Dee and Charles Wyly Theater Project Profile Dee and Charles Wyly Theater

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Dee and Charles Wyly Theater Project Profile Dee and Charles Wyly Theater Specifier Emily Summers Design for REX/OMA, Joshua Prince-Ramus, Rem Koolhaas Location Dallas TX Product Custom Hanging Panels Felt Colors 150 Weiß, 378 Oliv, 713 Kiwi Photographer Sandy Carson The Dee and Charles Wyly Theater is one of four theaters that comprise the AT&T Performing Arts Center, located in Dallas, Texas. It was designed by REX | OMA, Joshua Prince-Ramus (partner in charge) and, Pritzker Prize winning architect, Rem Koolhaas. The theater features a groundbreaking design with an unprecedented compact, stacked vertical organization where the support spaces are above and below the auditorium rather than around it. Felt is integrated into several back-of-the-house spaces by local Dallas interior design firm, Emily Summers Design, including private offices, conference rooms, rehearsal room and costume shop. 3mm and 5mm felt is used as sliding hanging panels, both solid and perforated, to allow for visual privacy, light control and to subdivide space quickly and easily. The panels also add color (in 713 Kiwi and 378 Oliv) to the otherwise subdued color palette of modern steel and glass building materials. In the rehearsal room, moveable 5’-9” x 20’-6” panels in 3mm Design Felt are CNC cut and hung from a custom ceiling- mounted track system. The multicolored panels stack two layers of felt and incorporate perforated patterning on the top layer. Custom tracks for the entire project were manufactured and installed by Lakewood Interiors. FilzFelt can provide an array of custom sizes and patterns to fit specific requirements and project needs. For more information on the product featured, please visit filzfelt.com/custom-hanging-panels. [email protected] | filzfelt.com 04/17.

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Joshua Prince-Ramus Profile
JOSHUA PRINCE-RAMUS WED. APRIL 1, 2015 6:30 PM, S.R. CROWN HALL APPROACH ABOUT “We replace the traditional Joshua Prince-Ramus is the principle of REX and was the founding partner and principle of notion of authorship: “I OMA New York until he repositioned the firm as REX in 2006. created this object,” with a new one: “We nurtured this process.” REX is an internationally acclaimed architecture and design firm based in New York City, whose name signifies a re-appraisal (RE) of architecture (X). REX challenges and - REX advances building typologies, and promotes the agency of architecture. Performance is key to many of their designs, first establishing core problems, following with the development of an agenda, and finally, designing solutions taylored to the specific needs IN MEDIA of each site, program and client. ArchDaily Interviews: Joshua Prince-Ramus/REX (Feb. 10, Seminal projects of REX include Seattle Central Library in Seattle, WA (below), Wyly 2009) Theatre in Dallas, TX (below), and Vakko Fashion Center and Power Media Center in Istanbul, Turkey. You Are Playing a Fool’s Game.’ A Public Exchange Between Mark Foster The subject of numerous international exhibitions and publications, the work of REX has Gage and Joshua Prince- been recognized with many of the profession’s top accolades, including the American Ramus on Museum Plaza Institute of Architects’ National Honor Award in 2005 and 2011, the U.S Institute for Theatre and Beauty (The Yale Architectural Journal, Technology’s 2012 National Honor Award, and the American Council of Engineering September 2008) Companies’ 2010 national Gold Award.
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RONALD O. PERELMAN PERFORMING ARTS CENTER at the WORLD TRADE CENTER ARCHITECT BACKGROUNDER September 8, 2016
RONALD O. PERELMAN PERFORMING ARTS CENTER AT THE WORLD TRADE CENTER ARCHITECT BACKGROUNDER September 8, 2016 REX is an internationally-acclaimed architecture firm in New York City led by Joshua Prince-Ramus. REX—whose name signifies a re-appraisal (RE) of architecture (X)—consistently challenges and advances building typologies, and promotes the agency of architecture. REX and Joshua are renowned for the Dee and Charles Wyly Theatre in Dallas, the Vakko Fashion Center and Power Media Center in Istanbul, and the Seattle Central Library. Their work has been recognized with the profession’s top accolades, including the 2015 Marcus Prize, bestowed upon architects “on a trajectory to greatness,” two American Institute of Architects (AIA) National Honor Awards, a U.S. Institute for Theatre Technology National Honor Award, an American Library Association National Building Award, and two American Council of Engineering Companies’ National Gold Awards. The firm is currently working on the Mercedes-Benz Future Lab in Stuttgart, Germany, a 110,000 sf (10,200 m2) public showcase for the brand’s impact on state-of-the-art mobility and a factory for creating, debating, and presenting the indeterminate future; a new, approximately 400,000 sf (37,100 m2) office building in Washington, DC that will host CBS’s Washington Bureau, among other tenants; a 41,000 sf (3,800 m2) private residence on Long Island for a patriarch and his four children’s future families; a multi-form performing arts house with up to 200 seats for a private school in Virginia that will also serve its surrounding county; and the re-cladding and interior renovation of Five Manhattan West, a 1.5 million sf (140,000 m2) Brutalist landmark straddling Penn Station’s rail yard in New York City.
