Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

Table of Contents Platinum Sponsor: Territorial Acknowledgment ................................................... inside cover The Lanyard + Conference Theme ....................................... inside cover The 2019 Team ....................................................................... 2 Welcome ................................................................................. 4 Evolving Perspectives on Campus Mental Health .................. 5 Conference Access + Inclusion .............................................. 5 Session Types ......................................................................... 7 Streams ................................................................................... 9 Communities of Practice (CoP) ............................................... 10 CoP Meetings ..................................................................... 11 / 31 / 38 CoP Networking .................................................................. 31 / 38 Student Affairs + Services Competencies (SAS) .................... 12 Featured Speakers .................................................................. 16 Big Ideas Featured Presentation ............................................. 18 CACUSS Town Hall ................................................................. 22 Poster / Sponsor / Exhibitor Showcase .................................. 23 TABLE OF CONTENTS Conference Schedule ............................................................. 24 Saturday, June 15 .................................................................... 24 Sunday, June 16 ...................................................................... 24 Monday, June 17 ..................................................................... 25 Concurrent Sessions 1 ........................................................ 26 Concurrent Sessions 2 ........................................................ 28 Concurrent Sessions 3 ........................................................ 29 Tuesday, June 18 .................................................................... 32 Concurrent Sessions 4 ........................................................ 32 Concurrent Sessions 5 ........................................................ 34 Concurrent Sessions 6 ........................................................ 35 Concurrent Sessions 7 ........................................................ 37 Wednesday, June 19 ............................................................... 39 Concurrent Sessions 8 ........................................................ 39 Concurrent Sessions 9 ........................................................ 40 Concurrent Sessions 10 ...................................................... 42 Concurrent Sessions 11 ...................................................... 43 Giving Back ............................................................................. 45 Etcetera... ................................................................................ 46 Pipe Ceremony / Smudge ................................................... 46 Health + Wellness Space .................................................... 46 Multi-Faith Space ................................................................ 47 Optional Social@cacusstweet Excursionss ..................................................@cacussphotos #CACUSS19 47 1 Platinum Sponsor: THE 2019 TEAM PROGRAM COMMITTEE Kathryn Verkerk, Simon Fraser University (Conference Chair) Jean Thompson, University of Guelph (Program Review Chair) Julie Guindon, University of Toronto (Program Development Co-Chair) Jessica Pilfold, University of Guelph-Humber (Program Development Co-Chair) Janet Miller, Mount Royal University (Host Team Co-Chair) SUB-COMMITTEES Host: Mount Royal University Don Best (Subcommittee Co-Chair) Janet Miller (Subcommittee Co-Chair) Natasha Reynolds (Subcommittee Co-Chair) Dion Simon Shane Simpson Lori Ostergaard Tracie Czerkawski Mackenzie Cann Mozz Morrissey Courtney Warren TEAM Program Development Julie Guindon, University of Toronto (Subcommittee Co-Chair) Jessica Pilfold, University of Guelph-Humber (Subcommittee Co-Chair) Scott Dempsey, University of Ontario Institute of Technology Natasha Reynolds, Mount Royal University Akeisha Lari, University of Ontario Institute of Technology 2 Detailed program in the ‘CrowdCompass Directory app. Sponsored by Orbis Communications Inc. Platinum Sponsor: Program Review Jean Thompson, University of Guelph (Subcommittee Chair) Cory Coletta, Seneca College Maxwell Toulch Erin Clifford, University of Toronto Don Best, Mount Royal University Greg Veltman, Mount Royal University CONFERENCE STAFF Jennifer Hamilton Megan MacKenzie Executive Director Manager, Professional Development + [email protected] Member Engagement [email protected] Allison Polinsky Conference Manager Jon Elias [email protected] Digital Communications + Technology Coordinator Kaitlyn McGuirk [email protected] Registration Coordinator [email protected] Natalie Wallace CACUSS Secretariat/Operations Alex Connolly [email protected] Volunteer Coordinator [email protected] @cacusstweets @cacussphotos #CACUSS19 3 Platinum Sponsor: WELCOME HOLA! On behalf of the CACUSS Board of Directors, I want to take this opportunity to offer a warm welcome to the 2019 CACUSS Conference! We are looking forward to learning with and from one another. If this is your first conference, then “bienvenidos”! We have a long history of welcoming newcomers and we hope you will attend the Newcomers Reception, and meet the leaders of our Association. We are pleased with the efforts of the Program Committee in particular with their efforts on ensuring that we have a number of sessions that build on our Indigenous Cultural Competency, Evolving Perspectives on Campus Mental Health, as well as a stream designed specifically for our Senior Leaders. If you are a CACUSS member or are interested in learning more about CACUSS, I encourage you to attend a Community of Practice/Network meeting. We look forward to having you involved. If you are a newcomer, please take advantage of some of the special activities we have planned for you. Please say hola to me, or any of our Board members while you are here with us in Calgary, or you can reach out during the year and connect via community.cacuss.ca Have a great conference! Pat Pardo, CACUSS President Mount Royal University 4 Detailed program in the ‘CrowdCompass Directory app. Sponsored by Orbis Communications Inc. Platinum Sponsor: EVOLVING PERSPECTIVES ON CAMPUS MENTAL HEALTH CACUSS would like to thank “Best Practices in Canadian Higher Education: making a positive impact on student mental health” for their efforts in curating the Evolving Perspectives theme and for their financial support. www.bp-net.ca CONFERENCE ACCESS + INCLUSION The Access Hub team will be available to you throughout the conference, located beside the registration counter at the Telus Calgary Convention Centre or email the team at [email protected]. Alternatively, members of the Mount Royal University Host Team will be available at the ‘Ask Me Anything’ Table outside of the Exhibition Ballroom. Please come and say hi! cacuss.ca/conference/access/index.html @cacusstweets @cacussphotos #CACUSS19 5 Platinum Sponsor: 6 Detailed program in the ‘CrowdCompass Directory app. Sponsored by Orbis Communications Inc. Platinum Sponsor: SESSION TYPES Look out for the session type listed beside each concurrent session: Arts-based Session Presenters address current issues in Student Affairs and services through arts-based mediums such as film, poetry, art, video, or other expressive forms. Campfire Session The goal of a Campfire Session is the creation of an open forum in which the attendees generate the majority of the discussion and knowledge sharing. Presenters launch the discussion with a short (max 20 minutes) present- ation from an individual or a group and then move into a facilitator role, inviting responses to comments and questions from those around the room and letting the audience dictate the ultimate direction of the conversation. Sessions allow for the sharing of experiences from multiple perspectives on the same topic. Debate Two or more debaters present clearly differing points of view as they exchange insights on a topic of import to student affairs and services. The interaction should be moderated by a chairperson with a prepared set of questions and time for questions from the audience. Demonstration Demonstrations show audience members how a tool, process, or product works. Vendors who are considering a demonstration are encouraged to partner with institutions who use their product to present. Expert Lecture Expert Lectures are formal presentations by an expert in the field and/or subject area consisting of a lecture and question period with the audience. Panel Multiple speakers focusing on one issue for a maximum duration of 60 minutes, including questions for each speaker as well as introductory and closing remarks if needed. @cacusstweets @cacussphotos #CACUSS19 7 Platinum Sponsor: Research Presentation Research Presentations report on original research that relates to the field and/or conference theme. Research Presentations may be presented individually, with co-presenters, or as a panel presentation. Roundtable Discussion A Roundtable is a group discussion on a precise theme seated around a table. Roundtable presentations typically include a short (5-10) minute presentation by the presenter to introduce the topic, followed by discussion and feedback from participants.
