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Hella Jongerius View metadata,146 citation and similar papers at core.ac.uk brought to you by CORE Ideal House – Hella Jongerius provided by TU Delft Open Access Journals Keulen/Cologne (DE) Jongeriuslab met/with EventArchitectuur Ideal House: installatie in de vide toegevoegd halve steektrap met verdiepingsvloer: opgerold 11: Hella Jongerius vases; Wall 11: van hal 3 van de Jaarbeurs, Keulen, bordes / Walls: pine trusses, mostly Danskina tapijt, kaarsen, vintage door and window; Walls 4 2005 / installation in the atrium of untreated, some painted black or opgevouwen linnen lakens; Wand and 11: banners printed with Hall 3 of the Koelnmesse (Cologne grey, with underlayment panelling, 10 en 11: vazen Hella Jongerius; ‘JongeriusLab’ and banners with Exhibition Centre), Cologne, 2005 partly painted red. Chicken wire is Wand 11: vintage deur en raam; ‘Repeat’; upholstery fabric Initiatief/Initiative: Rat für Form­ also used on some walls; Floor: Wand 4 en 11: banieren met print designed by Hella Jongerius for gebung / German Design Council wooden floor, painted black; JongeriusLab en banieren met Maharam. Note: No furniture on the Uitvoering/Execution: wooden landing, consisting of pine ‘Repeat’, meubelstof ontwikkeld floor; the house is empty, not Internationale Möbelmesse (IMM), beams and wooden boards; Stairs: door Hella Jongerius voor Maharam, furnished onderdelen door Jongeriuslab / reuse of existing staircase, N.B. Geen meubels op de vloer; het Tentoonstelling/Exhibition: 17 – 23 parts by Jongeriuslab supplemented by a half­sized huis is leeg, niet ingericht / Walls 1 januari/January 2005 Vloeroppervlak/Floor area: 160m2 straight staircase with landing and 2: 3 vintage cabinets Materialen en kleuren/Materials Meubels en overig/Furniture Wall 2: A4 textile colour samples by Bronnen/Sources: Interiors on Display and colours: Wanden: vurenhouten etcetera: Wand 1 en 2: 3 vintage Pantone tm; Walls 2, 3, and 4: Frame, nr./no. 44 (mei­juni/May­ vakwerken, voornamelijk kasten; Wand 2: A4 textielkleuren modern, classic and vintage June 2005), 114­125 onbehandeld, sommige zwart of samples Pantone tm; Wand 2, 3 en chairs; Walls 5, 6, 7, and 8: lamps; http://www.designartnews.com/ grijs geschilderd, met houten 4: moderne, klassieke en vintage Under the stairs: cleaning supplies; pagina/1idealehuis.htm (bezocht betimmeringen van underlayment, stoelen; Wand 5, 6, 7 en 8: lampen; Wall 8: vintage plates mounted on op 12 september 2014 / accessed deels rood geschilderd. Bij Onder de trap: schoonmaakspullen; prefabricated, perforated plastic 12 September 2014) sommige wanden is ook Wand 8: vintage borden met panels with rip­ties; Walls 8, 9, 10, Louise Schouwenberg (red./ed.), kippengaas toegepast; Vloer: kabelbinders bevestigd op prefab, and 11: ‘Hella Jongerius for Hella Jongerius: Misfit (Londen/ houten vloer, zwart geschilderd; geperforeerde plastic panelen; Rosenthal’ porcelain collection; London; New York: Phaidon Press, houten verdiepingsvloer, bestaande Wand 8, 9, 10 en 11: Walls 9 and 10: on the first floor: 2010). uit vuren balken en houten platen; porseleincollectie Hella Jongerius rolled Danskin carpet, candles, Trap: hergebruik bestaande trap, voor Rosenthal; Wand 9 en 10: op folded linen sheets; Wall 10 and Ideal House, IMM Keulen, 2005 Ideal House, IMM Cologne, 2005 Stijlkamers DASH Dash11 binnenwerk.indd 146 25/01/16 20:12 De jaarlijkse meubelbeurs in Keulen heeft een traditie The annual furniture fair in Cologne has a tradition of DASH in het uitnodigen van toonaangevende ontwerpers die inviting leading designers to present their vision of ‘ideal hun visie op het ideale wonen presenteren in een instal- living’ in the form of an installation. Hella Jongerius was latie. Zo werd in 2005 Hella Jongerius uitgenodigd. invited in 2005. Hella Jongerius begon haar carrière in het begin van Hella Jongerius began her career in the early 1990s, and de jaren 1990 en presenteerde haar eerste ontwerpen presented her first designs under the banner of Droog onder de vlag van Droog Design, dat het conceptuele Design, which managed to make conceptual design a great ontwerp binnen de internationale designwereld tot een success in the international design world. She soon went her groot succes wist te maken. Al vrij snel ging ze haar own way, because her way of working only partially matched eigen weg, omdat haar wijze van werken maar ten dele the Droog philosophy. Unlike other ‘conceptual’ designers, aansloot bij de Droog-filosofie. In tegenstelling tot Jongerius always pays a great deal of attention to the andere, ‘conceptuele’ ontwerpers besteedt Jongerius implementation, whereby she usually combines the altijd