DOCSLIB.ORG

Biography As PDF File

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Biography As PDF File Biography Christof Escher „It seems that Swiss conductor Christof Escher is able to motivate the musicians to deliver a maximum performance.“ Opernwelt “It was a pleasure to hear what happens with the orchestra if it is led by a first-class conductor.” Argentinian Daily News “GMD Christof Escher found the soul of the music, which I have never heard better before. Again rapturous applause, again standing ovations.” Sächsische Zeitung Chief Conductor Christof Escher was Artistic Director and Chief Conductor of the Zurich Symphony Orchestr. Previously he was General Music Director of the Görlitz Opera and the New Lausitzer Philharmonic Orchestra, Music Director of the Netherlands Dance Theatre in Den Haag and a Regular Guest Conductor of the Zurich Chamber Orchestra and the Thessaloniki State Symphony Orchestra. Concerts Christof Escher has performed in most European countries, South America, Japan, South Africa and Israel. He has conducted renowned orchestras such as the Staatskapelle Dresden, Munich Philharmonic, Orchestre National du Capitol de Toulouse, Tokyo Philharmonic Orchestra, Orquesta Philharmonica de Buenos Aires, Orquesta Sinfonica de Madrid, Moscow Symphony Orchestra, Netherlands Chamber Orchestra, Tonhalle Orchestra Zurich, Orchestre de la Suisse Romande and Orchestra della Svizzera Italiana. He has accompanied acclaimed artists such as Gidon Kremer, Gil Shaham, Grigorij Sokolov, Francois-René Duchable, Christian Zacharias, David Geringas as well as Jazz musicians Paquito D’Rivera and Daniel Schnyder and the actor Klaus Maria Brandauer. Complementing the standard classical repertoire, Christof Escher has a passion for contemporary music which has led to several world premiere performances and he enjoys performing unknown and rarely played pieces as well as building connections between music, the visual arts and literature. Opera and ballet Christof Escher made his successful debut as an opera conductor with “Werther” at the Zurich Opera where he was reinvited to conduct “Wozzeck”, “La Sonnambula”, “L’elisir d’amore”, “Die Zauberflöte”, “Il barbiere di Siviglia” and “Lohengrin”. Worldclass Choreographer Jiri Kylian brought Christof Escher to the ballet by engaging him as Music Director at the Netherlands Dance Theatre in Den Haag. Christof Escher has conducted at well-known opera houses such as Bavarian State Opera Munich, Semper Opera Dresden, Amsterdam Opera, Paris Opera, Teatro Colon Buenos Aires, Teatro Real Madrid and among others on the following festivals: Salzburg, Holland, Peralada, Santander, Ludwigsburg, Lucerne, Zurich and Kusatsu. He worked with stars like Kathleen Battle, Teresa Berganza, Francisco Araiza, Matti Salminen and Neil Shicoff. Christof Escher received the “Conductor of the year” award from the Argentinian music critics for the interpretation of “Cosi fan tutte” and “Le sacre de Printemps” at the Teatro Colon. He conducted world premiere performances of the opera “Nathans Tod” (Jan Müller- Wieland/George Tabori) and “Chacun son singe” (Eric Gaudibert) as well as choreographies from Jiri Kylian and Hans van Manen. Film music In addition to film recordings, Christof Escher conducts with enthusiasm silent films from Charles Chaplin, Sergej M. Eisenstein, Alfred Hitchcock, Fritz Lang, Ernst Lubitsch, Georg-Wilhelm Papst, Lotte Reiniger and many more. Young talent promotion Dear to Christof Escher’s heart is the encouragement towards exposure and education of classical music and playing music with and for children and adolescents as well as educating and supporting upcoming talents in the classical music industry. He gave several workshops, orchestra academies, chamber music courses and presents with great success concerts for children and families. He was also a member of the jury and accompanied the laureates during several music competitions such as the European Youth Music Competition, Géza Anda Competition and Tibor Varga Competition. Studies Born in Zurich, Christof Escher studied Cello (with Claude Starck) and French horn (with Werner Speth) in Zurich and Cello (with André Navarra), chamber music (with Jean Hubeau) and conducting (with Pierre Dervaux) in Paris. Christof Escher took master classes with Jean Fournet, Milan Horvat, Carl Melles, Herbert von Karajan, Peter Maag and Franco Ferrara. As a cellist with a repertoire from Barock to Avantgarde he performed as soloist, chamber musician and in orchestras under conductors such as Karl Böhm, Rudolf Kempe, Erich Leinsdorf, Yehudi Menuhin or Günter Wand. Christof Escher is a prize winner of the competitions “Gino Marinuzzi” in San Remo and “Ernest Ansermet” in Geneva. These events drew international focus on Christof Escher’s talent as a conductor and launched his global career. Official website: www.christof-escher.com Last update: January 2012 .
