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Faraone Ancient Greek Love Magic.Pdf
Ancient Greek Love Magic Ancient Greek Love Magic Christopher A. Faraone Harvard University Press Cambridge, Massachusetts London, England Copyright © 1999 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Second printing, 2001 First Harvard University Press paperback edition, 2001 library of congress cataloging-in-publication data Faraone, Christopher A. Ancient Greek love magic / Christopher A. Faraone. p. cm. Includes bibliographical references and indexes. ISBN 0-674-03320-5 (cloth) ISBN 0-674-00696-8 (pbk.) 1. Magic, Greek. 2. Love—Miscellanea—History. I. Title. BF1591.F37 1999 133.4Ј42Ј0938—dc21 99-10676 For Susan sê gfir Ãn seautá tfi f©rmaka Æxeiv (Plutarch Moralia 141c) Contents Preface ix 1 Introduction 1 1.1 The Ubiquity of Love Magic 5 1.2 Definitions and a New Taxonomy 15 1.3 The Advantages of a Synchronic and Comparative Approach 30 2 Spells for Inducing Uncontrollable Passion (Ero%s) 41 2.1 If ErÃs Is a Disease, Then Erotic Magic Is a Curse 43 2.2 Jason’s Iunx and the Greek Tradition of Ago%ge% Spells 55 2.3 Apples for Atalanta and Pomegranates for Persephone 69 2.4 The Transitory Violence of Greek Weddings and Erotic Magic 78 3 Spells for Inducing Affection (Philia) 96 3.1 Aphrodite’s Kestos Himas and Other Amuletic Love Charms 97 3.2 Deianeira’s Mistake: The Confusion of Love Potions and Poisons 110 3.3 Narcotics and Knotted Cords: The Subversive Cast of Philia Magic 119 4 Some Final Thoughts on History, Gender, and Desire 132 4.1 From Aphrodite to the Restless -
Echoes of Legend: Magic As the Bridge Between a Pagan Past And
Winthrop University Digital Commons @ Winthrop University Graduate Theses The Graduate School 5-2018 Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur Josh Mangle Winthrop University, [email protected] Follow this and additional works at: https://digitalcommons.winthrop.edu/graduatetheses Part of the Literature in English, British Isles Commons Recommended Citation Mangle, Josh, "Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur" (2018). Graduate Theses. 84. https://digitalcommons.winthrop.edu/graduatetheses/84 This Thesis is brought to you for free and open access by the The Graduate School at Digital Commons @ Winthrop University. It has been accepted for inclusion in Graduate Theses by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. ECHOES OF LEGEND: MAGIC AS THE BRIDGE BETWEEN A PAGAN PAST AND A CHRISTIAN FUTURE IN SIR THOMAS MALORY’S LE MORTE DARTHUR A Thesis Presented to the Faculty Of the College of Arts and Sciences In Partial Fulfillment Of the Requirements for the Degree Of Master of Arts In English Winthrop University May 2018 By Josh Mangle ii Abstract Sir Thomas Malory’s Le Morte Darthur is a text that tells the story of King Arthur and his Knights of the Round Table. Malory wrote this tale by synthesizing various Arthurian sources, the most important of which being the Post-Vulgate cycle. Malory’s work features a division between the Christian realm of Camelot and the pagan forces trying to destroy it. -
The Entheogen Review , Pob 19820, Sa Cramento , Ca 95819-0820, Usa 161 Vol Ume X, Number 4 Winter Solstice 2001
VOL UME X, NUMBER 4 WINTER SOLSTICE 2001 Index Symbols Age of Entheogens & The Angels’ Dictionary, Analog Act 84, 85 The 154 Anand, Margot 67, 154 ∞Ayes 32, 49, 50, 51 age regression 89 Anderson, E.F. 106 1,4-butanediol 84 Aguaruna Indians 10 Anderson, Rocky 41 1984 155 Aguirre, G., L.E. 3, 5, 6 Anderson, Sherry 156 2001 52 Agurell, S. 57, 58, 106 Andrews, S. 86 2C-B 22, 28, 118 ahpí 7 anesthetize 21 2C-D 20 ajucá 6 angico 6 2C-I 20 Akashic record 54 angicos brancos 6 2C-T-2 20, 22, 90 Al-Queda terrorists 123 angicos pretos 6 2C-T-4 20 Alarcón, R. 5 angiquín 6 2C-T-7 20, 85, 89, 90, 94, 105, 114 Alchemind Society, The 42, 76, 112 angiquinho 6 4-acetoxy-DET 88, 89, 90, 92, 93, 96 alcohol Angraecum fragrans 86 4-acetoxy-DIPT 29, 30, 88, 90, 91, 93 38, 52, 74, 84, 98, 99, 134, 145, 146 Anon. 151 4-hydroxy-αMT 139 alcoholic beverages 86 anonymous remailer 123 4-hydroxy-DET 88, 89, 139 Aldrich 83 anthraquinones 86 4-hydroxy-DMT 88 alfalfa 129 anti-cholinergic-like central effect 150 4-hydroxy-DPT 139 alien 32, 50, 53 anti-depressant 28 5-MeO-αMT 148 alien robots 52 anti-inflammatory 86 5-MeO-DIPT 90, 94 AllChemical Arts (conference) 115 anti-marijuana laws 46 5-MeO-DMT Allen, John W. 112 anti-nausea medications 28 1, 5, 25, 84, 89, 99, 101, 102, 103, allergy preparations 28 antibacterial 135 118, 126, 148 Alli, Antero 114 antibiotic 28 5-methoxytryptamine 150 Allison 156 antidiarrheal 104 Alpert, Richard 34 antispasmatic 28 A alpha 140, 141, 142, 143, 144, 145 Antonil, André João 4 Aardvark, David α-MT 148 ants 151 α 21, 27, 28, 30, 34, 51, -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
