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The Elation Platinum FLX Is Very Sensitive to Rated to Run on 100-240V 50/60Hz (Figure 1)
TECHNICAL FOCUS: PRODUCT IN DEPTH Copyright Lighting&Sound America November 2015 http://www.lightingandsoundamerica.com/LSA.html Elation Professional Platinum FLX By Mike Wood After a year or so Lamp of reviews cover- The Platinum FLX uses the Philips MSD Platinum 20R 470W ing nothing but lamp (Figure 2), which is rated to produce 16,900 lumens LED-based fix- from its 1.2mm arc. This lamp is mounted in a lamphouse tures, this year with some interesting and novel features. You can see the has seen a bit of a lamp inside its lamp house in Figure 3. Lamp change is change with the straightforward: Remove three screws to access the enclo- resurgence of sure, then slacken the retaining bracket at the top and units using very swing the spring clip away. This could be done while the small arc HID lamp is in the rig, although the small screws securing the lamps to produce access plate aren’t captive and could easily be lost. So far, tight beams. This this is fairly standard. However, take a look at the gears on is an area where the left side of Figure 3. What are they for? Digging further, it LEDs still cannot seems that these connect an external stepper motor with a compete with the small metal plate covering an air vent. The plate has three raw power density different-sized apertures that move across the vent to con- of a very short trol both the air electric arc. For flow volume and narrow beams, direction over the Fig. -
Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
Photoflex Catalog.Pdf
Photo by: Ian Spanier PROFESSIONAL LIGHT SHAPING TOOLS 10 Softboxes for Strobe/Cool Lights Softboxes Photofl ex® began producing the LiteDome® softbox in 1985 and remains the world’s most popular softbox for professional photographers. Here are just a few of the features that separate Photofl ex® from the competition: • Our proprietary DuraCloth fabric interior softens light, eliminates leaks, and insures neutral color rendition. • Medium, large and extra large LiteDomes include patented Quick-Release Corners (QRC, see page 6) for easy assembly and break-down, with removable face and interior baffl e. • Optional fabric grid attaches with Velcro® for added control. LiteDome® The LiteDome® is our most popular softbox model due to its simplicity and high performance design. The LiteDome® is the HalfDome® original Photofl ex® white interior softbox model, designed over 30 years ago. Perfect for every SoftBox for strobe only ® photography application, the LiteDome ® consistently delivers even, natural light from The HalfDome features a narrow profi le, your strobe unit. perfect to use as a hair light or rim light for portraits or for getting sleek, elongated Extra Large [XT-4XLLD293] 871150 catchlights in product photography. A Dimensions: 53 x 70 x 35 in. / 134 x 177 x 89cm removable StripMask is included for Large [XT-3LLD293] 871147 creating an even narrower light source, Dimensions: 34 x 45 x 24.5 in. / 86 x 114 x 62cm reducing the dome width by half. Photo by: Scott Stulberg Medium [XT-2MLD293] 871144 Medium [FV-HDMW] 870349 Dimensions: 24.5 x 32 x 17 in. / 62 x 81 x 43cm Dimensions: 15.5 x 55 x 23 in. -
C H R O M a K E Y E
CHROMA KEYING CHROMA KEYERS STANDARD DEFINITION CHROMA KEYER UPGRADEABLE STANDARD DEFINITION CHROMA KEYER HIGH DEFINITION CHROMA KEYER CHROMA KEYING Crystal Vision offers the choice of three chroma keyers to W HA T I S C HROMA KEY I NG ? suit every definition budget and application Chroma keying is used to combine a virtual object (Background) Safire Safire SD and Safire HD produce exceptional with a real image (Foreground) by replacing a real colour (usually digital linear chroma keying for the creation of realistic blue or green) with a virtual input. virtual images making them ideal for any live chroma keying or virtual set production B whether itCs news weather sports programming chat shows current affairs game shows election broadcasts or drama Well known for being the easiest chroma keyers to set up and operate many sidebyside evaluations have been Foreground Suppressed Foreground won on this ease of use Crystal Vision chroma keyers also have features you wonCt find anywhere else whether itCs the special processing to perfect that picture or the unequalled features for sports graphics Composite picture TheyCll save you rack space too As mm x mm Background In a typical chroma key the Foreground subject is shot against boards they form part of a modular system resulting in a well lit uniformly coloured backdrop. A Suppressed Foreground easy integration with any of Crystal VisionCs interface signal is produced in which the backdrop colour is removed and products B including the video delays so essential in a this signal is used to create a key to remove an area from the virtual system Background video that is identical in size to the Foreground ItCs no surprise then that Crystal Vision chroma keyers subject. -
