Secret Lives of Male Models
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Phaidon New Titles Fall 2017 Phaidon New Titles Fall 2017
Phaidon New Titles Fall 2017 Phaidon New Titles Fall 2017 phaidon.com Phaidon New Titles Fall 2017 Photography Fashion Annie Leibovitz: Portraits 2005–2016 6 Yves Saint Laurent Accessories 80 Memoria: James Nachtwey 12 Betak: Fashion Show Revolution 82 A.P.C. Transmission 84 Food & Cooking Travel America: The Cookbook 14 Bread is Gold 18 Wallpaper* City Guides 86 The Sportsman 20 Boragó 22 Recipes from an Italian Butcher 24 Children’s Books The Palestinian Table 26 Elizabeth Street Café 28 My First Book of Patterns 88 Where to Drink Coffee 30 Book of Bones 90 Tacos! An Interactive Recipe Book 92 One & Other Numbers with Alexander Calder 94 Art What’s Cooking? 96 Twinkle, Twinkle, ABC 98 The Art of the Erotic 32 Vehicles Hide and Sneak 100 Vitamin C: Clay and Ceramic in Contemporary Art 34 Something’s Fishy 102 Artists Who Make Books 36 New Museum: 40 Years 38 The Artist Project 40 Recently Published Robert Ryman 42 The Art Museum 44 Spring 2017 110 Modern Art in America 1908–68 46 Frank Stella 48 Mark Bradford 50 How to Order Yayoi Kusama 52 How to Order 116 General Interest Universe: Exploring the Astronomical World 54 Architecture John Pawson: Spectrum 56 Black: Architecture in Monochrome 58 Destination: Architecture 60 Prouvé Architect 62 Concrete 64 Tadao Ando: The Colours of Light 66 Design Ward Bennett 68 Barber & Osgerby: Projects 70 Sottsass 72 Made in North Korea 74 Ferrari 76 Gardening The Japanese Garden 78 phaidon.com Celebrating the Best of 2017 1 On Vegetables 2 Vegan: The Cookbook 3 The Great Dixter Cookbook 270 × 205 mm 270 × 180 mm 270 × 205 mm 8 ⅛ × 10 ⅝ inches 7 ⅛ × 10 ⅝ inches 8 ⅛ × 10 ⅝ inches 320 pp 480 pp 240 pp 150 col illus. -
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
TERRY RICHARDSON "The Sacred and the Profane" Galerie Perrotin, Paris / 7 Mars
"Jesus Loves You", 2014 "Adult", 2014 © 2015 Terry Richardson, All Rights Reserved. © 2015 Terry Richardson, All Rights Reserved. Courtesy Galerie Perrotin Courtesy Galerie Perrotin TERRY RICHARDSON "The Sacred and The Profane" TERRY RICHARDSON "The Sacred and The Profane" Galerie Perrotin, Paris / March 7 - April 11, 2015 Galerie Perrotin, Paris / 7 mars - 11 avril 2015 Opening reception: Saturday, March 7, 4-9pm Vernissage: samedi 7 mars, 16h-21h Galerie Perrotin, Paris is pleased to present the first solo exhibition of Terry La Galerie Perrotin, Paris a le plaisir de présenter la première exposition Richardson at the gallery since 1999. "The Sacred and The Profane" presents personnelle de Terry Richardson à la galerie depuis 1999. « The Sacred a series of new photographs taken in the Western states of America over the and The Profane » dévoile une série de nouvelles photographies réalisées past two years. This project was initially meant as a form of documentation of ces deux dernières années dans les États du Grand Ouest américain. A American summer rituals, including fairs, festivals and parades. Throughout his l’origine, le projet est né de la volonté de documenter les coutumes estivales travels, Richardson soon became aware of a pervasive tension that simmered américaines, telles que les foires, les festivals ou les parades. Au cours de throughout the country between a mystical and religious omnipresence and ses voyages, Richardson s'est rapidement aperçu de la tension que révèlent the sex industry, becoming the focus of the series. les images entre l'omniprésence du mystique et du religieux et l'industrie du sexe, devenant le motif essentiel de la série. -
MALIK H. SAYEED Director of Photography
MALIK H. SAYEED Director of Photography official website COMMERCIALS (partial list) Verizon, Workday ft. Naomi Osaka, IBM, M&Ms, *Beats by Dre, Absolut, Chase, Kellogg’s, Google, Ellen Beauty, Instagram, AT&T, Apple, Adidas, Gap, Old Navy, Bumble, P&G, eBay, Amazon Prime, **Netflix “A Great Day in Hollywood”, Nivea, Spectrum, YouTube, Checkers, Lexus, Dobel, Comcast XFinity, Captain Morgan, ***Nike, Marriott, Chevrolet, Sky Vodka, Cadillac, UNCF, Union Bank, 02, Juicy Couture, Tacori Jewelry, Samsung, Asahi Beer, Duracell, Weight Watchers, Gillette, Timberland, Uniqlo, Lee Jeans, Abreva, GMC, Grey Goose, EA Sports, Kia, Harley Davidson, Gatorade, Burlington, Sunsilk, Versus, Kose, Escada, Mennen, Dolce & Gabbana, Citizen Watches, Aruba Tourism, Texas Instruments, Sunlight, Cover Girl, Clairol, Coppertone, GMC, Reebok, Dockers, Dasani, Smirnoff Ice, Big Red, Budweiser, Nintendo, Jenny Craig, Wild Turkey, Tommy Hilfiger, Fuji, Almay, Anti-Smoking PSA, Sony, Canon, Levi’s, Jaguar, Pepsi, Sears, Coke, Avon, American Express, Snapple, Polaroid, Oxford Insurance, Liberty Mutual, ESPN, Yamaha, Nissan, Miller Lite, Pantene, LG *2021 Emmy Awards Nominee – Outstanding Commercial – Beats by Dre “You Love Me” **2019 Emmy Awards Nominee – Outstanding Commercial ***2017 D&AD Professional Awards Winner – Cinematography for Film Advertising – Nike “Equality” MUSIC VIDEOS (partial list) Arianna Grande, Miley Cyrus & Lana Del Rey, Kanye West feat. Nicki Minaj & Ty Dolla $ign, N.E.R.D. & Rihanna, Jay Z, Charli XCX, Damian Marley, *Beyoncé, Kanye West, Nate Ruess, Kendrick Lamar, Sia, Nicole Scherzinger, Arcade Fire, Bruno Mars, The Weekend, Selena Gomez, **Lana Del Rey, Mariah Carey, Nicki Minaj, Drake, Ciara, Usher, Rihanna, Will I Am, Ne-Yo, LL Cool J, Black Eyed Peas, Pharrell, Robin Thicke, Ricky Martin, Lauryn Hill, Nas, Ziggy Marley, Youssou N’Dour, Jennifer Lopez, Michael Jackson, Mary J. -
Junk Food Subsidies Fuel Obesity
New Mexico Public Interest Research Group Citizen Update: A Report For Members Of NMPIRG Summer 2011 • Vol. 37, No. 2 Find links to resources and actions at www.nmpirg.org/newsletters Flickr User donbuciak Tax & Budget Policy Junk Food Subsidies Fuel Obesity Nearly one in three kids in New As a result, in the last 20 years, Mexico are overweight or obese, the price of soda has gone down and our taxpayer dollars are subsi- by more than 20 percent while the dizing unhealthy food—to the tune price of fresh fruits and vegetables of $245 billion over the last 15 years. has increased 40 percent. Of course, the epidemic of child- These subsidies overwhelmingly hood obesity is a complex problem benefit big agribusiness. More that won’t be solved by cutting than 60 percent of direct payments subsidies alone. But at the very in 2009 went to just 11 percent of YOUR TAX DOLLARS AT WORK—Taxpayer subsidies have driven down least, the government should not recipients. n the cost of unhealthy food over the last 15 years. be helping to saturate the market with cheap junk food. NMPIRG is calling for reform. Thanks to the tremendous influ- Public Health ence of the powerful agribusi- ness lobby, the U.S. Department of Agriculture spends billions of dollars directly subsidizing corn, soy, wheat and rice—key ingredi- USDA Mandates Safer ents in unhealthy food. It makes almost no direct subsidies to fruits and vegetables. School Lunches For years, New Mexico’s school- Some of the chicken schools have Member Resource We Are What We Grow children ate beef, chicken and other served was of such poor quality Over the next year, Congress will foods that would have been rejected that one University of Washington VISIT OUR WEBSITE decide whether and how to in- as substandard even by fast-food study found that it was four times where you can take vest in the food we grow and eat. -
Pt.BI ISHTAR ~IKAIBKRS
ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO -
Biggest Moments in Mad Men We Learn That Don's Girlfriend Midge Is
Biggest Moments In Mad Men We learn that Don's girlfriend Midge is in fact his mistress and he is actually married. Betty shoots the pigeons. We learn about Don's true identity Peggy and Stan get naked in the hotel Joan's room mate makes a pass at her Betty sets up her friend with the guy from the stables Don's brother Adam kills himself. We learn that Peggy is pregnant. Joan's fiancé (Greg Harris) rapes her in Don's office Roger has his first of two heart attack! Roger proposes to Jane Siegel, a secretary, and ends his marriage with Mona. Sal turns down the opportunity to sleep with Elliot. Sal is fired from SC. An unhappily and pregnant Betty has anonymous sex in a bar with a complete stranger. Freddie Rumsen pissing himself in the middle of an alcoholinduced blackout and is later fired. Don gets Roger to throw up after getting revenge for him making a pass at Betty. PPL buys out SC leaving Duck out of the deal. Betty finally gets access to Don's office drawer and learns about his true identity. Lois Sadler runs over Guy MacKendrick's foot with John Deere lawnmower in “Guy Walks Into an Advertising Agency” Betty makes the decision to file for divorced and leave Don for Henry. Bert, Roger and Don are fired by Lane and then turn around and start SCDP. Anna Draper dies of cancer. Joan becomes pregnant with Rogers child and tries to pass the child off as Gregs. Don proposes to Megan. -
