DOCSLIB.ORG

The Cultural and Ecological Relevance of Climate Fiction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Cultural and Ecological Relevance of Climate Fiction The Cultural and Ecological Relevance of Climate Fiction Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Janine HAFNER am Institut für Anglistik Begutachterin: Ao. Univ.-Prof. Mag. Dr. Maria Löschnigg Graz, 2018 Acknowledgements "You may not always have a comfortable life and you will not always be able to solve all of the world's problems at once, but don't ever underestimate the importance you can have because history has shown us that courage can be contagious, and hope can take on a life of its own." Michelle Obama One thing is clear; I would not be where I am today without the help of some truly wonderful people who have constantly supported me in every way possible. First and foremost, the biggest thanks goes to my incredible family. Thank you, Mom, for always listening to my, at times utterly confusing, chatter and still giving me the best advice. You are the strongest woman I know and my biggest role model. Thank you to my step-dad, whose support has been essential for my development. Thank you both, for allowing me to chase my dreams and experience a fantastic time. To all my siblings, but especially to my twin- brother, thank you for making me an outsider in the best way possible, I love being your ingenious sister! ☺ I also would like to express my sincere gratitude to my supervisor Ao.Univ.-Prof. Mag. Dr.phil Maria Löschnigg. Your passion and knowledge have accompanied me since the very beginning of my studies. I am forever grateful that you sparked my interest in literature and more recently in ecocriticism. Thank you for your kind and motivating words in the process of writing this thesis and during my time as your study assistant. Your wisdom has incredibly helped me to grow and thrive! Furthermore, thank you to my former English teachers for recognizing my potential and pushing me to become better. Without you, I certainly would not have studied at the Department auf English and American Studies, and definitely would not have become a teacher. Last but not least, I want to thank my dearest friends at home and abroad for believing in me and supporting me no matter what. Some of you have accompanied me for the better part of my life, which I consider the greatest gift. Others, especially those I have met during my semester abroad, have showed me that there is always a couch to crash on in so many places worldwide. In addition, my gratitude goes out to some very special people who I met during my studies in Graz, and who now hold an irreplaceable place in my life. Thank you for laughing and crying (sometimes simultaneously) with me. Thank you also for spending hours on the phone, especially when we felt the urgent need to philosophize about the craziness of life. Another thank you goes to my soul sister and my ‘Leasing Family’: you are my safe haven and I am truly and eternally grateful for your help in all situations. Our conversations have impacted me enormously. ii Eidesstattliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen inländischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Version. __________________ _____________________ Ort, Datum Unterschrift iii Abstract Climate change has been in the center of scientific research for the last two decades and will continue to demand close attention in the following centuries. Simultaneously to its prominence in science, global warming has become a prominent theme in the field of literature and literary studies. The aim of this thesis is therefore to highlight the cultural and ecological relevance of non-scientific approaches as they are offered, for example, by climate fiction. Fiction is ascribed special importance with regard to the discourse about environmental concerns and is understood as an exceptional means to render and discuss these complex issues. Thus, the thematic genre of cli-fi has the unique ability to break down complexities and as a result facilitate comprehension. Furthermore, fiction allows the reader to see and experience the issue of climate change from different and hitherto unfamiliar points of view, which enable the reader to rethink the status quo, reflect their anxieties, provide assistance for the imagination of future times and most likely generate activism. This thesis aims to provide a holistic view of the genre of cli-fi and to do justice to the variety of aesthetic expression. The analysis focuses on three contemporary cli-fi novels, namely Barbara Kingsolver’s Flight Behavior, Ian McEwan’s Solar and T.C. Boyle’s A Friend of the Earth. All of these works tackle anthropogenic climate change. With this focus I aim at providing a representative selection of the variety within this extraordinary genre and want to emphasize the importance of narrative means to counteract individual helplessness and perceived paralysis concerning the complex issue of global warming. iv Table of Contents Acknowledgements ........................................................................................................................................ ii Eidesstattliche Erklärung ............................................................................................................................iii Abstract ......................................................................................................................................................... iv 1 Introduction .......................................................................................................................................... 