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An Eden with No Snake in It: Pure Comedy and Chaste Camp in The
An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 ABSTRACT An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 Copyright by Joshua Gibbons Striker 2019 Abstract In this dissertation I use an old and unfashionable form of literary criticism, close reading, to offer a new and unfashionable account of the literary subgenre called camp. Drawing on the work of, among many others, Susan Sontag, Rita Felski, and Peter Lamarque, I argue that P.G. Wodehouse, E.F. Benson, and Angela Thirkell wrote a type of pure comedy I call chaste camp. Chaste camp is a strange beast. On the one hand it is a sort of children’s literature written for and about adults; on the other hand it rises to a level of literary merit that children’s books, even the best of them, cannot hope to reach. -
Useful and Beautiful: Published by the William Morris Society in the United States Winter 2018 • 2
Useful and Beautiful: Published by the William Morris Society in the United States Winter 2018 • 2 “In the First Rank,” an acrylic painting by Carolyn Marsland, commissioned by Lord Tom Sawyer. A depiction of the 1889 Dockers March with Eleanor Marx, William Morris, and Keir Hardie et al. TABLE OF CONTENTS LETTER FROM THE PRESIDENT Cover: “In the First Rank,” an acrylic painting This year the William Morris Society held its annual by Carolyn Marsland, commissioned by Lord meeting at the Modern Language Association Convention in Tom Sawyer. A depiction of the 1889 Dockers Chicago, Illinois from January 3-6. Our session, organized and March with Eleanor Marx, William Morris, and Keir Hardie et al. presided over by board member Kelly Ann Fitzpatrick, was enti- tled “William Morris: Reflections on Art and Labor” and included Letter from the President ......................................2 these three papers: “The Handcrafted Work of Art in the Age of An Afternoon with Lord Tom Sawyer Mechanical Reproduction: Walter Benjamin and the Revolution- by Jane Carlin .................................................3 ary Potential of William Morris’s Decorated Books,” by Brandi- Morris & Co. and the Last Romanovs: An Inter- ann Molby of Loyola University, Chicago; “Aestheticism and the view with Nicholas Onegin of the State Her- mitage Museum by Anna Matyukhina ...........5 Birth of the Consultant: Wilde versus Morris on Art, Work and the Self,” by Patrick Fessenbecker of Bilkent University; and “Wil- William Morris Meets Lucy Parsons by Stephen Keeble ...........................................8 liam Morris and The Dawn: Ideas for ‘The Society of the Future’,” by Rebekah Greene of the Georgia Institute of Technology. -
Beauty in Thorns Is the Story of Awakenings of All Kinds
A spellbinding reimagining of ‘Sleeping Beauty’ set amongst the wild bohemian circle of the Pre-Raphaelite artists and poets. Bringing to life the dramatic true story of love, obsession and heartbreak that lies behind the Victorian era’s most famous paintings, Beauty in Thorns is the story of awakenings of all kinds. Readers’ Guide Reader’s Guide to Beauty in Thorns by Kate Forsyth then wrapped me in towels and ran inside, the dog chasing after us. She ran out on to the Pacific Highway, carrying me, my older sister Belinda running beside. A young man picked us up, and took us to the Royal North Shore Hospital. When the triage nurses unwound the bloody towels from my head, he fainted. The dog’s fangs had torn open my skull so that the grey matter of the brain could be seen. My right ear had been almost torn off The Story Behind My Fascination and my left eye was badly damaged. It took with ‘Sleeping Beauty’ hours of surgery and more than two hundred stitches to repair the injuries. Most people know the story of Sleeping Beauty, a girl who is cursed to sleep for a I did not wake up after the surgery. My hundred years after pricking her finger on a temperature soared. I lay on a bed of ice, spindle. She is awoken with a kiss … fans blowing cold air on me. Nothing worked. Ten days after the dog attack, the My fascination with this fairy tale springs doctors told my mother that I had from my own life story, when I too was contracted bacterial meningitis and that it awoken from a death-like coma by a kiss. -
Indexing the Novels of Angela Thirkell