My Friend Dahmer
presents MY FRIEND DAHMER Written and Directed By Marc Meyers Starring Ross Lynch, Anne Heche, Alex Wolff, Dallas Roberts, Miles Robbins, Tommy Nelson, Vincent Kartheiser 107 minutes – Rated R Official Selection Tribeca Film Festival 2017 *World Premiere* Los Angeles Film Festival 2017 Frameline Film Festival 2017 Fantasia Film Festival 2017 BFI London Film Festival 2017 Deauville American Film Festival 2017 Sitges Film Festival 2017 Press Contact: ID PR [email protected] 212-334-0333 For downloadable publicity materials, go to: www.filmrise.com/film/my-friend-dahmer - press-kit MY FRIEND DAHMER Short Synopsis Jeffrey Dahmer murdered 17 men and boys in the American Midwest, becoming one of history’s most infamous serial killers. This is the story before that story. Jeff (Disney Channel’s Ross Lynch) is an awkward teenager struggling to make it through high school with a family life in ruins. His bizarre behavior at school attracts unexpected friends, a group of band-nerds who form The Dahmer Fan Club, headed by Derf Backderf (Alex Wolff, PATRIOTS DAY). But as they near graduation, Jeff’s depravity continues to take hold, and he spirals further out of control. Based on Backderf’s critically acclaimed 2012 graphic novel and written for the screen and directed by Marc Meyers, MY FRIEND DAHMER is the haunting, sad, funny, true story of Jeffrey Dahmer in high school. Long Synopsis Jeffrey Dahmer murdered 17 men and boys in the Midwest United States between 1978 and 1991 before being captured and incarcerated. He would become one of America’s most infamous serial killers. -
Women and Work in Mad Men Maria Korhon
“You can’t be a man. Be a woman, it’s a powerful business when done correctly:” Women and Work in Mad Men Maria Korhonen Master’s Thesis English Philology Faculty of Humanities University of Oulu Spring 2016 Contents 1. Introduction ................................................................................................................................................... 3 1.1. History of Working Women .................................................................................................................... 5 2. Appearance .................................................................................................................................................. 10 2.1. Appearance bias ................................................................................................................................... 10 2.1.1 Weight ................................................................................................................................................ 12 2.1.2. Beauty ideals ..................................................................................................................................... 15 2.1.3. 1960s Work Attire ............................................................................................................................. 18 2.1.4. Clothing and external image in the workplace .................................................................................. 20 2.1.5. Gender and clothing ......................................................................................................................... -
Mad Men, Episode 10, "Hands & Knees" Tim Anderson Old Dominion University, [email protected]
Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Communication & Theatre Arts Publications 9-29-2010 "Listen. Do You Want to Know a Secret?": Mad Men, Episode 10, "Hands & Knees" Tim Anderson Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Television Commons Repository Citation Anderson, Tim, ""Listen. Do You Want to Know a Secret?": Mad Men, Episode 10, "Hands & Knees"" (2010). Communication & Theatre Arts Faculty Publications. 