayas in Yucatan. Yours very respectfully, AUGUSTUS Le PLONGEON, M. D. New York, December 15, 1881. Entured according to an Act of Congress, in December, 1881, By AUGUSTUS Le PLONGBON, In the Office of the Librarian op Congress in Washington, D. C. tl VESTIGES OF THE MAYAS. YucATAisr is the peninsula which divides the Gfulf of Mexico from the Caribbean Sea. It is comprised between the 17° 30' and 21° 50', of latitude north, and the 88° and 91° of longitude west from the Greenwich meridian. -
Chichen Itza Coordinates: 20°40ʹ58.44ʺN 88°34ʹ7.14ʺW from Wikipedia, the Free Encyclopedia
Chichen Itza Coordinates: 20°40ʹ58.44ʺN 88°34ʹ7.14ʺW From Wikipedia, the free encyclopedia Chichen Itza ( /tʃiːˈtʃɛn iːˈtsɑː/;[1] from Yucatec Pre-Hispanic City of Chichen-Itza* Maya: Chi'ch'èen Ìitsha',[2] "at the mouth of the well UNESCO World Heritage Site of the Itza") is a large pre-Columbian archaeological site built by the Maya civilization located in the northern center of the Yucatán Peninsula, in the Municipality of Tinúm, Yucatán state, present-day Mexico. Chichen Itza was a major focal point in the northern Maya lowlands from the Late Classic through the Terminal Classic and into the early portion of the Early Postclassic period. The site exhibits a multitude of architectural styles, from what is called “In the Mexican Origin” and reminiscent of styles seen in central Mexico to the Puuc style found among the Country Mexico Puuc Maya of the northern lowlands. The presence of Type Cultural central Mexican styles was once thought to have been Criteria i, ii, iii representative of direct migration or even conquest from central Mexico, but most contemporary Reference 483 (http://whc.unesco.org/en/list/483) interpretations view the presence of these non-Maya Region** Latin America and the Caribbean styles more as the result of cultural diffusion. Inscription history The ruins of Chichen Itza are federal property, and the Inscription 1988 (12th Session) site’s stewardship is maintained by Mexico’s Instituto * Name as inscribed on World Heritage List. Nacional de Antropología e Historia (National (http://whc.unesco.org/en/list) Institute of Anthropology and History, INAH). The ** Region as classified by UNESCO. -
Panthéon Maya
Liste des divinités et des démons de la mythologie des mayas. Les noms sont tirés du Popol Vuh des Mayas Quichés, des livres de Chilam Balam et de Diego de Landa ainsi que des divers codex. Divinité Dieu Déesse Démon Monstre Animal Humain AB KIN XOC Dieu de poésie. ACAN Dieu des boissons fermentées et de l'ivresse. ACANTUN Quatre démons associés à une couleur et à un point cardinal. Ils sont présents lors du nouvel an maya et lors des cérémonies de sculpture des statues. ACAT Dieu des tatouages. AH CHICUM EK Autre nom de Xamen Ek. AH CHUY KAKA Dieu de la guerre connu sous le nom du "destructeur de feu". AH CUN CAN Dieu de la guerre connu comme le "charmeur de serpents". AH KINCHIL Dieu solaire (voir Kinich Ahau). AHAU CHAMAHEZ Un des deux dieux de la médecine. AHMAKIQ Dieu de l'agriculture qui enferma le vent quand il menaçait de détruire les récoltes. AH MUNCEN CAB Dieu du miel et des abeilles sans dard; il est patron des apiculteurs. AH MUN Dieu du maïs et de la végétation. AH PEKU Dieu du Tonnerre. AH PUCH ou AH CIMI ou AH CIZIN Dieu de la Mort qui régnait sur le Metnal, le neuvième niveau de l'inframonde. AH RAXA LAC DMieu de lYa Terre.THOLOGICA.FR AH RAXA TZEL Dieu du ciel AH TABAI Dieu de la Chasse. AH UUC TICAB Dieu de la Terre. 1 AHAU CHAMAHEZ Dieu de la Médecine et de la Guérison. AHAU KIN voir Kinich Ahau. AHOACATI Dieu de la Fertilité AHTOLTECAT Dieu des orfèvres. -
Sources and Resources/ Fuentes Y Recursos