Recommended publications
  • Mymovies.Pdf
    ! !2 ! Regia di Chris Sanders CAST Harrison Ford Omar Sy Dan Stevens Karen Gillan Bradley Whitford Sceneggiatura di Michael Green Prodotto da Erwin Stoff, p.g.a. e James Mangold, p.g.a. Produttori esecutivi Diana Pokorny e Ryan Stafford Direttore della Fotografia Janusz Kaminski Scenografia di Stefan Dechant Montaggio di William Hoy, A.C.E. e David Heinz Musiche di John Powell Costumi di Kate Hawley Data di uscita: 20 febbraio 2020 Distribuzione: The Walt Disney Company Italia !3 Materiali per la stampa: http://bit.ly/ILRICHIAMODELLAFORESTA ! Basato sulla leggendaria avventura di Jack London, Il Richiamo della Foresta è un’esperienza cinematografica irripetibile. Twentieth Century Studios porta sul grande schermo la storia di Buck, un cane dal cuore d’oro, la cui tranquilla vita domestica viene sconvolta quando viene improvvisamente portato via dalla sua casa in California e trapiantato nella natura selvaggia dello Yukon canadese durante la Corsa all’Oro degli anni 1890. Come nuova recluta di una squadra di cani da slitta, di cui in seguito diventerà il leader, Buck vive uno straordinario viaggio di formazione che lo porterà a trovare il suo vero posto nel mondo e a diventare padrone di se stesso. Tra live-action e animazione, Il Richiamo della Foresta utilizza effetti visivi e tecniche di animazione all’avanguardia per trasformare gli animali del film in personaggi completamente fotorealistici e autentici a livello emozionale. Harrison Ford, uno degli attori cinematografici più popolari e acclamati di tutti i tempi, è affiancato da un cast che comprende Omar Sy (Quasi Amici – Intouchables), Dan Stevens (Downton Abbey), Karen Gillan (Guardiani della Galassia) e Bradley Whitford (Scappa – Get Out).
    [Show full text]
  • Getting a on Transmedia
    ® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn.
    [Show full text]
  • Empire of Dirt
    Mongrel Media Presents EMPIRE OF DIRT A film by PETER STEBBINGS (99 min., Canada, 2013) Language: English Official Selection 2013 TORONTO INTERNATIONAL FILM FESTIVAL Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html LOGLINE Three generations of Native Canadian women discover that family can help them escape their past and provide a second chance. PITCH Going home was never an option for single mother Lena Mahikan (Cara Gee). But when her 13-year-old, Peeka (Shay Eyre) overdoses in the streets of Toronto, she is forced to return home to her estranged mother and face a life-long legacy of shame and resentment. Empire of Dirt is a story about second chances and summoning the power of family to soothe the pain of cyclical damage. SHORT SYNOPSIS As in many Native families, Lena Mahikan (Cara Gee) grew up in the cycle of abuse. Her father, a residential school survivor, was an alcoholic until he killed himself when Lena was 10. Her mother, only 14 years her senior, turned to the slots and was consumed. By the time Lena was 15, she was pregnant and, before giving birth, was kicked to the curb by her mom. For 13 years Lena has been living, poverty stricken in Toronto, struggling to make ends meet, being chased by her own demons.
    [Show full text]
  • Canadian Television 2015 a Guide to Current Production
    CANADIAN TELEVISION 2015 A GUIDE TO CURRENT PRODUCTION Prepared for Michael Hennessy, President & CEO Canadian Media Production Association (CMPA) Curated by Bill Brioux CANADIAN TELEVISION 2015 1 A GUIDE TO CURRENT PRODUCTION CANADIAN TV ENTERS A GOLDEN AGE For the last 30 years, in my time reporting on it, television in Canada has undergone many changes. The one constant, however, has been the nagging impression that Canadian television is somehow inferior to the US brand. This notion has only intensified in recent years, in what some call the new “Golden Age” of TV drama. So, as many have been asking, where is Canada’s Golden Age? Well, you’ll find it in the pages of this book. Not everything that comes out of Canada is the quality of The Sopranos or Mad Men or Breaking Bad. Then again, few shows from America can come close to Bill Brioux these classics. The fact is Fargo, the most-nominated TV series at the 2014 Emmy Awards, is produced in the province of Alberta. Yes, the producers and many of the stars are Americans, but you should hear them gush about Canadian crews. Billy Bob Thornton, for one, is a fan. “One night, it went down to 40 below and they wouldn’t allow us to work,” he told me of working near Calgary on Fargo. “You figure if a Canadian says it’s too dangerous to go out there, it probably is too dangerous to go out.” FX Networks, considered the top non-premium US cable brand and a rival to HBO overall, invested The fact is television $100 million in Canada during the past TV season.
