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Changing Kenya's Literary Landscape
CHANGING KENYA’S LITERARY LANDSCAPE CHANGING KENYA’S LITERARY LANDSCAPE Part 2: Past, Present & Future A research paper by Alex Nderitu (www.AlexanderNderitu.com) 09/07/2014 Nairobi, Kenya 1 CHANGING KENYA’S LITERARY LANDSCAPE Contents: 1. Introduction ................................................................................................................... 4 2. Writers in Politics ........................................................................................................ 6 3. A Brief Look at Swahili Literature ....................................................................... 70 - A Taste of Culture - Origins of Kiswahili Lit - Modern Times - The Case for Kiswahili as Africa’s Lingua Franca - Africa the Beautiful 4. JEREMIAH’S WATERS: Why Are So Many Writers Drunkards? ................ 89 5. On Writing ................................................................................................................... 97 - The Greats - The Plot Thickens - Crime & Punishment - Kenyan Scribes 6. Scribbling Rivalry: Writing Families ............................................................... 122 7. Crazy Like a Fox: Humour Writing ................................................................... 128 8. HIGHER LEARNING: Do Universities Kill by Degrees? .............................. 154 - The River Between - Killing Creativity/Entreprenuership - The Importance of Education - Knife to a Gunfight - The Storytelling Gift - The Colour Purple - The Importance of Editors - The Kids are Alright - Kidneys for the King -
Music, Health and Hegemony in Tanzania in the Context of Hiv/Aids
“…THOSE WHO DID IT HAVE POWER...” MUSIC, HEALTH AND HEGEMONY IN TANZANIA IN THE CONTEXT OF HIV/AIDS by MATHAYO BERNARD NDOMONDO Abstract. This article investigates the display of power relations in the production of health knowledge about HIV/AIDS through music that addresses the HIV/AIDS pandemic in Tanzania. It specifically looks at the intersection of the state and religion in both shaping culture and influencing decision-making in the production of health knowledge on HIV/ AIDS. I argue that the study of HIV/AIDS and the creative process of music about HIV/ AIDS is also the study of power relations at multiple levels. Using two recordings, ‘Mambo kwa socks’ (Things with socks on) and ‘Usione soo, sema naye’ (Do not feel shy, speak to him or her), which have been forbidden from public broadcast by the government of Tanzania as evidence, I suggest that musical performances that focus on HIV/AIDS involve the production of multiple, often dissonant and antagonistic interpretations among individuals because of the musical styles employed and because of the interpreters’ different ages, social positions, context, social and historical spaces. Introduction On March 10, 2009, viewers (including myself) of the evening television news hour in Tanzania found themselves watching the public slapping of Alhaji Ali Hassan Mwinyi, former President of the United Republic of Tanzania, during an important Islamic event in Dar es Salaam. To many the incident was shocking, extraordinary, and historic. It was Maulid, a religious holiday in which Muslims in Tanzania and the world over were celebrating the birth of the Prophet Muhammad. -
ECFG-Tanzania-2020R.Pdf
About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for success. (Photo a courtesy of ECFG USAID). The guide consists of 2 parts: Part 1 introduces “Culture General,” the foundational knowledge you need to operate effectively in any global Tanzania environment. Part 2 presents “Culture Specific” Tanzania, focusing on unique cultural features of Tanzanian society and is designed to complement other pre- deployment training. It applies culture-general concepts to help increase your knowledge of your assigned deployment location. For further information, visit the Air Force Culture and Language Center (AFCLC) website at www.airuniversity.af.edu/AFCLC/ or contact AFCLC’s Region Team at [email protected]. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the expressed permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources as indicated. GENERAL CULTURE CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. A culture is the sum of all of the beliefs, values, behaviors, and symbols that have meaning for a society. All human beings have culture, and individuals within a culture share a general set of beliefs and values. -
Swahili Forum 10 (2003)
SSWWAAHHIILLII FFOORRUUMM 1100 Edited by Rose Marie Beck, Lutz Diegner, Thomas Geider, Uta Reuster-Jahn 2003 Department of Anthropology and African Studies Johannes Gutenberg University Mainz, Germany Swahili Forum 10 (2003) A BIBLIOGRAPHY OF SWAHILI LITERATURE, LINGUISTICS, CULTURE AND HISTORY Compiled by Thomas Geider The present alphabetical Bibliography ranging from 'Abdalla' to 'Zhukov' includes old and new titles on Swahili Literature, Linguistics, Culture and History. Swahili Studies or 'Swahil- istics' have grown strong since the mid-1980s when scholars started to increasingly engage in international networking, first by communicating through the newsletter Swahili Language and Society: Notes and News from Vienna (Nos. 1.1984-9.1992) and Antwerp (No. 10.1993) and then through the journal Swahili Forum published at the University of Cologne (Nos. I. 1994 - IX. 2002), not to mention the numerous conferences held in Dar es Salaam, Nairobi, London, Bayreuth and other places, and not to forget the achievements of the journal Kiswa- hili from Dar es Salaam as another steady medium of Swahili scholarship. Part of this net- working consists of continuously updated bibliographical information which has been pro- vided in different forms: a coherent collection of bibliographical data was annually issued in the SLS: NN-Letters, based on regular submissions of correspondents. Swahili Forum was less successful in this as scholars only occasionally sent in information. So from No. VII onwards it was decided to include articles providing bibliographical data. These derived from subjec- tive scholarly interest of the author as well as from regular checking of the book and journal accessions in four major Africanist libraries in Germany (Geider 2000, 2001, 2002). -