Safire 3 Chroma Keyer Brochure
CHROMA KEYING 3 G/HD/SD chroma keyer Why do broadcasters choose the Safire 3 real-time chroma keyer? Broadcast engineers select it for its affordable high picture quality, ease-of-use and long list of features – including built-in colour correction and video delay. Working with 3Gb/s, HD and SD video sources, Safire 3 is ideal for any live virtual production – from studio to sport. You can set up an impressive chroma key automatically using multi-point sampling, or you can manually adjust the picture using any of the fine- tuning tools available – from lighting compensation to noise reduction filters. These adjustments can be made using a choice of control options – from touch screen control panel to web browser. Safire 3 is a module that fits in Crystal Vision’s Indigo frames, saving you rack space by allowing up to 12 chroma keyers (or other modules) in 2U. WHY SHOULD I CHOOSE SAFIRE 3 ? Masks Easy to set up with Don’t have a perfect backdrop? multi-point sampling Use the internal masks to remove unwanted areas Need a quick and easy setup with the best possible settings? Sample the average brightness and hue of one, five or 12 sample points on Lighting the backdrop to set the range of compensation colours to key on Uneven lighting? Get a uniform key signal across the image by using lighting compensation to boost the key Key Shrink Camera feed causing unwanted outlines? You can shrink the edge by up to a pixel and remove these outlines Freeze the input Presenter unable to keep still? No problem – freeze the input and spend as long as -
VL3515 Spot Luminaire Provides Accuracy: 0.3° Resolution
VL3515VL3515 SpotSpot l u m i n a i r e Programmable Functions Color System: A three-filter CYM cross-fading mechanism. A fixed color wheel with six interchangeable color filters and continuous wheel rotation for additional effects. It includes a variable CTO color temperature correction wheel. Zoom Optics: A 13-element 6:1 zoom optics system, covering a range from 10° to 60°. Shutter Control: A four-blade shutter mechanism that allows the blades to be operated independently or in unison on two planes for a clear and crisp image. The entire mechanism can rotate 50º in either direction. Intensity Control: Full field dimming designed for smooth timed fades as well as quick dimming effects. Strobe: High-performance dual blade strobe system capable of ultra-fast operation. Rotating Gobo Wheels: One gobo/effects wheel provides five rotatable, indexable gobo positions and one open position. Fixed Gobo Wheel: One fixed gobo/effects wheel provides six positions for standard or custom gobos and one open position. Edge and Pattern Focus: Variable beam focus to soften edges of gobos or spots. Remarkable depth of field capability allows morphing effects between all pattern and effects wheels. Pan and Tilt: Smooth, time-controlled continuous motion by way of three-phase stepper motor systems. Range: Pan - 540°, Tilt - 270°. The VARI❋LITE VL3515 Spot Luminaire provides Accuracy: 0.3° resolution. the increased output of a 1500W lamp in a luminaire that offers the same famous features as Description the 1200W VL3500 Spot. Standard dual reflectors allow users to choose either a peaked or flat field beam. -
The 22” High-Output Beauty Dish Reflector
The 22” High-Output Beauty Dish Reflector What is a High-Output Beauty Dish? Conventional beauty dishes project a very wide angle and low ef- ficiency light output when used with or without a diffusing sock. A direct-light blocking shield is generally necessary because the direct light from the flashtube is very bright in comparison to the light reflected from the white surface of the dish. direct-light blocker assembly The 22” High-Output Beauty Dish is designed to project a narrow 45° beam angle, with about six times the efficiency of a conven- tional dish. This allows for lighting subjects from greater distances with low power flash units, and allows using the reflector with or without the direct-light blocker. It also results in a more selective area of coverage when used