Load more

Recommended publications
  • IDOMENEO EN MEXICO (O Un Pretexto Para Pasearse Por Algunos Mitos Griegos) II ROBERTO KRETSCHMER
    Este País 95 Febrero 1999 IDOMENEO EN MEXICO (o un pretexto para pasearse por algunos mitos griegos) II ROBERTO KRETSCHMER Mozart adoraba a su Idomeneo. Hasta el fin de sus días lo consideró su ópera consentida, la primogénita de sus siete óperas maestras. Y no es difícil entender por qué. Después de un deprimente pero no improductivo receso de diez años, en que aquel niño prodigio que deleitó a las cortes europeas no logra todavía transformarse y ser reconocido como el genio musical que él sabía que traía adentro —súbitamente, Deus ex machina—, el melómano y excelente flautista Karl Theodor, príncipe elector Bavaria, le encarga la composición de una ópera seria para el carnaval de 1781. Es probable que el frugal príncipe bávaro —por recomendación de Cannabich, director de la orquesta de Mannheim— acudiera por razones económicas al jovenzuelo Mozart (su súbdito, pues Salzburgo era parte de Bavaria entonces) y a Varesco, un jesuita italiano oriundo de Trieste pero radicado y mal pagado en Salzburgo, donde además murió en la miseria en 1805. Ordenar una ópera seria a consagrados como Gluck, Paisiello, Mercadante o Salieri, y usando a un libretista como Metastasio, hubiera salido demasiado caro. En cambio Mozart y Varesco, ambos radicados en la lánguida Salzburgo y aún lejos de la fama, aceptarían gustosos el encargo por un honorario mucho menor (Varesco recibió a regaña-dientes 90 ducados y Mozart 200 [?] ducados; un ducado era igual a 20 dólares actuales). Y así fue. ¡Su tacañez; nuestra ganancia! De no haber sido así, tendríamos más de lo mismo de Paisiello o de Salieri.
    [Show full text]
  • L'œuvre À L'affiche
    37 affiche xp 2/06/05 10:13 Page 120 L'œuvre à l'affiche Recherches: Elisabetta Soldini avec la contribution de César Arturo Dillon, Georges Farret Calendrier des premières représentations du Barbier de Séville d’après A. Loewenberg, Annals of Opera 1597-1940, Londres 1978 et Pipers Enzyklopädie des Musiktheaters, éd. C. Dahlhaus et S. Döhring, 1991 Le signe [▼] renvoie aux tableaux des pages suivantes. Sauf indication contraire signalée entre parenthèses, l’œuvre a été chantée en italien: [Ang] anglais, [All] allemand, [Bulg] bulgare, [Cro] croate, [Dan] danois, [Esp] espagnol, [Est] estonien, [Finn] finnois, [Flam] flamand, [Fr] français, [Héb] hébreu, [Hong] hongrois, [Lett] letton, [Lit] Lituanien, [Née] néerlandais, [Nor] norvégien, [Pol] polonais, [Rou] roumain, [Ru] russe, [Serb] serbe, [Slov] slovène, [Sué] suédois, [Tch] tchèque CRÉATION: 20 février 1816, Rome, Teatro Argentina. [▼] 1869: décembre, Le Caire. 1871: 3 novembre, Paris, Athénée. 1818: 10 mars, Londres, Her Majesty’s Theatre. - 16 juillet, Barcelone. - 1874: 29 septembre, Helsinki. [Finn] - 2 décembre, Zagreb. [Cro] 13 octobre, Londres, Covent Garden. [Ang] 1875: Le Cap. 1819: 1er janvier, Munich. - Carnaval, Lisbonne. - 3 mai, New York [Ang] - 1876: Tiflis. - Kiev. [Ru] 27 mai, Graz. [All] - 28 septembre, Vienne, Theater auf der Wieden. [All] - 1883: 23 novembre, New York, Metropolitan. 