    [Show full text]
  • 2019 Annual Report Table of Contents
    2019 Annual Report Table of Contents 03 A Message from the Artistic + Executive Directors 04 Message from the Chair of the Board 05 2019 Artistic Activity 11 Soulpepper by the numbers 13 2019 Media Coverage 19 Youth Programming + Community Engagement 22 Summarized Financial Statements 25 Your Support 31 Soulpepper + Young Centre Staff We believe that stories are timeless, made powerful by the storytellers who tell them, and kept eternal by all of us who experience them. We commit to sharing vital stories for today, both old and new; those that explore our ideals and complexities, and those that disrupt and break ground by challenging us to dream bigger, think deeper, and leap forward with renewed purpose. We promise to present work of the highest artistic excellence, that entertains, provokes, transforms, and stirs the soul. We invite you to celebrate with us what it means to be human, by welcoming all people and all voices, from all communities, both on and off the stage. - Soulpepper 3 A Message from the Artistic + Executive Directors We are delighted to share with you the Annual Report that records and reflects upon the first full year of our leadership. Turning the page into a new chapter of a company’s life brings with it a sense of adrenaline, an appetite for boldness, and a hunger for new ideas. That energy encouraged us towards a set of commitments that, we hope, will come to define our future work: • That Soulpepper will be a radically inclusive company, with a program that speaks to the diversity of our city; • That pay equity will ensure our growing ensemble is a welcoming and fair place for all artists; • And that we will do all we can to remove price as a barrier to participa- tion, with tickets free for those aged 25 and under, and $25 tickets avail- able to the public for all performances.
    [Show full text]
  • Canadian Revisionist Drama: Performing Race, Sexuality, and the Cultural Imaginary
    CANADIAN REVISIONIST DRAMA: PERFORMING RACE, SEXUALITY, AND THE CULTURAL IMAGINARY by Kailin Wright A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Kailin Wright, 2012 Canadian Revisionist Drama: Performing Race, Sexuality, and the Cultural Imaginary Kailin Wright Doctor of Philosophy Department of English, University of Toronto, 2012 Abstract My dissertation examines how Canadian revisionist plays adapt popular narratives—national histories, Greek myths, Shakespearean plays, and colonial legends—by changing the identities of marginalized characters and cultural groups. While Linda Hutcheon defines adaptation as repetition with difference, I define revisionist drama as repetition with politicized difference. It is this politicized difference that transforms the identifications of the original marginalized characters, and, as a result, changes their roles in the cultural imaginary. Canadian revisionist plays critique cultural figures such as Philomela, Othello, and Pocahontas as reductive emblems of necessarily complex, layered racial, sexual, and gendered identities. Though this dissertation concentrates on Canadian literature, it also considers European sources (Ovid, Homer, Shakespeare) as well as theories of historiography (Filewod, Salter), speech acts (Austin, Butler), audience reception (Bennett), and publics (Habermas, Warner). My project ultimately outlines a set of twelve literary and dramatic strategies that are repeatedly used to challenge popular conceptions of what it means to be Black, Aboriginal, Canadian, queer, and female. ii Revisionist adaptation is a leading form of political protest in contemporary Canadian theatre. With attention to eight playwrights—Margaret Atwood, Margaret Clarke, Marc Lescarbot, Monique Mojica, Daniel David Moses, Djanet Sears, Erin Shields, and the collective group Optative Theatrical Laboratories (OTL)—this study examines the shared methodologies of late twentieth-century revisionist dramas.