1 2 Literature and a Changing Climate.................................................................................................... 3 2.1 Why Literary Studies Need to Talk about Climate Change ........................................................... 3 2.2 Literature and the Environment .................................................................................................... 6 2.3 What is Cli-Fi? And is it a Genre or Not? .................................................................................... 9 2.4 What is Ecocriticism? ................................................................................................................. 14 2.5 Anthropocene – What Does it Mean? ......................................................................................... 19 3 Analysis of Climate Fiction................................................................................................................ 21 3.1 Flight Behavior ........................................................................................................................... 22 3.1.1 ‘A woman with flame-colored hair’ – Human/Animal Interconnections ............................... 23 3.1.2 ‘The weather has turned weird’ – Spatial and Temporal Setting ............................................ 25 3.1.3 ‘Educated people had powers’ – Science, Education and Class Distinction .......................... 29 3.1.4 ‘Fly less’ – Environmental and Economic Challenges ........................................................... 37 3.1.5 ‘They are a sign of something’ – Migration ........................................................................... 41 3.2 Solar ............................................................................................................................................ 44 3.2.1 ‘See global warming for himself’ – Structure, Spatial and Temporal Setting ........................ 45 3.2.2 ‘The planet is sick’ – Beard as an Allegory of the Planet and Human Nature ....................... 47 3.2.3 ‘If the place isn’t hotting up?’ - Science and the Depiction of the Climate Change............... 54 3.2.4 ‘It’s a catastrophe. Relax!’ – Satirical and Comic Effects ...................................................... 60 3.3 A Friend of the Earth .................................................................................................................. 65 3.3.1 ‘Santa Ynez, November 2025’ – Structure and Focus of the Novel ....................................... 66 3.3.2 ‘The sky is black’ – Imagination of the Future Environment ................................................. 67 3.3.3 ‘Enemy of the people’ – Environmentalism, Love and Nature .............................................. 73 4 Comparison of Findings..................................................................................................................... 81 5 Conclusion ........................................................................................................................................... 87 6 Bibliography ....................................................................................................................................... 89 v 1 Introduction In 2001, the Intergovernmental Panel on Climate Change came to the conclusion that there is a very strong possibility that humanity will face the effects of drastic global warming in the foreseeable future (cf. Trexler 2015: 3). In 2007, the IPCC published a report stating that it is likely that the average global temperature will rise between 2 and 4,5 degrees within the next century.
Load more

Recommended publications
  • Interview Class Act
    Sheena Grant interview Class act Her music is as breathtakingly beautiful as the images it was written to accompany. Sheena Grant finds out what inspires composer Sarah Class usician and “It’s one of the most singularly composer Sarah powerful and effective charities that Class is a woman I’ve been fortunate enough to in demand. experience,” she says. “I got involved At only 34 years because I was looking for a way to old she is already help the environment through my one of Britain’s music and the WLT seemed to be a most sought-after quietly powerful and effective charity musical talents, whose making huge headway into protecting Mhauntingly beautiful and natural habitats. evocative compositions have “My three biggest loves are people, helped bring to life many of the nature and music - in no particular nation’s favourite natural order - and through music I hope to do history documentaries over the something to help the other two. The last decade or so. more you highlight animals and the She may not yet be a household problems in our world the more name but many of the landmark beauty you show people, who might series for which she has provided the go on to feel the importance of music are, including the David protecting these habitats. Attenborough-fronted Africa, “The evening in Halesworth is part Madagascar and the State of the of that. It will feature music, film Planet. sequence and I will do a kind of Sarah is about to make her first trip question and answer with Bill Oddie, to Suffolk.
