'El Gran Corresponsal De Guerra'
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Irish Responses to Fascist Italy, 1919–1932 by Mark Phelan
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Irish responses to Fascist Italy, 1919-1932 Author(s) Phelan, Mark Publication Date 2013-01-07 Item record http://hdl.handle.net/10379/3401 Downloaded 2021-09-27T09:47:44Z Some rights reserved. For more information, please see the item record link above. Irish responses to Fascist Italy, 1919–1932 by Mark Phelan A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Supervisor: Prof. Gearóid Ó Tuathaigh Department of History School of Humanities National University of Ireland, Galway December 2012 ABSTRACT This project assesses the impact of the first fascist power, its ethos and propaganda, on key constituencies of opinion in the Irish Free State. Accordingly, it explores the attitudes, views and concerns expressed by members of religious organisations; prominent journalists and academics; government officials/supporters and other members of the political class in Ireland, including republican and labour activists. By contextualising the Irish response to Fascist Italy within the wider patterns of cultural, political and ecclesiastical life in the Free State, the project provides original insights into the configuration of ideology and social forces in post-independence Ireland. Structurally, the thesis begins with a two-chapter account of conflicting confessional responses to Italian Fascism, followed by an analysis of diplomatic intercourse between Ireland and Italy. Next, the thesis examines some controversial policies pursued by Cumann na nGaedheal, and assesses their links to similar Fascist initiatives. The penultimate chapter focuses upon the remarkably ambiguous attitude to Mussolini’s Italy demonstrated by early Fianna Fáil, whilst the final section recounts the intensely hostile response of the Irish labour movement, both to the Italian regime, and indeed to Mussolini’s Irish apologists. -
Cultural Convergence the Dublin Gate Theatre, 1928–1960
Cultural Convergence The Dublin Gate Theatre, 1928–1960 Edited by Ondřej Pilný · Ruud van den Beuken · Ian R. Walsh Cultural Convergence “This well-organised volume makes a notable contribution to our understanding of Irish theatre studies and Irish modernist studies more broadly. The essays are written by a diverse range of leading scholars who outline the outstanding cultural importance of the Dublin Gate Theatre, both in terms of its national significance and in terms of its function as a hub of international engagement.” —Professor James Moran, University of Nottingham, UK “The consistently outstanding contributions to this illuminating and cohesive collection demonstrate that, for Gate Theatre founders Hilton Edwards and Micheál mac Liammóir and their collaborators, the limits of the imagination lay well beyond Ireland’s borders. Individually and collectively, the contribu- tors to this volume unravel the intricate connections, both personal and artistic, linking the theatre’s directors, designers, and practitioners to Britain, Europe, and beyond; they examine the development and staging of domestic plays written in either English or Irish; and they trace across national boundaries the complex textual and production history of foreign dramas performed in translation. In addition to examining a broad spectrum of intercultural and transnational influ- ences and perspectives, these frequently groundbreaking essays also reveal the extent to which the early Gate Theatre was a cosmopolitan, progressive, and inclusive space that recognized and valued women’s voices and queer forms of expression.” —Professor José Lanters, University of Wisconsin—Milwaukee, USA “Cultural Convergence is a book for which we have been waiting, not just in Irish theatre history, but in Irish cultural studies more widely. -
National University of Ireland St. Patrick's College, Maynooth THE
National University of Ireland St. Patrick’s College, M aynooth THE ROLE OF IRISH MILITARY INTELLIGENCE DURING WORLD WAR TWO by BRIAN D. MARTIN IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF M A DEPARTMENT OF MODERN HISTORY, ST. PATRICK’S COLLEGE. MAYNOOTH HEAD OF DEPARTMENT : Professor R.V. Comerford Supervisor of Research : Denise Dunne August, 1994 TABLE OF CONTENTS PAGE Acknowledgements ................................................................................ i Abbreviations ii Introduction 1 Chapter 1 Military Intelligence - An Overview......................... 7 Chapter 2 Combat intelligence . 14 Chapter 3 German Agents in Ireland...................................... 37 Chapter 4 G2 Co-operation with Allied Intelligence Services 58 Conclusion 76 Bibliography 80 ACKNOWLEDGEMENTS I owe a great debt of gratitude to the following people for their help, advice and support during the writing of this thesis. Firstly to the staff of the Dept, of Modern History, in St. Patrick’s College Maynooth. Especially my supervisor, Denise Dunne, for the time and advice she gave me during the year and also Professor RV Comerford for helping to point me in the right direction during the course of my research on many occasions. Further thanks to the following people, Comdt. Peter Young and Capt. Victor Lang, of the Military Archives for their help, advice and patience! Caroline Martin,for the same, as well as for the proofreading and typing of my interview notes. Richard Mossop, for his help with the wordprocessor everytime I did something wrong. Colin Menton for finding those texts when I was not able to. Dr. Eunan O’Halpin for his advice and help in the preliminary stages of this thesis. -