veel aandacht aan de uitvoering, waarbij ze door- advantages of artisanal production with the industrial gaans de voordelen van ambachtelijke vervaardiging production process. By emphasizing the traces of imperfection verbindt met het industriële productieproces. Door de (inevitable in artisanal production) in the finished products, sporen van imperfectie (onvermijdelijk bij ambachte- her designs take on their own unique character. lijke productie) in de eindproducten te benadrukken, She used the assignment for an ideal house as a way of krijgen haar ontwerpen een eigen en uniek karakter. making a statement about changeability. As Jongerius has De opgave voor een ideaal huis greep ze aan om said: ‘I could say about my own home that it works fine at the een statement over veranderlijkheid te maken. Hella moment, and is therefore ideal for me. But I can’t say the Jongerius zegt hierover: ‘Ik zou over mijn eigen huis same for someone else, can I? Moreover, in my own home I kunnen zeggen dat het op dit moment prima functio- also love the idea of keeping all options open.’ In close neert en dus ideaal voor mij is. Maar dat kan ik toch niet collaboration with theorist Louise Schouwenberg, she invullen voor anderen? Bovendien hou ik ook in mijn decided to translate the openness of the concept of ‘ideal’ eigen huis alle opties open.’ In nauwe samenwerking into what the press release described as ‘an archive of met theoretica Louise Schouwenberg besloot ze de memories and a warehouse full of possibilities’. Because of openheid van het begrip ‘ideaal’ te vertalen naar wat in her affinity with the work of architect Herman Verkerk, he het persbericht omschreven wordt als ‘een archief van was involved in the architectural design of the installation. het geheugen en een magazijn vol mogelijkheden’. The installation consisted of 11 truss walls at 160-cm Vanwege haar affiniteit met het werk van architect intervals. In front of the first wall was an artificial garden, Herman Verkerk werd hij betrokken bij het architecto- replete with garden beds and a wide centre aisle. This path nische ontwerp van de installatie. connected to a series of openings in the walls, which were De installatie bestaat uit 11 vakwerkwanden die op lined up with each other. The system of truss walls housed a een onderlinge afstand van 160 cm staan. Voor de variety of household objects, furniture, fabrics and lamps. eerste wand bevindt zich een artificiële tuin met perken These were not only objects and fabrics designed by Hella en een breed middenpad. Dit pad sluit aan op een Jongerius, but also design classics, vintage items from the reeks openingen in de wanden, die in elkaars ver- flea market and disposable items. The light execution of the lengde liggen. In het stelsel van vakwerkwanden is een suspended trusses and the individual character of each wall verscheidenheid aan gebruiksvoorwerpen, meubels, evoked strong associations with stage sets, which drew stoffen en lampen ondergebracht. Daarbij gaat het niet attention to the theme of an exhibited domestic interior. alleen om voorwerpen en stoffen die door Hella Jonge- A staircase on the outside of the installation connected a rius ontworpen zijn, maar ook om designklassiekers, number of empty plateaus that cut straight through the walls vintage voorwerpen van de rommelmarkt en wegwerp- and also showed the actual ‘living’ space: a blank page artikelen. De lichte uitvoering van de opgehangen vak- where a selection of all the objects brought together in the werken en het eigen karakter van iedere wand roept showrooms and trade shows will eventually find a place. (ls/jz) sterke associaties op met toneeldecors, waarmee het thema van het tentoongestelde wooninterieur op scherp wordt gezet. Een trap aan de buitenkant van de installatie ver- bindt een aantal lege plateaus die dwars door de wanden heen steken en die de eigenlijke ‘woonruimte’ tonen: een onbeschreven blad waar een keuze uit alle voorwerpen die op de toonzalen en beurzen bijeenge- bracht zijn, uiteindelijk haar plaats zal vinden. (ls/jz) 147 Dash11 binnenwerk.indd 147 25/01/16 20:12 148 0 3m DASH Dash11 binnenwerk.indd 148 25/01/16 20:12 DASH Ideal House, voorzijde, IMM Achteringang met vazen Keulen, 2005 Hella Jongerius Ideal House, front, IMM Cologne, Back entrance with Hella 2005 Jongerius vases 149 Dash11 binnenwerk.indd 149 25/01/16 20:12 150 Stoelenwand Wall of chairs Presentatietekening vakwerk­ wanden Presentation drawing of lattice walls DASH Dash11 binnenwerk.indd 150 25/01/16 20:12 DASH Ontwerpschets Design sketch Stijlkamers Bordenwand Wall of plates Interiors on Display 151 Dash11 binnenwerk.indd 151 25/01/16 20:12.
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