90s R&B Hop Music Videos mp4 Collection torrent download 90s R&B Hop Music Videos mp4 Collection torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66aae7244884c442 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. The 30 Best ’90s R&B Songs. The ‘90s may be the last decade when R&B, not hip-hop, was the dominant force in black music. Innovation abounded, with New Jack Swing giving way to neo-soul as well as further experiments with studio technology’s fast-moving innovations. R&B crossover was a matter of course on the pop charts; there, ballads like Whitney Houston’s blockbuster “I Will Always Love You” and the stirring Boyz II Men-Mariah Carey team-up “One Sweet Day” had months-long reigns at No. 1, while upbeat tracks like Blackstreet’s swaggering “No Diggity” and Janet Jackson’s peppy “Together Again” also reached the summit. Artists from every echelon and subgenre seemed to be laser-focused on honing and upping their game: ‘80s titans like Jackson and her brother Michael incorporated of-the-moment ideas into their platinum-plated ‘90s work; early-decade upstarts like Mariah Carey and TLC blossomed into megastars, forcing pop listeners to keep up their ever-evolving visions for the genre; and new acts like Maxwell and Lauryn Hill emerged in constant states of evolution, redrawing R&B’s boundaries so that the genre encompassed ever-greater territory. These 30 highlights from the decade collect some of R&B’s highest points. 30. Prince and the New Power Generation, ”Diamonds & Pearls” (1991) Prince experienced a lot of transitions in the ‘90s—his name change to a symbol, his acrimonious departure from Warner Bros. Records, his transition to independence, his pioneering forays into online retail. But he opened the decade with this gorgeous, glittering expression of pure love, his restrained vocal given a counterpoint by New Power Generation member Rosie Gaines, whose unbridled performance crests on the track’s show-stopping bridge. –Maura Johnston. 29. Babyface, “When Can I See You” (1994) Released in 1994 during the MTV Unplugged era, this acoustic gem revealed new depth for a songwriter who was often (unfairly) accused of being somewhat formulaic. Kenneth Edmonds’ forthright and unadorned ballad led to a brief spike in acoustic soul (see The Tony Rich Project’s “Nobody Knows”) and seemed to predict the rise of neo-soul as well. –Mosi Reeves. 28. Toni Braxton, “You’re Makin’ Me High” (1996) The slinky lead single from Braxton’s 1996 mega-seller Secrets simmered, with Braxton’s vocal performance doubling as an exquisite lesson in self-control—which, it turned out, was right in line with the chart-topping track’s ethos. “That’s what ‘You’re Makin’ Me High’ was all about,” she told the London Independent in 1996, when they inquired after the Babyface/Bryce Wilson co-production’s subject matter. “Masturbation. It’s a very safe form of sex.” –MJ. 27. Maxwell, “Luxury:Cococure” (1998) Maxwell debuted in 1996 with a mix of D’Angelo’s enigmatic funk and Sade’s airy, slightly remote soul-jazz. But he soon evolved into a remarkably unique performer by stretching neo-soul to its ambient limits, and using abstract images to anchor his songs of love, faith, and heartbreak. Critics initially misinterpreted “Luxury: Cococure,” the first single from Embrya , as a pretentious mess rather than a soul analog to hypnagogic pop icons like Björk. Amidst lush sounds, Maxwell compares the newness of black love to submerging himself in deep waters. He feels cocooned by the sensation, even as the freezing water saps his energy, much like the protagonist in Kate Bush’s orchestral suite “The Ninth Wave” (from her Hounds of Love ). It’s heady, intellectual fare for an audience used to savoring his ballads through Urban Adult Contemporary radio, and despite early trepidation, they embraced his conceits wholeheartedly. –MR. 26. Whitney Houston, “Heartbreak Hotel” (1998) By 1998 and My Love is Your Love , Whitney Houston was as well known for her tabloid exploits with Bobby Brown as she was for her legendary pop career. The great thing about “Heartbreak Hotel,” the lead single from her last great album, was that it reminded listeners that Houston’s musical art, not her Hollywood blockbusters and People magazine headlines, was most important. It marked a passing of the torch to a younger