    [Show full text]
  • A World of Quarterly Newsletter
    United Nations Educational, Scientific and Cultural Organization Where have all the beaches gone? p. 12 Natural Sciences A World of Quarterly Newsletter Vol. 1, No. 1 October–December 2002 CONTENTS EDITORIAL SUMMIT NEWS 2 UNESCO and Johannesburg ‘Our house is burning’ World of Science is being launched as part of the new communication strategy of OTHER NEWS A the Sector of Natural Sciences of UNESCO. The aim of this quarterly newsletter 6 Member States celebrate first is to keep UNESCO’s concerns in the public eye and at the centre of public debate by World Science Day making information easily available and attractive reading. It is my hope that this will 7 Door opens for SESAME provide a new service for all those who follow with interest developments in UNESCO’s science programmes. 8 CUBES seals partnership between UNESCO and Other innovations in communication include the UNESCO science portal 1 and more Columbia University specific portals, such as those on water 2 and oceans 3. 9 Steep increase for women in science prize money Besides being available on the web, A World of Science is being despatched to 9 A strong voice for small islands depository libraries around the world, to government ministries, to the 188 National Commissions for UNESCO and to UNESCO’s partners in the intergovernmental and 9 UNESCO Chair launched non-governmental communities. in sciences This first issue of A World of Science is published in the wake of the World Summit INTERVIEW on Sustainable Development held in Johannesburg, South Africa, from 26 August to 4 September.
    [Show full text]
  • Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
    Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale.
    [Show full text]
  • The State of the Planet's Wildlife
    The State of the Planet’s Wildlife Introduction There’s a place in the world where a lush rainforest — with open meadows, bamboo thickets and fresh running streams — provides a safe haven for a group of endangered lowland gorillas. In this jungle sanctuary highly threatened animals survive without fear of being stalked by local poachers. It's a place where the affects of Africa’s extreme poverty and civil unrest seem a world away. But what really makes this patch of wilderness so extraordinary is the fact that that it's not located in a remote part of Africa. It’s in New York City. The Wildlife Conservation Society’s Bronx Zoo gorilla exhibit is one of the city’s most popular attractions, providing visitors with a rare and intimate glimpse of the natural world. However realistic the experience seems to be, much of the food the gorillas eat comes from local markets, most of the trees are made of metal and epoxy, and the forest that lies behind these thick walls of protective glass is essentially an environmental illusion. But what is not an illusion is the fact that the zoos of the future may have no choice but become urban sanctuaries for our planet’s animals. Scientists now tell us that as much as a half of the world’s wildlife may completely disappear during our lifetime. “Every kind of species, every broad type of species, every broad type of habitat is under threat now in a way that wasn’t true in all of past human history.” — Robert Engelman, Population Action International Once, not so very long ago, the Earth was a place of great and unspoiled diversity, a rich tapestry dominated by the elegance of the natural world.
    [Show full text]
  • New York State Conservationist OCTOBER 2018 the Deer Camp As We Know It Today Evolved Steadily in the Post- WWII Era
    OCTOBER 2018 Are New York’s fall colors at risk? Hunting | Artifi cial ReefS | Whales Humpback whale breaching Humpback whale breaching Volume 73, Number 2 | October 2018 Dear Reader, Andrew M. Cuomo, Governor of New York State Outdoor traditions like hunting, hiking and fi shing DEPARTMENT OF ENVIRONMENTAL CONSERVATION have defi ned our state for many generations, yet, as Basil Seggos, Commissioner Sean Mahar, Asst. Commissioner for Public Affairs most of you are aware, our natural resources and Harold Evans, Director of Office of Communication Services way of life are being threatened by climate change. THE CONSERVATIONIST STAFF In this issue we take a look at the impacts on some of Eileen C. Stegemann, Editor Peter Constantakes, Assistant Editor New York’s key species and habitats from our forests Megan Ciotti, Business Manager Jeremy J. Taylor, Conservationist for Kids to our marine waters (see pg. 6). DEC is tackling Ellen Bidell, Contributing Editor this problem on many fronts, including responding DESIGN TEAM to destructive storms like Superstorm Sandy and Andy Breedlove, Photographer/Designer Jim Clayton, Chief, Multimedia Services damaging fl ooding like we recently saw in the Finger Lakes region (see Mark Kerwin, Graphic Designer pg. 19). Our goal is to preserve vital natural resources and wildlife habitats, Robin-Lucie Kuiper, Photographer/Designer Mary Elizabeth Maguire, Graphic Designer protect people from the impacts of a warming climate, and preserve the Jennifer Peyser, Graphic Designer quality of life we enjoy in New York. I encourage you be an active partner in Maria VanWie, Graphic Designer the crucial e ort. EDITORIAL OFFICES The Conservationist (ISSN0010-650X), © 2018 by NYSDEC, Fall heralds the exciting return of deer and bear hunting seasons, is an official publication of the New York State Department New York has a long and proud hunting tradition, which is captured in of Environmental Conservation published bimonthly at 625 Broadway, 4th Floor, Albany, NY 12233-4502.