Thirty-nine to one: indexing the novels of Angela Thirkell Hazel K Bell Describes the compilation of a cumulative index to 37 books and two batches of letters by Angela Thirkell, and considers what such an index may show about an author. Angela Thirkell (AT) was born in 1890, granddaughter of the There is much in Thirkell that is worth the finding, and among pre-Raphaelite painter, Sir Edward Burne-Jones. She embarked 37 volumes that is no light task. Thirkell devotees would find it upon a career as an author at the age of 43, with two broken difficult, without benefit of my index, to know where AT writes marriages behind her, to support herself and her sons financially. of: Brahms, bridesmaids' dresses, the British Medical Journal, In the remaining 28 years of her life she wrote a total of 35 books, a Christening cake, couvade, Noel Coward, perpetual curates, including a sequence of 29 novels set in 'Barsetshire', in the Daily Express, Sir Isaac Newton's dog, Easter Island, fathers succession to Anthony Trollope's, and one set in 1838.1 have— of new babies, a foot-muff, the Frog prince, a gargoyle, grape voluntarily, uncommissioned — compiled a cumulative index to scissors, a hat for a horse, jazz, Pepso bread, or the book a mother all her novels, two collections of her short stories, her biography proposes to write, 'Why I hate my children'. I could look in my of Harriette Wilson, her autobiographical account of her index and state just where they all are. I even indexed some lines childhood, a satirical account of her emigration to Australia, and that I thought too good to lose in the mass, such as the two batches of her letters. -
Dickens by Numbers: the Christmas Numbers of Household Words and All the Year Round
Dickens by Numbers: the Christmas Numbers of Household Words and All the Year Round Aine Helen McNicholas PhD University of York English May 2015 Abstract This thesis examines the short fiction that makes up the annual Christmas Numbers of Dickens’s journals, Household Words and All the Year Round. Through close reading and with reference to Dickens’s letters, contemporary reviews, and the work of his contributors, this thesis contends that the Christmas Numbers are one of the most remarkable and overlooked bodies of work of the second half of the nineteenth century. Dickens’s short fictions rarely receive sustained or close attention, despite the continuing commitment by critics to bring the whole range of Dickens’s career into focus, from his sketches and journalism, to his late public readings. Through readings of selected texts, this thesis will show that Dickens’s Christmas Number stories are particularly powerful and experimental examples of some of the deepest and most recurrent concerns of his work. They include, for example, three of his four uses of a child narrator and one of his few female narrators, and are concerned with childhood, memory, and the socially marginal figures and distinctive voices that are so characteristic of his longer work. But, crucially, they also go further than his longer work to thematise the very questions raised by their production, including anonymity, authorship, collaboration, and annual return. This thesis takes Dickens’s works as its primary focus, but it will also draw throughout on the work of his contributors, which appeared alongside Dickens’s stories in these Christmas issues. -
Higher Education Policy Leadership Studies Reflections on Education
Journal of Higher Education Policy And Leadership Studies JHEPALS (E-ISSN: 2717-1426) https://johepal.com Reflections on Education: What Is the Current Problem or Issue? - How the Past Informs the Present Is Vital for an Inclusive Education Elizabeth Negus The Worshipful Company of Educators, London, UK Email: [email protected] Article Received Article Accepted Published Online 2020/07/20 2020/09/25 2020/10/13 Cite article as: Negus, E. (2020). Reflections on education: What is the current problem or issue? - How the past informs the present is vital for an inclusive education. Journal of Higher Education Policy And Leadership Studies, 1(2), 49-61. DOI: https://dx.doi.org/10.29252/johepal.1.2.49 Negus, E. Reflections on Education: What Is The Journal of Higher Education Policy And Leadership Problem or Issue? How the Past Informs the Studies (JHEPALS) Present Is Vital for an Inclusive Education E-ISSN: 2717-1426 Volume: 1 Issue: 2 pp. 49-61 DOI: 10.29252/johepal.1.2.49 Abstract In an inclusive society and across developed countries, higher * education is seen as vitally important. It is positive for society, which Elizabeth Negus needs advanced learning to develop economic productivity. The world requires a skilled workforce with excellent leadership and sustainable policies that can enhance individuals’ knowledge and prepare them for success on a global scale. On a personal level, it is vital for the individual to reach their potential and contribute to society. It is evident that those having had an appropriate education are more satisfied with work and leisure time, with better health as well as less likely to be unemployed (Maslow’s Hierarchy of Needs, 1943; The Spirit Level, 2009). -
