Kate Mulvany Is an Award-Winning Playwright and Screenwriter
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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
Annual Report 2013 Annual Report 2013
Annual Report 2013 Annual Report 2013 4 Objectives and Mission Statement 50 Open Door 6 Key Achievements 9 Board of Management 52 Literary 10 Chairman’s report Literary Director’s Report 12 Artistic Director’s report MTC is a department of the University of Melbourne 14 Executive Director’s report 54 Education 16 Government Support Education Manager’s Report and Sponsors 56 Education production – Beached 18 Patrons 58 Education Workshops and Participatory Events 20 2013 Mainstage Season MTC Headquarters 60 Neon: Festival of 252 Sturt St 22 The Other Place Independent Theatre Southbank VIC 3006 24 Constellations 03 8688 0900 26 Other Desert Cities 61 Daniel Schlusser Ensemble 28 True Minds 62 Fraught Outfit Southbank Theatre 30 One Man, Two Guvnors 63 The Hayloft Project 140 Southbank Blvd 32 Solomon and Marion 64 THE RABBLE Southbank VIC 3006 34 The Crucible 65 Sisters Grimm Box Office 03 8688 0800 36 The Cherry Orchard 66 NEON EXTRA 38 Rupert mtc.com.au 40 The Beast 68 Employment Venues 42 The Mountaintop Actors and Artists 2013 Throughout 2013 MTC performed its Melbourne season of plays at the 70 MTC Staff 2013 Southbank Theatre, The Sumner and The Lawler, 44 Add-on production and the Fairfax Studio and Playhouse at The Book of Everything 72 Financial Report Arts Centre Melbourne. 74 Key performance indicators 46 MTC on Tour: 76 Audit certificate Managing Editor Virginia Lovett Red 78 Financial Statement Graphic Designer Emma Wagstaff Cover Image Jeff Busby 48 Awards and nominations Production Photographers Jeff Busby, Heidrun Löhr Cover -
Windmill Theatre, GIRL ASLEEP Is a Journey Into the Absurd, Scary and Beautiful Heart of the Teenage Mind
1 WINNER ADEL AIDE FILM FESTIVAL FOXTEL MOVIES AUDIENCE AWARDS MOST POPULAR FEATURE Girl Asleep bags most popular feature at Adelaide Film Festival. IF MAGAZINE It’s in Myers’s commitment to eccentricity that Girl Asleep – an art-house film made firmly with a teenage audience in its sight – finds its heart. THE GUARDIAN AUSTRALIA Girl Asleep is the stylish, formally exuberant debut of theatre director Rosemary Myers. A funny and imaginative portrait of growing pains. THE HOLLYWOOD REPORTER With the endless production of superhero films and film remakes these days, it is refreshing to see a film with such raw acting and originality from start to finish. It’s hard not to fall in love with the characters in Girl Asleep, and be left with the warmth of the film long after the credits have stop rolling. THE UPSIDE NEWS Inventive and confidently executed... bright and occasionally subversive take on teen growing pains that gives fresh legs to a familiar genre. We’re lucky to call this one our own. RIP IT UP Profoundly funny. SCENESTR Wildly funny and deeply moving in equal measure, it is a work rich in larrikin character but universal in its themes and appeal. As Greta embraces her blossoming self, so to does Australian cinema welcome another memorable movie heroine. SCREEN SPACE A memorable, comic balance of poise and chaos. ADELAIDE REVIEW Colourful, eccentric... production about a girl navigating the pitfalls of puberty with a casual side of magical realism... one for fans of coming-of-age dramas and colourful Wes Anderson-style quirkfests. -
Company B ANNUAL REPORT 2008