26 octobre, Paris, Théâtre-Italien. 1884: 8 novembre, Paris, Opéra-Comique. 1820: 6 septembre, Milan, Teatro alla Scala. - 29 septembre, Prague. [All] - 1905 : Ljubljana. [Slov] 3 octobre, Braunschweig. [All] - 16 décembre, Vienne, Kärntnertor- 1913 : 3 mai, Christiania (Oslo). [Norv] Theater. [All] - 18 décembre, Brünn. [All] 1918 : Shanghai. [Ru] 1821: 25 août, Madrid. - 31 août, Odessa. - 19 septembre, Lyon.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Oral History Center University of California the Bancroft Library Berkeley, California Frederica Von Stade Frederica Von Stade
    Oral History Center University of California The Bancroft Library Berkeley, California Frederica von Stade Frederica von Stade: American Star Mezzo-Soprano Interviews conducted by Caroline Crawford in 2011, 2012, 2014, 2015 Copyright © 2020 by The Regents of the University of California Oral History Center, The Bancroft Library, University of California, Berkeley ii Since 1954 the Oral History Center of The Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Frederica von Stade dated February 2, 2012. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • THE MAGIC FLUTE RESOURCES Books The
    THE MAGIC FLUTE RESOURCES Books The Art of Maurice Sendak: 1980 to Present Author: Tony Kushner. Editorial: It has been 20 years since Selma G. Lanes's The Art of Maurice Sendak provided a “picture biography” of this groundbreaking picture-book creator. This companion volume is as copiously illustrated, with a new page design and approach that reflects the new directions in Sendak's career as an operatic “theater artist.” Sendak has put on many operas, including The Magic Flute (for which he designed a production used by companies such as The Los Angeles Opera, Opera Colorado and Houston Grand Opera). Publisher: Harry N. Abrams. 2003. George Tsypin Opera Factory: Building in the Black Void Author: George Tsypin, Julie Taymor. Editorial: A book that every designer will want to own for its insights into the mind of a highly singular talent. Author Julie Taymor directed The Magic Flute at the Metropolitan Opera in 2006. Publisher: Princeton Architectural Press. 2005. Julie Taymor: Playing with Fire Author: Eileen Blumenthal, Julie Taymor, Antonio Monda. Editorial: Most people know the work of theater director Julie Taymor from her hit adaptation of Walt Disney’s The Lion King for the Broadway stage. She also directed The Magic Flute at the Metropolitan Opera in 2006. This book, a pictorial history of the artist's career, demonstrates that for the past 25 years Taymor has been creating original works of theater that combine a stunning visual sense with an extensive knowledge of the performance styles of many countries outside the West. Publisher: Harry N. Abrams. 2007. The Magic Flute Authors: Anne Gatti, Peter Malone.
