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1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Diddy Ft Chris Brown Lyrics
Diddy ft chris brown lyrics Yesterday Lyrics: Yesterday I fell in love, today feels like my funeral / I just got hit by a bus, shouldn't Featuring Chris Brown [Verse 1: Diddy & Chris Brown]. Lyrics to "Yesterday" song by Diddy - Dirty Money: Yesterday I fell in love Diddy - Dirty Money Lyrics. "Yesterday" (feat. Chris Brown). [Chorus - Chris Brown]. So I just made an Instagram and a Twitter, It would make me happy if everyone went and followed me. Here are. Music video by Diddy - Dirty Money performing Yesterday. One reason why I love Chris Brown is 1:He. Lyrics of YESTERDAY by Puff Daddy feat. Chris Brown and Dirty Money: Chorus Chris Brown, Yesterday I fell in love, Today [Verse 1: Diddy]. Lyrics for Yesterday by Diddy - Dirty Money feat. Chris Brown. [Chorus- Chris Brown] Yesterday I fell in love Today feels like my funeral I just got. Yesterday Songtext von Diddy - Dirty Money feat. Chris Brown mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Yesterday (feat Diddy Dirty Money) lyrics performed by Chris Brown: [Refrain/Couplet 1 - Chris Brown] Yesterday I fell in love Today feels like my funeral I just got. Diddy-Dirty Money - Yesterday Lyrics ft. Chris Brown [Chorus- Chris Brown] Yesterday I fell in love Today feels like my funeral I just got hit b. [Chorus- Chris Brown] Yesterday I fell in love. Today feels like my funeral. I just got hit by a bus. Shouldn've been so beautiful. Don't know why I gave my heart. Lyrics to 'Yesterday (Feat Chris Brown)' by DIDDY: [Chorus- Chris Brown] / Yesterday I fell in love / Today feels like my funeral / I just got hit by a bus. -
Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series
Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
| Teddington Studios | Printable Web Site Brochure |
Download this entire web site as a Printable Brochure here !* (60k) Download a Risk Assessment for Producers here !* (374k) Download Free Studio Plans for Producers here !* Teddington Studios is London's premiere digital widescreen television studio complex, located in an attractive riverside setting. An award winning independent production facility, its 'Production Village' concept offers one stop shopping for television production, which includes transmission, and post- production. Our pricing policy is based upon a modular approach to facilities provision. This offers both flexibility and economy by allowing independent producers to budget for, and access, precisely the package of facilities and services that they require. Teddington is an environment where all things are possible. The picturesque setting, which overlooks the River Thames, is wholly conducive to minimising problems and maximising creativity. Teddington Studios excels in both recorded and live Television Production. The Studios are linked by Broadcast lines to BT Tower allowing live television transmission 24 hours per day. Importantly Teddington Studios is easily and quickly accessible from Central London and has ample parking space for trucks, coaches and cars. Email: [email protected] Tel. +44 (0)20 8977 3252 The Studios are also able to provide Post Production for Video and Audio, Library Facilities, Production Fax. +44 (0)20 8943 4050 Office Accommodation, Set and Prop Storage, on site Set Construction and refurbishment, Scenic Artists, and Drapes. The Studio Site can also be used for location shoots or as a production base for shoots in the local Richmond and Twickenham areas. Production offices from 200 sqft – 20,000 sqft can be hired on short or long term lets. -
Weekend Detroit Free Press |
