DOCSLIB.ORG

Artnet Auctions Print Sale Sets Records for Total Sales and Individual Works

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Artnet Auctions Print Sale Sets Records for Total Sales and Individual Works Corporate News April 14, 2021 Artnet Auctions Print Sale Sets Records For Total Sales And Individual Works - Premier Prints & Multiples Sale Achieves 1.7 Million USD - Andy Warhol Screenprint Set Sold For 456,000 USD - Record Prices For Works by David Hockney, Damian Hirst, and Gerhard Richter New York/Berlin, April 14, 2021 – Artnet Auctions' recent Premier Prints & Multiples sale set a new revenue record for a single sale in the history of the online-only auction platform, exceeding 1.7 million USD in total sales. The average price of lots sold hit 38,000 USD – more than double the average for all Artnet Auctions sales in 2020. The sale included historical and contemporary editions ranging from 10,000 USD to more than 100,000 USD. It established new auction records for works by artists Rashid Johnson, Barbara Kruger, Damien Hirst, David Hockney, Elizabeth Peyton, Robert Longo and Gerhard Richter. The top lot was Andy Warhol's Campbell's Soup II, a complete set of 10 screenprints from 1969, which sold for 456,000 USD – the first lot offered in a Prints sale at Artnet Auctions to sell for more than 400,000 USD. Artnet Auctions has launched several initiatives in 2021 aimed at expanding its curatorial reach and overall market presence. Art of the Americas and Africa Present, two current sales at Artnet Auctions, were launched in partnership with world-renowned experts to bring high-quality works in several of the art market's newer curatorial categories to the platform. The Auctions team is dedicated to surfacing artists and artworks from all reaches of the globe and expanded its offerings to meet the increasing online demand from buyers for high-quality works. In April and May, Artnet Auctions will debut three additional Prints & Multiples sales. "The flexibility of the platform's model and sale calendar has allowed the business to evolve to meet those market needs," said Artnet CEO Jacob Pabst. "Consignors and buyers alike have taken advantage of this competitive edge." Defying the pandemic-related weakness in the art market, Artnet Auctions' fee-based revenue in 2020 increased by 26% to 4.9 million USD year-over-year. Artnet, therefore, became the fourth biggest auction house in terms of online sales behind Sotheby's, Christie's and Phillips. Artnet's popularity is also reflected by continuous growth in web traffic. In the first quarter 2021, the number of visitors has increased by 35% year-over-year to a monthly average of 6.2 million. About Artnet Artnet is the leading resource for buying, selling, and researching art online. Founded in 1989, Artnet's suite of industry-leading products has revolutionized the way people collect art today. The Price Database contains more than 14 million auction results from 1,900 auction houses dating back to 1985, providing an unparalleled level of transparency to the art market. The Gallery Network platform connects leading galleries with collectors from around the world, offering the most comprehensive overview of artworks for sale. Artnet Auctions was the first dedicated online marketplace for fine art, providing a seamless and efficient collecting experience for both buyers and sellers. Artnet News covers the events, trends, and people shaping the global art market with up-to-the-minute analysis and expert commentary. Artnet AG is listed in the Prime Standard of the Frankfurt Stock Exchange, the segment with the highest transparency standards. ISIN: DE000A1K0375 LEI: 391200SHGPEDTRIC0X31 Contact: Sophie Neuendorf [email protected] .
Load more

Recommended publications
  • COVID-19 and Its Impact on Auction Houses
    Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 Business Interrupted : COVID-19 and its impact on auction houses Carolina Sagardoy Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Business Analytics Commons, and the Other Business Commons Recommended Citation Sagardoy, Carolina, "Business Interrupted : COVID-19 and its impact on auction houses" (2020). MA Theses. 84. https://digitalcommons.sia.edu/stu_theses/84 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. Business Interrupted: COVID-19 and its Impact on Auction Houses By Carolina Sagardoy A Thesis submitted in conformity with the requirements for the Master’s Degree in Art Business Sotheby’s Institute of Art 2020 Word Count: 14,658 Business Interrupted: COVID-19 and its Impact on Auction Houses By: Carolina Sagardoy Abstract This study aims to thoroughly analyse how auction houses are coping with the conditions imposed by the Coronavirus pandemic in the short-term and what the virus’ long-term impact on the business will be. The study will look at upcoming marketing campaigns and the quick migration to online sales, and will analyse the data within those sales. The study is unique in its aim to also analyse buyer and seller psychological behaviours and how they will be impacted as a result of forced or voluntary distancing when live sales return.