    [Show full text]
  • Fall 2014 – Awards Edition
    THE CANADIAN ASSOCIATION OF JOURNALISTS • L’AssocIATION CANADIENNE DES JOURNALISTES MEDIA2014 AWARDS EDITION • VOL.16, NO. 3 SUSPENDED SENATOR MIKE DUFFY A Top Newsmaker for all the Wrong Reasons 2014 AWARDS EDITION • VOLUME 16, NUMBER THREE MEDIA Table of contents 8 CAJ: COMMUNITY BROADCAST AWARD Abigail Bimman explains how she persevered to tell stories about inmates in one of Canada’s most notorious prison for women. 10 CAJ / CNW GROUP STUDENT AWARD OF EXCELLENCE Allison Drinnan and Anna Brooks used their multi-media website to give sex-trade workers a voice they’ve seldom used. 12 CAJ / MARKETWIRED DATA JOURNALISM AWARD QMI Investigations editor, Andrew McIntosh, put his certified examiner skills to good use in teaming up with Kinia Adamczyk to expose the scam artists bilking Quebec’s welfare system – even from behind bars. 14 CAJ - ONLINE MEDIA AWARD CBC News mapped the pipeline spills the Transportation Safety Board investigates. Amber Hildebrandt explains her team’s painstaking work that involved, negotiating, cleaning, checking -- and then checking again. MEDIA 16 CAJ - OPEN BROADCAST FEATURE AWARD A PUBLICATION OF CBC Radio’s Ideas explored the discrimination that subjects albinos to discrimination that can have deadly consequences. Garth Mullins takes us on a harrowing journey from his unique perspective. THE CANADIAN ASSOCIATION OF JOURNALISTS L’AssocIATION CANADIENNE DES JOURNALISTES 18 CAJ - OPEN MEDIA AWARD After news broke about a senator claiming dodgy living expenses, the Ottawa Citizen’s Glen McGregor received a tip that led right to Mike Duffy, his old acquaintance from the Press Gallery’s “Hot Room”. EDITOR LEGAL ADVISOR ART DIRECTION and DESIGN David McKie Peter Jacobsen, Bersenas David McKie 20 CAJ – OPEN MEDIA AWARD 1-613-290-7380 Jacobsen Chouest Thomson Blackburn LL P Rehtaeh Parsons’ suicide sparked a conversation about cyberbullying among educators, lawmakers, parents and teens.
    [Show full text]
  • Indigenous Feature Film Production in Canada: a National and International Perspective
    Indigenous Feature Film Production in Canada: A National and International Perspective October 2013 Rhymes for Young Ghouls, Jeff Barnaby, Director Indigenous Feature Film Production in Canada: A National and International Perspective Acknowledgements This report was commissioned by the imagineNATIVE Film + Media Arts Festival (imagineNATIVE) and was researched and written by consultants Danis Goulet and Kerry Swanson. Funding was provided by the Ontario Media Development Corporation’s (OMDC) Research Grant Program and Telefilm Canada (Telefilm). This report would not have been possible without the support or contributions of the writers, directors, producers, programmers, industry professionals and other stakeholders who contributed their valuable time and knowledge to this process. imagineNATIVE would also like to acknowledge the participation of the Canada Media Fund, the Canada Council for the Arts, and the National Screen Institute and internationally, Screen Australia, the New Zealand Film Commission, and the Sundance Institute. Any opinions, findings, conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of Ontario Media Development Corporation, the Government of Ontario, Telefilm Canada, or the Government of Canada. The Government of Ontario, the Government of Canada, and their agencies are in no way bound by the recommendations contained in this document. About the imagineNATIVE Film + Media Arts Festival Helen Haig-Brown, Director Now entering its 14th year, the imagineNATIVE Film + Media Arts Festival is the world’s largest exhibitor of Canadian and international Indigenous film and media. With a mandate to foster and promote the Aboriginal film and media sector, the organization has created the largest industry event for Aboriginal ?E?anx The Cave, filmmakers at its annual festival at the TIFF Bell Lightbox in Toronto and is recognized globally as the leading presenter of Indigenous film and media content.