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Acclaimed Architectural Firm Rex to Design the Performing Arts Center at the World Trade Center (Pacwtc)
ACCLAIMED ARCHITECTURAL FIRM REX TO DESIGN THE PERFORMING ARTS CENTER AT THE WORLD TRADE CENTER (PACWTC) Project Team Includes Davis Brody Bond as Executive Architect, Charcoalblue as Theater Consultant, and DBI Projects as Construction Manager NOVEMBER 20, 2015, NEW YORK, NY: PACWTC Chairman John Zuccotti and President/Director Maggie Boepple today announced the selection of the Brooklyn-based firm REX as the lead architect for The Performing Arts Center at the World Trade Center. Scheduled to open in 2019, PACWTC will serve as a major new addition to New York’s cultural landscape, producing and premiering works of theater, dance, music, musical theater, opera, and film, as well as productions that cross multiple disciplines. The roughly 80,000 square-foot building, which will incorporate leading edge technology, will also serve as a home for the Tribeca Film Festival during its annual run. Credit: Matthias Vriens McGrath The selection of REX follows last week’s re-affirmation of support for the PACWTC by the Lower Manhattan Development Corporation (LMDC), which released the first $10 million of the $99 million that the LMDC has pledged to the project. The balance of the project cost – which will be determined once the design process is complete – will be funded through private sources. "The selection of REX and the LMDC’s renewed commitment are critical milestones in our collective effort to create a vibrant new cultural and community anchor for all of Lower Manhattan,” said Zuccotti. “We are now two important steps closer to completing the World Trade Center and fully realizing our vision of Lower Manhattan as the world’s most dynamic, 24/7 urban community.” REX, led by Joshua Prince-Ramus, was selected after a rigorous invitational process that focused on architectural firms that have gained distinction through their celebrated work on performing arts houses.
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NOVEMBER 20, 2015, NEW YORK, NY: PACWTC Chairman John Zuccotti and President/ Director Maggie Boepple Today Announced the Select
(Credit: Matthias Vriens McGrath) NOVEMBER 20, 2015, NEW YORK, NY: PACWTC Chairman John Zuccotti and President/ Director Maggie Boepple today announced the selection of the Brooklyn-based firm REX as the lead architect for The Performing Arts Center at the World Trade Center. Scheduled to open in 2019, PACWTC will serve as a major new addition to New York's cultural landscape, producing and premiering works of theater, dance, music, musical theater, opera, and film, as well as productions that cross multiple disciplines. The roughly 80,000 square-foot building, which will incorporate leading edge technology, will also serve as a home for the Tribeca Film Festival during its annual run. The selection of REX follows last week's re-affirmation of support for the PACWTC by the Lower Manhattan Development Corporation (LMDC), which released the first $10 million of the $99 million that the LMDC has pledged to the project. The balance of the project cost - which will be determined once the design process is complete - will be funded through private sources. "The selection of REX and the LMDC's renewed commitment are critical milestones in our collective effort to create a vibrant new cultural and community anchor for all of Lower Manhattan," said Zuccotti. "We are now two important steps closer to completing the World Trade Center and fully realizing our vision of Lower Manhattan as the world's most dynamic, 24/7 urban community." TH ONE LIBERTY PLAZA, 29 FLOOR NEW YORK, NY 10006 REX, led by Joshua Prince-Ramus, was selected after a rigorous invitational process that focused on architectural firms that have gained distinction through their celebrated work on performing arts houses.