generation of black women, represented by Faith Evans and Kelly Price; the trio’s carefully restrained yet anguished vocals, set amidst a stutter-step bounce and cameos from Faith Evans and Kelly Price, felt like a remarkable achievement. –MR. 25. Mark Morrison, “Return of the Mack” (1996) Seemingly emerging from out of nowhere, this British one-hit wonder made one of the most memorable hooks of the decade. (Some have called it the best song ever , but we wouldn’t go that far.) It’s so killer, in fact, that it essentially overwhelms his lyric about going back on the market after his woman cheats on him. “Return of the Mack” is less about recovering from a breakup than reasserting your pride, no matter how damaged. Basically, it’s an excuse to harmonize “Return of the mack!” again and again. –MR. 24. Mint Condition, “Breakin’ My Heart (Pretty Brown Eyes)” (1991) The lush, sprawling ballad from Mint Condition’s 1991 debut Meant to be Mint isn’t only an exquisite expression of how love (or, at least, infatuation) can rip one’s heart in two; it showcases the sextet’s chemistry and talent for pacing, with its nearly six-minute length almost feeling a shade too short thanks to its smouldering build and Stokley Williams’ song-ending leave-it-in-the-booth ad-lib. –MJ. 23. Groove Theory, “Tell Me” (1995) Amel Larrieux and Bryce Wilson’s debut single arrived during a fortuitous moment. Though still a viable force, acid jazz and house music had waned in the black mainstream, and neo-soul authenticity had emerged as a potential new force. “Tell Me” alluded to all these sounds with its stride piano, a steadily pulsing beat, and Larrieux’s aching falsetto voice. It seemed to portend Groove Theory as a new innovator in R&B. Instead, the duo disbanded shortly after its release, leaving fans of the Billboard top 10 single to wonder what could have been. –MR. 22. Michael Jackson, “Remember the Time” (1992) When the second single from Michael Jackson’s New Jack-embracing Dangerous initially came out, most of the attention went to its audacious, cameo-studded video, which was directed by John Singleton and featured the Gloved One’s first on-screen kiss (with Iman, who played an ennui- ridden queen). But the song—co-written by New Jack Swing architect Teddy Riley and his collaborator Bernard Belle along with Jackson—hits the exact sweet spot of Jackson’s appeal, blending of-the-moment pop aesthetics with a feather-light funkiness and one of Jackson’s most unbridled vocal breakdowns. –MJ. 21. Xscape, “Just Kickin’ It” (1993) After the release of Dr. Dre’s The Chronic , R&B briefly swelled with acts that tried to replicate its unhurried lowrider tempo and neo- Blaxploitation funk. (Also see Color Me Badd’s “Time and Chance,” Janet Jackson’s “Any Time, Any Place (R. Kelly Mix),” and Sweet Sable’s “Old Times Sake.”) But Xscape’s debut single was arguably the best. The four Atlanta women brought lovely multi-part harmony to their vision of teenage love, a home-cooked meal and chilling on the avenue. Despite a brief interlude that this was “strictly for the niggas,” it sounded as universal as anything on the charts in 1994. –MR. The 25 greatest R&B songs of the '90s. Every so often, music industry executives, artists and fans will say, "R&B is dead" and then questions start to emerge, comparing today's R&B to its counterpart in the past. Where are the love ballads? Why don't men plead for their love while singing in the rain anymore? Who are the powerhouse singers of today? However, it's not so much that R&B has completely disappeared into a musical abyss but rather that the genre has changed over time. One of the best eras of R&B music is arguably the '90s. During that decade, music fans were gifted with a surplus of groups with distinct styles, the emergence of subgenres such as New Jack Swing and neo soul and classic songs being crafted by producers and songwriters such as Babyface, Timbaland, Jermaine Dupri and Jimmy Jam and Terry Lewis to name a few. Although the R&B sound has changed over the last 30 years, the '90s sound is still sampled and appreciated by today's rising stars. In honor of one of music's most timeless eras, here's a list of 25 of the greatest R&B songs of the '90s. The Best R&B Songs of 2021 . (so far) 2021 is off to a good start melodically with some of the genre’s