    [Show full text]
  • Cbc Twitter Directory
    CBC TWITTER DIRECTORY Adrienne Arsenault Booth Savage The National Mr. D @AdrieArsenault @CBCTheNational @BoothSavage @MrD_on_CBC Ali Hassan Brenda Irving Laugh Out Loud CBC Sports Host @StandUpAli @LOLCBC @BrendaCBCSports @CBCSports Alisha Newton Brent Bambury Heartland Day 6, CBC Radio @AlijNewton @HeartlandOnCBC @NotRexMurphy @CBCDay6 Allan Hawco Dr. Brian Goldman Republic Of Doyle White Coat, Black Art, CBC Radio @AllanHawco @RepublicofDoyle @NightShiftMD @CBCWhiteCoat Amanda Lang Lang and O’Leary & The National As It Happens, CBC Radio @AmandaLang_CBC @LangandOleary Amber Marshall Cara Gee Heartland Strange Empire @Amber_Marshall @HeartlandOnCBC @CaraGeeeee @Strange_Empire Andrea Roth Carole MacNeil Ascension CBC News Now @andrearoth888 #Ascension @CaroleMacNeil @CBCNews Anna Maria Tremonti Catherine O’Hara The Current, CBC Radio Schitt’s Creek @TheCurrentCBC @SchittsCreek Anne-Marie Mediwake Cathy Jones CBC News Toronto This Hour Has 22 Minutes @AnneMarieCBC @CBCNews @22_Minutes Arlene Dickinson Chris Howden Dragons’ Den Living Out Loud @ArleneDickinson @CBCDragon @CBCLiving Aunjanue Ellis Book of Negroes Chris Hyndman @BookofNegroes Steven and Chris @StevenAndChris Ben Heppner Saturday Afternoon at the Opera Dan Levy Backstage with Ben Heppner on CBC Radio 2 Schitt’s Creek @BenHeppner @CBCR2Opera @DanJLevy @SchittsCreek Bob McDonald Darrin Rose Quirks & Quarks, CBC Radio Mr. D @CBCQuirks @DarrinRose @MrD_on_CBC Bob McKeown David Chilton The Fifth Estate Dragons’ Den @CBCMcKeown @CBCFifth @Wealthy_Barber @CBCDragon Bobby Kerr David Common This Hour Has 22 Minutes World Report, CBC Radio @MrBobKerr @22_Minutes @DavidCommon @CBCNews Last Updated August 25, 2014 CBC TWITTER DIRECTORY Diana Swain Helene Joy CBC News Murdoch Mysteries @SwainDiana @CBCNews @Helene_Joy @CBCMurdoch Dianne Buckner Ian Hanomansing Dragons’ Den CBC News Now, The National @DianneBuckner @CBCDragon @CBCIan @CBCNews Dwight Drummond Isabelle Beaupre CBC News Toronto Mr.
    [Show full text]
  • LES PRIX ÉCRANS CANADIENS 2014 Nominations Dans Les
    LES PRIX ÉCRANS CANADIENS 2014 Nominations dans les catégories en Cinéma TORONTO | MONTRÉAL, 13 janvier 2014 BEST MOTION PICTURE / MEILLEUR FILM Sponsor / Commanditaire | William F. White International and Comweb Group LE DÉMANTÈLEMENT / THE AUCTION – Bernadette Payeur, Marc Daigle EMPIRE OF DIRT – Jennifer Podemski, Geoff Ewart, Heather K. Dahlstrom ENEMY – Kim McCraw, Luc Déry, Miguel A. Faura, Niv Fichman, Sari Friedland THE F-WORD – Andre Rouleau, David Gross, Macdara Kelleher GABRIELLE – Kim McCraw, Luc Déry THE GRAND SEDUCTION – Roger Frappier, Barbara Doran MAÏNA – Karine Martin, Michel Poulette, Yves Fortin TOM À LA FERME / TOM AT THE FARM – Charles Gillibert, Nathanaël Karmitz, Xavier Dolan ACHIEVEMENT IN ART DIRECTION/PRODUCTION DESIGN / MEILLEURE DIRECTION ARTISTIQUE MARIO HERVIEUX – Le Démantèlement / The Auction PATRICE VERMETTE – Enemy MICHEL PROULX – Louis Cyr, l’homme le plus fort du monde / Louis Cyr: The Strongest Man in the World JEAN BÉCOTTE – Maïna ANTHONY IANNI, FRANÇOIS SEGUIN – The Mortal Instruments: City of Bones ACHIEVEMENT IN COSTUME DESIGN / MEILLEURS COSTUMES LEA CARLSON – The Colony CARMEN ALIE – Louis Cyr, l’homme le plus fort du monde / Louis Cyr: The Strongest Man in the World VÉRONIQUE MARCHESSAULT – Maïna SARAH MILLMAN – Molly Maxwell GERSHA PHILLIPS – The Mortal Instruments: City of Bones ACHIEVEMENT IN CINEMATOGRAPHY / MEILLEURES IMAGES NICOLAS BOLDUC CSC – Enemy ALLEN SMITH – Maïna ANTONIO RIESTRA – Mama FRANÇOIS DELISLE – Le Météore / The Meteor PIERRE GILL, CSC – Upside Down ACHIEVEMENT IN DIRECTION