ST. FRANCIS AND THE AMERICAS/ SAN FRANCISCO Y LAS AMÉRICAS: Sources and Resources/ Fuentes y Recursos Compiled by Gary Francisco Keller 1 Table of Contents Sources and Resources/Fuentes y Recursos .................................................. 6 CONTROLLABLE PRIMARY DIGITAL RESOURCES 6 Multimedia Compilation of Digital and Traditional Resources ........................ 11 PRIMARY RESOURCES 11 Multimedia Digital Resources ..................................................................... 13 AGGREGATORS OF CONTROLLABLE DIGITAL RESOURCES 13 ARCHIVES WORLDWIDE 13 Controllable Primary Digital Resources 15 European 15 Mexicano (Nahuatl) Related 16 Codices 16 Devotional Materials 20 Legal Documents 20 Maps 21 Various 22 Maya Related 22 Codices 22 Miscellanies 23 Mixtec Related 23 Otomi Related 24 Zapotec Related 24 Other Mesoamerican 24 Latin American, Colonial (EUROPEAN LANGUAGES) 25 PRIMARY RESOURCES IN PRINTED FORM 25 European 25 Colonial Latin American (GENERAL) 26 Codices 26 2 Historical Documents 26 Various 37 Mexicano (Nahautl) Related 38 Codices 38 Lienzo de Tlaxcala 44 Other Lienzos, Mapas, Tiras and Related 45 Linguistic Works 46 Literary Documents 46 Maps 47 Maya Related 48 Mixtec Related 56 Otomí Related 58 (SPREAD OUT NORTH OF MEXICO CITY, ALSO HIDALGO CLOSELY ASSOCIATED WITH THE OTOMÍ) Tarasco Related 59 (CLOSELY ASSOCIATED WITH MICHOACÁN. CAPITAL: TZINTZUNRZAN, LANGUAGE: PURÉPECHA) Zapotec Related 61 Other Mesoamerican 61 Latin American, Colonial (EUROPEAN LANGUAGES) 61 FRANCISCAN AND GENERAL CHRISTIAN DISCOURSE IN NATIVE -
By ROBERT L. RANDS
SMITHSONIAN INSTITUTION Bureau of American Ethnology BuUetin 157 Anthropological Papers, No. 48 Some ManifestatioDs of Water in Mesoamerican Art By ROBERT L. RANDS 265 1 CONTENTS PAGE Introduction 27 The better established occurrences of water 273 Types of associations 273 The Maya codices 277 The Mexican codices 280 Aztec and Teotihuacdn murals, sculptures, and ceramics 285 Summary 291 The proposed identifications of water 292 Artistic approach to the identifications 292 Non-Maya murals, sculptures, and ceramics 293 Maya murals, sculptures, and ceramics 298 General considerations 298 Highest probability (A) 302 Probability B : paraphernalia and secondary associations 315 Probability B : fang, tongue, or water (?) 320 Artistic typology and miscellany 322 Water and the water lily 330 Conclusions 333 Appendix A. Nonartistic data and current reconstructions 342 Direct water associations : physiological data 342 Water from container 344 Water from mouth 348 Water from eye 348 Water from breast 350 Water from between legs 350 Water from body (pores ?) 350 Water from hand 352 Water from other object held in hand 354 Waterlike design from head 355 Glyph in water 365 Object in water 359 Tlaloc 359 Anthropomorphic Long-nosed God 359 Female water deity 369 Black god (M, B) 360 Miscellaneous anthropomorphic figures 360 Frog 360 Serpent 361 Jaguar (ocelot) 361 Bird 363 Miscellaneous animal 363 Serpentine-saurian monster 364 Detached rear head of monster 364 Other grotesque head, face 365 267 268 BUREAU OF AMERICAN ETHNOLOGY [Bull. 157 Appendix A. Nonartistic data and current reconstructions—Con. page Death, misfortune, destruction _. 365 Water descending on surface water 365 Water descending on figure 366 The bending-over rainmaker 366 The sky monster and its affiliates 366 Balanced water and vegetation 367 Summary 367 Appendix B. -
Early Explorers and Scholars
1 Uxmal, Kabah, Sayil, and Labná http://academic.reed.edu/uxmal/ return to Annotated Bibliography Architecture, Restoration, and Imaging of the Maya Cities of UXMAL, KABAH, SAYIL, AND LABNÁ The Puuc Region, Yucatán, México Charles Rhyne Reed College Annotated Bibliography Early Explorers and Scholars This is not a general bibliography on early explorers and scholars of Mexico. This section includes publications by and about 19th century Euro-American explorers and 19th and early 20th century archaeologists of the Puuc region. Because most early explorers and scholars recorded aspects of the sites in drawings, prints, and photographs, many of the publications listed in this section appear also in the section on Graphic Documentation. A Antochiw, Michel Historia cartográfica de la península de Yucatan. Ed. Comunicación y Ediciones Tlacuilo, S.A. de C.V. Centro Investigación y de Estudios Avanzados del I.P.N., 1994. Comprehensive study of maps of the Yucatan from 16th to late 20th centuries. Oversize volume, extensively illustrated, including 6 high quality foldout color maps. The important 1557 Mani map is illustrated and described on pages 35-36, showing that Uxmal was known at the time and was the only location identified with a symbol of an ancient ruin instead of a Christian church. ARTstor Available on the web through ARTstor subscription at: http://www.artstor.org/index.shtml (accessed 2007 Dec. 8) This is one of the two most extensive, publically available collections of early 2 photographs of Uxmal, Kabah, Sayil, and Labná, either in print or on the web. The other equally large collection, also on the web, is hosted by the Peabody Museum of Archeology and Ethnography, Harvard Univsrsity (which see). -