    [Show full text]
  • Artnet Launches New Gallery Profile Pages(PDF)
    Corporate News S e p t e m b e r 5 , 2 0 1 8 artnet Launches New Gallery Profile Pages Berlin/New York, S e p t e m b e r 5 , 2 0 1 8 — artnet is pleased to announce the r e l e a s e o f new profile pages for member s of the Gallery Network, the largest online community of galleries in the w o r l d . With new features and a f r e s h design, gallery members can now better showcase their inventory and programming to artnet’s global audience o f 31 million annual users . Over the course of the year, t h e a r t n e t t e a m m e t w i t h c l i e n t s f r o m around the world t o b e t t e r understand what galleries want from their online presence t o d a y . T h e ir i n s i g h t w a s instrumental in shaping the s t r a t e g y , key features , and interface of the new design . T h i s initiative seeks to foreground the vision of gallerists while offering collectors the most i m m e r s i v e viewing experience p o s s i b l e . As collecting increasingly moves o n l i n e , i t i s c r u c i a l to understand the current market so as to better serve both galleries and their client s .
    [Show full text]
  • Curriculum Vitae Table of Contents
    CURRICULUM VITAE Revised February 2015 ADRIAN MARGARET SMITH PIPER Born 20 September 1948, New York City TABLE OF CONTENTS 1. Educational Record ..................................................................................................................................... 2 2. Languages...................................................................................................................................................... 2 3. Philosophy Dissertation Topic.................................................................................................................. 2 4. Areas of Special Competence in Philosophy ......................................................................................... 2 5. Other Areas of Research Interest in Philosophy ................................................................................... 2 6. Teaching Experience.................................................................................................................................... 2 7. Fellowships and Awards in Philosophy ................................................................................................. 4 8. Professional Philosophical Associations................................................................................................. 4 9. Service to the Profession of Philosophy .................................................................................................. 5 10. Invited Papers and Conferences in Philosophy .................................................................................
    [Show full text]
  • C L a I R E F O N T a I N E
    C L A I R E F O N T A I N E Claire Fontaine is a Paris based collective artist founded in 2004. Solo Projects and Exhibitions 2010 Air de Paris, Paris (dates t.b.c.) MD72, Berlin 03.10 El Museo Tamayo Arte Contemporáneo, Mexico D.F. 04.10 Economies, Museum of Contemporary Art, North Miami, 06.10 2009 Inhibitions, Reena Spaulings Fine Art, New York 12.09 After Marx April, After Mao June, Aspen Art Museum, Colarado 12.09 Defend Yourself, curated by Jens Hoffman, Art Perform, Art Basel, Miami, Fl. 05.12 Recessions, Galerie Gabriele Senn, Vienna 06.09 Claire Fontaine, The Exhibition Formerly Known as Passengers, CCA Wattis Institute for Contemporary Arts, San Franscisco 06.09 Changement de Propriétaire, Sorry We’re Closed, Bruxelles 03.09 Tamed, ‘Perché Napoli?’, T293, Piazza Amendola, Napoli 03.09 Call + 972 2 5 839 749, Andres Janacu / Galería Perdida at Project Row House, Houston, Texas 02.09 Interior Design For Bastards, Galeria T293, Napoli 02.09 Destroy and Rejuvenate, Regina Gallery, Moscow 01.09 2008 Feux de Détresse, Galerie Chantal Crousel, Paris 12.08 Lucky In The Misfortune, Masion Descartes, Institut Français des Pays-Bas, Amsterdam 12.08 Is Freedom Therapeutic? Galeria T293, Art Positions, Art Basel, Miami Beach, Florida 12.08 They Hate Us For Our Freedom, Contemporary Art Museum St.Louis, Missouri 12.08 Arbeit Macht Kapital, Kubus, Städtische Galerie im Lenbachhaus und Kunstbau, München 11.08 Asleep, Dvir Gallery, Tel Aviv 11.08 Closed for Prayers, Schinkel Pavillon, Berlin 11.08 Change, Galerie Neu, Berlin 07.08 Counter-Poison, Komplot, Bruxelles 06.08 Claire Fontaine, Witte de With, Center for Contemporary Art, Rotterdam 05.08 Tragitti periferici, Facoltà di Architettura di Siracusa, Università degli studi di Catania, Sicilia 03.08 Instructions for the sharing of private property, project space, The Kitchen, New York 01.08 Capitalism is not working, Gaga Galería de Arte Contemporáneo, Mexico D.F.
