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Here D/S/L Location Has 2 Ethercon Ports, Single 30 Amp Power Outlet and Snake Tunnel to FOH

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Here D/S/L Location Has 2 Ethercon Ports, Single 30 Amp Power Outlet and Snake Tunnel to FOH TECHNICAL SPECIFICATIONS Box Office (661) 723–5950 Fax (661) 723–5945 LPAC.org BUILDING ADDRESS 750 West Lancaster Boulevard Lancaster, CA 93534– 3130 MAILING ADDRESS 44933 Fern Avenue Lancaster, CA 93534– 2461 THEATRE STAFF JULIE SECORY Theatre Supervisor (661) 723-6082 [email protected] RICK VANDER HYDE Technical Director (661) 723–5932 [email protected] NANCY RIVAS Theatre Coordinator (661) 723-5876 [email protected] ADAM GELLER Marketing Coordinator (661) 723-6013 [email protected] Pg 1 of 20 TABLE OF CONTENTS VENUE OVERVIEW 3 STAGE DIMENSIONS 3 MAINSTAGE LOADING DOCK – DOORS 4 FLY SYSTEM 4 SHOP 5 AUDIO 5 VIDEO 6 LIGHTING 7 LINESET SCHEDULE 8 SOFT GOODS 9 GENERAL EQUIPMENT 10 DRESSING ROOMS 11 MAIN DRESSING ROOMS BASEMENT DRESSING ROOMS SUPPORT FACILITIES FRONT OF HOUSE 11 BOX OFFICE MAIN LOBBY MEZZANINE MERCHANDISE SECURITY MAINSTAGE GROUND PLAN 12 MAINSTAGE LIGHTING PLOT 13 BOZIGIAN FAMILY THEATRE VENUE DETAILS 15 LIGHTING PLOT 16 VENUE PHOTOS 17 Pg 2 of 20 VENUE OVERVIEW: LANCASTER PERFORMING ARTS CENTER (LPAC): owned by City of Lancaster opened in October, 1991 has 2 venues; larger main stage proscenium and Nellie and Lou Bozigian Family Theatre, black box space operates under Parks, Arts, Recreation and Community Services Department (PARCS) Floor is at same level push for dock, main stage, main dressing rooms, BFT, Box Office and Main Lobby plans dining space based on Artist groups are in LPAC simultaneously, their head counts, and venue needs STAFFING: 4 full–time staff for Theatre/Business/Technical Operations 40 part–time personnel; Technical stage crew and Box Office staff Volunteer staff Usher/Patron Services/Front of House support SEATING: MAIN STAGE - 754 (without pit) and 784 people (with pit); 30 Pit Apron 467 Orchestra 287 Balcony Uses a continental seating plan with no center aisle/side aisles only THE NELLIE AND LOU BOZIGIAN FAMILY THEATRE (BFT) Flexible seating configurations from 80 to 140 people CURFEWS: Both venues have 11:00 PM curfews for events 12:00 AM curfews for backstage CITY/STATE REGULATIONS: Entire building is non–alcohol and non–smoking facility Preshow announcement for exits is required for every performance VENUE SOUND LIMITS: 95 dB A-weighted Main Stage 85 dB A-weighted BFT FLY TOWER: Mainstage fly system with overhung gridiron running single purchase counterweight system. PIT HOIST: Gala twin motor drive, ball-jack chain hoist for orchestra pit Floor space for 8 to 20 musicians based on layout NELLIE AND LOU BOZIGIAN FAMILY THEATRE (BFT): black box space S/R of main stage used for performance space, Artist catering, tour storage TOUR STAGE POWER: (2) 200A company switches – 3Ø 208V; D/S/R, with all female Camlocks (2) 400A company shunts – 3Ø 208V; upstairs dimmer room S/R, bare lugs Using either of the 400A shunts will result in loss of D/S or U/S stage lighting (1) Theatrixx 100 Amp distro with 25’ camlock feeder (6) L21-30 outlets (6) 50-foot Edison quad extension cords SHORE POWER IS NOT INSTALLED AT THIS VENUE