Final Draft Space15 Aug22
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Enlighten: Theses Mansouri, Shahriyar (2014) The modern Irish Bildungsroman: a narrative of resistance and deformation. PhD thesis. http://theses.gla.ac.uk/5495/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] The Modern Irish Bildungsroman: A Narrative of Resistance and Deformation Shahriyar Mansouri M.A. English Lit Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy School of Critical Studies College of Arts University of Glasgow August 2014 Abstract: My thesis examines the ways in which the critical structure of modern Irish Bildungsroman deconstructs and re-examines ‘residues of past trauma’ in the form of socio-cultural, psychological, personal and notably political artefacts present in the nation’s unfortunate engagement with the State’s politics of formation. The result is a resistant and radical form which challenges the classical and modern specificity of the genre by introducing a non-conformist, post-Joycean protagonist, whose antithetical perception of history and socio-cultural norms contradicts the conservative efforts of the post-independence Irish State. -
Catholicism and Anti-Communism: the Reactions of Irish Intellectuals to Revolutionary Changes in Hungary (1918-1939)
Diacronie Studi di Storia Contemporanea 33, 1/2018 Guerra e pace: declinazioni politiche, sociali e culturali del conflitto in età contemporanea Catholicism and anti-communism: the reactions of Irish intellectuals to revolutionary changes in Hungary (1918-1939) Lili ZÁCH Per citare questo articolo: ZÁCH, Lili, «Catholicism and anti-communism: the reactions of Irish intellectuals to revolutionary changes in Hungary (1918-1939)», Diacronie. Studi di Storia Contemporanea : Guerra e pace: declinazioni politiche, sociali e culturali del conflitto in età contemporanea, 33, 1/2018, 29/03/2018, URL: < http://www.studistorici.com/2018/03/29/zach_numero_33/ > Diacronie Studi di Storia Contemporanea → http://www.diacronie.it Rivista storica online. Uscita trimestrale. [email protected] Comitato di direzione: Naor Ben-Yehoyada – João Fábio Bertonha – Christopher Denis-Delacour – Maximiliano Fuentes Codera – Anders Granås Kjøstvedt – John Paul Newman – Deborah Paci – Niccolò Pianciola – Spyridon Ploumidis – Wilko Graf Von Hardenberg Comitato di redazione: Jacopo Bassi – Luca Bufarale – Gianluca Canè – Luca G. Manenti – Fausto Pietrancosta – Alessandro Salvador – Matteo Tomasoni – Luca Zuccolo Diritti: gli articoli di Diacronie. Studi di Storia Contemporanea sono pubblicati sotto licenza Creative Commons 3.0. Possono essere riprodotti e modificati a patto di indicare eventuali modifiche dei contenuti, di riconoscere la paternità dell’opera e di condividerla allo stesso modo. La citazione di estratti è comunque sempre autorizzata, nei limiti previsti dalla legge. Catholicism and anti-communism: the reactions of Irish intellectuals to revolutionary changes in Hungary (1918-1939) 5/ Catholicism and anti-communism: the reactions of Irish intellectuals to revolutionary changes in Hungary (1918-1939) Lili ZÁCH Although far from the centres of conflict on the Continent, interwar Ireland was also exposed to the influence of extreme left and right-wing political movements. -
The Spanish Civil War, Irish Newspapers, Journals, and Periodicals – a Thematic Examination, 1936-39
The Spanish Civil War, Irish newspapers, journals, and periodicals – A Thematic Examination, 1936-39 William Burton Faculty of Arts, Humanities, and the Social Sciences, Ulster University Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy May 2019 I confirm that the word count of this thesis is less than 100,000 Contents Declaration i Acknowledgements ii Abstract iii Abbreviations iv Introduction 5 Chapter One At the of gates of Madrid: Public Opinion and the Battle for Madrid 55 Easy Victory or Heroic Resistance – Ideological Differences 58 Soviet resupply to the Madrid Government 71 A dearth of dispatches from the front 77 Chapter Two ‘Hypothetical bombing of a small town’ Fact and Fiction in Irish Newspapers 90 The Provincial Press – Donegal 99 Radical and Religious 104 Northern Ireland 110 Chapter Three ‘Have the children of Bilbao fallen into the hands of friends or foes?’ The coverage of Basque refugees in Ireland 127 The Basque Front 128 Echoes of the 1913 Lockout in 1937 130 Chapter Four ‘Ireland can be saved if we act now’ Readers’ Letters and the Spanish Civil War 154 Ends of the Spectrum - Unique Letters 158 Penning anguish with Partition 162 A Unifying Moment? – The Formation of the Irish Brigade 164 Peadar O’Donnell - A Catalyst for Debate 168 Wariness of British Imperialism 178 Chapter Five ‘May the Lord save us from our universities and protect us from our professors’ Student Publications, Professors and the Spanish Civil War 188 Irish universities and activism in the 1930s 189 Dublin -