27. https://digitalcommons.odu.edu/communication_fac_pubs/27 Original Publication Citation Anderson, T. (2010, September 29). "Listen. Do you want to know a secret?": Mad Men, episode 10, "Hands & Knees" [Blog post]. Retrieved from http://blog.commarts.wisc.edu/2010/09/29/listen-do-you-want-to-know-a-secret-mad-men-episode-10-hands- knees/ This Blog is brought to you for free and open access by the Communication & Theatre Arts at ODU Digital Commons. It has been accepted for inclusion in Communication & Theatre Arts Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. “Listen. Do You Want to Know a Secret?”: Mad Men, Episode 10, “Hands & Knees” September 29, 2010 By Tim Anderson | The most striking use of pop music in this season of Mad Men appears at the beginning of episode eight, “The Summer Man”. Opening with a montage of Don Draper after he has begun to reclaim his life we hear The Rolling Stones 1965 summer release, “(I can’t get no) Satisfaction”. Arguably their signature song of the 1960s, the Stones’ three minutes and forty four seconds of audible discontent is layered onto a somewhat rehabilitated Draper who swims and takes on writing exercises. -
Stoneback Thesis.Pdf
“Women Usually Want to Please”: A Linguistic Analysis of Femininity and Power in Mad Men by Stephanie Stoneback A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2019 © 2019 Stephanie Christine Stoneback To my mom. Acknowledgments First of all, I would like to thank my thesis advisor, Anne Curzan, for her unwavering support, guidance, and understanding throughout this process. Anne, without your encouragement, listening ear, criticism, and patience, I would have never been able to produce such exciting analysis that I am proud of. To me, you embody what it means to be a powerful woman and you are such an inspiration as I complete my undergraduate work and enter a new phase of life. Thank you so much for that. Next, I must thank our program director, Adela Pinch, for her helpful tips and constant reminders that everything was going to be okay. Adela, in many ways, you have shaped my education as an English major at the University of Michigan—you taught me the Introduction to Literary Studies course, a course on Jane Austen, and both semesters of Thesis Writing. Thank you so much for the years of engaged learning, critical thinking, and community building. I would also like to thank some of the staff members of the New England Literature Program, who helped instill in me a confidence in my writing and in my self that I never knew I was capable of. Aric Knuth, Ryan Babbitt, Mark Gindi, Maya West, and Kristin Gilger, each of you had a distinct and lasting impact on me, in some unspoken and perhaps sacred ways. -
Using Intersectionality to Understand Identity Among Sexually Marginalized Undergraduate College Students of Color
VOICES UNHEARD: USING INTERSECTIONALITY TO UNDERSTAND IDENTITY AMONG SEXUALLY MARGINALIZED UNDERGRADUATE COLLEGE STUDENTS OF COLOR Elizabeth Irene Ann (Annie) Russell A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of: DOCTOR OF PHILOSOPHY May 2012 Committee: Dr. Dafina Lazarus Stewart, Advisor Dr. Kimberly Coates Graduate Faculty Representative Dr. Ellen Broido Dr. Patricia Kubow ii ABSTRACT Dr. Dafina Lazarus Stewart, Advisor This study used intersectionality as a framework and methodology to understand identity among sexually marginalized undergraduate college students of color. The research questions were as follows: 1. What are the experiences of QLGBTSGL (Queer, Lesbian, Gay, Bisexual, Transgender, Same Gender Loving) undergraduate students of color on a college campus? How do QLGBTSGL undergraduate students of color perceive their college experiences to be different from and similar to other students in college? 2. How do environmental factors (e.g., spiritual community, society, family, student organizations, and support groups) affect identity development for QLGBTSGL undergraduate students of color in college? 3. How do interpersonal relationships, such as those with friends, family, and romantic partners, influence identity development for QLGBTSGL undergraduate students of color in college? 4. How do QLGBTSGL undergraduate students of color make meaning of their identities? In what ways do identity consistency and coherence characterize their identity meaning- making? The literature implied that while substantial research has been done in identity and identity development in student affairs, including in race, gender, sexuality, and environment, the intersections and interactions of those identities had been less explored in research, if at all.