STAGE DIMENSIONS: PROSCENIUM OPENING:42’–0” W x 23’– 0” H WALL TO WALL WIDTH: 83’–9” FULL AREA: 3,320 square feet STAGE LEFT WING: 17’–6” STAGE RIGHT WING: 21’–0” 1 APRON WIDTH: 29’–9 /2” (upstage width) 36’–2” (downstage width) FLY DEPTH: 37’–0” proscenium line to last line set Pg 3 of 20 APRON DEPTH:: 11’–0” to D/S/C edge ROLLING DOOR D/S/R: 18’–6” H x 18’-0” W ROLLING DOOR U/S/C: 17’-0” H x 18’-0” W APRON DEPTH: 9’–10” @ center line APRON HEIGHT: minus 3’–3” @ house level 1 minus 9’–6 /4” at orchestra level minus 12’–0” at storage level 1 APRON SIZE: 40’–5 /2” wide x 16’– 0” deep @ orchestra level APRON AREA: 420 square feet BALCONY RAIL HEIGHT: 13’–6” pipe to stage floor BALCONY RAIL: 50’–0” to proscenium/plaster line FIRE CURTAIN: 44’ W x 25’ H fiberglass fire curtain with fire pocket Manual releases D/S/L and D/S/R Manual line/Counterweight arbor D/S/L Nothing other than cabling is allowed under the fire pocket line - No exceptions THROW DISTANCES: 1st FOH catwalk: 35’–10” pipe C/L to D/S/C 2nd FOH catwalk: 52’–5” pipe C/L to D/S/C 1st BOX BOOM: 39’–5” pipe to D/S/C 2nd BOX BOOM: 54’–8” pipe to D/S/C BALCONY RAIL: 50’–0” pipe C/L to plaster line AUDITORIUM DEPTH: 58’–0”; center window to plaster line SPOT BOOTH: 85’–8” Center window to D/S/C STAGE – FLY SYSTEM – RIGGING: FLOOR: 4’ X 8’ X 5/8” MDF sprung panels over 2’X6’ TG framing – painted matte black SQUARE FOOTAGE: 3,200 square feet, wall to wall MARLEY: Harlequin black/gray reversible matte finish – 50’ W x 35’ D FLYLINES: 46 total line sets OPEN PIPES: 35 STAIRS: Left and Right stairs from stage to auditorium OUT TRIM: 52’ –2” bottom batten to deck LINE SET STYLE: 1–7/8”/47mm schedule 40 truss pipe, 52’ – 0” long single purchase counterweight spaced 6 inches O.C. DEDICATED PIPES: 5 permanent Electrics 3 permanent Traveler tracks SOFT GOODS: 16 pipes of goods that are moveable PIPE RIGGING: 6 points of ¼” 7x19 GAC ARBOR LENGTH: 10’ MAX COUNTERWEIGHT: 800 pounds above pipe weight OVERIZE ARBOR LINES: 3 lines (linesets 13, 35, 54) with 20-foot arbors – Lineset 13 has 42’ batten LOCKING RAIL: S/L @ floor level PIN RAIL GALLERIES: S/L and S/R @ +24’– 0” connected with upstage catwalk LOADING GALLERY: S/L @t +48’– 0” FLAT RAIL: @ S/L fly rail, 11’–6” from deck LOADING RAMP: Permanent 5º ramp with 4’ dock lift LOADING DOCK: 6’–4” clearance between ramp and exterior venue walls Dock area can fit (1) 53’ trailer AND EITHER 3 to 4 passenger cars OR 1 to 2 maxi vans/trucks OR 1 motor coach next to ramp SEMI TRUCKS THAT PARK THEIR TRAILER TO THE DOCK RAMP ARE ADVISED TO DETACH THEIR CABS TO PROTECT THEMSELVES FROM CROSS TRAFFIC LOADING DOORS: All listed loading doors are on same level from dock to stage (2) sets of double doors from dock to stage; 7’ W x 10’ H (1) Artist access door from dock to Main dressing rooms (1) 6’ double door, dock to backstage elevator (1) 6’ double door, dock to BFT/Lobby access Pg 4 of 20 SHOP AREA: 10’ x 40’ storage space for cases Lighting racks, cable hampers, tool crib, dance booms storage 18’ W x 17’ H rolling door from shop to stage MAINSTAGE AUDIO SYSTEM LPAC operates in–house sound for rental and certain season productions based on rider needs and existing equipment. Tour groups requiring LPAC to provide production rental by rider needs are supplied through