    [Show full text]
  • Annual Report 2003
    ARTISTS GALLERIES EVENTS RESEARCH DIRECTORY MAGAZINE ® Comprised of an almost limitless number of unique objects Core products serve dealers and art buyers alike: and works of art, the art market relies, like no other, on the artnet’s online Gallery Network is the first of its kind, with over , galleries, , artworks communication of colour images. Internet technology and , artists from around the globe. The Gallery Network serves art buyers by providing speeds this communication to a rapidly expanding audience the largest international art market overview in at a small fraction of what it would cost in other media. any venue, communicated in images, searchable by artist and specialty, and available days per year at no charge. The Gallery Network serves the dealer and gallery community by providing a Up to the minute information, like auction prices, art news, marketing vehicle at a fraction of the cost of conventional gallery marketing, reaching a vast and exhibitions, heretofore the province of newspapers, audience across international boundaries. The service is sold to dealers by monthly contract. monthly magazines, and annuals can be communicated The Fine Art Auctions Database is the most instantaneously on the Web. powerful, highest quality, fullest-featured resource on the market today with which to value fine art. It contains over , million illustrated records , artnet improves the efficiency of art businesses by covering artists, Old Master through contemporary, from to the present - covering significantly reducing their communication and an entire business cycle in fine art. The product is sold by monthly and annual subscription at price marketing costs. points graded by frequency of use.
    [Show full text]
  • Strong Growth at Artnet Auctions Continues in the First Quarter
    Corporate News May 10, 2021 Strong Growth at Artnet Auctions Continues in the First Quarter - Fee-based Revenue of Online Auction Platform up 25% Year-Over-Year - Gallery Network Increases Memberships and Revenue - Average Monthly Visitors up 35% at 6.2 Million - Paywall Artnet News Pro Creates Additional Revenue Stream Berlin/New York, May 10, 2021—Berlin-based Artnet AG, the leading provider of art market data and online-only fine art auctions, increased its revenue and media reach in the first quarter of 2021. Fee- based revenue at Artnet Auctions rose by 25% year-over-year to 1.2 million USD, continuing on a strong growth trajectory and setting a new revenue record for a first quarter. Top lots in the first quarter included several works by the iconic American artist Jean-Michel Basquiat. In January, his screenprints Head; Per Capita: Ernok; Rinso (complete set of 4 works) sold for 300,000 USD. Artnet achieved the same price in March for Basquiat’s monumental work on paper Untitled (1981), a large-scale drawing of a car motif. The Gallery Network achieved a turnaround. Its quarterly revenue increased by 4% to 1.3 million USD due to a higher number of memberships and a drop in cancellations. “Galleries depend on the Internet for sales and marketing more than ever,” said Artnet CEO Jacob Pabst. “Membership in the Gallery Network provides a strong online presence, enables global transactions online, and supports the efficient management of inventory with our unique inventory management system.” Artnet introduced the Artist Alerts last year to help drive traffic to gallery members.
    [Show full text]
  • Six-Month Report 2019 AG
    AG Six-Month Report 2019 AG Six-Month Report 2019 i AG Six-Month Report 2019 Key Financial Figures for the artnet Group 6/30/2019 12/31/2018 6/30/2018 Revenue (k USD) 10,915 21,615 10,696 Profit from Operations (k USD) 680 905 194 Earnings Before Tax (k USD) 612 819 87 Earnings per Share (USD) 0.11 0.22 0.01 Weighted Number of Shares (Thousands) 5,553 5,553 5,553 Cash Flow from Operating Activities (k USD) 1,162 1,254 364 Staff (Period End) 130 131 134 Cash and Cash Equivalents (k USD) 896 957 1,004 Equity (k USD) 4,172 3,371 2,185 Total Assets (k USD) 12,633 8,700 7,066 ii AG Six-Month Report 2019 Table of Contents Letter to the Shareholders ..................................................................................................................................................................... 1 Core Statement .................................................................................................................................................................................... 3 Company Development ......................................................................................................................................................................... 3 Company Background .......................................................................................................................................................................... 3 Macroeconomic and Industry Conditions ..............................................................................................................................................