heavy hitters dropping new songs. In June, fans received new songs from Brent Faiyaz and Drake, Jazmine Sullivan, Snoh Aalegra and more. Every month, HipHopDX puts a spotlight on the tracks that stand out from the overabundance of releases throughout the year, highlighting everything from Billboard chart-friendly singles to essential album cuts. Check back at the beginning of every month for updates and check out our other lists and our playlist below, which includes all of the songs mentioned in this article and more: If looking for a more lyrical list: The Best Rap Songs of 2021 …(so far) Check out our list of Best R&B Songs of 2020 to catch up. If looking for the best R&B albums of the year so far: The Best R&B Albums of 2021…(so far) Editor’s note: Songs from this list were released between December 1, 2020 – Julu 1, 2021. Playlist. The Top R&B Songs of 2021 (December – July) Contributing writers: David Brake, Trent Clark, Kyle Eustice, Jeremy Hecht, Devon Jefferson, Dana Scott & Josh Svetz. “Wasting Time” – Brent Faiyaz f. Drake. Although Brent Faiyaz has become the latest recipient of the Drake stimulus package, his catalogue already stands on its own without a verse from Aubrey. On “Wasting Time” the two artists serve as the perfect pair, serving up hilariously toxic lyrics masked by smooth melodies and flows. Brent’s hook is reminiscent of a simpler time in R&B and Drake comes through with a verse that has enough quotables to supply everyone with Instagram captions for the rest of the summer. “Tragic” – Jazmine Sullivan. Following up her critically acclaimed album Heaux Tales from earlier this year, Jazmine Sullivan released “Tragic” in the final week of June. Sullivan has found that there’s nothing more tragic than time wasted as she recalls a failed relationship, boasting her booming voice over masterful, bass- heavy production from Leven Kali. At 34-years-old, with over a decade of experience working in the music industry, Sullivan knows what she wants: don’t yank her around. “Say Yes” – TOKiMONSTA & VanJess. “Lost You” – Snoh Aalegra. Snoh has yet to miss with her single drops and “Lost You” is no exception. Lyrically, Snoh struggles to come to terms with a fleeting relationship where the connection is strong but the problems are constant. The moody instrumental and stacked harmonies serve as perfect late night driving vibes. “Been Through That” – Majid Jordan. “Marvin’s Room” – Queen Naija. A decade after Drake’s classic song dropped in 2011, it continues to be the quintessential breakup song for someone missing their ex. In an Amazon Exclusive, Queen Naija puts her own spin on the Take Care track, and provides it with new life. If you’re drunk after the club, listen at your own risk. “Running Blind” – Lucky Daye. Working with producer D’Mile, powerhouse R&B singer Lucky Daye stole the spotlight in early June with “Running Blind” from Liberated / Music For The Movement Vol. 3 , a collection of tracks created in celebration of Juneteenth. On “Running Blind,” Daye reflects on his tenacity and ability to overcome, despite the obstacles he’s faced on the journey. “All Pride Aside” – Shelley FKA DRAM f. Summer Walker. Shelley FKA DRAM is not the same artist as when he dropped “Broccoli,” the artist’s breakout single from 2016’s Big Baby DRAM . Now going by Shelley, his given name, the 32-year-old artist has undergone a rebranding and reimagining of himself as an artist. The result is the magical Shelley FKA DRAM . Reintroducing himself to the world, now tinted in an engulfing R&B hue, Shelley’s new album is highlighted by “All Pride Aside” featuring Summer Walker. The intro to Shelley FKA DRAM , “All Pride Aside,” features a reinvigorated Shelley, flexing the wide range of his voice, which was previously boxed into the boundaries of rap. Now free from constraint, Shelley is a burgeoning force to be reckoned with in R&B. “Motorbike” – Leon Bridges. “Bussdown” – Jorja Smith f. Shaybo. Jorja Smith is a glamorous R&B interpolation of pop influences. On “Bussdown,” vocal effects not misplaced on a Lorde album embolden her voice, which tingles and cracks elegantly. Fellow brit Shaybo brings painfully lucid bars dissecting the givers’ plight to break apart the angelic melody, resulting in a somber float through the clouds. The lyrical themes, namely being tired, leave