Elizabethan Houses of Correction Austin Van Der Slice
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Vagrants and Vagrancy in England, 1485-1553
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1986 Basilisks of the Commonwealth: Vagrants and Vagrancy in England, 1485-1553 Christopher Thomas Daly College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the European History Commons Recommended Citation Daly, Christopher Thomas, "Basilisks of the Commonwealth: Vagrants and Vagrancy in England, 1485-1553" (1986). Dissertations, Theses, and Masters Projects. Paper 1539625366. https://dx.doi.org/doi:10.21220/s2-y42p-8r81 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BASILISKS OF THE COMMONWEALTH: Vagrants and Vagrancy in England, 1485-1553 A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts fcy Christopher T. Daly 1986 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts . s F J i z L s _____________ Author Approved, August 1986 James L. Axtell Dale E. Hoak JamesEL McCord, IjrT DEDICATION To my brother, grandmother, mother and father, with love and respect. iii TABLE OE CONTENTS Page ACKNOWLEDGEMENTS .................................. v ABSTRACT.......................................... vi INTRODUCTION ...................................... 2 CHAPTER I. THE PROBLEM OE VAGRANCY AND GOVERNMENTAL RESPONSES TO IT, 1485-1553 7 CHAPTER II. -
Chapter 3: History and Land Use of City Hall Park
Chapter 3: History and Land Use of City Hall Park A. Background History Alyssa Loorya Introduction This section is edited from the forthcoming doctoral dissertation from Loorya on City Hall Park. Loorya’s work references several graduate student projects associated with the overall City Hall Park project, most notably the Master’s theses of Mark Cline Lucey (included as the next section) and Julie Anidjar Pai as well as reports by Elizabeth M. Martin, Diane George, Kirsten (Davis) Smyth, and Jennifer Borishansky. These reports are presented in Chapter 6. This section outlines the history of the City Hall Park area. To provide for proper context, a general history of the development of the lower Manhattan area is presented first to provide a more complete picture of overall project area. City Hall Park is a relatively small triangular parcel of land (8.8 acres) within New York City’s Manhattan Island. It is bounded to the north by Chambers Street, to the east by Park Row, to the west by Broadway. It began as a cow pasture and today houses the seat of government for the nation’s largest city. The general history of City Hall Park is fairly well documented though only in a single comprehensive source.1 The changing uses of City Hall Park from the beginning of the colonial periodFig. 3-1: of theCity midHall nineteenthPark Location century reflect 1 The Master’s Thesis City Hall Park: An Historical Analysis by Mark Cline Lucey, 2003, (below) chronicles the physical development of City Hall Park from the Dutch Colonial period to the mid-nineteenth century. -
A Dictionary of Literary and Thematic Terms, Second Edition
A DICTIONARY OF Literary and Thematic Terms Second Edition EDWARD QUINN A Dictionary of Literary and Thematic Terms, Second Edition Copyright © 2006 by Edward Quinn All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Quinn, Edward, 1932– A dictionary of literary and thematic terms / Edward Quinn—2nd ed. p. cm. Includes index. ISBN 0-8160-6243-9 (hc : alk. paper) 1. Criticism—Terminology. 2. Literature— Terminology. 3. Literature, Comparative—Themes, motives, etc.—Terminology. 4. English language—Terms and phrases. 5. Literary form—Terminology. I. Title. PN44.5.Q56 2006 803—dc22 2005029826 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can fi nd Facts On File on the World Wide Web at http://www.factsonfi le.com Text design by Sandra Watanabe Cover design by Cathy Rincon Printed in the United States of America MP FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. Contents Preface v Literary and Thematic Terms 1 Index 453 Preface This book offers the student or general reader a guide through the thicket of liter- ary terms. -
Rogues, Vagabonds and Sturdy Beggars, a New Gallery of Tudor