6E FRIDAY, JULY 19, 2002 WEEKEND DETROIT FREE PRESS | WWW.FREEP.COM Mom and Pop Winans Delores Winans, 65 and David Winans Sr., 68 Family connection: David and Delores met in 1949 in Detroit while Gospel’s performing in the Lucille Lemons Choir. Lemons was a singer and choir director who was nationally known on the black gospel music circuit. The choir was directed by famed gospel music pioneer the Rev. James Cleveland. David and Delores had 10 children, all of first family whom perform. He’s known for: Minstering to everyone, everywhere he goes. veryone knows the Winans name. And most folks know that the original quartet, She’s known for: Being the stylish matriarch of the family, the one who the Winans, recorded groundbreaking gospel music in the ’80s, influencing many encouraged her children to sing. gospel and secular R&B artists who are topping the charts today. The two recorded again re- cently at the insistence of their BeBe and CeCe, the younger brother and sister duo and perhaps the more million-record-selling children. famous of the siblings, was the first gospel act to cross over into the R&B charts Number of Grammys: Pop got a with their 1998 release, “Heaven.” nomination for his first solo project E in 2000. In all, 16 Winans will perform at the Fox Theatre this weekend. Current CD: Pop’s “Uncensored”; Here’s the family breakdown, and perhaps some things you may not know, like family Mom’s “An Affair to Remember.” nicknames and personality traits — tidbits that Delores (Mom) Winans has noticed during 50 years of marriage to David (Pop) Winans Sr. -
Celluloid Television Culture the Specificity of Film on Television: The
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. https://eprints.bbk.ac.uk/id/eprint/40025/ Version: Full Version Citation: Sexton, Max (2013) Celluloid Television Culture The Speci- ficity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. Max Sexton A thesis submitted for the Degree of Doctor of Philosophy, Birkbeck, University of London, 2012. Declaration I hereby declare that the thesis presented by me for examination of the PhD degree is solely my own work, other than where I have clearly indicated. Birkbeck, University of London Abstract of Thesis (5ST) Notes for Candidate: 1. Type your abstract on the other side of this sheet. 2. Use single-spacing typing. Limit your abstract to one side of the sheet. 3. Please submit this copy of your abstract to the Research Student Unit, Birkbeck, University of London, Registry, Malet Street, London, WC1E 7HX, at the same time as you submit copies of your thesis. 4. This abstract will be forwarded to the University Library, which will send this sheet to the British Library and to ASLIB (Association of Special Libraries and Information Bureaux) for publication to Index to Theses . -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Hydro-Logic-Services-Fra-Case-Study
Case Study Hydro-LogicTM Services FRA enables office relocation and residential development Project profile Service profile Objective Flood Risk Assessment development and expert Haymarket Media Group needed to relocate 1,000 staff guidance on drainage and flooding issues. to new offices, and to sell a Teddington Studios site that had become inefficient to operate. In order to complete • Flood Risk Assessment development the sale and relocation they needed to obtain planning • Input to Emergency Plan development permission for development of the Teddington site. • Flood storage compensation calculation Solution • Liaison and negotiation with regulatory The Hydro-LogicTM Services team provided a Flood authorities Risk Assessment that enabled a successful planning permission application, and provided expert guidance • Advisory support during Thames flooding and advisory support throughout the project. Situation Haymarket Media Group has been consolidating its UK operations for a number of years, and its Teddington Studios site had been used both as permanent office space and temporary office accommodation for staff relocated from a major office in London. This arrangement was inefficient for Group operations, however, and there were environmental and social Solution implications as staff were impacted in terms of travel and Haymarket Media Group employed planning consultants relocation. CgMs (now part of the RPS Group) as part of a After ten years at Teddington Studios, the Group decided multidisciplinary project team that included architects TP to relocate the 1,000 employees to new offices, making Bennett and agents Savills. the Teddington site surplus to requirements. The Group They identified Hydro International’s Hydro-Logic™ identified alternative offices in nearby Twickenham, and Services team as having the necessary expertise and decided to sell Teddington Studios for development. -
The National Life Story Collection