Magic: a Theory from the South
MAGIC Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Throop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com Magic A THEORY FROM THE SOUTH Ernesto de Martino Translated and Annotated by Dorothy Louise Zinn Hau Books Chicago © 2001 Giangiacomo Feltrinelli Editore Milano (First Edition, 1959). English translation © 2015 Hau Books and Dorothy Louise Zinn. All rights reserved. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9905050-9-9 LCCN: 2014953636 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by The University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Contents Translator’s Note vii Preface xi PART ONE: LUcanian Magic 1. Binding 3 2. Binding and eros 9 3. The magical representation of illness 15 4. Childhood and binding 29 5. Binding and mother’s milk 43 6. Storms 51 7. Magical life in Albano 55 PART TWO: Magic, CATHOliciSM, AND HIGH CUltUre 8. The crisis of presence and magical protection 85 9. The horizon of the crisis 97 vi MAGIC: A THEORY FROM THE SOUTH 10. De-historifying the negative 103 11. Lucanian magic and magic in general 109 12. Lucanian magic and Southern Italian Catholicism 119 13. Magic and the Neapolitan Enlightenment: The phenomenon of jettatura 133 14. Romantic sensibility, Protestant polemic, and jettatura 161 15. The Kingdom of Naples and jettatura 175 Epilogue 185 Appendix: On Apulian tarantism 189 References 195 Index 201 Translator’s Note Magic: A theory from the South is the second work in Ernesto de Martino’s great “Southern trilogy” of ethnographic monographs, and following my previous translation of The land of remorse ([1961] 2005), I am pleased to make it available in an English edition. -
Magic, Greek Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2019 Magic, Greek Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. 2019. "Magic, Greek." In Oxford Classical Dictionary in Oxford Research Encyclopedia of Classics. New York/Oxford: Oxford University Press, April 2019. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/121 For more information, please contact [email protected]. magic, Greek Oxford Classical Dictionary magic, Greek Radcliffe G. Edmonds III Subject: Greek History and Historiography, Greek Myth and Religion Online Publication Date: Apr 2019 DOI: 10.1093/acrefore/9780199381135.013.8278 Summary and Keywords Greek magic is the discourse of magic within the ancient Greek world. Greek magic includes a range of practices, from malevolent curses to benevolent protections, from divinatory practices to alchemical procedures, but what is labelled magic depends on who is doing the labelling and the circumstances in which the label is applied. The discourse of magic pertains to non-normative ritualized activity, in which the deviation from the norm is most often marked in terms of the perceived efficacy of the act, the familiarity of the performance within the cultural tradition, the ends for which the act is performed, or the social location of the performer. -
Witchcraft Historiography in the Twentieth Century Jon Burkhardt
15 16 Witchcraft Historiography in the Twentieth Century rural areas into the early modern period. Her ideas were completely rejected by other historians at the time, who viewed witchcraft rather as an example of early modern society’s superstitious nature and the intolerance of the Church. However, Carlo Ginzburg’s fascinating account of an isolated Italian peasant culture in Night Battles: Witchcraft and Agrarian Cults in the Jon Burkhardt Sixteenth and Seventeenth Centuries, and his recent re- construction of the witches’ Sabbath, conclusively demonstrate the Our evidence for witchcraft in Europe comes almost survival of ancient agrarian cults in some parts of Western exclusively from hostile sources—from trials and confessions of Europe.1 witches documented by educated “witnesses.” In addressing the In Night Battles, Ginzburg studied the peasants in early question of witchcraft in the Western tradition, historians have modern Friuli, a mountainous region in northeast Italy, and often disagreed as to its origins and essence. At least two major uncovered a bizarre set of ancient beliefs. The peasants believed interpretations—along with several minor interpretations—of that those individuals born with a caul possessed strange powers.2 European witchcraft are present in witchcraft historiography. The These people were called benandanti, or “good walkers.” “On first interpretation is known as the Murray-Ginzburg, or folklorist certain nights of the year” the benandanti “fell into a trance or interpretation. This view sees European witchcraft as the survival deep sleep…while their souls (sometimes in the form of small of an ancient fertility religion. The second interpretation, animals) left their bodies so that they could do battle, armed with currently the most influential, emphasizes the social and cultural stalks of fennel, against analogous companies of male witches,” history of witchcraft, especially the pattern of accusations. -