Linton Satterthwaite Papers 0051 Finding Aid Prepared by Jody Rodgers
Linton Satterthwaite Papers 0051 Finding aid prepared by Jody Rodgers. Last updated on March 02, 2017. University of Pennsylvania, Penn Museum Archives 9/12/13 Linton Satterthwaite Papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................3 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 Correspondence........................................................................................................................................7 Administrative Files...............................................................................................................................25 Papers and Manuscripts.........................................................................................................................28 -
Augustus and Alice Dixon Le Plongeon-Early Photographic
Augustus and Alice Dixon Le Plongeon: Early Photographic Documentation of Uxmal by Lawrence G. Desmond, Ph.D. Bibliographic citation: Desmond, Lawrence G. 1989 Augustus Le Plongeon and Alice Dixon Le Plongeon: Early Photographic Documentation at Uxmal, Yucatan, Mexico." In Mesoamerica: The Journal of Middle America, Vol. 2, No. 1, pp. 27-31, Merida, Yucatan, Mexico. Chichen Itza. Monjas on left. Perspective drawing by William Holmns. 1895. Uxmal. Adivino Pyramid on left. Perspective drawing by William Holmns. 1895. Documentation of the Maya archaeological sites of Uxmal and Chichen Itza had its beginnings in the seventeenth-century with descriptions by the historian Diego Lopez de Cogolludo, and then early in the nineteenth-century with the drawings of the artist- Frederic Waldeck adventurer Count Frederic Waldeck in the 1830s, and the magnificent illustrations of Frederick Catherwood in the 1840s. Then in 1860, the French explorer Desire Charnay successfully made a number of photographic views of Uxmal. It was not until 1875 that detailed and systematic photographic recording was accomplished at Uxmal by Augustus and Alice Dixon Le Plongeon. Augustus' photographic expertise Augustus Le Plongeon! --1870s-- Alice Dixon extended back to the 1850s in San Francisco when he rented space on Clay Street for a studio. He was noted for his successful Daguerreotypes of squirming children taken "in good style in 2 seconds." Seeing new opportunities for a photographer in Peru, he opened a studio in Lima in 1862, and traveled widely in the Andean area photographing archaeological sites. A few years later he wrote in the Photographic Times, "Photography since I learned its first rudiments in 1852, has fascinated me, and has been to my mind a kind of enchanted ground" (1879:79). -
2001 Augustus Le Plongeon- Early Mayanist, Archeologist, Photographer
Augustus Le Plongeon (1826-1908): Early Mayanist, archaeologist, and photographer by Lawrence G. Desmond, Ph.D. Senior Research Fellow in Archaeology Mesoamerican Archive and Research Project Peabody Museum, Harvard University Bibliographic citation: Desmond, Lawrence G. 2001 Augustus Le Plongeon. In, David Carrasco, Ed., Oxford Encyclopedia of Mesoamerican Cultures, 3 Vols., New York, Oxford University Press, Vol. 2, pp. 117-118. Augustus Le Plongeon, a nineteenth century Mayanist, was born on the Island of Jersey on May 4, 1826, and attended the Ecole Polytechnique in Paris. In his twenties he became intrigued by life in the Americas and traveled to Chile where he taught mathematics, drawing, and languages at a college in Valparaiso. On hearing of the Gold Rush, he sailed for San Francisco in 1849. He then applied his technical skills as a surveyor and drew a plan for the layout of the town of Marysville in the Central Valley of California in 1851. By 1855 he had moved to Augustus Le Plongeon, ca 1873. San Francisco and opened a Daguerreotype portrait studio on Clay Photo by Alice Dixon Le Street. Plongeon. In 1862, Le Plongeon left San Francisco and moved to Lima, Peru where he began using the wet collodion glass-plate negative process for studio portraits, and to record the ancient ruins. It was this same photographic process that he was to use in the 1870s and 1880s in Yucata'n to document archaeological sites because of its superior sharpness and long tonal range. He traveled extensively in Peru for eight years visiting and photographing the ancient ruins. -