    [Show full text]
  • Gruberova, Kedvencem: a Bel Canto
    Kirándulások Operaországban Kedvencem: Gruberova, kedvencem: a bel canto Összeállította: Juhász Tibor Bemutatott részletek 1. Gruberova legkorábbi hangfelvétele (19 éves) 6. Massenet: Manon (36 éves) Dolina, dolina Je marche sur tous les chemins szlovák népdal Manon dala a 3. felvonásból valószínűleg a szlovák rádió felvétele (1966) Manon Lescaut: Edita Gruberova Gruberova fényképei 3; 13; 17 vez.: Fischer Ádám és 23 éves korából Wiener Staatsoper (1983) forrás: YouTube https://youtu.be/ALHjHTPAAto 7. Mozart: Don Giovanni (40 éves) Lásd még: Or sai chi l'onore https://youtu.be/GdO7eG-zCYk Donna Anna áriája az 1. felvonásból Donna Anna: Edita Gruberova 2. Die Kunst des Belcanto – Edita Gruberova (Don Ottavio: Francisco Araiza) részlet a filmből (21–23 éves) vez.: Riccardo Muti a szlovák televízió archív felvételei (1968–70) Teatro alla Scala (1987) Unitel (2008) 8. Verdi: La traviata (45 éves) 3. Mozart: A varázsfuvola (24, illetve 36 éves) Sempre libera degg'io Der Hölle Rache kocht in meinem Herzen az 1. felvonás fináléja az éj királynőjének áriája a 2. felvonásból Violetta: Edita Gruberova Az éj királynője: Edita Gruberova Alfréd: Neil Shicoff (Pamina: Lucia Popp) vez.: Carlo Rizzi vez.: Wolfgang Sawallisch Gran Teatro La Fenice, Velence (1992) Nationaltheater München (1983) 9. Die Kunst des Belcanto – Edita Gruberova előtte: az ORF2 archív felvétele (1971) (61 éves) forrás: Youtube részlet a filmből https://youtu.be/r5QkiaMarnk Unitel (2008) 4. Richard Strauss: Ariadné Naxosz szigetén 10. Humperdinck: Hänsel und Gretel (34 éves) (31 éves) Mit bösen Buben tanz ich nicht So war es mit Pagliazzo und Mezzetin! Jancsi és Juliska kettőse (1. kép, részlet) Zerbinetta áriája az Operából Gretel: Edita Gruberova Zerbinetta: Edita Gruberova Hänsel: Brigitte Fassbaender (Ariadné: Gundula Janowitz) vez.: Georg Solti vez.: Karl Böhm rendezte: August Everding rendezte: Filippo Sanjust Operafilm, Unitel (1981) Operafilm, Unitel (1978) 11.
    [Show full text]
  • Donizetti Don Pasquale Mp3, Flac, Wma
    Donizetti Don Pasquale mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Don Pasquale Country: Germany Released: 1996 MP3 version RAR size: 1759 mb FLAC version RAR size: 1883 mb WMA version RAR size: 1429 mb Rating: 4.2 Votes: 231 Other Formats: WMA WAV TTA VQF MOD MIDI AHX Tracklist Hide Credits 1. Akt CD1 (57:16) Son Nov'ore / E Permesso? / Bella Siccome Un Angelo / Sposa Simile! / Ah! Un Foco Insolito 1-1 Mi Sento Addosso Baritone Vocals, [Doktor] – Bernd WeiklBass Vocals, [Don Pasquale] – Evgeny Nesterenko Quel Guardo Il Cavaliere / So Anch'io La Virtu Magica 1-2 Soprano Vocals [Norina] – Lucia Popp Pronta Io Son 1-3 Baritone Vocals [Doktor] – Bernd WeiklSoprano Vocals [Norina] – Lucia Popp 2. Akt Beginning 1-4 Tenor Vocals [Ernesto] – Francisco Araiza CD 2 (61:12) 2-1 Conclusion 3. Akt Signorina, In Tanta Fretta 2-2 Bass Vocals [Don Pasquale] – Evgeny NesterenkoSoprano Vocals [Norina] – Lucia Popp 2-3 Che Interminabile Andrivieni! Cheti Cheti Immantinente 2-4 Baritone Vocals [Doktor] – Bernd WeiklBass Vocals [Don Pasquale] – Evgeny Nesterenko Com'e Gentil / La Notte A Mezzo April! / Tornami A Dir Che M'ami 2-5 Soprano Vocals [Norina] – Lucia PoppTenor Vocals [Ernesto] – Francisco Araiza Senz'andar Lungi / Bravo, Bravo, Don Pasquale 2-6 Baritone Vocals [Doktor] – Bernd WeiklBass Vocals [Don Pasquale] – Evgeny NesterenkoSoprano Vocals [Norina] – Lucia PoppTenor Vocals [Ernesto] – Francisco Araiza Companies, etc. Distributed By – BMG Music Credits Choir – Chor Des Bayerischen Rundfunks Chorus Master – Josef Schmidhuber Composed By – Gaetano Donizetti Conductor – Heinz Wallberg Design – Ariola-Studios Libretto By – Angelo Anelli, Giovanni Ruffini Orchestra – Münchner Rundfunkorchester Notes Aufnahme: München, Mai 1979 Barcode and Other Identifiers Label Code: 0316 Barcode (Scanned): 743213222929 Other versions Category Artist Title (Format) Label Category Country Year Г.