Cunning Folk and Wizards in Early Modern England
Cunning Folk and Wizards In Early Modern England University ID Number: 0614383 Submitted in part fulfilment for the degree of MA in Religious and Social History, 1500-1700 at the University of Warwick September 2010 This dissertation may be photocopied Contents Acknowledgements ii Abstract iii Introduction 1 1 Who Were White Witches and Wizards? 8 Origins 10 OccupationandSocialStatus 15 Gender 20 2 The Techniques and Tools of Cunning Folk 24 General Tools 25 Theft/Stolen goods 26 Love Magic 29 Healing 32 Potions and Protection from Black Witchcraft 40 3 Higher Magic 46 4 The Persecution White Witches Faced 67 Law 69 Contemporary Comment 74 Conclusion 87 Appendices 1. ‘Against VVilliam Li-Lie (alias) Lillie’ 91 2. ‘Popular Errours or the Errours of the people in matter of Physick’ 92 Bibliography 93 i Acknowledgements I would like to thank my undergraduate and postgraduate tutors at Warwick, whose teaching and guidance over the years has helped shape this dissertation. In particular, a great deal of gratitude goes to Bernard Capp, whose supervision and assistance has been invaluable. Also, to JH, GH, CS and EC your help and support has been beyond measure, thank you. ii Cunning folk and Wizards in Early Modern England Witchcraft has been a reoccurring preoccupation for societies throughout history, and as a result has inspired significant academic interest. The witchcraft persecutions of the early modern period in particular have received a considerable amount of historical investigation. However, the vast majority of this scholarship has been focused primarily on the accusations against black witches and the punishments they suffered. -
Copyright by Collin Laine Brown 2018
Copyright by Collin Laine Brown 2018 The Dissertation Committee for Collin Laine Brown Certifies that this is the approved version of the following Dissertation: CONVERSION, HERESY, AND WITCHCRAFT: THEOLOGICAL NARRATIVES IN SCANDINAVIAN MISSIONARY WRITINGS Committee: Marc Pierce, Supervisor Peter Hess Martha Newman Troy Storfjell Sandra Straubhaar CONVERSION, HERESY, AND WITCHCRAFT: THEOLOGICAL NARRATIVES IN SCANDINAVIAN MISSIONARY WRITINGS by Collin Laine Brown Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2018 Dedication Soli Deo gloria. Acknowledgements First and foremost, I would like to acknowledge my wife Robin. She especially helped me through the research and writing process, and kept me sane through the stress of having to spend so much time away from her while in graduate school. I wish that my late father Doug could be here, and I know that he would be thrilled to see me receive my PhD. It was his love of history that helped set me on the path I find myself today. My academic family has also been amazing during my time in graduate school. Good friends were always there to keep me motivated and stimulate my research. The professors involved in my project are also much deserving of my thanks: Marc Pierce, my advisor, as well as Sandra Straubhaar, Peter Hess, Martha Newman, and Troy Storfjell. I am grateful for their help and support, and for the opportunity to embark on this very interdisciplinary and very fulfilling project. -
The Ring, the Gown, and the Apple: the Role of Magical Objects in The