closer to the subject. Using the Silver 22HOBD for maximum specularity Beauty Dish with diffusion sock Beauty Dish with direct-light blocker installed Because of its geometry, the Silver Beauty Dish provides a some- Mounting the Beauty Dish what higher degree of shadow softening and the finish allows more specularity than white dishes. Even more specular response can Retract the four retaining fingers by squeezing the levers on top of be achieved by using the Beauty Dish without the included direct- the light (AlienBees) or sliding the lever on the bottom of the light light blocker. Because of its very high efficiency, the ratio of direct over to the release position (White Lightning and Zeus). Remove to reflected light is much lower in comparison to a conventional any mounted reflector, and replace with the Beauty Dish ensuring beauty dish. -
Softbox | Octabox 2 Softbox System
Softbox | Octabox www.broncolor.com 2 Softbox System The broncolor Softbox System Square or octagonal? Let your style decide The new broncolor Softboxes These quality, high-performance light shapers extend your flash system are optimised light shapers for and offer countless additional lighting effects. Three different diffusers precise lighting design in nine enable a soft light with slight central emphasis through to perfectly different shapes and sizes. homogeneous distribution over the entire area. With a light grid, light Square, rectangular, as a strip or control can be even more precise. octagonal. The special internal coating guarantees optimum efficiency. Coloured markings on the tensioning rods and the support ring enable simple, quick erection and dismantling. With appropriate adapters, Softboxes can also be used with flash units from other manufacturers. 3 Softbox System 33.565.00 Softbox 90 x 120 cm (3 x 3.9´) The Big One: Softbox with the classical 3:4 aspect ratio. Perfect for use anywhere where large area and soft lighting is required As with any rec- tangular (but not square) Softbox, you can turn it through 90° to achieve another, slightly different, lighting characteristic. 33.566.00 Softbox 120 x 180 cm (3.9 x 5.9´) The Biggest: Over two square metres of light! Even over the shortest distance this Softbox illuminates a whole body very uniformly and this short distance from the model (or object) guarantees an unbelievably soft and beautiful light. It infuses spaces with a certain magic. 33.564.00 Softbox 30 x 120 cm (1 x 3.9´) The Strip Softbox: The Striplite among the textile Boxes is perfect for illuminating edges in product photography and as a hair-light in the portrait and fashion fields. -
Mark Seymour Life of a Documentary Photographer
Online Issue 2 - February 2017 MARK SEYMOUR LIFE OF A DOCUMENTARY PHOTOGRAPHER THE SOCIETIES AWARD WINNING IMAGES OF 2016 BASICS WITH BRIAN “THE BRAIN” 10 ESSENTIAL PHOTOSHOP EFX WITH MARK CLEGHORN ACADEMY LIVE CRIT TOP TEN COMMENTS PIMP MY PICTURE GARDEN MACRO TIPS WITH MICHELLE WHITMORE ZEISS LENS REVIEW WITH LISA BEANEY BIG PHOTO COMPETITION - WELCOME TO THE BIG PHOTO E-ZINE HEADSHOTS elcome to the second issue of The Big Photo, we hope the first informed and enlightened you in some way. WThis month we’re brining you another fantastic variety ROADSHOW of content, a amazing Architectural Image of the month, an insight into the world of Top Documentary & Wedding photographer Mark Seymour, Garden Macro tips, Mark Cleghorn’s essential Photoshop EFX, and much much more. inspire The Big Photo is ultimately designed as a celebration of The Photographer Academy create photography and photographers, so this month we also brining you some of the amazing winning images from the SWPP 2016 Photographer of the Year is proud to present The Big awards. These images show the amazing quality of images being produced today and Photo UK Roadshow 2017 hopefully inspires you to shoot that little bit better every day. and this year it’s all about Remember you can get your images featured to, if you make the top ten in our monthly Headshots! critique then your image will appear in the magazine. Also, don’t forget The Big Photo is Bringing you specific training including Business, an interactive Ezine, so look for links to take you directly to more great content from The Lighting, Posing, Pricing, Products and finishing the Photographer Academy and our partners. -
Photo Rentals(Q375 Package)