company b ANNUAL REPORT 2008 A contents Company B SToRy ............................................ 2 Key peRFoRmanCe inDiCaToRS ...................... 30 CoRe ValueS, pRinCipleS & miSSion ............... 3 FinanCial Report ......................................... 32 ChaiR’S Report ............................................... 4 DiReCToRS’ Report ................................... 32 ArtistiC DiReCToR’S Report ........................... 6 DiReCToRS’ DeClaRaTion ........................... 34 GeneRal manaGeR’S Report .......................... 8 inCome STaTemenT .................................... 35 Company B STaFF ........................................... 10 BalanCe SheeT .......................................... 36 SeaSon 2008 .................................................. 11 CaSh Flow STaTemenT .............................. 37 TouRinG ........................................................ 20 STaTemenT oF ChanGeS in equiTy ............ 37 B ShaRp ......................................................... 22 noTeS To The FinanCial STaTements ....... 38 eDuCaTion ..................................................... 24 inDepenDenT auDiT DeClaRaTion CReaTiVe & aRTiSTiC DeVelopmenT ............... 26 & Report ...................................................... 49 CommuniTy AcceSS & awards ...................... 27 DonoRS, partneRS & GoVeRnmenT SupporteRS ............................ 28 1 the company b story Company B sprang into being out of the unique action taken to save Landmark productions like Cloudstreet, The Judas -
Tennessee Williams'
TENNESSEE WILLIAMS’ 18 OCT – 16 NOV 2019 ADAPTED FOR THE STAGE BY PIERRE LAVILLE AND EMILY MANN This adaptation of BABY DOLL was originally produced by McCarter Theatre Center, Princeton, NJ: Emily Mann, Artistic Director; Timothy J. Shields, Managing Director. BABY DOLL is presented by special arrangement with The University of the South, Sewanee, Tennessee. WELCOME When I saw the film BABY DOLL a few years back, I wanted to stage it thinking the film was based on a play of the same name, not realising it was actually based on Williams’ earlier play, 27 WAGONS FULL OF COTTON. There was no play of BABY DOLL to perform. A few years later two scripts cropped up around the same time and I was thrilled with Pierre Laville and Emily Mann’s adaptation. It captures the essence of the film, the damage of the characters and Tennessee Williams’ beautiful dialogue. I am thrilled we are presenting BABY DOLL - almost as a new play by Tennessee Williams in 2019. With Shaun Rennie at the helm of this beautiful cast and creative team, we are very excited indeed. Enjoy! Mark Kilmurry Artistic Director CAST BABY DOLL KATE CHEEL AUNT ROSE COMFORT MAGGIE DENCE SILVA VACARRO SOCRATIS OTTO ARCHIE LEE MEIGHAN JAMIE OXENBOULD CREATIVES DIRECTOR STAGE MANAGER SHAUN RENNIE STEPHANIE LINDWALL ASSISTANT DIRECTOR ASSISTANT STAGE MANAGER ERIN TAYLOR ERIN SHAW ADAPTATION COSTUME SUPERVISOR PIERRE LAVILLE & EMILY MANN RENATA BESLIK SET & COSTUME DESIGNER DIALECT COACH ANNA TREGLOAN LINDA NICHOLLS-GIDNEY LIGHTING DESIGNER FIGHT DIRECTOR VERITY HAMPSON NIGEL POULTON COMPOSER & SOUND DESIGNER PRODUCTION MANAGER NATE EDMONDSON ROMY MCKANNA REHEARSAL OBSERVER SUSIE CONTE RUNNING TIME APPROX. -
Chloe Armstrong
JOSH MCCONVILLE | Actor FILM Year Production / Character Director Company 2017 1% Stephen McCallum Head Gear Films Skink 2016 WAR MACHINE David Michôd Porchlight Films Payne 2015 JOE CINQUE'S CONSOLATION Sotiris Dounoukos Consolation Productions Chris 2014 DOWN UNDER Abe Forsythe Riot Films Gav 2013 THE INFINITE MAN Hugh Sullivan Infinite Man Productions P/L Dean Trilby 2012 THE TURNING “COMMISSION” David Wenham ArenaMedia Vic Lang TELEVISION Year Production/Character Director Company 2017 HOME & AWAY Various Seven Network Caleb 2015 CLEVERMAN Wayne Blair ABCTV Dickson 2013 THE KILLING FIELD Samantha Lang Seven Network Operations Jackson 2012 REDFERN NOW Various ABC TV/Blackfella Films Photographer Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 2011 WILD BOYS