Irish Women's Opposition to the 1937 Draft
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Maria Luddy Article Title: A ‘SINISTER AND RETROGRESSIVE’ PROPOSAL: IRISH WOMEN'S OPPOSITION TO THE 1937 DRAFT CONSTITUTION Year of publication: 2005 Link to published version: http://dx.doi.org/ 10.1017/S0080440105000307 Publisher statement: None Transactions of the RHS (), pp. – C Royal Historical Society doi:./S Printed in the United Kingdom A ‘SINISTER AND RETROGRESSIVE’ PROPOSAL: IRISH WOMEN’S OPPOSITION TO THE DRAFT CONSTITUTION By Maria Luddy READ MARCH AT ROYAL HOLLOWAY, UNIVERSITY OF LONDON ABSTRACT. This article explores the campaign waged by Irish women against the draft constitution of . A number of articles within the constitution were deemed by women activists to threaten both their rights as citizens and as workers. A campaign, organised principally by the Women Graduates’ Association, the Joint Committee of Women’s Societies and Social Workers, together with the Irish Women Workers’ Union, sought to amend or delete the offending articles. The campaign ran for two months and in that period, feminists, the press, parliamentarians, the Catholic Church and republicans all engaged in the debate about women’s position in Irish society. Irish women, throughout the nineteenth and twentieth centuries, have been politically engaged in nationalist, unionist, social, economic and feminist organisations. -
The Decline of Women's Rights in the Era of Irish Nation
Redefining Éireann: The Decline of Women’s Rights in the Era of Irish Nationalism 1916-1937 Mary Bridget Lee Department of History University of Michigan April 1, 2015 Advised by Professor Brian Porter Szűcs Lee 2 Table of Contents Acknowledgements..........................................................................................3 Introduction........................................................................................................5 Chapter I: Irish Nationalism and Progressive Gender Politics from Home Rule to the 1922 Constitution ........................................................15 Chapter II: The Catholicization of Irish Nationalism and Return to Traditional Gender Roles .............................................................................49 Conclusion..........................................................................................................85 Bibliography......................................................................................................89 Lee 3 Acknowledgements I am so grateful to the University of Michigan History Department for the opportunity to produce such a substantial work of scholarship and for the funds they provided for a research trip to the National Library of Ireland and the National Archives of Ireland in Dublin, Ireland in the summer of 2014. From Ann Arbor to Dublin, the librarians I have encountered have been immensely helpful. I am also indebted to the numerous history faculty members who provided encouragement and advice throughout the thesis process, -
Women's Modernism in Peripheral Catholic Europe
Women’s Modernism in Peripheral Catholic Europe: The Poetry of Blanaid Salkeld and Concha Méndez Ciara Catherine McGrath A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Brian Reed, Chair Anthony L. Geist Gordana Crnkovic Program Authorized to Offer Degree: Comparative Literature ©Copyright 2013 Ciara Catherine McGrath University of Washington Abstract Women’s Modernism in Peripheral Catholic Europe: The Poetry of Blanaid Salkeld and Concha Méndez Ciara C McGrath Chair of the Supervisory Committee: Dr. Brian Reed English Department Hindered by both the gendering of modernism and entrenched patriarchal Catholic notions of gender, the Irish poet Blanaid Salkeld and the Spanish poet Concha Méndez have been respectively erased from their national canon or only partially accepted. Over twenty years later, Bonnie Kime Scott’s seminal work, Gender of Modernism, arguing to reread women poets under a broader definition of modernism is still relevant to the recovery of women’s modernism in Ireland and Spain. Additionally, because of the period in which these two poets wrote (from the mid 1920s to the end of the 1930s), their modernism is of special interest because it involves a feminist critique of state, institution and Catholic patriarchal hierarchy. Their feminist projects (intended or not) are politicized in significant and unexpected ways, and take on a strong political and aesthetic sense of urgency as their respective governments’ contestation of modernity had direct impacts on women’s basic freedoms and liberties. What we find in the recovery of both Irish and Spanish women’s modernism is that it is not simply about trying to find narrative or political alternatives to their male counterparts, or even just about revising the marriage plot.