the listener disappointed in their imaginary beaux, no matter their gender nor sexual identity. “Dennis Rodman” – MK xyz. “I Like Dat” – T-Pain & Kehlani. T-Pain and Kehlani are a fascinating if not an unexpected combination of artists, but their new joint single “I Like Dat” quickly dispels any critique. After the pair teased their new collaboration by chatting on Instagram Live, the single was released earlier this May. Featuring thick, driving 808s and a fluttering hi-hat, produced by T-Pain with DJ Montay, “I Like Dat” evokes nostalgia of the reign of T-Pain, while Kehlani’s elegant delivery tints the track with a modern sound. “What Are We?” – Inayah. “Still Broke” – Samm Henshaw f. Keyon Harrold. One could listen to “Still Broke” 50 times and come away with 50 different possible genres for it. Is it breakneck prog-soul? Space age neo- gospel? Other nonsense music terms? The point is, it’s impossible to pin down, especially since it works tirelessly to uplift. There’s delicate choir work, a horn solo which made listeners forget to breathe and a galloping finale that takes all troubles with it, leaving the listener positively weightless. Don’t try to predict where this song will go; instead keep the mind and soul open and let Mr. Henshaw work wonders. “Funeral” – Miguel. “Lead The Way” – Jhené Aiko. The ethereal Far Eastern soundscapes of Jhené Aiko’s “Lead The Way” and the song’s lyrics read like an enlightening Taoism scripture (“Tao” translates “the way” in English). The song is the first track and lead single from Disney’s animated film Raya and The Last Dragon . Aiko softly glides over the track with breathy mid-to high-range vocals for nearly four minutes, offering words of wisdom that anyone can use for self-help on a sad day. “Come Through” – H.E.R. f. Chris Brown. “Kiss Me More” – Doja Cat f. SZA. “Fck Boys” – Blxst f. Russ. L.A. vocalist and HipHopDX Rising Star Blxst’s 2020 come-up was swift and catalyzed by his acclaimed No Love Lost (Deluxe) album — which aligned the singer with West Coast headliners such as Ty Dolla $ign, Dom Kennedy, and Tyga. Though momentum of the project has carried over into 2021, Blxst remains steadfast in his approach to releasing lifestyle vibe enhancing grooves whilst also delivering purposeful collaborations. Take the two-piece Just For Clarity single “Fck Boys” as evidence of Blxst’s commitment. The song features Russ functioning as the soundtrack to modern chivalry for the hood’s renaissance man. “Gone” – Jorja Smith. “Waves of Blue” – Majid Jordan. “Leave The Door Open” – Bruno Mars, Anderson .Paak, Silk Sonic. The results of combining two Grammy Award-winning, neo-soul and R&B genre bending artists is without a doubt Bruno Mars and Anderson .Paak’s inaugural Silk Sonic duo single “Leave The Door Open.” The smooth-rolling, sensual bedtime banger is a looking-glass window into the golden age of the Motown sound. Overflowing with soulful vocal performances and funky instrumentation, “Leave The Door Open” is that good- good R&B our parents told us about while growing up. “On One” – Joyce Wrice f. Freddie Gibbs. Joyce Wrice has been making music since 2015 but seems to be pushing the right buttons for a breakout in 2021. After scoring a viral hit in 2020 with “That’s On You,” including a remix featuring fellow rising R&B artist UMI, the 28-year-old Japanese-American has dropped her debut album Overgrown to glowing praise. The jovial cut features a bouncy groove reminiscent of Brandy’s “Best Friend,” Her Hip-Hop/R&B fusion is a welcome callback to great sounds of the past like Ashanti and Mariah Carey, with Wrice making the style her own. There’s also contender for best rapper in the game, Freddie Gibbs, casually coming through for a thugs-need-love-too feature done right. “All To Me” – Giveon. It’s probably not a good idea to bring your girl around Giveon. His sultry baritone is arresting, soothing and magnetic when he’s singing his regular love songs. But on “All To Me,” he uses his powers for willful persuasion and seduction. The way he repeats “all to me” on the bridge after convincing a neglected woman to cheat on her boyfriend is deviously affable and self-assured, like a supervillain getting one over on the townspeople. “By Yourself (Remix)” – Ty Dolla $ign, Bryson Tiller, Jhene Aiko, DJ Mustard. Ty Dolla $ign