trusted outside vendors. PA - AMPS: LINE ARRAYS: (3) JBL VT4887A , (1) JBL VT4881A, (5) JBL VT4887A hanging configuration for balcony/floor seating coverage. GROUND SUBS: (1) JBL ASB7128 dual 18” subwoofer per side, set under each array FRONT FILLS: (4) JBL 18/28 front fills AMPS: (6) Crown IT-12000 for VT4887As (2) Crown IT-9000 for VT4881As and ASB7128s (1) Crown ITx-402 for front fills BACKUP AMPS: (4) QSC EX 1600 2 channel amps; for Stage mixes 1 – 6, plus spare FRONT OF HOUSE MIXING: FOH CONSOLE: Yamaha CL5 with 16x8 Rio running digital trims to stage FOH MIXING: Space - 12’ W x 8’ D over center rear orchestra seating, and under 6’ balcony 12 house kill seats needed Table - 3’ D X 6’ W rolling table over seats, with 4’ x 6’ outboard table as needed DANTE: Primary and Redundant ethercon ports from FOH to D/S/L and D/S/R for MON world A/C POWER: L21-30 120V to Edison box for FOH SNAKE TUNNEL: 8” tunnel from Sound Booth to D/S/L proscenium 95’ run to D/S/L 150’ run to D/S/R running across D/S Plaster Line 300’ run to D/S/R running along wing space and upstage wall PLAYBACK: (1) Sony CDR–W66 Recording CD player (2) Denon DN–C635 CD Players PATCH RACK: 56 XLR-M channels to stage right panel 32 XLR-M to original house lines 16 XLR-F drive lines to PA amps O/S/R 12 XLR-F channels to original house amps DISTRO RACK: (3) Videotek VDA-16 video distro units (1) 8-Channel Rolls XLR distro to Production monitors, backstage feed, TourGuide feed (1) Sennheiser TourGuide2020 with A5000 antenna WIRELESS RACK: (4) Shure ULX RF SM58 mics with receivers, antenna booster, G4 bandwidth COMMS: (1) Clear-Com phone handset and flasher station to Monitor world MONITOR WORLD – STAGE RIGHT LOCATION: Venue is wired for MON World at D/S/R due to the main patch panel and company switches installed there D/S/L location has 2 ethercon ports, single 30 Amp power outlet and snake tunnel to FOH MONITOR CONSOLE: Yamaha CL-5 with easy-tilt I/O RACK: (2) Rio3224 I/O racks PATCH RACK: 3-way passive patch rack; 48 Channel XLR fanouts to Whirlwind G3 connectors PATCH PANEL (56) XLR-F inputs w/iso switches (56) XLR-F balanced inputs (2) G3 connectors or (1) G4 connector COMM: (1) Clear-Com phone handset and flasher station to FOH Audio MONITOR WEDGES: (14) JBL SRX812P self-powered wedges (2) JBL SRX835P self-powered side fills Pg 5 of 20 (2) JBL PRX815XL self-powered drum sub POWER: (1) Matrixx 100 Amp/3 Phase distro with (6) L21-30 TLG outlets, (6) 20A/3PH 50’ Edison feeders BACKUP WEDGES: (6) JBL SRX12M passive wedges (2) Hot Spot monitors – one for SM panel, one for Light Booth SHURE MICS: (2) Beta 52A (6) Beta 58 (2) SM 81 (2) Beta 87 (1) 91 (4) Beta 98 with clamps (4) ULX RF SM58 Handhelds (2) ULX RF Lavalieres (3) MX202 choral AKG MICS: (5) 330 (2) 414 B–ULS (2) 409 (5) 535 (2) C568B CROWN MICS: (3) PCC 160 WHIRLWIND: (8) IMP2 DI boxes (1) PC DI box STANDS: (6) Straight round base mic stands (11) Tripod boom stands (3) Large triangle base boom stands (3) Short tripod boom stands (2) Kick drum stands SNAKES: (4) 25’ 4 pair Ethercon (1) 50’ 48 x 8 channel XLR (2) 50’ 12 channel XLR splitter (1) 50’ 8 channel XLR COMMS: (2) Clear-Com BR-600 wireless belt packs with headsets; WBR-680 base station (8) Production Intercom
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