    [Show full text]
  • Dan-Brockington-Celebrity-And-The
    More praise for Celebrity and the Environment ‘More exposé than a tabloid. More weight than a broadsheet ... Brockington lends academic muscle to what, I suspect, many of us instinctively feel about these issues. Extensively researched yet winsomely written and, thankfully, not veering into cynicism which a book on this subject could easily do. Enlightening and easily accessible by the armchair environmentalist.’ Terry Clark, St Luke’s Church, Glossop ‘I was surprised by this book. Anything containing the mere word “celebrity” will normally see me heading for the hills at speed, let alone a whole book on the subject! Dan’s book is written with wit and grace. His research was clearly meticulous and the result is a book that is informative and enjoyable.’ Robin Barker, Countrycare Children’s Homes ‘In an analysis that builds on a large literature examining interlinkages between conservation and corporate interest, Dan Brockington turns a new corner, investigating how the rich and famous lend their glamour to the noble goal of saving the planet. In reality conservation is a highly political pursuit with winners and losers. Brockington provides a well- balanced account of the pros of harnessing the razzamatazz of celebrity to the conservation cause with the cons of sanitizing the harsh realities of conservation politics and the insidious danger of commoditizing nature. If you want to embark on the journey in to contemporary conservation you would go well with this book.’ Monique Borgerhoff Mulder and Tim Caro, University of California at Davis ‘A thoroughly stimulating book that made me question my role as a conservation filmmaker.’ Jeremy Bristow, director and writer About the author Dan Brockington has a PhD in anthro- pology from UCL and is happiest conducting long-term research in remote rural areas.
    [Show full text]
  • Digital Technology and the Planet: Harnessing Computing to Achieve Net Zero Issued: December 2020 DES7035 ISBN: 978-1-78252-501-1 © the Royal Society
    Digital technology and the planet Harnessing computing to achieve net zero Digital technology and the planet: Harnessing computing to achieve net zero Issued: December 2020 DES7035 ISBN: 978-1-78252-501-1 © The Royal Society The text of this work is licensed under the terms of the Creative Commons Attribution License which permits unrestricted use, provided the original author and source are credited. Erratum: The first edition of this report incorrectly stated there were no data centres The license is available at: creativecommons.org/licenses/by/4.0 from Google, Amazon or Microsoft in the UK, while there are at least two from Microsoft. Images are not covered by this license. This error has been corrected on p74. The first edition also stated that ‘If individuals This report and other project outputs can be keep their phones for four years instead of viewed at: royalsociety.org/topics-policy/ two, this contribution is halved’, which was projects/digital-technology-and-the-planet/ corrected on p75 to ‘Keeping phones for twice as long can significantly reduce this share of emissions’. The conclusions of this report Cover image © NicoElNino. remain unchanged. CONTENTS Contents Foreword 5 Executive summary 6 Recommendations 8 Introduction 15 Chapter one – Transforming the future 23 The potential of digital technology to support a low-carbon economy 24 A future digitally-enabled net zero economy and society 25 Digital technologies for the planet 33 Creating policy frameworks to support the use of digital technologies for net zero 38 Chapter
    [Show full text]
  • Redalyc.DAVID ATTENBOROUGH. Naturalist and Pioneer of Nature