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The Seattle Public Library: Re-Interpretation of Library Program
THE SEATTLE PUBLIC LIBRARY: RE-INTERPRETATION OF LIBRARY PROGRAM A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY R. AYTÜL BARAN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE IN ARCHITECTURE FEBRUARY 2013 Approval of the thesis: THE SEATTLE PUBLIC LIBRARY: RE-INTERPRETATION OF LIBRARY PROGRAM submitted by R. AYTÜL BARAN in partial fulfillment of the requirements for the degree Master of Architecture in Architecture Department, Middle East Technical University by, Prof. Dr. Canan Özgen _____________________ Dean, Graduate School of Natural and Applied Sciences Prof. Dr. Güven Arif Sargın _____________________ Head of Department, Architecture Assoc.Prof. Dr. Berin F. Gür _____________________ Supervisor, Architecture Dept., METU Examining Committee Members: Assoc. Prof. Dr. Lale Özgenel _____________________ Architecture Dept., METU Assoc. Prof. Dr. Berin F. Gür _____________________ Architecture Dept., METU Prof. Dr. Güven Arif Sargın _____________________ Architecture Dept., METU Prof. Dr. Mualla Erkılıç _____________________ Architecture Dept., METU Assist. Prof. Dr. Başak Uçar _____________________ Architecture Dept., TEDU Date: February 20th, 2013 I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: R. Aytül BARAN Signature: iv ABSTRACT RE-INTERPRETATION OF LIBRARY PROGRAM: THE SEATTLE PUBLIC LIBRARY BARAN, Rabia Aytül M. Arch., Department of Architecture Supervisor: Assoc. Prof. Dr. Berin F. GÜR February 2013, 77 pages The alteration of both information type and information access has led a change in the role and function of library, which is the dedicated space for information storage.
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Joshua Prince-Ramus Rose Story Farm
CHAMPION OF BLOOMS ROSE STORY FARM Through passion, trial and error, and sheer force of will, Danielle Hahn and her family have helped bring back the kind of roses our forebearers used to grow—garden varieties with full, roman- tic blooms that fill the air with rich perfume, which had been lost on typical commercial farms. Hahn and her husband, Bill, bought their Carpinteria, California, farm in 1990. “We wanted to do antique varieties, and at that time, people didn’t know what we were talking about,” says Hahn. Her first delivery of 10,000 rosebushes arrived two months early, with irrigation ditches yet to be dug and no real plan for planting. Twenty-four years later, Rose Story Farm is a premier source for designers and event plan- ners who appreciate the old-fashioned sensibility of its stock. “We choose for fragrance, form, and color,” she explains. “Scent evokes memories as no other sense does. The first thing people do when they see a rose is bend down to smell it.” Every variety on the property has to be cut at a different stage, and the blooms are snipped to order: “We ARCHITECTURE VISIONARY don’t let them just sit in the cooler for a few days.” Hahn’s entire family has JOSHUA gotten into the act—her sons used to PRINCE-RAMUS work the fields growing up, her sister does the bookkeeping, her mother The former head of Rem Koolhaas’s minds the gift shop. For Hahn, farm- American office has been gaining ing is a calling. “When we started this, I wasn’t looking for a job.
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WYLY THEATER Juan Rodriguez PROJECT OVERVIEW
Anthony Antunez STRUCTURAL CASE STUDY Hayley Field Michael Irving Ziyang Li Eric Liao WYLY THEATER Juan Rodriguez PROJECT OVERVIEW Firm: REX + OMA Project Year: 2009 Location: Dallas, Texas Project Area: 82,882.11 square feet Client: Dallas Theater Center Building Type: Mid-rise Partners: Rem Koolhaas, Joshua Prince-Ramus Building Usage: Theater Executive Architect: Kendall/Heaton Seats: 575 Associates Site Usage: Performance, Gathering Space Structure: Magnusson Klemenic Associates Height: 151 feet Mechanical: Transsolar / Cosentini / Plus Group Floors: 10 Theater Design: Theatre Projects Consultants Awards: 2011 AIA Honor Award Facade: A. Zahner Company ARCHITECTS Rem Koolhaas, OMA Joshua Prince-Ramus, REX DESIGN CONCEPT ● Instead of following the traditional format of a theater, where the front and back of the house flank the main auditorium, they decided to stack them vertically. By doing this we are able to add more public space to it. ● By stacking the different components of the theater, the architects liberated the performance chamber's entire perimeter and allowed performers to mix fantasy and reality when they desired. ● In addition to the architects wishing to flip the idea of the theater on its head, they wanted the Wyly to stand its ground in size when compared to its next door neighbors: Norman Foster’s Winspear Opera House and I. M. Pei’s Meyerson Symphony Center. ● “I hate the traditional theater profile of the door, auditorium, back of house, and front of house. Instead, we chose to pile the front-of-house and back-of-house functions on top of and below the auditorium, making for a smaller footprint overall.” - Rem Koolhas LAYOUT - The Wyly Theater is a compact, 12- story building with different level heights.