has become known as the industry-wide x-factor when it comes to collaborations, providing hit-making assists on chart-toppers like “Hot Girl Summer” and countless other smashes — hence his befittingly tilted Featuring Ty Dolla $ign album. The OG version of the album’s lead single “By Yourself” featuring Jhene Aiko exudes a level of creative synergy that is only matched by the Bryson Tiller-anchored remix. “Party Life” – Miguel. “Comeback” – Gallant. Gallant understands the power and purity of late-night inspiration. It’s the basis of his standout single “Comeback,” off his latest EP Neptune . Speaking to Revolt, the Maryland singer said the song came from notes he typed on his computer, eventually leading to a studio session where he told himself he wouldn’t leave until something was created. The result is an introspective look into his egotism culminating in a pleading apology to his former lover. The track uses several tropes of early 00s R&B, including slick acoustic guitar lines, layered background vocals and the iconic “OH!” It’s a slice of Usher and Mario influence served up for 2021, and Gallant has the range to pull it off. “Rolling Stone” JMSN. “Caution” – Kaytranada. A beat from Kaytranada isn’t simply a platform for artists to rap over. Each track is an expansive world, built carefully and intentionally from smaller components — a snare hit here, a slightly distorted synth note there. The Canadian producer approaches his work like a painter with a fine brush, filling the canvas with blended notes. “Caution,” the latest single from the 28-year-old instrumentalist, is lush and off-kilter. The influence of famed Detroit producer J Dilla is apparent throughout the song, though it’s also ripe with motifs from Afrobeats and even the digital sounds of House music. While Kaytranada has produced excellent tracks for rappers including Vic Mensa, Syd and GoldLink, “Caution” is a refreshing track that creates room for the producer to shine. “Worth It” – Amber Mark. “Still Yours” – Bryson Tiller f. Big Sean. “Fight For You” – H.E.R. In the opening moments of “Fight For You,” which is featured on Judas and the Black Messiah: The Inspired Album , H.E.R.’s voice breaks through the thick horns like direct sunlight shattering a ceiling of clouds. Her voice is rich and unwavering as she demands change. “Long as I’m standing, we can never lose/I’mma always, always fight for you,” she sings. At this point, H.E.R. is such a mainstay in contemporary R&B, a singer with such mature assuredness, that it’s crazy to think she’s only 23 years old. On “Fight For You,” which was self-produced alongside assistance from D’Mile, the Vallejo, the California singer evokes memories of legendary R&B acts such as Billie Holiday. But H.E.R. is unapologetically herself and that powerful independence, clear on “Fight For You,” is a crucial component to her astronomical rise. “Eden” – Brent Faiyaz. “Jealous” – Mahalia f. Rico Nasty. The journey during the come-up for an artist is littered with people who try to take credit for their success. Both Mahlia and Rico Nasty understand the frustration when former friends, collaborators and lovers try to downplay the success they’ve earned out of pure spiteful jealousy. That shared experience between two genre-hopping badasses acts as the secret sauce to Mahalia’s latest single, filled with enough punchline haymakers and unbothered attitude to silence any hater. “So Frequently” – Marzz. “80/20” – Chloe x Halle. R&B could never be dead while Chloe x Halle are making music. The R&B duo, comprised of sisters Chloe and Halle Bailey, have overtaken the genre with a ferocity. First with Ungodly Hour and now with Ungodly Hour (Chrome Edition), which includes two new tracks and a vinyl run. “80/20,” one of the two bonus songs, is a flirtatious exploit, with the girls singing about desiring more than what their monogamous partner can offer, while looking elsewhere for the 20 percent they need. They flip traditional stereotypes on their heads, running through boys with zeal. They shun conventional gender expectations through a tongue-in-cheek teasing and a bubbly delivery. “Intruded” – Justine Skye & Timbaland. “Missing Out” – Syd. “Gravity” – Brent Faiyaz & DJ Dahi f. Tyler, The Creator. DJ Dahi immediately sets the tone for “Gravity” with a soft, rolling surf guitar