Various Southern Star Productions No. 8 Ben 2009 UNDERBELLY II: Various Screentime A TALE OF TWO CITIES Hurley THEATRE Year Production/Character Director Company 2017 CLOUD 9 Kip Williams Sydney Theatre Company Clive/Cathy 2016 A MIDSUMMER NIGHT’S DREAM Kip Williams Sydney Theatre Company Bottom 2016 ALL MY SONS Kip Williams Sydney Theatre Company George Deever 2016 HAY FEVER Imara Savage Sydney Theatre Company Sandy Tyrell 2016 ARCADIA Richard Cottrell Sydney Theatre Company Bernard Nightingale 2015 HAMLET Damien Ryan Bell Shakespeare Hamlet 2015 AFTER DINNER Imara Savage Sydney Theatre Company -
Annual Report 2015 LETTER to MINISTER
Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison. -
Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture. -
The Turquoise Elephant E X T D N F C R T O
GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT STEPHEN CARLETON BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER E Production Sponsor Meet Augusta Macquarie: Her Excellency, patron of the arts, X formidable matriarch, environmental vandal. THE T D TURQUOISE Inside her triple-glazed compound, Augusta shields herself from the catastrophic elements, bathing in THE TURQUOISE ELEPHANT the classics and campaigning for the reinstatement of global reliance on fossil fuels. Outside, the world lurches from one environmental cataclysm to the next. ELEPHANT N Meanwhile, her sister, Olympia, thinks the best way to save endangered species is to eat them. Their niece, Basra, is intent on making a difference – but how? Can you save the world one blog at a time? F C Stephen Carleton’s shockingly black, black, black political farce won the 2015 Griffin Award. R T It’s urgent, contemporary and perilously close to being real. Director Gale Edwards brings her magic and wry insight to the world premiere of this very funny, clever and wicked new work. O S T CURRENCY PRESS GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER Director Gale Edwards Set Designer Brian Thomson Costume Designer Emma Vine Lighting and AV Designer Verity Hampson Sound Designer Jeremy Silver Associate Lighting Designer Daniel Barber Stage Manager Karina McKenzie Videographer Xanon Murphy With Catherine Davies, Maggie Dence, Julian Garner, Belinda Giblin, Olivia Rose, iOTA SBW STABLES THEATRE 14 OCTOBER - 26 NOVEMBER Production Sponsor Government Partners Griffin acknowledges the generosity of the Seaborn, Broughton and Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. -
Strange Interlude
Media Release April 2012 Belvoir presents Strange Interlude Written by SIMON STONE after EUGENE O’NEILL Director SIMON STONE Set Designer ROBERT COUSINS Costume Designer MEL PAGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY With AKOS ARMONT NICHOLAS BAKOPOULIS-COOKE EMILY BARCLAY MITCHELL BUTEL CALLUM McMANIS KRIS McQUADE ELOISE MIGNON ANTHONY PHELAN TOBY SCHMITZ TOBY TRUSLOVE BELVOIR ST THEATRE | UPSTAIRS 5 MAY – 17 JUNE An experimental play from the 1920s may not be the most obvious choice for inclusion in Belvoir’s strikingly contemporary season, but in the hands of Simon Stone theatre-goers will know to expect a radical interpretation of Eugene O’Neill’s Pulitzer Prize-winning play. In the vein of Stone’s The Wild Duck, a sell-out at both Belvoir and Melbourne’s Malthouse Theatre, Strange Interlude will be completely rewritten. Strange Interlude is one of the few modern plays to use soliloquy interwoven with the dialogue, revealing the characters’ inner thoughts; this technique will be maintained in the rewrite. Twenty-year-old Nina Leeds (Emily Barclay) has lost the love of her life in the war. Overcome with grief, she quits university, falls out with her father and moves away from home. What follows is an epic and compelling narrative that spans 25 years in Nina’s life, but the story is compressed into a series of heightened, life altering moments. The significance of each of these moments is revealed as the page-turning story unravels. The cast assembled for this production is truly stellar, with the luminous Emily Barclay as Nina and Mitchell Butel, Toby Schmitz and Toby Truslove as three men in her life, each vying for her attention and affection in his own way. -