Corel Ventura
INDEX TO THE WORKS OF ANGELA THIRKELL The writings of Angela Thirkell Index Note: Characters in the Barsetshire novels are listed in A Guide to Barsetshire People (Angela Thirkell Society, 1993), and only particularly significant references to characters are given here. SEE references to characters listed as members of particular groups (e.g. clergy, teachers) indicate reference to that booklet. Works of art and literature are listed under the names of their authors, except for those by Angela Thirkell (AT) herself. This index is not comprehensive. Only the opening page number is given for some scenes or topics that may run on for several pages. Only some typical references are given to topics that occur frequently. References to Three Houses, Angela Thirkell’s childhood autobiography, are in bold type, thus: TH. As only the first five chapters of Three Score and Ten are by AT (this novel was completed by C. A. Lejeune after AT’s death), references to that novel from chapter VI (page 143) on are given in brackets. ‘A nice day in town’ is a short story by AT published in London Calling, edited by Storm Jameson, published by Harper & Bros., 1942 (pages 239–56). Baby, Mother and Grandmother, published by Lance Thirkell, consists of extracts from AT’s letters to her mother about Lance Thirkell’s babyhood, 1921–25. References to these letters, and to Angela Thirkell’s letters to her typist, Margaret Bird, (1950–60) give the month and year of the letters (as, 2.22 = February 1922). Only extracts from the letters to Margaret Bird have been published in the Journal of the Angela Thirkell Society, the first in issue no. -
The Fiction of John Buchan, Dornford Yates and Angela Thirkell
Appendix: The Fiction of John Buchan, Dornford Yates and Angela Thirkell John Buchan date of The Dancing Floor is 1926, not 1927 Only Buchan’s fiction is listed here: volumes of short stories carry an asterisk *. The variant American titles are in parentheses. Sir Quixote of the Moors 1895 John Burnet of Barns 1898 Grey Weather* 1899 A Lost Lady of Old Years 1899 The Half-Hearted 1900 The Mountain [unfinished chapters] 1901 The Watcher by the Threshold* 1902 A Lodge in the Wilderness 1906 Prester John (The Great Diamond Pipe) 1910 The Moon Endureth* 1912 Salute to Adventurers 1915 The Thirty-Nine Steps 1915 The Power-House 1916 Greenmantle 1916 Mr Standfast 1919 The Path of the King* 1921 Huntingtower 1922 Midwinter 1923 The Three Hostages 1924 John Macnab 1925 The Dancing Floor 1926 Witch Wood 1927 The Runagates Club* 1928 The Courts of the Morning 1929 Castle Gay 1930 The Blanket of the Dark 1931 The Gap in the Curtain 1932 The Magic Walking Stick 1933 A Prince of the Captivity 1933 The Free Fishers 1934 The House of the Four Winds 1935 The Island of Sheep (The Man from the Norlands) 1936 Sick Heart River (Mountain Meadow) 1941 The Long Traverse (Lake of Gold) 1941 225 226 Appendix Dornford Yates As with the Buchan list, I have listed here only his books, not the separate publi- cation of his short stories. Nearly all Yates’s short stories were collected and pub- lished in book form after their magazine appearance, and these volumes carry an asterisk *. Titles in parentheses are the variant American titles. -
Dickens-Pickwick Papers
*******The Project Gutenberg Etext of The Pickwick Papers******* #3 in our series by Charles Dickens [Christmas Carol was #0. .we didn't number back then] Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Pickwick Papers by Charles Dickens July, 1996 [Etext #580] *******The Project Gutenberg Etext of The Pickwick Papers******* *****This file should be named pwprs10.txt or pwprs10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, pwprs11.txt. VERSIONS based on separate sources get new LETTER, pwprs10a.txt. This etext was created by Jo Churcher, Scarborough, Ontario ([email protected]) We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. -
Charles Dickens POSTHUMOUS PAPERS of the PICKWICK CLUB