loop, driven by a spare, dragging kick drum. It’s a lilting, simple production that leaves plenty of space for Brent Faiyaz’s layered harmonies. The Columbia, Maryland-born singer might only be 25 years old, but he writes love songs like an old soul, detailing his romances with wit and a mature frankness. Faiyaz tapped Tyler, The Creator for his latest, a man who also knows his way around a good love song. Tyler’s more abrasive voice marries perfectly with the smooth production of DJ Dahi and Faiyaz’s soulful crooning. “Good Days” – SZA. The Queen of R&B is back. All eyes turned to her with last year’s release of “Good Days,” which also featured Ty Dolla $ign. Her latest track “Good Days” has now arrived and the ball is in the TDE singer’s court. SZA’s run of exceptional production continues, with an all-star assembly of Los Hendrix, Nascent, Carter Lang and vocal magician Jacob Collier. “Good Days” also marks SZA’s first entry into the Billboard Hot 100 as a solo artist, peaking at the No. 10 spot weeks after its release. SZA seems to be leaning back into the sounds from her instant-classic Ctrl , a welcome return for her fans. “At My Worst” – Pink Sweat$ f. Kehlani. Reaching back into The Prelude EP , Pink Sweat$ taps Kehlani to afford his angelic “At My Worst” love song a second wind. The easy-going ballad is the perfect balance of sauntering vocals and entrancing guitar riffs elevated by minimal drum patterns. Additionally, the conversational verses of both Kehlani and Pink Sweat$ provide make the song incredibly endearing and relatable. “Girl Like Me” – Jazmine Sullivan. “Spicy” – Ty Dolla $ign f. YG, Post Malone, Tyga, J Balvin. At the height of Featuring Ty Dolla $ign, the Taylog Gang vocalist’s Post Malone-leaning “Spicy” collaboration dominated the airwaves and eventually peaked at No. 44 on the Billboard Hot 100 chart. Now, with the additions of YG, Tyga and J Balvin, the tangy audio has yet another peppery pocket for listeners to fall into. And the spanglish vibes Dolla’s twists into his flows coupled with J Balvin Spanish-speaking bars, “Spicy” has effectively become a bi-lingual hit. “MLK Dr” – Smino. “Real Walker” – 24 Hrs. “On It” – Jazmine Sullivan f. Ari Lennox. Though the album bears the name Heaux Tales, Jazmine Sullivan’s new project listens more like a sultry collection of tracks inspired by pleasures of the flesh. The lust-filled dynamic of “On It” featuring Jazmine’s soul-sister Ari Lennox definitivelly highlights the delicate relationship between licentious vulgarity and relationship-based intimacy the entire album cleverly quantized. There’s also an intense soulful element to the record that is reminiscent of the type of visceral R&B classics such as D’angelo’s “How Does It Feel” from 2000. “He Said” – dvsn f. Miguel. Alternative R&B doesn’t quite classify DVSN’s Amusing Her Feelings track “He Said” featuring Miguel because it truly exists in a space of its own. Ignited by what is arguably pop/punk-tinged production and a very moody, semi-somber feature from Miguel, “He Said” crosses-over multiple genre guidelines in the best possible ways. And with lead-singer Daniel Daley’s sexualized lyrics cascading over the top of the apocalyptic instrumentation, “He Said” is easily one of the most memorable tracks from the OVO duo’s recent deluxe offering. Stream Top Podcasts. Take yourself back in time. back to high school. The ups and downs, the loves the losses, the struggles the triumphs, being together with your friends. feeling every emotion of it. Is 23 more than just a number to you? Do you respond to people by saying I don't wanna be anything other than what I've been trying to be lately? Do you expect to have life-changing moments while caught in the confetti or the rain? Are you One Tree Hill obsessed. it's OK. we're here for you. You can sit with us. Are Brooke, Peyton and Haley your BFF goals? These Drama Queens are getting back together!! Bethany Joy Lenz, Hilarie Burton and Sophia Bush are the biggest Drama Queens and they are here with you to dissect every episode, deliver every detail you must know, and devote themselves to you as you rewatch every single scene together. Join Joy, Hilarie and Sophia each week. Relive it, Relove it, Rewatch it . every One Tree Hill minute of it. Be a Drama Queen. Drama Queens, an iHeartRadio Podcast.