    [Show full text]
  • Artnet Revenue Grows 15% to 12 Million USD in First Six Months of 2021
    Corporate News August 16, 2021 Artnet Revenue Grows 15% to 12 Million USD in First Six Months of 2021 - All Segments Report Growth in The First Six Months of 2021 - Advertising Revenue up 25% After Return of Luxury Brands - Artnet Auctions Continues Record Streak - Traffic Surges by 23% to Almost 6 Million Monthly Users Berlin/New York, August 16, 2021—Berlin-based Artnet AG, the leading provider of art market data and online-only fine art auctions, grew total revenue by 15% to 11.9 million USD year-over-year in the first six months of 2021, led by continued strong growth of online auctions and a swift return of advertisers to the site. “Artnet is the most visited website in the art world, attracting millions of visitors every month. Additionally, collectors are increasingly turning to our online Auctions for faster and efficient sales of high-value artworks”, said Jacob Pabst, CEO of Artnet. Fee-based revenue at Artnet Auctions rose by 23% year-over-year to 3.0 million USD, continuing a record streak and establishing the online auctions business as the second-biggest revenue source behind the Price Database, the company’s core segment. The average price for lots sold increased by 24% to 17.900 USD. In May, Frank Stella’s painting Rozdol I (1973) sold for 1.1 million USD. Top lots in the second quarter also included Andy Warhol’s Campbell’s Soup Cans II (1969), a complete series of 10 screenprints sold for 456,000 USD and Spring Intensity (2008), a butterfly painting by Damien Hirst, which achieved 600,000 USD.
    [Show full text]
  • Six Audacious Art Market Predictions for 2021
    Press Release February 11, 2021 Six Audacious Art Market Predictions for 2021 Artnet’s Sophie Neuendorf about the staying power of digitalization and a renewed focus on quality Berlin/New York, February 11, 2021: The art market just emerged from arguably the most difficult and unpredictable year in recent history. The Covid-19 pandemic caused a synchronized and deep downturn of the global economy and art market in 2020. Social distancing measures and a lockdown of businesses in reaction to the health crisis resulted in falling consumer demand and economic output. According to the Artnet Price Database, global auction sales for fine art fell by a quarter to $9.9 billion in 2020, compared to the previous year. But the Covid-19 pandemic also pushed boundaries and accelerated the art world into the digital age. With this backdrop in mind, Sophie Neuendorf is to take the risk and make six art world predictions for 2021. 1. Digitalization is here to stay Plato was right: necessity is indeed the mother of invention. During the COVID-19 crisis, one area that has seen tremendous growth is digitalization, meaning everything from online customer service to remote working to supply-chain reinvention to artificial intelligence (AI) and machine learning to improve the art business. With galleries, museums, and auction houses pivoting online and thinking outside the box in response to the pandemic, a positive trend of accessibility, efficiency, and transparency accelerated within the art world. This also goes hand in hand with a global trend of sustainability and conscious living. The art market's transactional element will emerge as a strong contender to the traditional brick and mortar purchasing process, democratizing the art market and opening it up to a new generation of art lovers.
    [Show full text]
  • Germany Secures Future of 'Degenerate Art' Research | Artnet News
    Germany Secures Future of 'Degenerate Art' Research | artnet News Art World German Government Steps In to Secure Future of ‘Degenerate Art’ Research Berlin will pick up the tab. Henri Neuendorf, November 21, 2016 https://news.artnet.com/art-world/germany-degenerate-art-research-755993[29.11.2016 13:42:25] Germany Secures Future of 'Degenerate Art' Research | artnet News The Freie Universität, Berlin. Photo: David Ausserhofer, courtesy of Freie Universität Berlin. After private backers pulled their funding for the initiative, the German government has confirmed that it will financially support the research center for Nazi-era “degenerate art” at Berlin’s Freie Universität. According to Deutschlandfunk, Berlin will pick up the tab for the program at the start of 2018. Recommended Reading Art Recovery International Launches Global Database to Protect Cultural Heritage By Caroline Elbaor, Nov 16, 2016 Since 2003, researchers at the university in the German capital have investigated the history, context, and effects of the cultural policy of the Nazis. Under national socialism, thousands of works of “degenerate” art were seized from German museums and private collections by the regime. Artists, collectors, and institutions linked with Communism, Judaism, homosexuality, or other characteristics contradicting the regime’s warped perception of what German society should look like, were under threat. https://news.artnet.com/art-world/germany-degenerate-art-research-755993[29.11.2016 13:42:25] Germany Secures Future of 'Degenerate Art' Research | artnet News German Culture Minister Monika Grütters. Photo by Adam Berry/Getty Images. According to the Art Newspaper, in 1937 alone 20,000 “degenerate” artworks were systematically expropriated under a program developed by Nazi propaganda minister Joseph Goebbels.