poofe 3^ebieiusi Rogues, Vagabonds, and Sturdy Beggars: A New Gallery of Tudor and Early Stuart Rogue Literature edited by Arthur F. Kinney; 18 illusfrations by John Lawrence. 328 pp. $18.95, paper University of Massachusetts Press Reviewed by John Mucci. Mr. Mucci is Associate Editor of The Elizabethan Review. On the endless road of popular culture, there has always been a genre of entertainment which supposedly reveals the mysteries of the under world. Although whatever insight might be exposed, from the canting jargon to the details of a crime, accuracy seems to take a back seat to satisfying curiosity and a need for sensationalism. Today, there are interesting things to be leamed about ourselves by reading the pecuUar genre of EUzabethan pamphleteering known as rogue literature. Popular with all levels of literate society, these slender books purported to set down the manner by which con artists of all types might abscond with decent peoples' money and goods. Ostensibly written as a public service, to wam and arm society against rogues of all types, in their fascinating variety, they are an Elizabethan version of mob stories, with curious and lurid detail. This interest with the underworld and the seamiest side of life is one which has obvious parallels in modem times, particularly with readers who are most threatened by and distanced from such criminals. This so-caUed practical element of defending the populace against these all-too-prevalent creatures falls to second place against the pleasure ofreading about others who have been hoodwinked by them (and better still, hearing the details about rogues who have been caught in the act and punished). -
Picaresque Translation and the History of the Novel.Pdf
The Picaresque, Translation and the History of the Novel. José María Pérez Fernández University of Granada 1. Introduction The picaresque as a generic category originates in the Spanish Siglo de Oro, with the two novels that constitute the core of its canon—the anonymous Lazarillo de Tormes (1554) and Mateo Alemán’s Guzmán de Alfarache (1599, 1604). In spite of the fact that definitions of the picaresque are always established upon these Spanish foundations, it has come to be regarded as a transnational phenomenon which also spans different periods and raises important questions about the nature and definition of a literary genre. After its appearance in the Spanish 16th century, picaresque fiction soon spread all over Europe, exerting a particularly important influence during the 17th and 18th centuries in Germany, France and above all England, after which its impact diminished gradually. A study of the picaresque calls for a dynamic, flexible, and open-ended model. When talking about the picaresque we should not countenance it as a solid and coherent whole, but rather as a fluid set of features that had a series of precedents, an important foundational moment in the Spanish 16th and 17th centuries, and then spread out in a non-linear way. It grew instead into a complex web whose heterogeneous components were brought together by the fact that these new varieties of prose fiction were responding to similar cultural, social and economic realities. These new printed artefacts resulted from the demands of readers as consumers and the policies of publishers and printers as producers of marketable goods. -
The Narrator of Don Juan DAVID PARKER
The Narrator of Don Juan DAVID PARKER S a poet and as a man, Byron was a poseur, every• one agrees, but some of Byron's posturing is more A * interesting than most poets' sincerity, and by no means everyone disapproves of it. Nevertheless, for those like myself who feel that what there is of value in Byron is not to be dissociated from this posturing, there is a problem; not one that immediately affects our enjoyment of the poetry, but one that can ultimately do so, once we start puzzling about meaning: it is often difficult to know who is saying what is said, how seriously, and with what shade of irony, if any. The problem has been complicated by current intellectual fashions. Problems of identity are all the go, and it is tempting to see Byron as a Regency Borges with a passion for masks, as a precursor of exis• tentialism, or as a devotee of the absurd. I think he probably does have some importance in the history of these phenomena, but simply to say that Byron was doing what lots of writers today are trying to do seems to me neither accurate, nor a good way of seeing where he stands in literary history, nor indeed a reason why we should admire what he wrote. One critic who has managed to state the problem, with• out falling into the pedantry encouraged by intellectual fashion, is John Wain.1 Byron's failure to establish his own true identity, he argues, prevented him from having "a fully successful relationship with his poetic imagina• tion." Byron's method, he suggests, was to project an image of himself, "and then let the image do the writing." Because he lacked the confidence to look deeply into his own mind, he fell into the trap of projecting oversimplified images, who wrote oversimplified poetry for him. -
Directory of Clubs – Season 2017-2018
