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The MIT Press Spring 2021 Dear Friends and Readers, Contents
The MIT Press Spring 2021 Dear Friends and Readers, Contents Books are carriers of civilization. Without books, history is silent, literature dumb, science crippled, thought and speculation at a standstill. They are engines of change, windows to the world, “lighthouses” (as a poet said) Trade 1-32 “erected in the sea of time.” Paperback Reprints 33-36 —Barbara W. Tuchman, American historian Distributed by the MIT Press University presses are critical to the academy’s core purpose to create and share knowledge. In these extraordinary times, scholars and scientists are racing to overcome a pandemic, Boston Review 37 combat climate change, and protect civil liberties even as Goldsmiths Press 38-39 they are forced to engage in escalating information warfare. With expanding misinformation and shrinking public trust in Semiotext(e) 40-43 news media, in science and academia, and in expertise more Sternberg Press 44-58 broadly, it falls to universities and mission-driven publishers to uphold sense-making and the spreading of facts—to share Strange Attractor Press 59-61 and translate credible, research-based information in ways that Terra Nova Press 62 maximize its impact on decisions that will shape the future of humanity. University presses have a central role to play in this Urbanomic 63 cause, and the MIT Press continues to be a guiding light. As Director, I am reminded daily of the power of books for posi- Academic Trade 64-68 tive change—to create more beauty, knowing, understanding, Professional 69-91 justice, and human connection in our vast and complex world. www.dianalevine.com Amy Brand All of us at the MIT Press feel a profound responsibility to use Journals 92-94 our privileged perch for good wherever we can. -
Download PDF of 1939-1999-Specialist-Index By
The Czechoslovak SPECIALIST COMPLETE TWENTIETH CENTURY SUBJECT INDEX: 1939 - 1999 Compiled by Anne G. Vondra Edited by Ludvik Z. Svoboda Published by The Society for Czechoslovak Philately, Inc. 4766 S. Helena Way Aurora, Colorado 80015 USA First Published 2003 COMPLETE TWENTIETH CENTURY SUBJECT INDEX INTRODUCTION The Society for Czechoslovak Philately was founded in March 1939 and the first issue of THE CZECHOSLOVAK SPECIALIST was published in May 1939. From that first issue until January 1990, it was printed as a monthly periodical. From January 1991 on, it became a bi-monthly publication with more than double the number of pages per issue. Wolfgang Fritzsche first compiled a SPECIALIST Index in 1964. In 1974, Mr. and Mrs. Henry Stollnitz put together the first Subject Index and combined it with a Priced Catalog of Postal Stationery. Anne Vondra thereafter indexed the period from 1974 to 1980. The two Indexes were combined into a Subject Index published in June 1980 as vol. 44, whole number 419 of THE CZECHOSLOVAK SPECIALIST. This Index was further expanded to a Cumulative Index encompassing the period from 1939 to 1992. But in the year 2000, Anne Vondra compiled a complete 60-year Subject Index embodying every issue of THE SPECIALIST published during its uninterrupted period of existence up to the end of the 20th century. The new Subject Index contains numerous abbreviations. Listed in alphabetical order is a glossary of these abbreviations: Ann. — anniversary Assn. — Association h. — halér (heller) Illus. — illustrated Int. — international k. — koruna (crown) k…. — Czech koruna (crown) k…s. — Czechoslovak koruna (crown) m/s. -
Akik Előttünk Jártak: Nemes (Nágel) Endre
2412 Járkáló Képtár 2391 magammal, amikor 95-ben – családi kényszerhelyzetben – áttelepültem Svédor- Nemes (Nágel) Endre szágba. Évekkel előbb Szőcs Géza kezdeményezte az Erdélyi Szépmíves Céh új- raalakítását. Horváth Andor akkori minisztériumi megbízottól megszereztem a festő, grafikus, (Pécsvárad, 1909. no- Céh újraindításához szükséges engedélyt. Aztán a Céh intézőjeként – a Kós Kár- vember 10. - Stockholm, 1985. szep- oly-i hagyományokat követve – annak százhuszonhét fiókját terveztem, több mint tember 22.) ötvenet létrehoztam, tagjainknak száma akkor meghaladta a 2600-at. Ekkor tör- tént, hogy elvesztettem egész családomat. Hét munkatársamnak átadtam a Céhet, Gyermekkorát Magyarországon és és áttelepültem Svédországban élő lányomhoz, unokámhoz. Miután egész élete- Szlovákiában töltötte. 