Message from Mr. V Nagaraj, Vice Chairman, SGI
Message from Mr. V Nagaraj, Vice Chairman, SGI It is our pride privilege to highlight ‘Sambhram International Students’ Association’[SISA] dedicated to the cause of all International Students studying various courses @ Sambhram. We welcome them from various cultures across the World to be with us till they complete their courses and achieve the best to acclaim them as an achiever of Higher Education in their life. The world seems to be a village today across cultures; cultural assimilation is the need of the hour to manage the world in an excellent way for the betterment of humanity. Sambhram Group is honored having students from 26 Countries across the World to facilitate cultural diversity and materializing the mission to attain Global Village hood. All the Best to the International Students who come under the aegis of SISA Mr. V. Nagaraj AFGHANISTAN Afghanistan (literary means the land of Afghan), the Islamic Republic of Afghanistan is a sovereign state in central Asia which is bordered to Pakistan in south and southern east, Iran in west, Tajikistan, Uzbekistan, and Turkmenistan in north and China in northern east, with a total land-measurement of 160,000 square miles. Its diverse topography and landscape ranges from fruitful forests, tropical deserts, inner plains and valleys, spectacular hills and firmamental mountains. Although Afghanistan is a landlocked country but its miscellaneous seasonal weather makes a marvelous life where spring brings about a humid weather with colorful scenery, a hot summer and arid autumn and freezing cold winter with the special beauty of snowfall. This territory companies thirty four provinces and Kabul as its capital city. -
Arabic Literature of Africa: Project and Publication
NORTHWESTERN UNIVERSITY PROGRAM OF AFRICAN STUDIES WORKING PAPER SERIES ARABIC LITERATURE OF AFRICA: PROJECT AND PUBLICATION by John Hunwick Director-General, The Institute for the Study of Islamic Thought in Africa i INSTITUTE FOR THE STUDY OF ISLAMIC THOUGHT IN AFRICA 2005 ii PREFACE The items in this publication are partially derived from presentations given at a symposium on Arabic Literature of Africa (ALA), at the Program of African Studies in November 2003. Also included is some detailed information on the contents of already published volumes (ALA I, II, IIIA, IV), and "Overviews" of volumes II, IIIA, IIIB, and IV. Writing in the Arabic language in Muslim areas of Saharan or sub-Saharan Africa, well away from Arabic North Africa, was taken on after 1000 A.D., when Islam became the more widely adopted religion; hence Arabic–the language of the Qurn and of the Prophet Mu˛ammad—played a role that allows it to be described as " the Latin of Africa", i.e. fulfilling a role parallel to what Latin did in Europe, where it was a language used for writing and reading (especially after the adoption of Christianity there, and with Latin Bibles), and with a script that was adopted for the writing of many languages of the continent. John Hunwick Director-Emeritus, ISITA i I CONTENTS Abbreviations...............................................................................................iv The Origins and Development of ALA. 1. West Africa...................................................................................1 2. Arabic Literature -
Muziki Wa Dansi in Dar Es Salaam, Tanzania
RESONATION Muziki wa Dansi in Dar es Salaam, Tanzania Nils von der Assen MA Thesis African Languages & Cultures Leiden University/ African Studies Centre September 2012 RESONATION Muziki wa Dansi in Dar es Salaam, Tanzania Nils von der Assen [email protected] Supervisors Prof. Robert Ross Dr. Daniela Merolla 2 In memory of Joe Martin, a musical mind 3 TABLE OF CONTENTS List of illustrations v Resonation CD + notes vi Acknowledgments viii OPENING NOTES A Pretty Good Crowd for a Friday 11 A City of Windows and Mirrors 12 Popular Music and Instrumental Details 14 ‘Feeling’ the Music: Thoughts on Peircean Semiotics 15 Altered Perspectives and Chapter Synopsis 17 CH 1 | MUSIC, POLITICS AND MODERNITY Cosmopolitanism and Glocalisation 20 Points of Departure 22 Natural and National 25 CH 2 | GOING ELECTRIC: DANSI AS A COSMOPOLITAN MODERNISM Beni Ngoma Performance and Societies 30 The Advent of Dansi 32 Dansi as Anti-Establishment Music 34 Afro-Cuban Rumba 36 The Development of a Record Industry 37 Congolese Rumba, Tanzanian Dansi 39 CH 3 | ORCHESTRATING THE NATIONAL: DANSI AS THE SOUND OF THE STATE Ujamaa and Umoja 42 National Music, National Musicians 43 Going Out Dancing 49 Radio Tanzania Dar es Salaam (RTD) and Censorship 49 Restrictions and Incentives 52 4 CH 4 | BONGO The Music of the New Generation 54 A Capitalist Scene 58 The Old Stars 62 CH 5 | VYA KALE NI DHAHABU!—“OLD IS GOLD!” From Dust to Digital 67 Fundisha 72 Fathers, Brothers, Grandchildren 75 RESONATION Bibliography 5 LIST OF ILLUSTRATIONS Cover photo: Five senior musicians of Dar es Salaam, each of them still active members of the city’s live music scene (© Tanzania Heritage Project, 2012).