DIRECTORY OF CLUBS – SEASON 2017-2018 Parent County Football Associations are shown in italics as follows: - Kent FA – KFA • London FA – LFA • Surrey FA – SCFA • Amateur FA - AFA AEI SPORTS FC KFA (2013) Division Three Central & East Secretary: Peter Stanton, 51 Bryant Road, Strood, Kent ME2 3EP Tel: (H) 01634 318569 (M) 07834 980113 - email: [email protected] Ground: Wested Meadow Ground, Eynsford Road, Crockenhill, Kent BR8 8EJ - Tel: 01322 666067 Colours: Black & White Striped Shirts, Black Shorts, Black Socks Alternative: Blue Shirts, Blue Shorts, Blue Socks Fixture Secretary: As Secretary Emergency Contact: Michael Betts, 11 Wheatcroft Grove, Rainham, Kent ME8 9JF Tel: (M) 07850 473451 - email: [email protected] Chairman: As Secretary AFC ASHFORD ATHLETIC KFA (2013) Division Three Central & East Secretary: Jackie Lawrence, 31 St. Martins Road, Deal, Kent CT14 9NX Tel: (M) 07842 746686 - email: [email protected] Ground: Homelands Stadium, Ashford Road, Kingsnorth, Ashford, Kent TN26 1NJ - Tel: 01233 611838 Colours: Red Shirts, Black Shorts, Black Socks Alternative: Royal Blue Shirts, Royal Blue Shorts, White Socks Fixture Secretary: As Secretary Emergency Contact: Stuart Kingsnorth - Tel (M) 07850 865805 (B) 07725 002681 – email: [email protected] Chairman: As Emergency Contact AFC BEXLEY KFA (2008) Division Three West Secretary: Mark Clark, 18 Woodside Road, Bexleyheath, Kent DA7 6JZ Tel: (H) 01322 409979 (M) 07900 804155 - email: [email protected] Ground: Bakers Fields, Perry Street, Crayford, Kent DA1 -
Elizabethan Fiction WS 2020-2021 Prof
Elizabethan Fiction WS 2020-2021 Prof. Dr. Monika Fludernik [email protected] Office hours: posted on my door Wednesday 10-12 IN PRAESENTIA R 3 | Peterhof START: Wednesday, 4 November 2020 Standard literary histories claim that the novel was invented in the early eighteenth century, usually citing Defoe's Robinson Crusoe as its first instance. However, the Elizabethan period and the seventeenth century already had a large number of prose texts in circulation. Some of these are considered romances, some of them picaresque fiction (also called picaresque novels), some are generically peculiar and cannot be easily fitted into any of the standard categories. We will discuss a few prominent examples of Elizabethan prose narratives, among them John Lily's Euphues, George Gascoignes The Adventures of Master F. J., Thomas Nashe, The Unfortunate Traveller, Thomas Deloneys Jack of Newbury (all included in Salzman's anthology) as well as Sir Philip Sidney's Old Arcadia. Xeroxes will be made available of other texts. We will also read two utopias, More's Utopia and Francis Bacon's New Atlantis. Xeroxes will be made available of other texts. Requirements: active class participation, 5-minute oral report, seminar paper to be handed in by March 29, 2021. Texts to buy: Salzman, Paul (2008) An Anthology of Elizabethan Prose Fiction [1987]. Oxford World's Classics. Oxford: Oxford University Press. Sidney, Philip (2008) The Old Arcadia [1985]. Oxford World's Classics. Oxford: Oxford University Press. Bruce, Susan (2008) Ed. Three Early Modern Utopias: Thomas More: Utopia / Francis Bacon: New Atlantis / Henry Neville: The Isle of Pines [1999]. -
A Study of the Dynamic Picaresque Novel
UNLV Retrospective Theses & Dissertations 1-1-2008 Wayward fictions: A study of the dynamic picaresque novel Tina Ogorek University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Ogorek, Tina, "Wayward fictions: A study of the dynamic picaresque novel" (2008). UNLV Retrospective Theses & Dissertations. 2864. http://dx.doi.org/10.25669/zoff-l51p This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. WAYWARD FICTIONS: A STUDY OF THE DYNAMIC PICARESQUE NOVEL by Tina Ogorek Zwischenpriifung Lehramt Englisch, Spanisch (L 4) (Intermediate Exam English, Spanish Teacher) Humboldt-Universitat zu Berlin 1996 Erste (Wissenschaftliche) Staatspriifung fur das Amt des Studienrats [First (Scientific) Qualifying Examination, State of Berlin] Humboldt-Universitat zu Berlin, Landesamt fur Lehramtspriifungen Berlin 2000 Zweite Staatspriifung fiir das Amt des Studienrats (Second Licensing Examination, State of Berlin) Priifungsamt fiir Lehramtspriifungen Berlin 2004 A dissertation submitted in partial fulfilment of the requirements for the Doctor of Philosophy Degree in English Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas August 2008 UMI N um ber: 3383 9 8 8 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Annual Report 2016-2017 Contents 2