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Wyly Theatre
Dee and Charles Wyly Theatre Team member: Junfei Chen Kevin Clapp Mario Serna Qi Zhang Niloo Hosseni Jingqi Yin Project : Name: Dee and Charles Wyly Theatre Architect: REX/OMA Location: Dallas, Texas, US Type: Multi-form Theater Area: 7700㎡ Capacity: 575 seats Open: 2009 ARCHITECTS REX/OMA This was one of the first projects Joshua Prince Ramus (REX) worked on after start their own firm leaving OMA Rem Koolhaus/OMA Joshua Prince-Ramus/REX "The creation of the Dallas Center for the Performing Arts is an investment in the cultural life of our city... Together with the Performance Park, the Center will become an exciting, seven-day-a-week destination that will animate Dallas and the region. This new Center ensures that future generations in Dallas and the region will have access to the best music, theatre, opera and dance from throughout the world." –Bill Lively, President and CEO of the Dallas Center for the Performing Arts. Concept : Before the Wyly theatre was erected the Arts District theater was probably one of the most , if not the most flexible theaters in America, but due to its financial burdens it had to remain with a fixed stage layout . A “theater machine” that with a push of a button, a transformation began, altering the seating and the stage configuration The services are stacked above and below the auditorium, versus encircling it as in a normal theatre configuration, gaining flexibility and freedom Functional organization PROGRAM A proscenium, thrust, traverse, arena, and flat floor”, a front-of-house and back-of- house facilities, and “administrative offices, rehearsal spaces, café, gift shop, bar, offices, costume shop, lobby, auditorium, stage support areas, mechanical rooms, production spaces and rooftop multipurpose space”.
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ARCHITECTURE & ENTERTAINMENT Issue 01 / March 2017 / 12 € ae STUDIO ANDREW TODD REX ARCHITECTURE A+ARCHITECTURE ARKPABI OPENLAB COMPANY Photos by Iwan Baan AT&T PERFORMING ARTS CENTER DEE AND CHARLES WYLY THEATR E DESIGNED BY REX/OMA J OSHUA PRINCE -R AMUS & R EM KOOLHAAS The dallas TheaTer ceNTer (dTc) was FOuNded IN 1959, aNd was ONe OF The FIrsT reGIONal TheaTres IN The uNITed sTaTes . b Y 1984, The dTc was hOused IN The arTs dIsTrIcT TheaTer , a buIldING desIGNed bY sTaGe desIGNer euGeNe lee , aNd was esseNTIallY a PlaIN MeTal barN . K NOwN FOr hIGh -cONcePT exPerIMeNTal wOrK , The dTc ThrIved IN ThIs eNvIrONMeNT , TaKING Full arTIsTIc advaNTaGe OF The lIMITless cONFIGuraTIONs Made avaIlable bY The MaKeshIFT NaTure OF The buIldING . IT was durING ThIs PerIOd ThaT aN aMbITIOus PlaN was beING FOrMed TO creaTe a culTural dIsTrIcT ThaT wOuld INclude TheaTre , daNce , vIsual arTs , aNd educaTION . T hIs PlaN MeaNT MOvING The PhYsIcal hOMes OF These OrGaNIZaTIONs TO a 68- acre , 19- blOcK NeIGhbOurhOOd sITuaTed IN dallas ’s dOwNTOwN . T he dIsTrIcT ’s archITecTure wOuld INclude buIldINGs desIGNed bY FOur PrITZKer PrIZe wINNers aNd aN aIa “G Old Medal ” recIPIeNT . 20 dallas’ former arts district Theatre (adT) cultivated innovative theatre rarely seen outside the triumvirate of New York, chicago, and seattle. Ironically, adT’s artistic success can be traced to its provisional character. a dilapidated metal shed, adT freed its resident companies from the limitations imposed by a fixed stage configuration and the need to protect expensive interior finishes. Its users avidly challenged the traditional conventions of theatre and routinely reconfigured the form of the stage to fit their artistic visions, the only limiting factor being the cost of labour and materials.
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Seattle Central Library
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