    Mètode Science Studies Journal ISSN: 2174-3487 [email protected] Universitat de València España León, Bienvenido DAVID ATTENBOROUGH. Naturalist and pioneer of nature and wildlife documentaries Mètode Science Studies Journal, núm. 1, 2011, pp. 117-123 Universitat de València Valencia, España Available in: http://www.redalyc.org/articulo.oa?id=511751285012 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative DAVID ATTENBOROUGH Naturalist and pioneer of nature and wildlife documentaries by Bienvenido León ir David Attenborough’s (London, 1926) passion for his work, televising nature, has not faded green wave one bit after over half a century travelling round the world. At 84 he remains fully active, S seeking new nature stories to bring to the screen. In-between trips, which are still regular, he writes scripts for projects, at his home in the quiet suburb of Richmond, just outside London. Though not on display, countless trophies and diplomas are secreted in a cupboard in this house, witness to the fact that Sir David has received major recognition for promoting public awareness of nature. The most recent of these was the Prince of Asturias Award in 2009. «An amazing experience» he recalls, «especially the way the city celebrates the event. With those wonderful local music bands I knew nothing about. We had a great time. It was marvellous!». monograph «people must know about science, because it is the very basis of our civilization» On the left, frames taken from the documentary The Private Life of Plants (BBC, 1995) and The Blue Planet (BBC, 2002), both presented by David Attenborough.
    [Show full text]
  • Offline Editor
    ROB DAVIES – OFFLINE EDITOR Mob: 07970 952 244 Email: [email protected] Please see www.robdavieseditor.com for clips and referees I’m an experienced, creative editor and have been editing for broadcast for 24 years. I’m versatile, fast and efficient and happy working on Avid, FCP or Premiere. I have edited over 130 hours of Natural History programmes. Examples of my work include Animals with Cameras episode one (NHU, for BBC1), Super Giant Animals with Steve Backshall (NHU, for BBC1 primetime), Night on Earth (Plimsoll for Netflix), Hostile Planet (Plimsoll Productions, for Nat Geo), DIY SOS Children in Need 2013 Special & DIY SOS Homes for Veterans 2015 Special (BBC Factual for BBC1), The Red Nosed African Convoy, (Comic Relief for BBC1), Bear Grylls’ Born Survivor (Diverse for CH4) and the first ever episode of Jeremy Wade’s River Monsters (Icon Films for Animal Planet). I’ve worked on a huge variety of television genres. I’ve cut shows for the BBC, Nat Geo, ITV, CH4, Five, PBS, Animal Planet and Discovery, and worked for Plimsoll Productions, BBC Studios, Icon Films, Tigress, Diverse, Image Impact, Hello-Halo, Atlantic Productions and more. I’ve edited indoors and outdoors… on a yacht in the Antarctic, at the edge of the Arabian desert, on a beach in Spain, a farm in Devon, and in many, many edit suites in Bristol! EDIT CREDITS: July – October JOHN BISHOP’S WHALE RESCUE 2 x 60’ Plimsoll Prod for ITV 20 John helps relocate two Beluga whales from Sea world, Shanghai to a sanctuary in Iceland.
    [Show full text]
  • City Research Online
    City Research Online City, University of London Institutional Repository Citation: Nezami, A. (2017). The overview effect and counselling psychology: astronaut experiences of earth gazing. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17938/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] THE OVERVIEW EFFECT AND COUNSELLING PSYCHOLOGY ...ASTRONAUT EXPERIENCES OF EARTH GAZING ANNAHITA NEZAMI PORTFOLIO FOR PROFESSIONAL DOCTORATE IN COUNSELLING PSYCHOLOGY CITY, UNIVERSITY OF LONDON DEPARTMENT OF PSYCHOLOGY SUBMITTED JUNE 2017 The Overview Effect and Counselling Psychology: Astronaut Experiences of Earth Gazing Table of Contents TABLE OF CONTENTS ...........................................................................................