Photo Rentals (Q375 Package) Power Grip (continued) 1 - 375 amp 3 phase generator 2 - 12 X 12 Solids 2 - 12 X 12 Frame Lighting 1 - 20 X 20 Break Apart Frame 8 - Profoto Pro-7A Pack 1 - 16’ Speedrail 1 - Profoto Pro-7B2 Pack 2 - 10’ Speedrail 8 - Profoto Pro-7 Head 4 - 4’ X 4’ Floppies 1 - Profoto Pro-7 Twin Head 2 - 4’ X 4’ Silks 2 - Profoto Pro-7 Head Extension Cable 1 - 4’ X 4’ Empty Frame 1 - Profoto Ringlight 2 - 24” X 36” Solid 4 - Profoto 41” White Umbrella 2 - 24” X 36” Silk 1 - Profoto 41” Silver Umbrella 2 - 24” X 36” Single 2 - Profoto Magnum Reflectors 2 - 24” X 36” Double 2 - Profoto Magnum Reflector Grids 2 - 12” X 24” Solid 1 - Profoto White Beauty Dish with Diffusion 2 - 12” X 24” Single 1 - Profoto Silver Beauty Dish with Diffusion 2 - 12” X 24” Double 1 - Profoto Beauty Dish Grid 1 - 24” X 60” Cutter 5 - Profoto Grid Sets 10 - 4” Baby Pins 1 - Profoto Pro Globe with Speedring 10 - J Hooks 1 - Westcott 46” Translucent Umbrella 6 - BJ Adaptors 9 - Pocket Wizard Transceivers 2 - Bead Board Holders 2 - Elinchrom 74” Octabank 4 - Bull Pricks 1 - Chimera Super Pro Plus Large White 1 - Sledge Hammer 2 - Chimera Super Pro Plus Medium White 10 - Super Clamps 1 - Chimera Super Pro Plus Small White 4 - Cardellinis End Jaw 1 - Chimera Strip Super Pro Plus Medium White 4 - Cardellinis Center Jaw 1 - Chimera Strip Super Pro Plus Small White 2 - Baby Nail On Plates 6 - Profoto Speedring 6 - Grip Clips #3 2 - ARRI 1K Fresnel 20 - Grip Clips #2 6 - V Flats 10 - Grip Clips #1 4 - 30” Safety Cables 1 - Mega Boom Distro 1 - Mini Boom 1 - -
Chromakey Setup & Lighting Tips
primatte 2.0 : chromakey setup & lighting tips chromakey photography The technique of using a blue or green screen to create a special eff ect has been around a good long time in the fi lm and video world. The use of chromakey in professional and studio photography is comparatively new. As a consequence, the majority of literature you will fi nd on chromakey setup and execution is geared towards fi lm/video work. Many of the techniques and problems in video chromakey are shared by photography chromakey. However, using chromakey in photography has its own set of issues and in some cases they are diff erent from fi lm/video. about this article This article will attempt to help photographers using and/or exploring chromakey. It is not meant to be the defi nitive, this-is-HOW-you-do chromakey bible. The correct way to do chromakey will vary depending on factors such as your location, style, equipment, and setup. Our goal is to help you identify things that will help to improve your images. Some of our suggestions will work for you; others wonʼt. Sprinkle to taste. Usually I will refer to Primatte Chromakey, which is our Photoshop plugin for doing chromakey work. However these tips will work with virtually any chromakey software. If you follow all of our tips and are still getting poor results, then you should take a look at Primatte. ;-) definition of chromakey First, a defi nition. ʻChromakeyʼ refers to the technique of dropping out a solid color background and replacing it with a diff erent source. -
EZ Lock Beauty Dish Guide Introduction
EZ Lock Beauty Dish Guide Introduction GLOW EZ LOCK BEAUTY DISH is an ingenious portable version of the light modifier famous for striking fashion and portraiture images showcasing the incomparable safe and sure EZ Lock system. No more clumsy construction, fumbling with flex resistant rods or struggling in frustration for careful alignment of speedring holes. The 16-ribbed dish opens up and closes down, ‘umbrella style.’ The quick-to-setup quasi-parabola saucer like assembly has all the advantages of the beauty dish allure without the disadvantages of damage that a metallic dish confronts during location travel and is free of any of the drawbacks of a delicate bendable dish. Intrinsic to the beauty dish design is a small reversible opaque deflector cover that is suspended concave profile out, directly over the front of the light source, preventing direct light from reaching the subject. With the Glow EZ Lock Beauty Dish Eggcrate Grid, you gain more control of a light source’s beam and can feather light for a more attractive shadow, virtually eliminating spill from the rest of the body and the background. Photographers use 25” to 42” beauty dish on monolights and flash heads for flattering people shots, especially for sculpting facial features and creating beautiful shadows and catchlights. When stacked in a vertical tower array of 2 or more, the beauty dish accentuates a model’s full figure with perfect head to toe coverage. 2 GlowLightControl.com Precautions • Please study this guide and store for future reference. • The materials used in this product are not waterproof or flame resistant.