Online Program
GRIFFIN THEATRE GRIFFIN THEATRE COMPANY PRESENTS COMPANY CREATED AND PERFORMED BY DEBRA OSWALD DIRECTED BY LEE LEWIS 13 – 24 APRIL BIOGRAPHIES Debra Oswald The Nightwatchman. Other directing credits Ben Brockman Company/10 Days on the Island: The Mares; Writer and Performer include: for Griffin and Bell Shakespeare: Lighting Designer as associate composer and sound designer: The Literati, The Misanthrope; for Bell for Belvoir: Counting and Cracking, Random; Debra Oswald is a two- Shakespeare: The School for Wives, Twelfth Ben is an award-winning for Sydney Theatre Company: Wonnangatta; time winner of the NSW Night; for Belvoir: That Face, This Heaven, Half lighting designer who as performing musical director and bassist: Premier’s Literary Award and Half, A Number, 7 Blowjobs, Ladybird; for works both nationally for Belvoir: Barbara and the Camp Dogs (2017 and is creator/head Hayes Theatre Company: Darlinghurst Nights; and internationally. His and 2019 seasons); as bassist: for LWA/Sydney writer of the first five seasons of successful for Melbourne Theatre Company: Gloria, theatre credits include: for Griffin: Family Opera House: SIX: The Musical (LWA/Sydney TV series Offspring. She is the author of the Hay Fever and David Williamson’s Rupert, Values, Diving for Pearls, Replay, Splinter, 2016 Opera House); and as composer’s assistant: for novels Useful and The Whole Bright Year. Her which toured to Washington DC as part of and 2018 Season Launches; for Apocalypse Sydney Theatre Company: Harp in the South new novel The Family Doctor was published by the World Stages International Arts Festival Theatre Company and Red Line Productions Parts I & II. -
BY THORNTON WILDER DIRECTED by LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021
our town BY THORNTON WILDER DIRECTED BY LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021. It is so exciting to be back embarking on a season of theatre, with some much-loved plays and others unknown. Amanda Jolly Executive Director And what better work massive. Like reaching out to return with than this to a neighbour. Taking a great American classic moment for a colleague — directed by our own who’s struggling. Calling Artistic Director, Lee Lewis a distant friend. And and featuring a cast of 16 above all, spending time outstanding Queensland with family. We craved actors. You’ll find some togetherness, and meaning, familiar faces and discover and hope. some rising stars of Our Town celebrates all tomorrow — a village of of this and more. With its artists. simplicity and heart, it When the coronavirus reminds us of the power of pandemic forced us all theatre and how much we indoors last year, we have all been missing this eventually came to realise shared experience. Enjoy. what has been most — Best wishes, important all along. It turned Amanda out to be the little things, the things we had been too busy for, the things so tiny that they’re actually Queensland Theatre would like to acknowledge the Jagera and Turrbal people who are the Traditional Custodians of this land. We pay our respects to their Elders both past and present, and to all Aboriginal and Torres Strait Islander peoples. QUEENSLAND THEATRE IS ASSISTED BY THE AUSTRALIAN GOVERNMENT THROUGH THE AUSTRALIA COUNCIL, ITS ARTS FUNDING AND ADVISORY BODY.