    [Show full text]
  • 150 Canadian Films
    150 CANADIAN FILMS MESSAGE FROM THE PRIME MINISTER OF CANADA Dear Friends: I am delighted to extend my warmest greetings to Canadians on National Canadian Film Day, a Canada 150 Signature Project, presented by REEL CANADA. This one-day event connects Canadians from sea to sea to celebrate the achievements of Canadian filmmakers. The film festival is one of many cultural projects during the Sesquicentennial year that will help build a sense of pride in and attachment to everything our remarkable country represents. National Canadian Film Day focuses on discovery, with opportunities to view culturally diverse Canadian films on television, online and in theatres large and small across the country. I would like to commend REEL CANADA for coordinating this exciting celebration of homegrown film excellence and I encourage everyone to get involved. With so many works to choose from, and an audience eager to explore the best of Canada’s rich film history, National Canadian Film Day is sure to be a resounding success. On behalf of the Government of Canada, I offer my best wishes for an enjoyable and memorable experience. Justin P.J. Trudeau Prime Minister of Canada The Rt. Hon. Justin P.J. Trudeau, P.C., M.P. Prime Minister of Canada MESSAGE FROM THE MINISTER OF CANADIAN HERITAGE As we kick off the 150th anniversary of Confederation, we want to support projects that inspire national pride and strengthen the bonds between citizens from coast to coast to coast. This is why we are pleased to support REEL CANADA and its National Canadian Film Day 150.
    [Show full text]
  • Official Selection Official
    FALL 2017 YOUR DEFINITIVE GUIDE TO THE PHENOMENAL CONTENT CREATED BY CANADA’S INDEPENDENT MEDIA PRODUCERS OFFICIAL SELECTION CANADA BEST FILM-FESTIVAL DESTINATION ON THE PLANET LIGHT IT UP SMALL TOWN SUCCESS Wattpad Studio’s relentless push How leaving the big city to revolutionize creative development created new opportunities for INDIESCREEN / and upend the global production sector Brain Power Studio’s Beth Stevenson 1 TABLE OF CONTENTS 4 FESTIVAL LAND WE GIVE A MAP OF FESTIVALS ON OFFER FROM COAST TO COAST TO COAST CANADA’S INDIE 3 LETTER FROM THE CEO 6 14 NORTHERN LIGHTS PRODUCERS FESTIVAL FEVER 2017 CMPA INDIESCREEN AWARD NOMINEES FROM WHITEHORSE TO ST. JOHN’S, 18 WATTPAD STUDIOS FILM FESTIVALS PLAY A KEY ROLE LIGHTS UP THE BLACK BOX IN STIMULATING CANADA’S HOW THE TORONTO-BASED FICTION PLATFORM THE TOOLS MOVIE INDUSTRY PLANS TO UPEND MEDIA PRODUCTION AS WE KNOW IT 28 FIND YOUR FESTIVAL SO MANY FESTIVALS—HOW TO CHOOSE? THEY NEED TAKE OUR QUIZ TO DISCOVER YOUR MATCH 30 FESTIVAL FACES FROM 1950 TO TODAY, PICTURE-PERFECT MOMENTS so they can bring FROM CANADA’S FILM FESTIVALS diverse stories to life on screen for WITH CANADA’S TALENT audiences at home 12 BETH STEVENSON SOMETHING ABOUT BARRIE 16 STEVEN THIBAULT MIGHTY MIGHTY MOVIE STUDIO and around the world 22 NAT ABRAHAM A BLOODY GOOD BUSINESS MODEL 26 MARK SLONE DISTRIBUTION IN A BRAVE NEW WORLD 34 INA FICHMAN THE DOCUMENTARIAN THE CMPA ADVOCATES with government on behalf of the industry NEGOTIATES with unions and guilds, broadcasters and funders 24 PRODUCTION LISTS OPENS doors to international markets OUR INTERNATIONAL 36 COMEDY CREATES professional development opportunities FESTIVAL SUCCESS 43 DOCUMENTARY SECURES exclusive rates for industry events and conferences CANADIAN FILMS THAT HAVE 56 DRAMA STOLEN THE SHOW 71 KIDS, FAMILY, ANIMATION AT FESTIVALS BEYOND THE GREAT WHITE NORTH 77 SCI-FI, HORROR, THRILLER JOIN US.
    [Show full text]