    [Show full text]
  • '50 Women Sculptures' to a Nicolas Party Chat | Artnet News 11/24/20, 9)41 AM
    Editorsʼ Picks: 8 Events for Your Art Calendar This Week, From '50 Women Sculptures' to a Nicolas Party Chat | artnet News 11/24/20, 9)41 AM artnet (http://www.artnet.com) Ӿ෈ (http://artnetnews.cn) Get hand-picked stories from our editors delivered straight to your inbox every ! Enter email address SIGN UP artnet Auctions (https://www.artnet.com/auctions/) day. Art World (https://news.artnet.com/art-world) Editors’ Picks: 8 Events for Your Art Calendar This Week, From ’50 Women Sculptures’ to a Nicolas Party Chat Some ideas for art to see and events to tune in to. Sarah Cascone (https://news.artnet.com/about/sarah-cascone-25), November 23, 2020 https://news.artnet.com/art-world/editors-picks-november-23-1922415 Page 1 of 27 Editorsʼ Picks: 8 Events for Your Art Calendar This Week, From '50 Women Sculptures' to a Nicolas Party Chat | artnet News 11/24/20, 9)41 AM Nicolas Party, Face to Face (2018) from "Magritte Party" at the Magritte Museum. SHARE Each week, we search New York City for the most exciting and thought-provoking shows, screenings, and events. In light of the " global health crisis, we are currently highlighting events and digitally, as well as in-person exhibitions open in the New York area. See our picks from around the world below. (Times are all EST unless # otherwise noted.) + Tuesday, November 24 % booktrailer for 50 WOMEN SCULPTORS from Brumby Media & Aurora Metro & ! 01:26 1. “50 Women Sculptors: Publication Launch and Discussion Panel (https://www.eventbrite.co.uK/e/50-women-sculptors-publication- launch-and-discussion-panel-tickets-128147024199)“ ADVERTISING Aurora Metro Arts and Media (https://www.aurorametro.org/) celebrates its latest publication, 50 Women Sculptors (https://www.aurorametro.com/product/50-women-sculptors/), with a webinar featuring discussion led by artist and academic Joanna Sperryn-Jones.
    [Show full text]
  • Post-War & Contemporary Art Sale Achieves Record For
    Corporate News May 25, 2021 Post-War & Contemporary Art Sale Achieves Record for Highest Grossing Sale in Artnet Auctions History - Competitive bidding from four three continents fueled the sale’s success - 93% of lots sold exceeded their pre-sale low estimate - 32% of lots sold exceeded their pre-sale high estimate - Damien Hirst artwork sells for 600,000 USD Berlin/New York, May 25, 2021—Berlin-based Artnet AG, the leading provider of art market data and online-only fine art auctions announced that Artnet Auctions' spring Post-War & Contemporary Art sale set a new record for the highest revenue generating sale in Artnet Auctions' history. The sale exceeded 2 million USD in total sales with an average sold lot value of over $70,000 - a 50% increase from the same sale held in 2020, and nearly 40% higher than the global standard for online sales. “There is no question that the market is hungrier than ever for tightly curated sales and quality unique work”, said Colleen Cash, VP, Auctions at Artnet. “Our team has spent the last year realizing the possibilities of a strategy geared toward facilitating more sales at the $75,000+ level, and these results confirm our efforts have been in the right place.” The top lot of the marquee auction was a 2008 butterfly painting, Spring Intensity, by Damien Hirst which sold for $600K - the second highest value work ever sold on the online platform. 93% of lots sold in the sale exceeded their pre-sale low estimate, and 32% of lots sold exceeded their pre-sale high estimate, confirming Artnet Auctions’ capacity to generate strong bidding interest across mediums and price points.
    [Show full text]