Charles Dickens POSTHUMOUS PAPERS OF THE PICKWICK CLUB CHAPTER I THE PICKWICKIANS THE first ray of light which illumines the gloom, and converts into a dazzling brilliancy that obscurity in which the earlier history of the public career of the immortal Pickwick would appear to be involved, is derived from the perusal of the following entry in the Transactions of the Pickwick Club, which the editor of these papers feels the highest pleasure in laying before his readers, as a proof of the careful attention, indefatigable assiduity, and nice discrimination, with which his search among the multifarious documents confided to him has been conducted. "May 12, 1827. Joseph Smiggers, Esq., P.V.P.M.P.C.,1 presiding. The following resolutions unanimously agreed to:-- "That this Association has heard read, with feelings of unmingled satisfaction, and unqualified approval, the paper communicated by Samuel Pickwick, Esq., G.C.M.P.C.,2 entitled `Speculations on the Source of the Hampstead Ponds, with some Observations on the Theory of Tittlebats;' and that this Association does hereby return its warmest thanks to the said Samuel Pickwick, Esq., G.C.M.P.C., for the same. "That while this Association is deeply sensible of the advantages which must accrue to the cause of science from the production to which they have just adverted,--no less than from the unwearied researches of Samuel Pickwick, Esq., G.C.M.P.C., in Hornsey, Highgate, Brixton, and Camberwell,--they cannot but entertain a lively sense of the inestimable benefits which must inevitably result from carrying the speculations of that learned man into a wider field, from extending his travels, and consequently enlarging his sphere of observation, to the advancement of knowledge, and the diffusion of learning. -
Journal of Arts & Humanities
Journal of Arts & Humanities Edward Burne-Jones’ Art and Music: A Chant of Love Liana De Girolami Cheney1 ABSTRACT This essay examines Edward Burne-Jones’ (August 28, 1833–June 17, 1898) artistic concepts of ut pictura poesis (as is painting, so is poetry) and ut pictura musica (as is painting so is music), a comparison of poetry, music, and painting depicted in his imagery of the Female Musician of 1866 (at the Whitworth Art Gallery in Manchester, UK, Fig. 1), and Music of 1877 (at the Ashmolean Museum in Oxford, UK, Fig. 2). The comparison or paragone between music and art is viewed here in two ways: 1) in a natural realm as an expression of love for a muse, Maria Cassavetti Zambaco; and 2) in a metaphysical realm as a vehicle of artist expression for depicting beauty. Painting and music are then poetical guidance for Burne-Jones’ manifestation of love. Maria is Burne-Jones’ model, muse, and sorceress. His paintings are depictions of musical scenes that capture a poetical world of ardent and endless love, as well the world of the senses, a physical realm, and the world of aesthetics, a metaphysical realm. Keywords: Edward Burne-Jones, Maria Zambaco, paragone (comparison), music, love, art, Pre-Raphaelites. Available Online: 28th September, 2015. This is an open access article under Creative Commons Attribution 4.0 License, 2015. “If music is the food of love, play on”! William Shakespeare, opening words of Twelfth Night” 1 Investigadora de Historia de Arte, SIELAE, Universidad de Coruña, Spain, E-mail: [email protected]. http://www.theartsjournal.org/index.php/site/index 47 Cheney, JAH (2015), Vol. -
"Impudent Scribblers": Place and the Unlikely Heroines of the Interwar Years
Perriam, Geraldine (2011) "Impudent scribblers": place and the unlikely heroines of the interwar years. PhD thesis http://theses.gla.ac.uk/2515/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] “Impudent Scribblers”: Place and the unlikely heroines of the interwar years Geraldine Perriam BEd, MEd, MRes, Dip. Teach. Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Geographical and Earth Sciences Faculty of Law, Business and Social Sciences University of Glasgow Deposited in University Library on 18th April, 2011 ABSTRACT The central focus of this thesis is the storytelling of place and the place of storytelling. These elements comprise the geoliterary terrains of narrative, the cultural matrix in which texts are sited, produced and received, including the lifeworld of the author. The texts under scrutiny in this research have been written by women during the interwar years of the 20th Century in Britain and Australia. One of the primary aims of the thesis is to explore the geoliterary terrains (including the space known as the middlebrow) of these texts in light of their relative neglect by contemporary critics in comparison with the prominence given to works written by men during this period.