Annual Report 2016-2017 Contents 2 3 Director’s Report 12 Acquisitions 17 Works of art lent to public exhibitions 19 Long-term loans outside Government 25 Advisory Committee members 26 GAC staff Cover Image: A GAC Curator talking about Yinka SHonibare’s work Nelson’s Ship in a Bottle during a public tour of the GAC HQ, London. © Crown Copyright Director’s Report 3 UK Prime Minister, Theresa May and Polish Prime Minister, Beata Szydło at a reception at 10 Downing Street. © Crown Copyright / photograph Tom Evans Once more, the Government Art Collection Selected UK displays Raleigh; and a portrait of William Shakespeare. (GAC) has witnessed, and responded to, Government reshuffles led to a number of Margaret Carpenter’s elegant portrait of Ada an eventful year. Our primary activity has ministerial visits to the GAC to select new King, Countess of Lovelace was re-displayed focused on selecting and installing a range of works for offices. For the new UK regional in its traditional location in the Pillared Room, new displays for government buildings in the display at 10 Downing Street, we arranged following its return from loan to an exhibition UK and at several diplomatic posts abroad. the loan of four paintings from the collections at the Science Museum that celebrated the Just how well dispersed GAC works are in of UK museums: Rock Garden, Cookham bicentenary of Lovelace’s birth. Portraits of government buildings, is best illustrated by the Dean (1942) by Sir Stanley Spencer from William Kent and Kenton Kouse, two architects impressive number of displays (approximately Birmingham Museum and Art Gallery; Sir closely associated with 10 Downing Street, 121) we have installed in the UK and abroad in John Lavery’s Twilight, Lake of Geneva (1924) were also reinstalled in the Terracotta Room. -
"That Inimitable Art": Magic in Early Modern English Culture Meredith Molly Hand
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 "That Inimitable Art": Magic in Early Modern English Culture Meredith Molly Hand Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES “THAT INIMITABLE ART”: MAGIC IN EARLY MODERN ENGLISH CULTURE By MEREDITH MOLLY HAND A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2009 The members of the committee approve the dissertation of Meredith Molly Hand defended on March 2, 2009. Bruce Boehrer Professor Directing Dissertation John Corrigan Outside Committee Member Gary Taylor Committee Member Daniel Vitkus Committee Member Nancy Warren Committee Member Approved: Ralph Berry, Chair, Department of English The Graduate School has verified and approved the above-named committee members. ii For Aili and Myrtie, Larry and Raija, Jonathan, and Eric. iii ACKNOWLEDGEMENTS I’ve accumulated numerous debts, personal and professional, while working on this project. First, I must thank Bruce Boehrer, who was all one could ask for in an advisor. I count myself fortunate to have written this dissertation under his supervision; I’ve certainly benefited from his astonishing breadth of knowledge. Gary Taylor, Daniel Vitkus, and Nancy Warren were excellent committee members, and I am grateful to each of them for their generosity in providing feedback at various stages. I owe special thanks to Gary Taylor for inviting me to work as a research assistant on the Oxford Middleton. -
Universidad De Sevilla CRIMINAL LITERATURE and the RISE of the NOVEL
FACULTAD DE FILOLOGÍA DEPARTAMENTO DE LITERATURA INGLESA Y NORTEAMERICANA Universidad de Sevilla TESIS DOCTORAL CRIMINAL LITERATURE AND THE RISE OF THE NOVEL PILAR DE LOS ÁNGELES PEÑA GIL DIRECTORA: DRA. DÑA. MERCEDES SALVADOR BELLO Sevilla, Octubre de 2015 1 2 To the very many who gave me oxygen when I was breathless. With a special thanks to Mercedes and Oisín for their unconditional support. 3 Contents Conventions 6 Introduction 7 Theoretical Aspects 15 1. Defining the Novel …………...………………………………..…………………………………………….. 15 2. The Rise of the English Novel Reconsidered……….…................................................ 28 2.1. The Romance and the Novel. From Clara Reeve to Michael McKeon ……………. 30 2.2. The Eighteenth Century and the Sociological Changes Giving Way to the Rise of the Novel. Ian Watt……………………...……………………………………………………………………..37 2.3. Innovation through Tradition. John Richetti and Lennard Davis. Northrop Frye and the Theory of the Modes …………………………………………………………………………….. 45 2.4. Theories Relating the Rise of the Novel with Criminality and the Broadside Tradition ……………………………………………………………………………………………………………... 50 3. Criminal Literature, a Historical Perspective…..…………………………………………………… 53 3.1. Criminal Writings in the Middle Ages…………………………….….………………………….57 3.2. Robin Hood and the Criminal as a Sympathetic Character………..……………………60 3.3. Chapbooks and Jest-books…………………………………………………………………………….63 3.4. Spanish Picaresque Narrative and Rogue Literature……………………………………...71 3.5. The Rise of a Native Criminal Genre ……………………………………………………...........79 3.5.1. Conny-cathing Pamphlets ………………………………………………………………….80 3.5.2. The Domestic Tragedy………………………………………………………………………..87 3.5.2.1. Drama and Executions……………………………….……………………………………..94 4 3.6. Early Criminal Biographies……………………………………………………………………………101 4. The Eighteenth Century and the Rise of Crime………………………………………………….107 5. The Female Criminal ……………………………………………………………………………………….…115 Text Analysis 122 1. Proto-journalistic and Legal Writings ………………………………….…….........................123 1.1.