Daphne Shadwell Page 1 COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed. CITATION: Women’s Work in British Film and Television, Daphne Shadwell, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed] By accessing this transcript, I confirm that I am a student or staff member at a UK Higher Education Institution or member of the BUFVC and agree that this material will be used solely for educational, research, scholarly and non-commercial purposes only. I understand that the transcript may be reproduced in part for these purposes under the Fair Dealing provisions of the 1988 Copyright, Designs and Patents Act. For the purposes of the Act, the use is subject to the following: The work must be used solely to illustrate a point The use must not be for commercial purposes The use must be fair dealing (meaning that only a limited part of work that is necessary for the research project can be used) The use must be accompanied by a sufficient acknowledgement. Guidelines for citation and proper acknowledgement must be followed (see above). It is prohibited to use the material for commercial purposes and access is limited exclusively to UK Higher Education staff and students and members of BUFVC. I agree to the above terms of use and that I will not edit, modify or use this material in ways that misrepresent the interviewees’ words, might be defamatory or likely to bring BUFVC, University of Leeds or my HEI into disrepute. -
Schweizer Hitparade Michel Teló Gotye Feat. Kimbra Flo Rida Feat
Pitbull feat. Chris Brown 18 International Love Schweizer Hitparade 13 10W SME/SME Top 75 Singles 19 Emma [IT] 04.03.2012 Non è l'inferno NEU -/UNI LMFAO 20 Michel Teló Sexy And I Know It 22 20W -/UNI 1 Ai se eu te pego! 113W -/UNI Adele 21 Gotye feat. Kimbra Rolling In The Deep 16 57W MV/MV 2 Somebody That I Used To Know 210W -/UNI Marlon Roudette 22 Flo Rida feat. Sia Anti-Hero (Brave New World) 11 4W -/UNI 3 Wild Ones NEU WMS/WMS Madonna feat. Nicki Minaj & M.I.A. 23 Sean Paul Give Me All Your Luvin' 20 3W -/UNI 4 She Doesn't Mind 410W WMS/WMS Lil Wayne feat. Bruno Mars 24 Christina Perri Mirror 38 4W -/UNI 5 Jar Of Hearts 511W WMS/WMS Marlon Roudette 25 David Guetta feat. Nicki Minaj New Age 24 27W -/UNI 6 Turn Me On 14 4W -/EMI Aura Dione feat. Rock Mafia 26 Stefanie Heinzmann Friends 64 2W -/UNI 7 Diggin' In The Dirt NEU -/UNI 27 35 34W Foster The People - Pumped Up Kicks SME/SME 28 29 10W Bastian Baker - I'd Sing For You -/PHO Olly Murs feat. Rizzle Kicks 29 27 17W Aura Dione - Geronimo -/UNI 8 30 45 35W Pitbull feat. Marc Anthony - Rain Over Me SME/SME Heart Skips A Beat 31 40 4W Basto - Again And Again -/PHO 15 8W SME/SME 32 30 43W Adele - Set Fire To The Rain -/MV 33 32 21W Rihanna feat. Calvin Harris - We Found Love -/UNI Taio Cruz feat. -
LWT's Pioneering Technology
LONDON WEEKEND TELEVISION’S PIONEERING TECHNOLOGY by Phil Nott ITV in London is 65 years old in 2020, remaining vital throughout a period of external pressures as well as the changing viewing habits of the population. In this article, I look at the birth and evolution of London Weekend Television, and at the role that technology played in developing its sport and drama output. The biggest change in ITV’s history came with the franchise renewal process of 1968. As a result, the franchisees for London were two new companies - Thames Television on weekdays and London Weekend Television at weekends. LWT was a pioneering and innovative TV company. Many of the changes it introduced still have an impact today, whereas the battle to get there gives us an insight into the politics and business practices of the time. David Frost photo: via wembleyparkstudios.co.uk The story starts in 1967. The main ITV franchise holders had enjoyed prosperity since the late 1950s, with constantly increasing advertising revenues driven by the march towards consumerism. ‘You’ve never had it so good’ Prime Minister Harold Macmillan claimed at the time. Rediffusion London, the London weekday ITV company, was the dominant company. Rival ATV was split between the Midlands in the week and London at the weekends. Granada in the North was a weekday franchise that had an amicable commercial relationship with Rediffusion in London. ABC TV was the weekend TV specialist, with the franchise for both the North and the Midlands at the weekend. Its commercial wrangles were mainly with the other weekend franchise contractor ATV in London.