    [Show full text]
  • Hector Lopez Tenor
    HECTOR LOPEZ TENOR Hector Lopez began his musical studies in the national conservatory of music in Mexico City as cellist, with Sona Poshotian and saxophon with Joel David Katz, singing with Francisco Araiza, Irma Gonzalez. He also studied conducting in the conservatory. He received a scholarship from SIVAM International Society of Values of Mexican Art, which allowed him to work with Maestros as Renata Scotto, Enrique Patrón, Teresa Rodriguez, Nico Castel, Denise Massé, Joan Dornemann . He has sung in Mexico, USA, Spain, Italy, under the direction of such conductors as Maestros Placido Domingo, Enrique Patrón, Alfredo Silipigni, Enrique Ricci, Cristian Mandeal, Christian Badea. In 2003 he is winner in the national singing competition CARLO MORELLI, and receives a scholarship for study in POPI (Portland Opera Performance Institute) with Tito Capobianco, Justino Diaz, Shirley Verret, Daniel Orlando, David Lofton. He studied with Dante Mazzola, Enza Ferrari, Umberto Finazzi, Marco Gandini, from the Academia alla Scala, preparing repertoire,and staging. In 2004 Ludovic Spiess, famous romanian tenor, asked Mr Lopez for colaborate with the National Opera of Bucharest, and since that year he is part of the ensemble in that opera house, his european debut is with LA TRAVIATA by G. Verdi, at the same theatre. Also he colaborates with National Opera in Chisinau, Opera na Zamku in Szcecin Poland, Radio Bucharest Orchestra, Filarmonica George Enescu, and others ; In Bucarest He studied with Mr. Spiess, and Cornel Stavru, another great Romanian tenor, many master classeswith Profesors as Viorica Cortez, Ion Piso, Ionel Pantea, Eduard Tumagian, Nelly Miricioiu, Kaludi Kaludov and others, actually his vocal teacher is Sorina Munteanu.
    [Show full text]
  • Media Release
    Media Release FOR IMMEDIATE RELEASE: December 18, 2018 Contact: Edward Wilensky (619) 232-7636 [email protected] Jake Heggie’s Chamber Opera, Three Decembers, Continues San Diego Opera’s Season as Part of the dētour Series Mezzo-soprano Frederica von Stade reprises role she created for the world premiere San Diego Opera performs at PHAME Theatre for the first time in the Company’s History San Diego, CA – Jake Heggie’s chamber opera, Three Decembers, continues the Company’s dētour Series when it opens on Friday, March 8, 2019 at PHAME (Patrick Henry Arts, Music, Entertainment) Theatre for three performances. Additional performances are March 9 and 10 (matinee), 2019. This chamber opera, which is a meditation on the family we want versus the family we actually have, marks the welcome return of legendary mezzo-soprano Frederica von Stade as Madeline Mitchell, reprising the role she created for the world premiere of this opera. Also reprising the role she created for the world premiere is soprano Kristin Clayton in her house debut as Beatrice Mitchell. Baritone Steven LaBrie also makes his Company debut as Charlie Mitchell. Conductor Adam Turner makes his Company debut alongside stage director Karen Tiller. The scenic, lighting, and projection designer is Peter Dean Beck and the costume designer is Helen E. Rodgers. Three Decembers takes place in the month of December over the years 1986, 1996 and 2006 and tells the story of Madeline Mitchell, a famous actress, and her two adult children as they struggle to know and love each other. San Diego Opera is incredibly excited to present at the PHAME Theatre for the first time in the Company’s history.
