Kids in America Kim Wilde – Kim Wilde (1981) Intro | H (N.C.) | % | % | % |

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Marty Wilde/Ricky Wilde 80's Pop 1981 BPM: 160 Aflyttet af Martin Krøger 2016 Kids in America Kim Wilde – Kim Wilde (1981) Intro | H (n.c.) | % | % | % | A1 Looking out a dirty old window | H | % | Down below the cars in the city go rushing by | H | % | A | % | I sit here alone and I wonder why | G | A | E | % | A2 Friday night and everyone's moving | H | % | I can feel the heat but it's soothing, heading down | H | % | A | % | I search for the beat in this dirty town | G | A | Bridge1 Downtown the young ones are going | E | % | Downtown the young ones are growing | F# | % | B1 We're the kids in America (Whoa) – We're the kids in America (Whoa) | G | D | G | D | Everybody live for the music–go–round | G | A | H | % | A3 Bright lights, the music gets faster | H | % | Look, boy, don't check on your watch, not another glance | H | % | A | % | I'm not leaving now, honey, not a chance | G | A | E | % | A4 Hot shot (shot), give me no problems | H | % | Much later, baby, you'll be saying never mind | H | % | A | % | You know life is cruel, life is never kind | G | A | Bridge2 Kind hearts don't make a new story | E | % | Kind hearts don't grab any glory | F# | % | B2 We're the kids in America (Whoa) – We're the kids in America (Whoa) | G | D | G | D | Everybody live for the music–go–round | G | A | C1 La la la la la la la – La la la la la la (Sing!) | H | D | A | G – A | La la la la la la la – La la la la la la | H | D | A | G | % | G – A | A5 Come closer, honey, that's better | H | % | Got to get a brand new experience, feeling right | H | % | A | % | Oh, don't try to stop, baby, hold me tight | G | A | D | % | A6 Outside a new day is dawning | H | % | Outside suburbia's sprawling everywhere | H | % | A | % | I don't want to go, baby | G | A | Bridge3 New York to East California | E | % | There's a new wave coming, I warn ya | F# | % | B3 We're the kids in America (Whoa) – We're the kids in America (Whoa) | G | D | G | D | Everybody live for the music–go–round | G | A | C2 La la la la la la la – La la la la la la (Sing!) | H | D | A | G – A | La la la la la la la – La la la la la la | H | D | A | G | % | G – A | Coda | H | G | E | Esus – E | | H | G | Esus | E | We're the kids – We're the kids – We're the kids in America || H | G | E | Esus – E | We're the kids – We're the kids – We're the kids in America | H | G | Esus | E || ad lib til cue | H |.

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- Moriday, April 13, 1937 8 Daily Ncbrcskan Pago has no interest in art of signif- titled solo album and the international Wild hit "Kids in America." Although she icance. From moment "Never was overlooked on these shores, the Change" Review Board basically of numbers she a following in (one the greatest Byrds developed large someone other than the and Australia and for a good ever played by Europe off the turntable till the Siouxsie and the Banshees, reason. Her first album was a brooding, Byrds) jumps of I Hate the Six- "Through the Looking Glass" harsh into the maladies of closing irony "Why glimpse devil-may-ca- Jr. Gene Wild displays a re i (Gefien) youth with a quirky, if not complemen- ties," Siouxsie Sioux has had numerous and urgency that is, in the final 1 tary, blend of guitar synthesizer monikers attached to her 1 totally winning. r r dirgelike, backdrops. Although she was only 5 at evaluation, Of if asked them to name gloomy music and her wailing (bansh- the she came off sounding like a course, you time, ven- ee-like, Call a d of course) vocals. her pint-size- pop-oriente- version of Patti their influences, they'd probably into total no like Aero-smit-h rock'n'roll Sylvia Plath or a punk Billie Smith on a bubblegum binge. ture sequiturs and but that's Holiday if you will, but labels aside, But then the angst of her youth sud- Emmylou Harris, musicianese for "It's none of she's been one of the most tenacious ended and she let producers turn just your denly business who influences female musicians of the new music her into a mindless, technopop disco stinking my scene.
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