Review/Reseña Women's Liberation Through Archaeology in Yucatán
Vol. 7, No. 2, Winter 2010, 336-343 www.ncsu.edu/project/acontracorriente Review/Reseña Lawrence Gustave Desmond, ed. Yucatán Through Her Eyes. Alice Dixon Le Plongeon, Writer & Expeditionary Photographer. Albuquerque: University of New Mexico Press, 2009. Women’s Liberation Through Archaeology in Yucatán Gesa Mackenthun Rostock University In 2004, Lawrence Desmond discovered a hitherto unpublished manuscript, as well as numerous field notes and photographs, by Alice Dixon Le Plongeon at the Getty Research Institute in Los Angeles. The volume under review includes the text of that diary, complemented by two narratives: first, a description of the historical and biographical context in which Alice Le Plongeon’s diary was written—more precisely, a biography of its author; and, secondly, a narrative of its recent discovery. Both narratives, as well as the document here printed for the first time, take us into the world of early archaeological scholarship in the second half of the nineteenth century. As the wife of the French entrepreneur and amateur archaeologist Auguste Le Plongeon (1826- 1908), Alice Dixon Le Plongeon (1851-1910) was one of the few illustrious Victorian women who traveled to exotic places as her Mackenthun 337 husband’s spouse and assistant but who also made her own reputation and career as a writer, ultimately outshining her husband as a public speaker and celebrity. The couple had spent eleven years (1873-84, interrupted by a few months stay in New York City in 1880) in various parts of Mesoamerica—above all in Yucatán, where they undertook substantial archaeological and photographic documentations of the Maya ruins at Chichen Itza and Uxmal, but also in Cozumel, Isla Mujeres, British Honduras, and Mexico City. -
Textual Reconstruction of Classic Maya Inscriptions: What Adaptions and Copies Studies Tell Us About Scribes and the Practice of Writing.“ Axis Mundi 15(2): 11-28
Kupprat, Felix. 2020. „Textual reconstruction of Classic Maya inscriptions: what adaptions and copies Studies tell us about scribes and the practice of writing.“ Axis Mundi 15(2): 11-28. Textual reconstruction of Classic Maya inscriptions: what adaptions and copies tell us about scribes and the practice of writing FELIX KUPPRAT UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO While the task of reconstructing calendrical data is common in Maya epigraphy, the possibilities to fill other types of lacunae have only been treated in a superficial manner. However, the systematic reconstruction of missing parts of text, based on the comparison with direct or structural parallels, is essential to any contextual treatment of an inscription. This article presents two cases of Classic Maya texts from Copan, where textual reconstruction is not only possible, but also necessary in order to obtain certain information about authorship and the practice of writing. Key words: Maya Epigraphy, hieroglyphic writing, copy, adaption, textual reconstruction Introduction of inscriptions is an extra challenge because they are When we talk about the epigraphy of Maya hieroglyphs, frequently found in a destroyed, fragmented, or altered we usually refer to a broad range of research problems state. From a classical point of view, the epigrapher and methods. So broad, actually, that one may speak of “prepares” the text for the historians and the philol - a trans-discipline that is concerned not only with the ogists by describing its context, reconstructing destroyed description, analysis, and decipherment of the writing and lost parts, solving abbreviations, and providing system (grammatology), the evolution of writing and a date for the inscription (Sandys 1919, 1–2, 197–206; calligraphy (paleography), the documentation and ana - Klaffenbach 1957, 7–10), even though it is not necessar - lysis of the carriers of writing (archaeology), and the ily her or his responsibility to translate it or to include computation of calendrical dates and the correlation it in a broader historiographic discussion.