1928-ban felvette met a köz szolgálatában töltöttem, kötelességemnek éreztem a családom egyetlen a Nemes nevet. Verseket írt, a Kassai maradéka mellé állni. Azóta félig svéd, félig magyar, három szép unokámat taní- Újság címő lap munkatársa lett. 1928- tom anyanyelvére. Ismerkedve a svédországi magyarokkal, sanyarú helyzetben 1930 között Prágában élt, karikatúrákat találtam őket. Egyaránt idegenkedtek a művelődés jelenségvilágától és a művelt készített. 1930-1935 között a prágai emberektől. Néhány cselekvő emberrel klubot nyitottunk, hogy a szórakozás mel- Képzőművészeti Akadémián tanult lett a magyar nyelvet ápoljuk. Olvasókör alakult. Kétmillió korona ráfordítással a Willy Nowak professzor tanszékén. svédek rádiót létesítettek Lundban. Büszke vagyok rá, hogy az egyetlen magyar Részt vett a prágai Sezession kiállítása- rádiót magam szerkesztettem. Egyesületünk választmányába három fiatalt is be- in. 1932-1934 között a prágai Magyar vittem, mert csupa idősekből állt a vezető testület. Hetedik éve megjelenő családi Újság műkritikusa volt. 1933-ban Pá- lapomat, a Magyar Ligetet is átadtam a magam nevelte szerkesztőnek. rizsba utazott ösztöndíjasként Jakob – A skandináviai magyar irodalmi és művészeti élet központi fóruma az Ághegy. -
Annual Report 2004 1. Introduction
Annual Report 2004 1. Introduction In 2004, the Jewish Museum in Prague (JMP) commemorated the tenth anniversary of the return of the buildings and collections of the former State Jewish Museum to the Bohemian and Moravian Jewish community and the reestablishment of the Jewish Museum in Prague as a non-state institution. This was also the year in which the JMP completed its last major repair and reconstruction project, with the establishment in the former Smíchov Synagogue of a modern central Jewish archive and depository of paintings and graphic art. The JMP also successfully developed all areas of its activities, details of which are shown in this report. After the decline in visitor numbers in 2002– 03 due to the 9/11 terrorist attacks in the United States and due to the flood in Prague in August 2002, there was a marked increase in 2004. The JMP attracted more than 637,000 visitors – almost 120,000 more than in 2003 – and enjoyed the best economic results in its history. The JMP received two important awards in 2004 for its English catalogue, Textiles from Bohemian and Moravian Synagogues: the main prize in the Gloria Musealis competition for museums in the Czech Republic – in the categoryMuseum Publications of 2003 – and the main award in The Most Beautiful Czech Books of the Year competition for 2003 – in the specialist and scientific literature category. In April 2004, the JMP contributed to the organization of the international conference The Future of Jewish Heritage in Europe, which was held in Prague by the European Association for Jewish Culture. -
Tensta Konsthall T R a C E S in an ART COLLEC TION
Migration: Traces in an Art Collection 14.5–22.9 2019 MIGRATION: konsthall Tensta T R A C E S IN AN ART COLLEC TION 2 2 översätt Konica Minolta 1 Migration: Traces in an Art Collection Xet Erixson, reflecting the scene as it 14.5–22.9 2019 occurred in his mind’s eye. But those who found accommodation in the How have artists over the past 150 museum left behind drawings, as well, years related to the concepts of exile which remain in the collection. Many and migration? By following their were small works on paper, depicting traces in a museum’s collection, in this life in concentration camps, including, case that of Malmö Konstmuseum, we among other things, portraits of other discover compelling answers to this prisoners, a strong testimony of an question. This exhibition focuses on abominable period in history. various experiences of migration and displacement from the perspective of Another group of works recalls art, and on the museum as a source of relations between Sweden and knowledge. the Baltic countries before and after World War II. In 1939 Malmö Malmö Konstmuseum originated as Museum received a private donation a study collection at a private school slated for the establishment of a in Malmö in the 1840s. There were Latvian collection in the museum. A archaeological finds, stuffed birds, rare selection of forty-five artworks was coins, minerals and artworks that the purchased as a greeting, or a gesture teachers would use in their teaching. In of solidarity, to the young Latvian the 1880s, the collection had become nation.