Byzantine and Modern Greek Studies 44 (2) 244–258 The ring, the gown, and the apple: the role of magical objects in the Byzantine vernacular romance Kallimachos and Chrysorroi Rui Carlos Fonseca Universidade de Lisboa [email protected] Magical objects play an important role in the fourteenth-century Byzantine vernacular romance Kallimachos and Chrysorroi, not due to their supernatural powers, but rather in order to make the chivalric status of the romance hero stand out, inasmuch as he does not resort to any of them to achieve his goals. Keywords: Byzantine vernacular romance; Palaeologan fiction; magical objects; supernatural; heroic behaviour In Greek literary fiction, the hero is often to be found resorting to, or being granted, magical help in order to overcome difficult tasks in a quest or to slay supernatural creatures that the ordinary man cannot face. We see this in the epic warrior in his pursuit for glory and valiant deeds, in the holy man and his fight against evil, as well as in the romance hero during his chivalric adventures and wanderings in search of his beloved princess. Although magic in general, and magical objects in particular, are not recurring motifs in ancient Greek novels,1 the topic becomes prominent in Byzantine love fiction of the Palaeologan period. The two verse romances Livistros and Rodamni (mid-thirteenth century) and Kallimachos and Chrysorroi (fourteenth century) are of great importance in this respect. Palaeologan romances cover a time range from the mid-thirteenth century up to the late fifteenth, and were recited as literary entertainment in front of an elite audience from 1 Heliodorus’ Aethiopica is the exception, being the only extant ancient Greek novel where magic is to be found. -
Complete Book of Necromancers by Steve Kurtz
2151 ® ¥DUNGEON MASTER® Rules Supplement Guide The Complete Book of Necromancers By Steve Kurtz ª Table of Contents Introduction Bodily Afflictions How to Use This Book Insanity and Madness Necromancy and the PC Unholy Compulsions What You Will Need Paid In Full Chapter 1: Necromancers Chapter 4: The Dark Art The Standard Necromancer Spell Selection for the Wizard Ability Scores Criminal or Black Necromancy Race Gray or Neutral Necromancy Experience Level Advancement Benign or White Necromancy Spells New Wizard Spells Spell Restrictions 1st-Level Spells Magic Item Restrictions 2nd-Level Spells Proficiencies 3rd-Level Spells New Necromancer Wizard Kits 4th-Level Spells Archetypal Necromancer 5th-Level Spells Anatomist 6th-Level Spells Deathslayer 7th-Level Spells Philosopher 8th-Level Spells Undead Master 9th-Level Spells Other Necromancer Kits Chapter 5: Death Priests Witch Necromantic Priesthoods Ghul Lord The God of the Dead New Nonweapon Proficiencies The Goddess of Murder Anatomy The God of Pestilence Necrology The God of Suffering Netherworld Knowledge The Lord of Undead Spirit Lore Other Priestly Resources Venom Handling Chapter 6: The Priest Sphere Chapter 2: Dark Gifts New Priest Spells Dual-Classed Characters 1st-Level Spells Fighter/Necromancer 2nd-Level Spells Thief / Necromancer 3rd-Level Spells Cleric/Necromancer 4th-Level Spells Psionicist/Necromancer 5th-Level Spells Wild Talents 6th-Level Spells Vile Pacts and Dark Gifts 7th-Level Spells Nonhuman Necromancers Chapter 7: Allies Humanoid Necromancers Apprentices Drow Necromancers -
The Punishment of Clerical Necromancers During the Period 1100-1500 CE
Christendom v. Clericus: The Punishment of Clerical Necromancers During the Period 1100-1500 CE A Thesis Presented to the Academic Faculty by Kayla Marie McManus-Viana In Partial Fulfillment of the Degree Requirements for the Bachelor of Science in History, Technology, and Society with the Research Option Georgia Institute of Technology December 2020 1 Table of Contents Section 1: Abstract Section 2: Introduction Section 3: Literature Review Section 4: Historical Background Magic in the Middle Ages What is Necromancy? Clerics as Sorcerers The Catholic Church in the Middle Ages The Law and Magic Section 5: Case Studies Prologue: Magic and Rhetoric The Cases Section 6: Conclusion Section 7: Bibliography 3 Abstract “The power of Christ compels you!” is probably the most infamous line from the 1973 film The Exorcist. The movie, as the title suggests, follows the journey of a priest as he attempts to excise a demon from within the body of a young girl. These types of sensational pop culture depictions are what inform the majority of people’s conceptions of demons and demonic magic nowadays. Historically, however, human conceptions of demons and magic were more nuanced than those depicted in The Exorcist and similar works. Demons were not only beings to be feared but sources of power to be exploited. Necromancy, a form of demonic magic, was one avenue in which individuals could attempt to gain control over a demon. During the period this thesis explores, 1100-1500 CE, only highly educated men, like clerics, could complete the complicated rituals associated with necromancy. Thus, this study examines the rise of the learned art of clerical necromancy in conjunction with the re-emergence of higher learning in western Europe that developed during the period from 1100-1500 CE.