    [Show full text]
  • Claudio Desderi (1943-2018)
    OBITUARIO Claudio Desderi (1943-2018) por Ingrid Haas ara muchos melómanos, el nombre de Claudio Desderi es asociado, primordialmente, con el rol Pde Dandini en la película dirigida por Jean-Pierre Ponnelle de La Cenerentola de Rossini. Este gran barítono italiano, nacido en Alessandria, Italia, hizo su debut operístico en el Festival de Edimburgo en 1969 cantando el rol de Gaudenzio en Il Signor Bruschino de Rossini. Su carrera estuvo enfocada, casi en su totalidad, en óperas de Mozart y Rossini, con alguna que otra aparición en óperas de Donizetti y Verdi, pasando por Monteverdi y llegando hasta Nono. Sus roles más famosos fueron Fígaro en Le nozze di Figaro, Leporello en Don Giovanni, Don Alfonso en Cosí fan tutte, Bartolo en Il barbiere di Siviglia, Dandini en La Cenerentola, Gaudenzio en Il Signor Bruschino, el rol principal de Don Pasquale y Don Profondo en Il viaggio Claudio Desderi, además de cantante, fue director de teatros, director de escena y director de orquesta a Reims. Canto en teatros tan importantes como el Teatro alla Scala de Milán (donde debutó cantando The Rake’s Progress de Stravinsky), la Ópera de París, los Festivales Dandini en La Cenerentola (DVD) dirigido por Abbado, y Don de Pesaro, Glyndebourne y Salzburgo, la Ópera Lírica de Pasquale (DVD) e Il barbiere di Siviglia (DVD). Chicago y el Metropolitan Opera de Nueva York, entre otros. Desderi fungió también como director de orquesta de 1988 a 1996 y fue responsable del proyecto “Mozart-Da Ponte” en la Scuola di Colaboró mucho con la mancuerna de Claudio Abbado Musica di Fiesole.
    [Show full text]
  • Sir Colin Davis Discography
    1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1.
    [Show full text]
  • RESUMÉ Slávka Zámečníková - Soprano Großbeerenstrasse 37 , 12107 Berlin
    RESUMÉ Slávka Zámečníková - soprano Großbeerenstrasse 37 , 12107 Berlin www.slavkazamecnikova.com UPCOMING ENGAGEMENTS Drusilla - L´incoronzione di Poppea Berlin State Opera 2018/2019 Sophie - Werther Prague National Theatre 2018/2019 Une chasseresse - Hippolyte et Arice Berlin State Opera 2018/2019 Rosina - Betrothal in a Monastery Berlin State Opera 2018/2019 Erste Dame - Die Zauberflöte Berlin State Opera 2018/2019 Contessa Ceprano - Rigoletto Berlin State Opera 2018/2019 Sopran - Kopernikus / C.Vivier Berlin State Opera 2018/2019 Sopran/Septette - Babylon / J. Widmann Berlin State Opera 2018/2019 Recital with Štefan Kocán Rudolfinum Prague 2018/2019 G.Rossini - Stabat mater Konzerthaus Berlin 2019/2020 L.v.Beethoven - Christus am Ölberge Konzerthaus Berlin 2019/2020 F. Mendelssohn-Bartholdi - Paulus op. 36 Sudecka Philharmonic 2019/2020 PERFORMED ROLES Ännchen - Der Freischütz (cover) Berlin State Opera 2018/2019 Stimme des Falken - Frau ohne Schatten Berlin State Opera 2018/2019 Fiordiligi - Cosí fan tutte (studied) Opera Studio of Berlin State Opera 2018/2019 Sophie - Werther Prague National Theatre 2017/2018 Sophie - Werther Slovak National Theatre 2017/2018 Nanetta - Falstaff (cover) Berlin State Opera 2017/2018 Miss Jessel - Turn of the Screw Berlin State Opera 2017/2018 Erste Dame - Die Zauberflöte Berlin State Opera 2017/2018 Flora Bervoix - La Traviata Berlin State Opera 2017/2018 Contessa - Le Nozze di Figaro Opera Studio HfM Berlin 2016 Frau Fluth - Die lustigen Weiber von Windsor Opera Studio HfM Berlin 2016 Woglinde - Das Rheingold Opera Studio HfM Berlin 2016 Musetta - La Bohéme Opera Studio HfM Berlin 2015 Pamina - Die Zauberflöte Opera Studio Bratislava 2015 Mathilde - Mathilde de Guise Opera Studio Bratislava 2014 CONCERT WORKS G.Mahler - Symphony No.4 Warsaw Philharmonic Orchestra/ Prague Spring Festival 2018 J.Haydn - Missa brevis Sancti Joannis de Deo Slovak Philharmonic 2017 W.A.Mozart - Requiem, KV 626 Galina Vishnevskaya Opera Festival in Sochi 2017 F.
    [Show full text]