    [Show full text]
  • Matt Norman - Dop
    MATT NORMAN - DOP M: +44 (0)7976 247 652 E: [email protected] Website: http://mattnormandop.com Matt is a twice-EMMY & twice-BAFTA winning DOP. He shoots across documentary film, commercials and drama. He has worked with a diverse range of internationally-acclaimed filmmakers including Ken Loach, Michael Winterbottom and Marc Evans on both cinema and television productions. Matt’s enduring passions are documentary and drama, and the spaces between the two. Matt began his career as a camera assistant and focus puller on feature films, television dramas and commercials, where the discipline required continues to serve him well in the digital era. Since those days, Matt has shot over 150 documentary films, in all terrains and climates, from the jungles of the Congo to the high Arctic. Most recently, Matt was the first documentary cameraman to ever be granted access onboard a Trident nuclear submarine on an active mission for a new Atlab Films 1 x 60 documentary for Channel 5. He was DOP on the theatrical fiction feature film “Common Destiny” for China-based Silk Road Communications, filming on both the Arri Alexa Mini & Phantom Flex 4K. Matt also served as creative & technical advisor throughout the production. Other accolades include 25 Grand Jury prizes for his producer work on the HBO-BBC Storyville-ARTE feature documentary “Marathon Boy”. Matt also received the honour of being inducted into the Asia Pacific Screen Academy. TECHNICAL EXPERTISE DRONE Matt is fully certified by the CAA and insured as a UAV owner-operator. He flies his own UAV with public liability cover for 5 million.
    [Show full text]
  • Search Feature Vol. 43 No. 5 May 2019
    1 Monthly Index of Articles of Interest in the WBC “Flyer” For more specific topics, use the “Find” search feature Date Article title Author Summary Volume Vol. May 2019 PRESIDENT’S CORNER By Cheryl Audubon’s 43 Jacobson information about No. 5 migration Single Use Plastics National Geographic is urging people to pledge at https://www.nationa lgeographic.com/enV ironment/planetorpl astic/ Planet or Plastic MAY 18 BREEDING BIRD ATLAS BLOCK-BUSTING FIELD By George Announcement TRIP Martin GRATITUDE FROM THE VSO By Shirley Devan Report APRIL 20TH GREAT DISMAL SWAMP FIELD TRIP By George Report Martin PROTHONOTARY WARBLER NEST BOXES SET by George Report UP NEAR FORD’S COLONY NATURE TRAIL Martin EXCITING RESEARCH BY OUR 2018 by Cathy Millar Report on April ORNITHOLOGY GRANT RECIPIENTS meeting presentations May 15th Journey to Guyana Our speaker in May is Bill Williams Talk on” Things Songbirds Eat” our speaker for Sept meeting will be Chance Hines, a research biologist 2 Date Article title Author Summary Volume with Center for Conservation Biology Vol. April 2019 PRESIDENT’S CORNER By Cheryl Purple Martins 43 Jacobson No. 4 Recycling and Consuming Less Why do birds fly into windows Meet Your Board:Jeannette NaVia APRIL 20TH GREAT DISMAL SWAMP FIELD TRIP By George Announcement Martin Bob Ake will lead MAY 3-5 THE VIRGINIA SOCIETY OF ORNITHOLOGY’S By Shirley Devan Announcement ANNUAL MEETING AT MOUNTAIN LAKE LODGE MARCH 16TH VIRGINIA BEACH FIELD TRIP By George Report: Dan Cristol Martin leader BIRDS HITTING WINDOWS - HELPFUL TIPS by Kathi Mestayer NEST CAM SEASON By Shirley Devan Report May 1-3, 2020 THE 2020 VIRGINIA SOCIETY OF ORNITHOLOGY By Rexanne Announcement (VSO) ANNUAL MEETING Bruno PAST, PRESENT, AND FUTURE OF BIRDERS AND by Cathy Millar Report on March BIRDING Meeting, presentation by Matt Anthony Vol.
    [Show full text]